Winners Are Grinners

Winners of the SM Blue Monday art giveaway are as follows:

Facebook:
Dave Kramer
Michaela Jo
Helen Titterington

Blog: Stuart H

Twitter:
Hans Honkyhosen

Congrats everyone. I’ll be in touch with all privately shortly.

Soul Crying Out – For You To Enter The Giveaway!

With just a couple of days to go until Blue Monday (this upcoming Monday, January 21st) – there’s just a little time left to go to enter the giveaway. All you have to do is tell me your fave Simple Minds song, and you could win a print of your fave song.

Freshly off the creative production line, a much superior piece for Soul Crying Out than had been previously made.

This one could be yours! Leave ya fave in the comments by midday GMT on Monday. Off you go!

Where Did The Fool Go?

It’s a strange thing, research. You can be looking for one thing and will unearth something else entirely!

Take a song like Here Comes The Fool, for example. It makes its first known live appearance shortly after the release of Life In A Day and is played at gigs in the summer.


Here Comes The Fool – June 1979

Late summer, off they go into the Monmouthshire countryside to record Real To Real Cacophony – and hang out with Bowie, Iggy, appear as guest artist on Iggy’s Soldier album (on the track Play It Safe) and have fun with mushrooms, minxes and manchego…


Here Comes The Fool – Aug ’79

By October they are back on the road and Here Comes the Fool is a regular on the set. The musicality of it is well developed and strong. Jim has played with the lyrics…they now seem fairly well scripted and fairly different to how they appeared early in the summer.


Here Comes The Fool – Nov. ’79

It remains a staple in the set until the spring of 1980 when we start to see compositions that come into the set that are then on the Empires And Dance album.


Here Comes The Fool – Jan 1980

So, a curious being is Here Comes The Fool. It starts tentatively…quickly makes itself a band and crowd favourite – yet never makes it to get a studio recording for Real To Real Cacophony – or even to appear on a B side. I am a strange one in that I defend Veldt when many other SM fans don’t have much time for it. But given that…it seems to me that THAT could have been the place for Here Comes The Fool on R2RC – to have replaced Veldt with it (as much as that pains me to say that).

What do you guys think? Do you think that should have been the case?

Answers in the comments, if you wanna…

One of “…Fool’s” very final outings from March 23rd, 1980.

I added the different versions of the song because it seemed a good thing to be able to hear its progression and subtle change – esp. with the lyrics. Jim was a devil for it then – but he was free to keep morphing it as it was never captured in the studio, hence he felt free to keep medling (I’m assuming?). Ultimately, it didn’t deviate a lot, and it seems a shame now to be consigned to history. Still, it sounds as if Jim grew tired of “taking his hand” (The Fool’s hand, I mean – Lyric alteration over time from “Well here comes the fool – you can take his hand” to “Here comes the fool – don’t wanna take his hand”).

Poor “Fool”.

Michael Rother Be Solo

A great and rather open interview with Michael Rother in Uncut magazine, exploring his music career, focusing on his time working with Klaus Dinger on Neu! – a rather fractious and strained musical partnership by Rother’s own account, moving on to Harmonia and finally working solo.

It has given me more musical off shoots to explore…

Show Me What You Can Do

Much like with Simple Minds, I had been aware of Talking Heads for the longest time. My brother had copies of More Songs About Buildings And Food and Fear Of Music. At least in my head these are the TH album covers I remember seeing in his collection.

I don’t remember him listening to them much…but he must have. And I certainly never listened to them (I would sneak into his bedroom when he was out with friends and play his albums on his full stack sound system). I remember being a little scared of the cover of MSABAF – it looked rather strange to my young eyes for some reason.

As I got older, I naturally became more aware of them. Knew things like Psycho Killer, Once In A Lifetime, Burning Down The House – in the age of MTV such groundbreaking videos made in impact. Then of course Stop Making Sense was a HUGE thing in the cinemas upon its release. It was EVERYWHERE!

As I got more exposed to their music over the past few years, I have a favourite in amongst the songs I know of theirs – This Must Be The Place (Naive Melody).

Over the past couple of months, I have started to immerse myself in the music of Talking Heads. It’s been a progression.

First I gave Fear Of Music the odd listen. Cities started to grow on me as a track. I then started to listen to MSABAF and recently that has really, really grown on me. It is the album I currently play most. Thank You For Sending Me An Angel is currently the constant earwarm. But a lot of the album is really getting under the skin.

This is how music from particular artists would seep in and finally make an impact with me. It was rarely an instantaneous thing. It’s always been like true love is…a growth. A measured process.

I feel a little silly for being retrograde with this stuff…but that is the shining legacy of the music I grew up with – that there was SSOOO much great stuff around one worried they would spread themselves too thin trying to explore it all.

I feel I should try and give new bands and new music my time too. I try – but it certainly doesn’t come from the charts. That stuff really does not interest me at all. That may be some inverted snobbery there. But I can’t help but feel snobbish when chart “music” feels much more about marketability than being an artistic endeavour.

I think the exploration of Talking Heads will continue…and I’m sure lots of other retrograde and retrospective explorations of late 70s/early 80s post-punk/new wave outfits will continue.

Vive la music!