Review: The Lemon Twigs – Roundhouse, London – February 27th, 2019

The Roundhouse is probably the handiest venue for me currently. A short journey on the Thameslink rail line from Luton to Kentish Town station and then a 20 minute walk from there to the venue. Easy!

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I arrived early enough, around 7.20pm. Support act Matt Maltese wasn’t due on until 8pm.

I found myself stood at almost the exact same spot I was in at the Franz Ferdinand gig last September…and I was getting a little apprehensive about it. I had fainted at the gig. The first time anything like that had happened to me. It was starting to play on my mind. But I just kept talking to myself, reassuring myself. Shortly after, I got chatting to a man next to me and it took my mind off it and distracted me enough for me not to worry and dwell on it. I also made sure that this time I had ample food and drink in me (and had water to hand should I feel the need to keep myself hydrated).

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Matt Maltese was quite good. I liked what I heard. He’s got a fairly “lo-fi” quality to him. Quite laid back. He performed several songs, of which Hello Black Dog was the standout for me. You’ll find a little snippet of it below. I’ll give his album a listen in the next few days. I really do think it’ll be something I’ll enjoy.

There wasn’t too much of a wait before The Twigs appeared. As soon as it hit 9pm, the crowd were getting restless…clapping and cheering for the guys to appear. On the Roundhouse FB page it stated they’d be on at 9.05 and there they were, almost on the dot and straight into Go To School opener Never In My Arms, Always In My Heart.

Michael had some of the girls in the crowd screaming from the off. Using all he gained from his years as a child actor, giving the most Jagger-esque of “rock star stud” performances.

Once done, Michael starts to talk about his meeting with legendary U.S. songwriter, Paul Williams, and how some mutual appreciation went on. To the point in which he says, “so I thought ‘fuck it, you know…and I sucked him off’.” Erm, okay Michael! Thanks for sharing! Lol. I got the distinct impression it was all bravado and very much tongue-in-cheek (or perhaps cock-in-cheek in this instance) and on they went into Foolin’ Around (which obviously he had been doing with his felating Paul Williams story).

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There is quite a distinction between the D’Addario boys. Michael is definitely the showman. All front, bravado, then pretend nonchalance. But, of course, the musicianship is there. Brian, conversely, brings the musicianship more to the fore with sublime vocals and maestro guitar playing (as well as some time behind the keyboard too). But he can let his hair down as well, but it’s always more controlled and more restrained to Michael’s bold theatrics.

It’s then Brian’s turn to shine, leading a wonderful version of Small Victories. Also on the amazing “influences worn unapologetically on sleeves” I Wanna Prove To You.

Other songs in the set included (sandwiched between the two songs just mentioned) This Is My Street, The Lesson, Hi & Lo, Light & Love, the beautiful These Words, Queen Of My School, Baby Baby, Tailor Made, Home Of A Heart, then a full showman display for The Fire – excerpt below – and finally As Long As We’re Together.

Instruments down. Guitars left playing feedback…the crowd were left wanting more. Only a few minutes were we left waiting for a solitary song encore of If You Give Enough.

Had this gig been on at the Roundhouse 50 years ago, it would not seem at all out of place. The D’Addario brothers really are not shy in melding all their influences together and spewing them forth. Everything is there. And that interplay between the studious Brian and the miscreant Michael is one that makes a Lemon Twigs gig really work. It’s showy, rocky, theatrical, brash yet sublimely rich musically. I left the gig wanting more. And I left so downhearted I had to miss seeing them play Saint Luke’s in Glasgow last week. But I also left knowing I’ll want to see them again and again!

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