Kelly Jones + The Wind And The Wave – New Theatre, Oxford – September 18th, 2019

It was a new venue for me. I hadn’t been to a gig at the New Theatre before. I had wanted to try and catch a show on the previous leg of the tour in June/July but money was just too tight at that point, and although money is still tight, things are set to ease somewhat very soon. Kelly had swung by closer to home on the last leg, having dates in London and Cambridge, so Oxford was a stretch in distance to cover, but I would get to see the tour’s finale. Not an entirely bad thing.

The show started promptly at 7.30pm with support act The Wind And The Wave. A duo from Austin, TX, comprising Patricia Lynn and Dwight Baker. Kelly appeared on stage to introduce them saying “Patti could sing the fucking phonebook.”

I enjoyed their set. Due to the prompt start, there was the obligatory interruptions from endless latecomers. Made all the worse for some of us. I was right by the entrance point for the middle section of the circle so the interruptions were constant. The ushers kept latecomers at bay to try and minimise the interruptions, but seated where I was it helped little.

But I still managed to enjoy their set. Dwight was full in interesting banter between songs which sometimes Patti interjected with or elaborated on. Minimal instrumentation, just an acoustic guitar with Dwight and some electronic percussion triggered by foot from both of them. They had fantastic harmonies. Favourites they performed were The Redhead In Aberdeen, Happiness Is Not A Place, This House Is A Hotel, and Human Beings Let You Down. I’d happily see them again. Just beautiful, simplistic music that is beautifully expressive and on any subject affecting the human condition…from the sublime to the ridiculous.

A short break and stage set up before Kelly arrived on stage at 8.45pm. A brief hello and then straight on with things. A few slow numbers to open and just the use of acoustic or electric guitar from Kelly with either piano or violin – sometimes both – accompanying him.

Of course I was also there to see Cherisse. Out she came about the 5th song in and instantly reminded me what I have been missing while Simple Minds are on a break for this year. I MISS MY TUTOR! Lol. Yes…it’s a contradiction, I know…as while she’s touring, she’s too busy touring for any tuition. Still, with the money situ having been as tight as a duck’s proverbial of late, I’d have not been able to afford lessons anyway. Chicken and egg…

You’ll have to excuse my ignorance on my knowledge of Stereophonics songs and my appalling memory to recall the songs I heard last night. But I will do my best to go over the standouts for me.

The first definitely was Kelly talking about Stuart Cable. It was quite a reminiscent homage but it was wonderful to hear. He then performed Before Anyone Knew Our Name. Another highlight was a brilliant version of Mr Writer. “For the past 20 years I’ve been having to explain what this song is about. For the record, I don’t hate journalists. This song isn’t about a journalist.”

999AF504-CA04-4447-B470-8DB56E96CDDB

He performed a new song from the forthcoming Stereophonics album, Kind, called Fly Like An Eagle.

Below is a video I recorded of him performing I Wanna Get Lost With You.

A couple of covers were also a standout. Kris Kristofferson’s Help Me Make It Through The Night was beautiful, and The Wind And The Wave joined Kelly on stage for a fabulous version of Stop Dragging My Heart Around.

Towards the end of the show some “hits” – the most familiar Stereophonics tracks I know – were performed. I never knew the story of Local Boy In The Photograph. Also there was a wonderful rendition of Maybe Tomorrow.

8CE61678-9188-4925-9DE6-27665E1D1968

Finally the most wonderful encore of Dakota that had the crowd up off their seats and singing along (me included!).

There are a few clips on my Facebook page if you want to look, including that wonderful Dakota finale.

2BFE8F25-8026-4344-AF42-9C55A0866DB8

I tried so hard to get some good photos of the stage set. I really loved the backdrop. It was a simple set up, but it was just visually quite lovely. The stage arrangement was great too and the lighting worked really well. The staging was expertly done. And the acoustics and sound was absolutely spot on.

I’ve shared a few pics but they’re not the best.

A fabulous gig. I’d definitely see Kelly again in future.

SM News And Gig Review

Last night I was in Oxford seeing Kelly Jones on the final night of his “Don’t Let The Devil Take Another Day” solo tour of the UK. I will review the gig in a dedicated post shortly.

But while I was at the gig last night, news of this broke out within the fandom…

Now I had known something was coming out in November as Virginia had told me she had one of her photos being used for a release coming up. I didn’t quiz her any further on it as I knew it would all be announced by the band in due course.

There’s an extra buzz within the fanbase as this new compilation seems to include a completely new song called For One Night Only. I first read about this track a very short time ago on the Dream Giver Redux site. It was sited as a Walk Between Worlds track that didn’t make the final cut and lyrics were listed for the song.

The link to the info on Dream Giver Redux can be viewed by CLICKING HERE

So now it would appear that FONO will get an airing…albeit as a carrot on the stick of yet ANOTHER compilation album. And a rather strange and curious tracklisting this new “best of” has too. Before it disappeared off Amazon it said the album’s tracklisting had been put together in conjunction with “the band” (aka Jim and Charlie, I’m guessing). It’s a bit non-linear to say the least. And this same treatment that the Bowie “best of” Nothing Has Changed got has been deployed with “edits” of songs all over the place. I don’t get it. WHY have an edit of a song on one disc to have the full version on the next? I mean…what the fuck IS that about? I do not understand what goes on in the minds of record company execs any more. I’m not even sure THEY know how to sell product any more.

So, curious, perplexing and something to push onto us leading up to Christmas with the tasty little morsel of ONE SOLITARY NEW SONG. Okay…keep them keen, I guess.

More on this to come in the ensuing weeks, methinks.