In light of His Nibs’s post about the bloody fitba on Saturday, I decided this MMM should highlight tracks representing the nations.
And seeing that in said post he declared his love for the English team, then we have both Jerusalem and When Spirits Rise to represent both England and Scotland.
In fact, Scotland play at Hampden Park this afternoon. And that, my friends, is the extent of my knowledge of the (reputed) “beautiful game”.
I had compiled a completely different post and wanted it to be my MMM post, but it is awaiting approval, so it may just be a bonus post later on today, or will be posted some time during the week (fingers crossed). But I promise that the normal Sons And Fascination/Sister Feelings Call track-by-track celebration Minds Music Mondays WILL RETURN next week!
Until then…Yes, Sir – you *can* indeed boogie! (I miss your dad dancing!)
There is a path that leads me here to this post. A path that was an unexpected but wonderful stroll. The stroll continues, still. I’m not sure how much of this I can explain. Best to keep it a bit cryptic and vague. We love ambiguity – ain’t that right, Jim?
Suffice it to say one thing led to another.
There is a Sons And Fascination link here. Or should that be “Sons And Fascist Nations”? An explanation of that in due course.
A couple of my most prized possessions in my Simple Minds collection are copies of albums produced for the overseas market. One album released for the U.S. market via Stiff Records was titled Themes For Great Cities and was a compilation of tracks from Real To Real Cacophony (Premonition) to several tracks from Sons And Fascination/Sister Feelings Call. The other is a version of the Sons And Fascination album released by Virgin Records for the Central American market.
There are patterns on the cover. The artwork by the one and only Mr Malcolm Garrett, with photography by Peter Anderson. You can see shapes and a figure. I could see a figure on these covers.
Then there is the reissue of I Travel by Virgin Records in 1983 which bares a photo of Jim, taken by graphic designer Garry Mouat, on stage in motion as if marching. “In central Europe men are marching” always springs to mind seeing that cover. What I never really took in is what appears in the overlay of the photo of Jim and I didn’t see it properly until Malcolm was kind enough to show me this…
I did see that something was overlaid on the photo of Jim but what I didn’t know was that it was a variation on the figure seen on the Stiff Records “Themes” release and Mexican version of SAF.
I also missed the very obvious figure on the Sweat In Bullet sleeve art. Mostly due to the fact the figure has the head of a photo of Elizabeth Taylor.
And so…why did I alter the title of the album to “Sons And Fascist Nations” earlier, I hear you ask? Well, here’s the thing. In talking to Malcolm about the album cover photoshoot with Sheila Rock and asking him about the cars, we got to talking about other art relevant to the Sons And Fascination period. He told me about certain things that inspired some of the cover art. This included him telling me about the image above and that it was inspired by similar figures like it that had appeared in a book he had seen. The book in question is called “Mostra Della Rivoluzione Fascista”. Issued in 1932 to be a compendium to an exhibition on Fascist propaganda – a “celebration” of the 10th anniversary of Mussolini’s march on Rome. Seemingly exhibited in a building erected specifically for this solitary purpose – also known as the “Mostra Della Rivoluzione Fascista”. The exhibition proved so popular that it extended beyond its initial intended six month run and ran for two years. It was seen by almost 4 million visitors by its close towards the end of 1934.
You can view selected pages of the book by clicking HERE
I will state here Malcolm’s initial reluctance to have me write and publish this post and he had approval of this before posting. And I do understand the reluctance. You wouldn’t want to be seen condoning Fascism! But it’s about art and the aesthetic and not the political. Well, that is how I see it. This post nor we as individuals are condoning Fascism! But when it came to the use of the “Marching Men” (as they have come to be called during our conversations) and the line in I Travel “in central Europe men are marching” (long since changed by Jim since he now always sings “all over men are marching”). It conjured up the exact imagery used on the Virgin released I Travel cover.
I missed the image of the Marching Man on the Sweat In Bullet cover, yes, and I don’t see the link quite as obviously as with I Travel but listening over some of the lyrics then… it could be “ambition in motion” or to “grow in size” or to “grow more / take more” that makes it fit?
Either way, all four covers featuring the Marching Men are striking and impressive. And they certainly make a statement.
Another short point – as I was researching to do other posts that were SAF/SFC themed, I shared an article from New Sounds New Styles printed in 1981. Ian Cranna interviewed Jim for the piece. Check out the magazine layout! Guess who was behind the layout of New Sounds New Styles? Yes! You got it!
By this point, the band had only appeared on the back cover of their albums. On Life In A Day they were on the back cover and also on the back of Empires And Dance. Inner sleeves too. But only the inner sleeve of Real To Real Cacophony. Not up to this point on the FRONT COVER of an album. Not until Sons And Fascination. They were reluctant and the images of them are somewhat obscured but the images reflect the movement and motion of the music contained within. The “travelogue” musical sensibility of the album. It was a masterstroke. Perfectly encapsulating the audiovisual.
I find the whole aspect of the cover art for the Sons And Fascination/Sister Feelings Call albums and singles…erm…fascinating. And if I do then I thought others would too.
Below are a couple of YouTube clips showing footage of the Mostra Della Rivoluzione Fascista, including a modern day (in Italian) look back at the exhibition as well as footage from the time of a visit to the exhibition from Mussolini himself!
A massive thank you to Malcolm Garrett for allowing me to tell the story of the Marching Men images and what inspired them into being.
Oh, at long last! After nine months in the tightest restrictions in all of the UK, Glasgow came out of Level 3 lockdown last Saturday, June 5th. I was happy to let a few days pass by at least until we tried to get out and see anything. Just bide time a little longer.
We hired a car from Tuesday evening to Wednesday evening for a 24 hour period. I was hoping for a splendid west coast sunset followed by a day in the east but…mother nature had other plans! Although conditions were dry on Tuesday night, it was quite overcast so the glorious sunset I was hoping to see wasn’t really going to happen.
A change of plan. We broke up what was the rest of the plan into two parts – which was probably a good thing in hindsight as it would have been a bit of a stretch to have tried to cram it all in on one day.
On Tuesday night we went to Falkirk to the wheel and to the Kelpies. The Falkirk Wheel really is an engineering marvel! And that part of the country is just beautiful! It was a stunning thing to behold – all of it! The wheel itself, the scenery around it. Just beautiful! And even more glorious to behold as the sun is setting. I wanted to try and get to the Kelpies at sunset so we could see them lit up. But we are so close to summer solstice and the days are ssooo long at this time of year that true nightfall doesn’t happen until after 11pm. The Kelpies were lit up but it was still a bit too bright to truly experience seeing them in the dark. They are incredible also. And the park around them is gorgeous.
Wednesday the weather was going to be dreich in Glasgow but the east promised to be brighter. So over to South Queensferry and to Portobello Beach near Edinburgh. We travelled north and crossed the Clackmannanshire bridge over the Forth and then headed south skirting near Dunfermline before crossing the Forth Road Bridge and stopping at a charging station for car electric car charging. Great views back over to the north of both the road bridge and the rail bridge from a little observation point at the charging station. Took a stroll into the town while the car charged up. Walked past a hoose. Took some snaps. Watched trains go over the rail bridge. Grappled over which of the million ice cream parlours there were in the town which to buy from (you must have been spoiled for choice when you wanted an ice cream when you lived there, Jim! Lol) – then decided on none in the end. Bought sandwiches and carrot cake slices and went back to the viewing point and ate while taking in the view back from there.
Car charged up and onto Portobello Beach. Tried to work out which groyn – and YES, those things are called “groyns”….those wooden things that look like broken piers – the Minds were stood at for their early Zoom photoshoot. Asked the OH to take a photo of me by the one I thought it was. Inadvertently looked as despondent as Jim did in said shoot. Lol
The Edinburgh bypass by that time in the afternoon was a joy [sarcasm] and the only real crappy point to a really lovely day, The sunshine was on Leith as we left and it got increasingly dreich as we headed back west. By the time we got to Glasgow though it wasn’t as gloomy as it had looked when we had set out.
A lovely day.
All that remains is to ask – who did it better? Looking despondent – me or him?
A watercolour painting of a blackbird in song that I had commissioned by my amazingly talented friend, Deb.
Anyone who knows me well enough knows that I like to give birds alliterative names.
All my own crappy creations ended up with alliterative names and so upon deciding on a name for Bryn I thought about the Welsh connection with Deb. Bryn means “hill” so it just seemed so apt for him. And being a glorious songbird as well, and with the Welsh known for their beautiful singing voices it all made total sense.
I shall get a beautiful frame for him and hang him on the wall in my bedroom, along side that other wonderful singer that festoons every wall of my room. And there’s a lovely rhyme with the names Jim and Bryn – total accident but there you go! It was meant to be.
Deb does AMAZING watercolour paintings of UK wildlife. If you’d like to see more of her work and perhaps buy some of her beautiful art, you can view and make enquiries through her FB art page HERE
Normal service for MMM will resume next week, but until then I’d like to share a special gift from my mate Baggers. Kant Kino is one of my favourite, if not my MOST FAVOURITE, Simple Minds instrumental. Only problem is, it’s so short!
“No probs. I’ll sort it!”, said Baggers to me and lo! He sent this (audio link below) to me not long after. A few days before my birthday in 2017 as a gift. He called it the “Tantrum Remix”. Lol
So, in lieu of being prepared for another Sons And Fascination/Sister Feelings Call themed post for this week, I am sharing this lovely extended version of Kant Kino.
I missed the chance to check the building out in 2019. I had it all planned out; going to Germany with Ruth, seeing The Stranglers and making my way to selected spots around Berlin. A pilgrimage that never got to take place.