Minds Music Monday – Space – Johnson Somerset Mix

I wanted to choose Space today because – I always wish to see Jim in my dreams. I spent the past few years before going to sleep, making that wish… “Please! When I go to sleep PLEASE let me dream about him. If I can’t get to be with him and spend time with him like I’d love to in real life, at least let me have it in my dreams. Please just let me dream of being with him!”

It rarely ever happened. And I honestly don’t know when the last time I dreamed about him was. I gave up asking. He’s as sick of me in my dwam state as he is in real life, it seems.

I don’t think I had ever heard this Johnson Somerest mix of Space before today. He always makes good mixes, some are naturally better than others, but I don’t think there has ever been one I haven’t liked.

Jim – I am trying to give you space, I really am. The last thing I have ever wanted is to bore you rigid. I fear that I have. So I am trying really hard to stop that from happening. But you post things and then…I just want to talk to you! And then I just pray that you’ll respond to me. Interact with me. Throw me a bone by responding to me.

And then I sound all super needy and clingy and I hate myself because I know that kind of stuff is stuff you detest. As I said before – to be enthusiastic is great, but to be OVER-enthusiastic is undesired.

Today is also the anniversary of something else that I don’t really want to think about or have happen ever, ever again. But it doesn’t stop me from living further back in the past. He started his post today with a quote from Kierkegaard …

Life can only be understood backwards, but it must be lived forward

Soren Kierkegaard

I don’t feel like I live too much forward. I spend too much time in the past. Steeped in what feels like “halcyon days” when the art was good, when I felt like I was going somewhere, when I felt that affinity, though perhaps it was a dwam too?

GAH! I’m so sick of myself! No wonder he’s sick of me too! If I’m not living in the past, I just want to live in dreams…

Jim’s July Playlist – The Reaction

“The dogs are impatient for attention….” he opened with. Pretty obvious metaphor there. It wasn’t lost on me, I just tried to brush it aside yesterday.

Anyway, I thought with the whole deluded continuation of “discs and doughnuts”, I’d post my reactions to Jim’s choices this month.

Will O The Wisp

I must confess that I really was unfamiliar with the folklore tale behind it. I knew it was a term but really didn’t know anything about it and felt compelled to look it up. It didn’t escape my attention that a variation on the character is known as “the Spunkie” in the Scottish Highlands. Maybe that is where the alternative term for “having spunk” – ie: to be gallus and have attitude and bolshiness – comes from?
Anyway, on to the song itself. After one listen…I’m not sure. Very few songs capture me after a solitary listen, it has to be said. Those that do are pretty damn special. The only judgment I can pass for now is that I probably prefer other Pet Shop Boys songs to this. But I will give it a few more listens…it may lure me in…

Israelites

To be honest, all I could think of initially is this!

But in all seriousness, it’s a great reggae/soul/gospel fusion. Obviously political too – well, to my ears it has a political slant.

She Sells Sanctuary

I have to admit as much I have enjoyed hearing the song over the years, it was a rare one that escaped my knowledge lyrically. Most songs if they grab my attention I’ll educate myself on lyrically. I guess for this I just liked the tune and was happy for Astbury’s lyrics to be just gobbledegook to my ears.

She’s A Mystery To Me

What is NOT to love about the Big O? Geez, the man could sing the phonebook and have you crying tears. An immaculate falsetto too – used to perfection to end the song. My mum bought a copy of Mystery Girl for herself. I had bought a copy of You Got It as a single and she had to trump me. Lol. She loved him. I think she may have even seen him perform live but I am not so sure now – and I can’t really ask her. We were both so saddened by his passing. A great loss at still a relative young age.

When Jim mentioned that semi-conscious half sleep, half wake state, I had to comment about Alasdair Gray, Lanark, and my discovery of the word “dwam”. Reading Lanark, I have been made aware of so many words I had never heard before and “dwam” was just one of them. And because I had never seen/heard it before I had to look up its meaning and I instantly fell in love with it.

7994D6CC-DDA3-4A47-AF2B-D087AF822217

Let The Good Times Roll

The Cars are one of those bands that I dabble into now and again and enjoy listening to a “best of” and then they languish again. Much like how it was for Simple Minds for the longest time. I am only familiar with “the hits” and the use of Drive showing the footage of the Ethiopian famine at Live Aid – forever synonymous with those images. Ingrained on the conscious. As much as Ric Ocasek is seen as the main head of the group, it was the songs with Benjamin Orr on vocals that are my faves – Let’s Go and Just What I Needed, as well as Drive, of course – but all the songwriting is Ric’s. Favourite line is from Let’s Go “she’s got wonderful eyes and a risqué mouth” – combined with Orr’s delivery of it – I just find it damn sexy.

Hey, but it’s Let The Good Times Roll that we’re on about here. I’m surprised Jim didn’t relay the story of the signing to Zoom/Arista as part of it because he had mentioned in the past that as part of the celebration of Simple Minds signing the Arista deal, they went to a Cars gig and it was another reason why the song has resonance with him – as for Simple Minds the “good times” were indeed about to roll.

Kooks

It’s such a fab song. And what a gift David gave to Duncan writing this for him. He and David had such a wonderful relationship. It was heartbreaking seeing Duncan on Twitter announce his imminent fatherhood and the sadness he felt that David wouldn’t get to experience being a grandfather. 😦

The song is just a lovely “you and me against the world, kid!” anthem. Both kitschy and beautiful.

What Jim said of Bowie’s Glastonbury performance I agree with. It actually seemed quite lacklustre and David himself just didn’t seem in the right place for it. His music of the period fell a bit flat for me. He had released album ‘Hours…’ several months prior and I wasn’t keen on it, to be honest. Move ahead three years and Heathen could not have been any different! To me, Heathen is on a par with Low as my all-time favourite Bowie album.

Back to Glasto…I’m not sure what it was beyond the music. His voice seemed weak to me. He had given up smoking. Iman was pregnant with Lexie and so he was trying to stay away from the “cancer sticks” – sadly it seemed to be somewhat to the detriment of his voice at the time. I’ve not watched the performance since the time. I never wanted to go back to it. I was seeing the hype over social media last weekend and I wasn’t particularly fussed. And I certainly didn’t want to put my head above the parapet and express my disappointment with the set back then. Perhaps I should watch it on iPlayer to see if my opinion and feeling has changed?

Almost exactly 12 months later I got to see him live for the one and only time – seeing him at a day long festival at Old Trafford cricket ground called Move. He was top of the bill. Suede were on before him. There were several other acts on the bill – the other highlight being The Divine Comedy (another man who could sing the phonebook and make me swoon – Neil Hannon). The weather was dodgy during the day and when Suede arrived on stage the heavens opened. Brett Anderson did his best to distract us in the crowd from the downpour but we all looked like drowned rats by the time David appeared. When he did appear, the gloaming sunlight returned – as if we had been joined by God himself. I was soaked to the bone and freezing cold, but I didn’t care. He was wonderful.

Thunderstruck

Oh, I have an aversion to Brian Johnson fronted AC/DC, I really do. I can tolerate Back In Black, but after that, I just find them a parody of themselves. To me, Johnson is a mimic of Bon Scott – and not a good one. “Cartoon rock” is a summation I’d agree with. Not when Bon was around though! Not on your nelly.

So, along with the glockenspiel and triangle, we can add “air-drums” to Jim’s calibre of “instruments” he can play? Lol

Thank god I got me a real kit last week! Jim can probably play his air-drums better than I can play my real ones right now though!

CCA1E7DC-EDFB-4335-BAF0-D71513919F95

The Joke

And so we go from the ridiculous to the sublime. Oh, you are too right, Mr Kerr on this one. The emotion in that lady’s voice?! Wow. Nothing else to add.

You can listen to Jim’s playlist here…
(Check Simple Minds FB for his explanation of the choices.)

 

Fiddling With The Kit

I’m starting to get to grips with the new kit. Need to do some height and space adjustments to get it right in the sweet spots I want it in.

Some audio below of me fiddling about. You can hear some of the plethora of sounds you can get from the module settings. The are 10 styles of kit to choose from and then many variations from there.

For those wanting to know exactly what the kit is, it’s a Yamaha DTX452K

 

 

200703-174602.mp3

 

Minds Music Monday – All Tomorrow’s Parties – Greatest Ever Cover?

The more I listen to it, the more I think it might just be. If not, then a very close second to Street Hassle. So…what is it about Simple Minds covering Lou Reed songs that makes them so wonderful?

Jim’s worship of Lou? Does it give an extra sense of “duty”? Does he just…care more? Wants to do an even BETTER job on a Reed composition than any other? Well…it’s not just down to Jim that makes these covers such gems. It’s the music of them too. Charlie and Mick making a gorgeous piece for Street Hassle and then Gordy doing his bit for All Tomorrow’s Parties.

It’s what I love most about ATP. There’s a beautiful melancholy to it…melodious melancholy. And I just ADORE Jim’s voice on it. There’s just such a tenderness in his voice. And a tone to his voice that harks back more to Sons And Fascination/New Gold Dream period Jim. The nuances and tone – just really beautiful.

Neon Lights gets shat upon so much by the fans. Most refer to it as “Neon Shites”. I was guilty of it too. I dismissed it rather quickly when I became a mega fan. But I decided to give it more of my time when it was reissued as part of the Rejuvenation box set. And I am glad I did. Granted, it still isn’t perfect – but it certainly isn’t the out and out turkey most fans seem to feel it is. The biggest gem of them all, for me, being this beautiful version of All Tomorrow’s Parties.

To me it gets more and more beautiful with each listen…

A Change Of…Terms?

Where do I start? Well, I start by saying – the blog ends up being my safe place for a moan…a gripe…a whinge. Mostly because I know Jim doesn’t want to hear it. I appreciate that.

Well, I kind of expressed, briefly, in the comments about the use of the phrase “longterm” – like how I had my gripe that got me into a WHOLE HEAP of trouble about “real fans” – ooh, at least he steered clear of THAT! Lol

But I elaborated on my gripe here. I often do. And go on about wishing I could be his “penpal“…in a sense. (I could easily cut his hair. I cut my OH’s hair most of the time.) That I’d love to interview him for the blog. That I wish “discs and doughnuts” could actually be A THING – just one time – between the two of us. Also, I go on about how I miss him pretty much every day he isn’t on Facebook. Lol.

I just crave the connection I felt was there some time back.

I’m a clingy, lovelorn, emotionally retarded fuckhead – I know! (Honestly, Alasdair Gray’s writing speaks sssooo fucking much to me! I’m there most of the time thinking “Know how you feel, Al. You’re speaking my language, friend!” Geez, I wish I had got to meet him now! Damn!)

Something happened though. And when that “something” sometimes happens, I forget to give a word of thanks. A “thanks for listening”…for taking it on board. For making me feel like…I have a voice, I am still being listened to. Appreciated. That my feelings matter. That you still care. Maybe? Hopefully? Perhaps it’s all still just delusional wishful thinking…

But just in case, Jim…thank you! Coincidence, no doubt. Wishful thinking? Most likely. Even if so, the “change of heart” post was greatly appreciated.

And well…hey fans…feel like trying to get your story in the book? Expressing your “Sense Of Discovery” of Simple Minds? Here’s your chance! You have just over a month to submit something. I think this may be one HUMONGOUS book!

Ever since reading this morning’s post, this has been the earworm…

A Chemical Reaction

Ever heard of Galaxians? Nope, me neither until Field Music’s David Brewis mentioned them on the Field Music Instagram account on Friday.

A new album of theirs (Galaxians) had been released and he was recommending it for your weekend listening pleasure. He said “our Leeds compadres Galaxians (he actually tagged their Insta a/c) have a new album out! Features the finest synthesizing this side of Bernie Worrell’s most-holy ghost.”

A person leaving a comment quoted that last part with a “SOLD!” at the end of their comment.

And I was really taken by the cover art. With me still in the middle of reading Lanark, there was something of the Alasdair Gray to the album cover art. So I thought “I need to give this a listen.

And for the past two nights I have done. Wow! Not just synths. Drums! E-drums. Linn drums maybe? I’m no expert. The vocals! Wow! And the style/genre – harking back to real PROPER funk, soul and r&b. I’m not sure about the Bernie Worrell reference. I am yet to see exactly what that pertains to. All I know is – THIS is a summer album! AND IT COMES FROM LEEDS?! It’s like that constant mindfuck of knowing that Average White Band hail from Dundee. Lol. You never expect these kind of sounds to spring forth from the UK.

Anyways, I am with David Brewis firmly on this one. You could do worse things on a rainy Sunday in Glasgow (or wherever else in the world you find yourself in currently) than listening to Galaxians new Chemical Reaction album.

Spotify link below…

You can buy their music from Bandcamp also. I’ve just gone and bought the album in vinyl. Bandcamp wording is a clickable link directly to their page.

Warm Digits – Flight Of Ideas – Listening Party Replay

Now Jim may well be found “in the kitchen at parties” (bedroom, more like!) – but Tim Burgess is now the self-proclaimed Twitter DJ to end all Twitter DJ’s. Since pretty much the beginning of lockdown he has held “listening parties” on Twitter. The concept being, we all join up online and listen to an album together all simultaneously and tweet along with our thoughts on the tracks and sounds, etc.

It is a thing that Simple Minds International on Facebook have been doing for some time. And when lockdown started, I did my bit by being “DJ”/host of a couple of the SMI Playbacks, though the majority have been held by SMI page creator and admin extraordinaire, Gordon Machray, with another helper who may wish not to be named on here and myself helping latterly.

Back to Tim’s parties on Twitter. On Monday one of the albums up for listening to was Warm Digits’ Flight Of Ideas. Anyone who has visited this blog in recent months will know how I feel about this dynamic duo of men. Other than Simple Minds, Warm Digits are just about my favourite band in the world – and certainly, along with Ruts DC and The Stranglers, an absolute favourite live act. And mercifully one of the acts I got to see live in 2020 before Corona caused chaos.

I wasn’t feeling well on Monday night, so I unfortunately missed tuning in and joining along but amazingly, you are able to watch and listen via a replay. Not as much fun as taking part live, but still a way to enjoy what was missed.

You can view the replay by clicking HERE

Enjoy!

You can also read my review of Flight Of Ideas and my interview with Steve Jefferis by using the search feature and searching for ‘Warm Digits‘ on this blog.

In the meantime, this one’s for Jim…

The Anglophile – A ‘Discs And Doughnuts’ Playlist

This one started germinating from the idea of two things – the response to the “Antipodean Greats” playlist and that love of music from the UK that I always had too. “The Mother Country”, old “Blighty”. As the Australian nation post WWII looked to align itself firstly with America and then in more recent years as part of southeast Asia, my personal allegiance was still with the UK – particularly musically and culturally.

The other was Jim’s choice of Life In A Northern Town for his June playlist. As much of an affiliation I had for the UK musically and culturally, it wasn’t necessarily somewhere I desired to live when I was growing up. It always looked so bleak and dreary. Despite the bleak appearance though, it still managed to appeal. “Life In A Northern Town” may not have seemed very aesthetically appealing, but in other ways there was a draw.

Cars – Gary Numan

It’s synch pop bliss. And I was always conscious of it coming out of the UK. The synth based New Wave sound was very obviously very UK centric to me. Cars is probably the epitome of that sound for me. That final minute is just heaven. It gives me goosebumps every time. Always just does something to the senses. Never fails.

Dreadlock Holiday – 10CC

Brits abroad. That’s Dreadlock Holiday. It always used to be on the radio this one. Feels kind of odd to go for this track but it just came to me as I was thinking about what songs seemed typically “Brit” to me. I was so very tempted to add Godley and Creme’s An Englishman In New York as well – if for nothing else than the splendiferous video that accompanies it.

Ghost Town – The Specials

Seemed to sum up how Britain looked from the outer. Bleak, drab, rundown…deserted. Not exactly a song that English Tourism would be clamouring to use for an advertising campaign. Lol. And now the song has resonance again in a whole new light. Life is constantly cyclical. Only certain aspects change.

Relax – Frankie Goes To Hollywood

1984 Probably the height of my love for 80s music and the vast majority of it is coming from the UK. I guess there are some exceptions. Australia was a real melting pot of influences – taking in music equally from the USA and Britain. The preference for me was always the British stuff. FGTH was HUUUUUUGE in 1984 and into ‘85. And the first thing that made its way to us was Relax. It took quite a number of years before I saw the “other” video (the one I chose here – seems rather sedate now). The one I remember when first recalling hearing the song is the one done with the laser lights. I loved Frankie and Holly’s voice just absolutely knocked me for six.

I could have chosen Ferry Cross The Mersey but…nah.

Eurythmics – Here Comes The Rain Again

Rain. It always seemed to be raining in the UK. If it wasn’t raining, then it had just rained or was about to. The skies seemed permanently grey in any footage I ever saw coming out of the UK. Very rarely did it ever look sunny.

God, how I wanted to be Annie Lennox as a 13 year old! She was tall, androgynous, and she looked beautiful. Nothing I was ever going to be. The one thing I always wanted to change about myself (apart from weight – but that I could alter and do something about) was my height – or lack thereof. I ALWAYS wanted to be tall. If I had been at least 5’8” tall, I’d have been happy. Wasn’t to be…

Big Country – In A Big Country/Wonderland

I couldn’t decide which Big Country track I wanted. I love In A Big Country. As opposed to England and its urban drab dreariness – Scotland seemed beautiful and mystical. You don’t really get sold Glasgow. Alasdair Gray was spot on in Lanark. No one ever “sold” Glasgow to you. They sold the Highlands, the munros, the heather, the kilts, the lochs – Brigadoon. Big Country were rock music Brigadoon. They fed you it, still. Stuart Adamson with guitar effects like bagpipes. So…I think I was initially sold it with Wonderland. I bought it as a 12” single and then bought The Crossing after that. So, I’m not purely an “Anglophile”. But…try and find an equivalent phrase for Scotland and you see how Anglo-centric the UK is! Scotophile? Hiberophile? Caledonophile? Albaphile? Which would you choose? Answers on a postcard.

The Clash – London Calling

Political punk that always rang a chime with me.I can’t say I am the BIGGEST Clash fan. Never sought out their music too much. Had a 12” copy of Should I Stay Or Should I Go back in the day. Always loved Rock The Casbah too. They just had that very London centric kind of sound – even though there are ska, reggae and rockabilly leanings in the fusion of musical genres.

Adam And the Ants – Stand And Deliver

Although Adam had that kind of meld of the Native American meets pirate look thing going on – it was so very obvious he was from London and so Stand And Deliver plays up to that kind of thing. “The dandy highwayman” – Dick Turpin et al. Prince Charming played up to it to a degree also. It just has that skewed “cheeky chappy” Londoner thing about it. Playing up to aged stereotypes.

Sex Pistols – Anarchy In The UK

Well if you properly research your music history, then you know that punk – purely as a musical genre – started out in America. But punk as a concept, as an ethos, as a culture as a way of life DEFINITELY took hold in Britain. And the one band most lauded as taking the ethos and running with it are The Sex Pistols. I guess you could choose anything from Never Mind The Bollocks – but the obvious choice due to the playlist subject is Anarchy In The UK.

Bronski Beat – Smalltown Boy

The first thing that knocked me for six was the sound of Jimmy Somerville’s voice. And then it was the video. As a 14 year old girl who probably wasn’t even aware if she knew any gay boys at the time or not, I was just floored by that video. I mean, even still for that time, it was brave to highlight such a thing. I mean in the same year Queen release I Want To Break Free and do their video and the U.S. fans just DUMP them. And although gay rights was a worldwide thing, it was obvious the video was UK based. So the song has a UK centric sensitivity to it for me.

The Police – Synchronicity II

The picture of domesticity. A highly “dysfunctional” family – as they would be called. “Another suburban family morning / grandmother screaming at the wall / we have to shout above the din of our rice crispies / we can’t hear anything at all” Sting writes. It’s a bleak picture. It could be anywhere in the modern western world, really only for the chorus that pertains to a Scottish loch “many miles away”. I guess it could be Europe somewhere – but more likely England, and more likely northern England, perhaps near Sting’s childhood home in Northumbria. It conjures up that bleak, dreich imagery in its wording for me and the drama of the music. And…just, a moment to say that – as a drummer, I worship the ground Stewart Copeland walks on! In my dreams I would be even ONE TENTH the drummer he is! OMG!

Tubthumping – Chumbawumba

I’m not usually much of a victim of misheard lyrics as I will study songs and I am usually pretty good and taking lyrics in properly. But in this case, the northern accents got the better of me and I did mishear the chorus as – and it makes absolutely NO grammatical sense! Lol “I get knocked down but I get up again and I’m hanging on a cheap guitar”. Lol. I KNOW! As a joke I still end up singing it like that. So, yeah…it’s just an anthem, really, innit? A celebration of pub culture, essentially. Something oddly uplifting about it too in that – correctly worded here – chorus “I get knocked down but I get up again and you’re never gonna keep me down”.

Blur – Parklife

It’s just…London, innit? All the “cool Britannia” stuff of the mid to late 90s. The bands of the time and the whole Oasis v Blur thing. In that contest it was Blur for me. Oasis didn’t do as much for me – though I liked Don’t Look Back In Anger, Wonderwall and Champagne Supernova. I suppose I just preferred Essex boys to northern lads – musically then, perhaps. The other groups I liked at the time were Supergrass, Pulp and into the early noughties, Elbow – though after getting a copy of Newborn, I didn’t really stick with them much. Guy Garvey certainly has a way with words though. I also loved the more dance and trip hop stuff – Massive Attack, Faithless, Chemical Brothers and Fatboy Slim.

But, back to Parklife…it just kind of sold a stereotype then – pallid Brits in the sun. And, well, due to Cool Britannia and the closing down of the more industrial aspects of Britain, it started to look cleaner and began to seem more aesthetically pleasing. It wasn’t just the music now that was appealing, it was how life was looking here. We had just ended 13 years of Labor government in Australia in 1996 and the UK finally had a Labour government come in in 1997. The future looked bright. It looked better.

The Kinks – Waterloo Sunset

A homage to London and the Thames. London was not a part of the whole “Anglophile” thing that particularly appealed. It seemed a big scary, dirty place. And even after my first visit there shortly after I moved over, I felt very “meh” about it. The place I fell in love with first in the first few weeks I was here was Bath. My partner has relatives in Bristol and a cousin was getting married 4 weeks after I moved over. A bit of a baptism of fire, that. Going to a big family wedding when we’d barely been married a year ourselves. We stayed a weekend in a B&B on the outskirts of the city and had a day in Bath. The weather was glorious and warm and the architecture of Bath floored me.

It took a while…but slowly there were aspects of London I grew to like. The convenience of getting there from Luton was a HUGE plus. Erm….the West End. Theatreland. The museums and art galleries. The fact it is a cultural hub. From being absolutely indifferent to London, over the years I found the little hubs and things I liked about it. And certainly being by the Thames (particularly along the Southbank) was one. I never wanted to live in London though. NEVER. Luton was more than close enough.

London is definitely no Glasgow! Thank fuck for that!

You can also listen to the tracks as a Spotify playlist here…