Review: John Grant – Cambridge Corn Exchange – Feb 7th, 2019

Again, support was from E.B. The Younger, performing tracks from his upcoming release, To Each His Own. Songs performed included lead single from the album, Used To Be. Also performed were Out Of The Woods, On An Island, and Don’t Forget Me.

The harmonies that Pulido and Creamer have together are rather wonderful. Pulido says on his website that Harry Nilsson is a major musical influence, and it is certainly evident in Pulido’s own sound.

I will give the album a few listens on release, and will probably invest in a copy. I have enjoyed watching both of his performances. Below is a clip of him and Dan performing When The Time Comes. Also captured is Pulido’s banter and engagement with the crowd. He likes a natter, and that’s a cool thing in my eyes.

Once again, the crew went quickly into action to have John out on stage promptly at 8.45pm.

The first thing I have to say about the venue, Cambridge Corn Exchange, is it has great acoustics! And whoever is doing JGs sound gets it absolutely spot on, no matter what venue he’s at. Outdoors at festivals, indoors in mid-sized capacity theatres, or in more intimate places like Union Chapel in London – I am always impressed by the sound quality and volume.

The lighting on this tour has also been superb.

The show started with (possibly my favourite track on Love Is Magic – I grapple with either this or Metamorphosis being my fave track on the album) Tempest. Again, we were treated to all bar the complete Love Is Magic album (the only track off the album not performed was The Common Snipe), interspersed with tracks from his previous three albums. Tracks included Grey Tickles, Black Pressure – Pale Green Ghosts – Sensitive New Age Guy – Global Warming – Glacier – Sigourney Weaver – Fireflies – Outer Space – JC Hates Faggots – Queen Of Denmark – Black Belt – GMF – and the most beautiful version of TC And Honeybear…I was in a flood of tears. I find it just the most heart-wrenching beautiful song.

It’s an extensive set and was much appreciated by the crowd in Cambridge. And John was feeling the love too. I thought Glasgow was amazing last week, but everything was just somehow taken up a notch again at Cambridge.

I could watch John perform every single night for the rest of my life and be in raptures. He’s both funny and humble, can take the piss out of himself, throw shapes about the stage and look like a dancefloor mega god, and then sit at his keyboard and deliver songs with such elegance and poignancy. The man is absolutely amazing.

Flickr-ing Memories

Hmmm – this got viewed today and then I see paralells with a post on SMO FB this morning. One wonders…
He certainly wasn’t so dismissive of Shake Off The Ghosts this morning!
Happy Sparkle Anniversary for yesterday ❤️

Priptona's Simple Minds Space

I’m starting to go through the process of tidying up my Flickr account. With something like 20,000 photos in there, it is getting to be quite a trawl looking through them for a specific photo.

Yesterday I started with a folder of all the black and white SM pics up to 1984, today I started a folder of all the interactivity with Jim (either myself, or with other fans) that I’ve screengrabbed from FB.

My own interactivity with Jim started much earlier than I thought. This is from Friday, 13th (an omen!) March, 2015. Well over three and a half years ago! I don’t know why but in my head I didn’t feel the interactivity really kicked off with him until after I started sharing the art…but it actually was happening before that.

Aawww! It made me all warm and fuzzy inside! Lol! Look at him telling me to “calm…

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Review: John Grant at Celtic Connections – King’s Theatre, Glasgow – Feb 1st, 2019

Support was by E.B. the Younger – the moniker of Midlake vocalist Eric Pulido, soon to release his solo debut. Now THERE’S the connection – John, of course, working with Midlake for his Queen Of Denmark debut.

Eric was joined on stage by keyboardist Dan. The pair of them have great vocal harmonies. He performed songs from his new album set for release in early March.

His music is quite easy going and he established a good rapport with the audience and was even piggybacked off stage by Dan at the end of the set. I look forward to seeing him again on Thursday night.

The stage crew set to work very quickly to get things set up for John. Only a short break was endured before he arrived on stage with regular, established band members, including the incomparable Budgie on drums. The more I watch him, the more I fall in love with his style and realise what a truly incredible drummer he is.

All was flowing well. I have to confess, once inside the King’s, it did seem a little strange a venue for what is essentially a rock gig but the crowd were into it and we were enjoying ourselves.

About the fifth song in they started to play album opener, Metamorphosis, and there was a technical problem. The song was halted, crew rushed on stage to sort it out, and while the problem was being rectified, John sat is his still fully functioning (and unaffected by the fault) keyboard to perform TC And Honeybear – which is just the most stunning and beautiful song. I wasn’t expecting him to perform too many of his older tunes, so it was a real treat. Was almost thankful for the technical hiccup!

By the time TC And Honeybear was through, the problem had been sorted and off we went with Metamorphosis again.

Others in the set included Preppy Boy, Smug Cunt, He’s Got His Mother’s Hips, Tempest, Love Is Magic, Is He Strange, Touch And Go – pretty much the whole album bar The Common Snipe (at least I think he did Diet Gum as well).

Those in the set not on Love Is Magic performed were Grey Tickles-Black Pressure, Pale Green Ghosts, Global Warming, Queen Of Denmark, JC Hates Faggots, Sensitive New Age Guy, GMF, Black Belt, Glacier, Fireflies, Caramel and Sigourney Weaver.

The surprise…or perhaps disappointment…of the night was that he DIDN’T perform Marz! I was okay with that, but I’m sure other fans would have been disappointed. If they were, it didn’t show in the crowd’s reception. Standing ovations towards the end of the set and after every song performed as an encore.

The crowd loved it. You could feel it. And apart from the technical fault at the start of Metamorphosis, the acoustics and sound levels were great.

I get taken to another place at a JG gig. I just lose myself, esp. on the more emotional tracks. Glacier was beautiful and epic, as was Queen Of Denmark. And…Budgie has me in awe. I love that man!

Top class, as always. I don’t think JG could ever do a shit gig. Well, I’ve never seen one.

Bring on Thursday and Cambridge!

Review: The Bard’s Tale IV – Royal Concert Hall, Glasgow – January 31st, 2019

I wasn’t sure when the gig was meant to start, despite a 7.30pm time on the FB page. There was a support act which I sadly missed.

I also missed the opportunity to get a good photo, at least to show where I was sitting – but it’s all about the music, right?

And, well…what music! Ged walked out on stage looking rather dapper in a nice tartan suit and gave us a little intro and background to how The Bard’s Tale IV soundtrack came about and how he got to be involved in it.

A few minutes later the gig was under way. There was a large screen projecting video montages of the game and its landscape. Some eight Gaelic singers were involved, including the angelic voiced Eilidh Cormack and Kim Carnie, Fiona Hunter and Kathleen MacInnes – male voices too, Gregor Philp and it was fabulous to see young Donald Barker providing male Gaelic vocals and featuring as the main vocalist on one song. Wonderful harmonies from all the singers when group vocals took place.

Beautiful musically. Wonderful melodies and traditional instruments used. Harp, bodhran, harmonium, low whistle, pipes as well on some tunes.

In between tunes were spoken passages delivered by “The Bard” himself, the actor who provides the protagonists voice in the game, John Buick. At one point he was to deliver a drunken rant about how, although there had been a battle won, there was one deserter in the pack…and that role for Mr Buick (as a focal point) fell to me. I suppose that is what one gets when they sit in the front row! It made for an interesting bit of theatre, esp. for yours truly! It was both thrilling and a little unnerving, but fun.

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The tunes have depth of emotion as you would imagine from such a beautiful language – so harmonious. Poignancy, joy – not all the tunes are ballads, and not every song is in Gaelic. Gregor Philp performed songs in English – Snow In Summer and Across The Seven Realms – as did Fiona Hunter – A Hardworking Hand. But to hear the sounds of traditional folk music and Gaelic language vocals was a very moving experience. And you don’t need to understand the language to be moved by it and be swept up in…to sense its emotion and get an understanding of its heart and joy.

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The show as a whole flowed really well. Sometimes the bits of video footage from the game could be a distraction, but the screen was not used constantly. The main point of the concert was to deliver the music and have that come across…the importance of the Gaelic language and how intrinsic it should be in Scottish culture. Something that needs to be retained for fear of it becoming lost for good.

The musicianship on display on Thursday night was incredible. And such amazing talent from all involved. Ged should be full to bursting with pride of the show he put on on Thursday night. It was a wonderful experience, as I’d had every belief it would be from the moment I bought my ticket.

Photo one by Lily Warring.

Other photos by Gordon Machray.

A Certain Vibe

Things are quiet on the SM front. It’s just…quiet…and I miss Jim. There! I said it. I’ve been trying hard not to. I’ve not wanted to admit to it cos it’s sad and clingy and stupid and all that stuff.

But it is part of what makes being a Minds fan feel so special… the interactivity with him, but it has all but dried up since before Xmas.

Well…a slow severance since the end of the North American tour, really. I mean Christmas happened in between, fair enough.

He posts once or twice a week maybe, still… but nothing really beyond that.

And then… it sounds demanding! And I don’t want it to. I just miss it (him) that’s all. The interactivity is good… Great… When it happens.

He’s probably bored of us.

Anyway! I will post my final two gig reviews when I get home. Most likely on Sunday I’ll post them. The Bard’s Tale was brilliant though. I’ll say that much now!