After a long, dry spell… (the last new release from Simple Minds being the release of For One Night Only for the 40: The Best Of Simple Minds 1979-2019 release towards the end of 2019) THERE IS NEWS! A new release from Simple Minds in celebration of the band’s debut gig at Glasgow’s Satellite City on January 17th, 1978.
To mark the 44th Anniversary of the gig taking place, the band have re-recorded the first song they performed on the night, Act Of Love.
Act Of Love was previously recorded as a demo. The band’s CaVa demo that secured their initial recording deal.
Exciting news! There will be a new “Priptona Talks” interview on the blog soon. I am excited by this one! As I have been with all my previous interviews. More details on that to come, so keep an eye out.
Last week there was a rather unexpected parcel that arrived on my doorstep. The sender of this parcel? One Francis Xavier Gallagher! I had left a comment on a post of his in which he had shown some shortbread for sale in his wife’s haberdashery store. I asked him if he made the shortbread himself. He confirmed that indeed it was he who makes it. I said in reply that I’d love to try it. “Stand by, Madame” was his reply.
At that point I thought “Oh, he’s not going to send me some is he? Nah! He would nae!”
Well, he bloody did! And not just some shortbread, but a Soundman Confidential mug in which to brew the bevvy that would accompany the shortbread, and some badges and a sticker. How bloody wonderful is that?!
Marks out of 10 for the shortbread? Delicious! 10/10! It had the mark of quality – both buttery and crumbly. The only downside to it all was – there wasn’t enough! You get a taste of something that good, you want more!
The best bit about the mug for me? Because I am left-handed, the logo stays facing me. Frank’s eyebrows follow me around the room! Lol.
On top of all that, news that…the rhythm section of Simple Minds (at least) – Ged and Cherisse are back into rehearsing SM material. Not sure what the rest of the band are up to, but at least there is some practice going on! With only seven weeks to go until the tour gets under way – FINGERS ARTHRITICALLY CROSSED – it’s great to have some optimism going on within the band dynamic that the tour WILL go ahead.
I don’t know why I have it stuck in my head as a Charlie Burchill song, but I just do. And by a Charlie song, I mean it being a song about Charlie.I don’t know where I have got that implanted in my head. It must have been something Jim had said when talking about the song? Perhaps he just expressed a particular likeness for Charlie’s guitar work on the track? Whatever it was, I have thought of “Jeweller” as Charlie’s song ever since.
Proving also that inspiration can come from just about anywhere, Jim said the lyrics came about from him seeing an advert in a magazine. I love it when he can share stories of defined examples of lyrical inspiration. I am sure most times his lyrics are an amalgam of inspiration. Pieces of a mosaic, as obscure and ambiguous as his words can be. Esp. early on in his songwriting. Never really a single point of focus. Well that’s how it seems anyway.
I like both the recorded versions of the song that I’ve heard. Both are very similar in sound with no real variation in lyrics, only just some backing vocal lyrics on one version, with Jim’s voice alternating in left and right channels to say “I want you – I still want you” – which for me is seductively sexy.
“When all seems lost, you’ll find the diamonds in the rough” is the general optimistic message of the song. Well, that’s how I interpret it.
What does one do when the creative writing well seems dry? Find a topic? Pick something?
It’s nearing the end of the first week of January. I could talk to you about howJanuary feels to me? It feels like a month of 62 days! Most of the time…
But this time may just be different. We are almost one week in to this (usually) most arduous of months. At this rate it will sail by! But that is the trap January usually sets. It starts out fleeting and then seems to grind to a laborious halt around midway through.
It’s definitely a northern hemisphere affliction, the long, arduous January. I have no recollection of Januarys lagging while I was growing up. In fact it was very much the opposite. Januarys were all too fleeting. It’s the height of summer in the southern hemisphere and for kids on the east coast of Australia, it’s summer holidays. Schools break up a few days before Christmas, and when I was growing up we had a six week break from school. We didn’t return to school until the second week of February. Yay!! It’s a little different down there now as there is an extended break over Easter that didn’t happen when I was going to school. At Easter back then it was just Good Friday and Easter Monday off school. Now there is a full week off school which means summer holidays are now generally five weeks long and the school year starts at the end of January in New South Wales, at least.
So, as you can appreciate, the Januarys of my childhood felt like they were only maybe a week or two weeks long. And the end of January was dreaded! It meant the return to school was imminent. Now – the end of January is to be celebrated! The days are getting incrementally longer and, at long last, the month is done with! There is light at the end of the bleak, mid-winter tunnel. Hurrah!
This January is different. There are things to look forward to! My university study begins in just over two weeks time. And a few days after that, the new book on Simple Minds – Themes For Great Cities gets released. I’m looking forward to hearing everyone else’s thoughts on that. Also, Sarah Brown is releasing the debut single off her new solo album. That will be fantastic to hear.
What other news to come of Simple Minds? I pray there are some! March quite literally marches on and we are still quite deep into this Covid thing. Is the fear of it now vastly exceeding its threat to our lives? I feel we have turned that corner due to the vaccine rollout. It is very obvious the vaccines have done an incredible job by and large by reducing the severity of symptoms and effects, of not necessarily severity and rate of contagion.
I am as doubtful of the prospect of seeing Simple Minds in Paris in March as I was by mid March of 2020. But then I had the gratitude of having just seen them in Copenhagen and the blind optimism that the Covid pandemic would be over in a few months at worst.
April is a more promising prospect. And all within the UK, so perhaps even if on a personal level Paris proves a no-no, I am…mildly confident I will see the band come April.
But what else is there on the horizon to look forward to? Jim’s posts of late have been more on the personal, or of band history, not much of what’s to come – which is incredibly odd for a forward thinker like Jim. I guess he’s just as flummoxed as the rest of us about what the imminent future holds? There was talk of new music last year, but little of that has been discussed since. No news (from the next world) is good news? We’ll see in due course, I guess.
Perhaps I am better at this “writing from scratch” with a blank page in front of me than I give myself credit for?!
It bodes well for the study. Over the weekend I looked at the breakdown of my course. I could see what the whole academic year looked like. The topics we’ll be covering every week and what is required for each assessment during the year. I am excited. The Arts and Humanities is so broad. We’ll be looking at many things, from Cleopatra, to Elizabeth I, Gothic Architecture, painting and Greek and Roman sculpture, Mozart, The Blues, Philosophy, poetry, art from central and southern Africa. I am champing at the bit to dive in.
Today, January is flying by and I am welcoming its end for vastly different reasons than I normally would be.
Early days of 2022. Early days of Simple Minds. One of the very first Kerr/Burchill compositions. The bane of my amateur drumming life. My hi hat playing sucks ass. I have no rhythm. I found Glittering Prize easier to play along to than this. I doff my cap to you, Mr McGee.
I’m now under the impression that Jim’s haircut at this point was a stroke of genius – even if it did end up in later years having him likened to Edmund Blackadder in the first series of the show. Lol. The proof of its genius is that we are here some 43 years later still discussing it. Kudos, Kerrmeister. Kudos!
Got to admire that gorgeous lullaby keywork from Mick on this as well. And Charlie with full-on rock two chord riff.
I always forget to praise Derek. Sorry, Dan. Lol. I think possibly because you are actually the most ubiquitous of all.
There was new music news yesterday. Sarah Brown shared details of her debut solo album. The album is a tribute to the music of the wonderful and inspirational Mahalia Jackson.
The first single off Sarah’s album, I’m On My Way, will be released on the same day as Themes For Great Cities, January 27th. The date is significant to Mahalia, as it is the 50th anniversary of her death.
The album is set to be released later in 2022 and will be titled “Sarah Brown Sings Mahalia Jackson”. When talking about the song on her social media, Sarah said as follows…
The seed that grew ‘I’m On My Way’ and then the album was planted back some 20 plus years ago, when I was singing backing vocals on the Roxy Music reunion tour.
Waiting for soundcheck, I stood on the stage as Roxys’ pianist Colin Good was warming up on an old blues tune by Ma Rainey. And as he played I was immediately transported back to when I was eight and in church on a Sunday and these matriarchal figures, these big black mamas dressed like Audrey Hepburn, were bellowing out their Mahalia Jackson hymns, they were crying out from their very souls and as I listened to Colin I was crying too, lost in the music and I vowed I’d pay my own homage to Mahalia one day…..
I am really looking forward to hearing this music from Sarah. You can keep up-to-date with Sarah by following her on social media platforms Facebook, Instagram and Twitter.
“This is a fast story”, author Graeme Thomson says at the beginning of the book and keeps reminding us a few more times further in.
It’s a story of the formative years of two pals from Toryglen, their school chum down the road, the keyboard player from the Chinese restaurant and the bass player that was meant to be a guitarist.
The focus is as one would hope – primarily on the music and the band itself. The meeting of five incredibly creative and gifted men and how those quite different young men come together to produce the alchemy that results in the early music of Simple Minds. We learn most about their creative and working lives. There is little about their individual backgrounds, only vaugaries that are relevant to the telling of the overall story.
Although the story is heavily focused on Jim Kerr, Charlie Burchill, Mick MacNeil, Derek Forbes and Brian McGee, we also hear from others deeply involved in the story (if not necessarily within the band itself or the creation of the music). Jaine and David Henderson, Bruce Findlay, John Leckie, Simon Draper, Steve Hillage and Pete Walsh get mentioned and/or spoken to at length.
Graeme Thomson has been meticulous without dragging out the pace of the story. As he continues to reiterate through the book it is a fast story. Like the five men that feature most strongly within the story, there is not an ounce of fat on it. Nothing lags. Nothing is protracted. Succinct, yet never lacking in detail. If I had got around to writing a book about the band I love, then this is EXACTLY the book I hope I’d have written.
Along with content from interviews conducted with the primary band members, there is also input in the form of small “bridge” chapters from Bobby Gillespie, James Dean Bradfield and Ian Cook. There is also a dedicated “Q and A” interview chapter with art designer Malcolm Garrett.
Some never-before-seen (even by me!!) photos are contained within the two sections of photographic content within the book. A number of wonderful photos by Virginia Turbett are within. Rare gems from John Leckie and Carole Moss can also be found within.
There are things that I have questioned or pondered within my time as a Simple Minds fan that are discussed in the book. For instance, was the Life In A Day album already too “old” by the time it was released? Was Jim Kerr’s pudding bowl haircut a work of genius? Is Real To Real Cacophony one of the best albums they ever made? Is there anything that you cannot like about Empires And Dance? Why didn’t Grace Jones ever record a Simple Minds song? (Love Song gets singled out as the prime pondering here.) Can I ever stop my mind from wandering off to the object of my sexual desire when discussing Jim Kerr’s “Archimedes moment”? I may be the only person who grapples with that notion to be honest, but I am happy to keep on pondering it. “Eureka!”
If you want the WHOLE story of Simple Minds then this isn’t the book you want. But actually it IS the book you want. It is exactly the book you want! Because without this beginning, then there would be no “whole story”. This book is about the building blocks. That sandpit on the Toryglen building site where Jim Kerr and Charlie Burchill met as eight year old boys is such a fantastic serendipitous metaphor for the whole story of Simple Minds. Getting a gang of workers together. Gathering the materials required. Assembling the parts. Laying the foundations and by album number six, having a cathedral to wow yourself (and others) with.
For the ardent Simple Minds fan, the book actually contains few new revelations. I don’t want that to be a disappointment to the ardent fan because Thomson tells the story so well you will find it utterly enthralling all the same. The retelling is compelling.
For anyone who is newer to the Simple Minds fold, or came to Simple Minds from the point of Once Upon A Time and hasn’t really explored their back catalogue extensively, I implore you to read this book.
For the diehards – YOU NEED THIS BOOK! It is a fast and exhilarating ride. The book jumps off around the time of the recording of Once Upon A Time. That’s a different tale to tell then.
I honestly have not enjoyed a book like this since I read The Complete David Bowie by Nicholas Pegg. With Pegg’s book it was the telling of the Hunky Dory/Ziggy Stardust/Aladdin Sane years of the Bowie story that struck a chord most. The telling of Bowie’s meeting with Tony Defries and the MainMan years in particular. It made me “want in”. I wanted to be part of it. It fed the hunger of the dream to be in “the thick of it”. To be right in the cogs of that working machine.
I am feeling the same with how Graeme Thomson tells the Simple Minds story here. He takes you right in. I can feel myself in the recording studio. At Rockfield, walking about those barns and inside the studio, at the mixing desk. Watching John Leckie orchestrate these young guys as they get to grips with how to write songs and produce music that confounds and mesmerises, enthrals and bewilders.
To experience the “coming of age” of these young men, from the evolution of Jim Kerr as songwriter and stage performer, to Mick MacNeil finding his feet as a musical architect and composer, working alongside Charlie Burchill, it makes you appreciate more than ever what actual musical juggernauts both Burchill and MacNeil are. Also just what a bedrock the rhythm section of McGee and Forbes were together.
A tale told with utter distinction. I genuinely have not wanted to put this book down for a single moment since it arrived. Hide yourself away. Devour it at will. Gorge upon it! You won’t be disappointed. It is a feast. Then play those first six albums again with new ears and a newfound appreciation of the astonishing band Simple Minds are.
I have two copies of the book to give away. If you would like to win yourself a copy of “Themes For Great Cities: A New History of Simple Minds” by Graeme Thomson, simply answer the following question: In the book Jim Kerr tells of his “Archimedes moment” when writing the lyrics for which song? (Hint – search this website to find the answer.) Leave your answer in the comments section of this blog post. You’ll find the comments section at the bottom of the post titled “leave a comment” (you may have to scroll past the existing comments to leave your own unique comment. Fresh comments will provide me with details to contact the winners). If you have trouble with the comments section, you can also enter via the “contact me” form found HERE. All successful entries will go into the draw to win one of two copies of the book. The competition closes on Sunday, January 23rd, 2022 at 23.59 GMT. Winners will be notified shortly after. The competition is open worldwide. Good luck!
Of course Santa seemed to arrive early to Casa Read with the arrival of Graeme Thomson’s Themes For Great Cities (which I am just under halfway through and absolutely ITCHING to review here – but want to complete it first) a few days ago.
But he returned yesterday to deliver these…
All gratefully received. Books of Brilliant Things and BAKLAWA! GET IN!!! (MA BELLEH!!!)