Minds Music Monday – All Tomorrow’s Parties – Greatest Ever Cover?

The more I listen to it, the more I think it might just be. If not, then a very close second to Street Hassle. So…what is it about Simple Minds covering Lou Reed songs that makes them so wonderful?

Jim’s worship of Lou? Does it give an extra sense of “duty”? Does he just…care more? Wants to do an even BETTER job on a Reed composition than any other? Well…it’s not just down to Jim that makes these covers such gems. It’s the music of them too. Charlie and Mick making a gorgeous piece for Street Hassle and then Gordy doing his bit for All Tomorrow’s Parties.

It’s what I love most about ATP. There’s a beautiful melancholy to it…melodious melancholy. And I just ADORE Jim’s voice on it. There’s just such a tenderness in his voice. And a tone to his voice that harks back more to Sons And Fascination/New Gold Dream period Jim. The nuances and tone – just really beautiful.

Neon Lights gets shat upon so much by the fans. Most refer to it as “Neon Shites”. I was guilty of it too. I dismissed it rather quickly when I became a mega fan. But I decided to give it more of my time when it was reissued as part of the Rejuvenation box set. And I am glad I did. Granted, it still isn’t perfect – but it certainly isn’t the out and out turkey most fans seem to feel it is. The biggest gem of them all, for me, being this beautiful version of All Tomorrow’s Parties.

To me it gets more and more beautiful with each listen…

A Change Of…Terms?

Where do I start? Well, I start by saying – the blog ends up being my safe place for a moan…a gripe…a whinge. Mostly because I know Jim doesn’t want to hear it. I appreciate that.

Well, I kind of expressed, briefly, in the comments about the use of the phrase “longterm” – like how I had my gripe that got me into a WHOLE HEAP of trouble about “real fans” – ooh, at least he steered clear of THAT! Lol

But I elaborated on my gripe here. I often do. And go on about wishing I could be his “penpal“…in a sense. (I could easily cut his hair. I cut my OH’s hair most of the time.) That I’d love to interview him for the blog. That I wish “discs and doughnuts” could actually be A THING – just one time – between the two of us. Also, I go on about how I miss him pretty much every day he isn’t on Facebook. Lol.

I just crave the connection I felt was there some time back.

I’m a clingy, lovelorn, emotionally retarded fuckhead – I know! (Honestly, Alasdair Gray’s writing speaks sssooo fucking much to me! I’m there most of the time thinking “Know how you feel, Al. You’re speaking my language, friend!” Geez, I wish I had got to meet him now! Damn!)

Something happened though. And when that “something” sometimes happens, I forget to give a word of thanks. A “thanks for listening”…for taking it on board. For making me feel like…I have a voice, I am still being listened to. Appreciated. That my feelings matter. That you still care. Maybe? Hopefully? Perhaps it’s all still just delusional wishful thinking…

But just in case, Jim…thank you! Coincidence, no doubt. Wishful thinking? Most likely. Even if so, the “change of heart” post was greatly appreciated.

And well…hey fans…feel like trying to get your story in the book? Expressing your “Sense Of Discovery” of Simple Minds? Here’s your chance! You have just over a month to submit something. I think this may be one HUMONGOUS book!

Ever since reading this morning’s post, this has been the earworm…

A Chemical Reaction

Ever heard of Galaxians? Nope, me neither until Field Music’s David Brewis mentioned them on the Field Music Instagram account on Friday.

A new album of theirs (Galaxians) had been released and he was recommending it for your weekend listening pleasure. He said “our Leeds compadres Galaxians (he actually tagged their Insta a/c) have a new album out! Features the finest synthesizing this side of Bernie Worrell’s most-holy ghost.”

A person leaving a comment quoted that last part with a “SOLD!” at the end of their comment.

And I was really taken by the cover art. With me still in the middle of reading Lanark, there was something of the Alasdair Gray to the album cover art. So I thought “I need to give this a listen.

And for the past two nights I have done. Wow! Not just synths. Drums! E-drums. Linn drums maybe? I’m no expert. The vocals! Wow! And the style/genre – harking back to real PROPER funk, soul and r&b. I’m not sure about the Bernie Worrell reference. I am yet to see exactly what that pertains to. All I know is – THIS is a summer album! AND IT COMES FROM LEEDS?! It’s like that constant mindfuck of knowing that Average White Band hail from Dundee. Lol. You never expect these kind of sounds to spring forth from the UK.

Anyways, I am with David Brewis firmly on this one. You could do worse things on a rainy Sunday in Glasgow (or wherever else in the world you find yourself in currently) than listening to Galaxians new Chemical Reaction album.

Spotify link below…

You can buy their music from Bandcamp also. I’ve just gone and bought the album in vinyl. Bandcamp wording is a clickable link directly to their page.

Warm Digits – Flight Of Ideas – Listening Party Replay

Now Jim may well be found “in the kitchen at parties” (bedroom, more like!) – but Tim Burgess is now the self-proclaimed Twitter DJ to end all Twitter DJ’s. Since pretty much the beginning of lockdown he has held “listening parties” on Twitter. The concept being, we all join up online and listen to an album together all simultaneously and tweet along with our thoughts on the tracks and sounds, etc.

It is a thing that Simple Minds International on Facebook have been doing for some time. And when lockdown started, I did my bit by being “DJ”/host of a couple of the SMI Playbacks, though the majority have been held by SMI page creator and admin extraordinaire, Gordon Machray, with another helper who may wish not to be named on here and myself helping latterly.

Back to Tim’s parties on Twitter. On Monday one of the albums up for listening to was Warm Digits’ Flight Of Ideas. Anyone who has visited this blog in recent months will know how I feel about this dynamic duo of men. Other than Simple Minds, Warm Digits are just about my favourite band in the world – and certainly, along with Ruts DC and The Stranglers, an absolute favourite live act. And mercifully one of the acts I got to see live in 2020 before Corona caused chaos.

I wasn’t feeling well on Monday night, so I unfortunately missed tuning in and joining along but amazingly, you are able to watch and listen via a replay. Not as much fun as taking part live, but still a way to enjoy what was missed.

You can view the replay by clicking HERE

Enjoy!

You can also read my review of Flight Of Ideas and my interview with Steve Jefferis by using the search feature and searching for ‘Warm Digits‘ on this blog.

In the meantime, this one’s for Jim…

The Longterm?

How does one define how ‘long’ the longterm is? I ponder because in Jim’s post today he talks about the “Book Of Brilliant Things” or whatever it’s going to end up being called. The fan-based SM compendium.

“….we are looking to create something to which all longterm Simple Minds fans will hopefully want to contribute their stories.”

Well, that wording makes me feel precluded from it immediately. “Longterm”. How long is longterm?

To me it by its very definition means a substantial number of years. And given that, my not quite six years of fandom would hardly qualify as “longterm”. Thirty plus years, perhaps? Had I stayed with them from 1985, definitely! I have certainly tried cramming 30+ years of fandom into these past near six years. I have probably got a bigger collection of memorabilia and been to more gigs than a lot of “longterm” fans.

But that is by the by, I guess. Because the yardstick seems to be a measure of time. Not money, emotional investment, affinity….or some deluded sense of affinity one felt they may have had.

I’ve told the story so many times now, I’m not even sure I have the heart to tell it any more in all honesty.

It’s all there in my art anyway. And if any of THAT was used or printed? Well…that would be the most amazing thing ever. But even to have had Jim share it on the SM FB page back in the day when he liked it and he wasn’t sick to death of me….

That will always be a treasure. It means more than just about anything else I’ve ever done in my sad, pathetic existence on this sphere.

He replied to someone today about needing a hair cut. “Cut mine and I’ll be your penpal.”

Jesus! Can you just stop being a tease?!

*sigh*

Better still…I’ll try and stop being a “try hard” and go away. Shuffle off…well…at least the SM planet, as someone suggested (and not just of the SM planet, either!) I do some time back.

End this silly “affliction”. I blame John Francis Lawson and David leaving me far too soon.

I need to find that self-worth I had found for myself somewhere along the line. As fake as it was. Sadly some of it came from you, Jim.

An “enthusiast” is good…but an over-enthusiast, no matter how else it appears to the contrary is, ultimately, undesired.

The Anglophile – A ‘Discs And Doughnuts’ Playlist

This one started germinating from the idea of two things – the response to the “Antipodean Greats” playlist and that love of music from the UK that I always had too. “The Mother Country”, old “Blighty”. As the Australian nation post WWII looked to align itself firstly with America and then in more recent years as part of southeast Asia, my personal allegiance was still with the UK – particularly musically and culturally.

The other was Jim’s choice of Life In A Northern Town for his June playlist. As much of an affiliation I had for the UK musically and culturally, it wasn’t necessarily somewhere I desired to live when I was growing up. It always looked so bleak and dreary. Despite the bleak appearance though, it still managed to appeal. “Life In A Northern Town” may not have seemed very aesthetically appealing, but in other ways there was a draw.

Cars – Gary Numan

It’s synch pop bliss. And I was always conscious of it coming out of the UK. The synth based New Wave sound was very obviously very UK centric to me. Cars is probably the epitome of that sound for me. That final minute is just heaven. It gives me goosebumps every time. Always just does something to the senses. Never fails.

Dreadlock Holiday – 10CC

Brits abroad. That’s Dreadlock Holiday. It always used to be on the radio this one. Feels kind of odd to go for this track but it just came to me as I was thinking about what songs seemed typically “Brit” to me. I was so very tempted to add Godley and Creme’s An Englishman In New York as well – if for nothing else than the splendiferous video that accompanies it.

Ghost Town – The Specials

Seemed to sum up how Britain looked from the outer. Bleak, drab, rundown…deserted. Not exactly a song that English Tourism would be clamouring to use for an advertising campaign. Lol. And now the song has resonance again in a whole new light. Life is constantly cyclical. Only certain aspects change.

Relax – Frankie Goes To Hollywood

1984 Probably the height of my love for 80s music and the vast majority of it is coming from the UK. I guess there are some exceptions. Australia was a real melting pot of influences – taking in music equally from the USA and Britain. The preference for me was always the British stuff. FGTH was HUUUUUUGE in 1984 and into ‘85. And the first thing that made its way to us was Relax. It took quite a number of years before I saw the “other” video (the one I chose here – seems rather sedate now). The one I remember when first recalling hearing the song is the one done with the laser lights. I loved Frankie and Holly’s voice just absolutely knocked me for six.

I could have chosen Ferry Cross The Mersey but…nah.

Eurythmics – Here Comes The Rain Again

Rain. It always seemed to be raining in the UK. If it wasn’t raining, then it had just rained or was about to. The skies seemed permanently grey in any footage I ever saw coming out of the UK. Very rarely did it ever look sunny.

God, how I wanted to be Annie Lennox as a 13 year old! She was tall, androgynous, and she looked beautiful. Nothing I was ever going to be. The one thing I always wanted to change about myself (apart from weight – but that I could alter and do something about) was my height – or lack thereof. I ALWAYS wanted to be tall. If I had been at least 5’8” tall, I’d have been happy. Wasn’t to be…

Big Country – In A Big Country/Wonderland

I couldn’t decide which Big Country track I wanted. I love In A Big Country. As opposed to England and its urban drab dreariness – Scotland seemed beautiful and mystical. You don’t really get sold Glasgow. Alasdair Gray was spot on in Lanark. No one ever “sold” Glasgow to you. They sold the Highlands, the munros, the heather, the kilts, the lochs – Brigadoon. Big Country were rock music Brigadoon. They fed you it, still. Stuart Adamson with guitar effects like bagpipes. So…I think I was initially sold it with Wonderland. I bought it as a 12” single and then bought The Crossing after that. So, I’m not purely an “Anglophile”. But…try and find an equivalent phrase for Scotland and you see how Anglo-centric the UK is! Scotophile? Hiberophile? Caledonophile? Albaphile? Which would you choose? Answers on a postcard.

The Clash – London Calling

Political punk that always rang a chime with me.I can’t say I am the BIGGEST Clash fan. Never sought out their music too much. Had a 12” copy of Should I Stay Or Should I Go back in the day. Always loved Rock The Casbah too. They just had that very London centric kind of sound – even though there are ska, reggae and rockabilly leanings in the fusion of musical genres.

Adam And the Ants – Stand And Deliver

Although Adam had that kind of meld of the Native American meets pirate look thing going on – it was so very obvious he was from London and so Stand And Deliver plays up to that kind of thing. “The dandy highwayman” – Dick Turpin et al. Prince Charming played up to it to a degree also. It just has that skewed “cheeky chappy” Londoner thing about it. Playing up to aged stereotypes.

Sex Pistols – Anarchy In The UK

Well if you properly research your music history, then you know that punk – purely as a musical genre – started out in America. But punk as a concept, as an ethos, as a culture as a way of life DEFINITELY took hold in Britain. And the one band most lauded as taking the ethos and running with it are The Sex Pistols. I guess you could choose anything from Never Mind The Bollocks – but the obvious choice due to the playlist subject is Anarchy In The UK.

Bronski Beat – Smalltown Boy

The first thing that knocked me for six was the sound of Jimmy Somerville’s voice. And then it was the video. As a 14 year old girl who probably wasn’t even aware if she knew any gay boys at the time or not, I was just floored by that video. I mean, even still for that time, it was brave to highlight such a thing. I mean in the same year Queen release I Want To Break Free and do their video and the U.S. fans just DUMP them. And although gay rights was a worldwide thing, it was obvious the video was UK based. So the song has a UK centric sensitivity to it for me.

The Police – Synchronicity II

The picture of domesticity. A highly “dysfunctional” family – as they would be called. “Another suburban family morning / grandmother screaming at the wall / we have to shout above the din of our rice crispies / we can’t hear anything at all” Sting writes. It’s a bleak picture. It could be anywhere in the modern western world, really only for the chorus that pertains to a Scottish loch “many miles away”. I guess it could be Europe somewhere – but more likely England, and more likely northern England, perhaps near Sting’s childhood home in Northumbria. It conjures up that bleak, dreich imagery in its wording for me and the drama of the music. And…just, a moment to say that – as a drummer, I worship the ground Stewart Copeland walks on! In my dreams I would be even ONE TENTH the drummer he is! OMG!

Tubthumping – Chumbawumba

I’m not usually much of a victim of misheard lyrics as I will study songs and I am usually pretty good and taking lyrics in properly. But in this case, the northern accents got the better of me and I did mishear the chorus as – and it makes absolutely NO grammatical sense! Lol “I get knocked down but I get up again and I’m hanging on a cheap guitar”. Lol. I KNOW! As a joke I still end up singing it like that. So, yeah…it’s just an anthem, really, innit? A celebration of pub culture, essentially. Something oddly uplifting about it too in that – correctly worded here – chorus “I get knocked down but I get up again and you’re never gonna keep me down”.

Blur – Parklife

It’s just…London, innit? All the “cool Britannia” stuff of the mid to late 90s. The bands of the time and the whole Oasis v Blur thing. In that contest it was Blur for me. Oasis didn’t do as much for me – though I liked Don’t Look Back In Anger, Wonderwall and Champagne Supernova. I suppose I just preferred Essex boys to northern lads – musically then, perhaps. The other groups I liked at the time were Supergrass, Pulp and into the early noughties, Elbow – though after getting a copy of Newborn, I didn’t really stick with them much. Guy Garvey certainly has a way with words though. I also loved the more dance and trip hop stuff – Massive Attack, Faithless, Chemical Brothers and Fatboy Slim.

But, back to Parklife…it just kind of sold a stereotype then – pallid Brits in the sun. And, well, due to Cool Britannia and the closing down of the more industrial aspects of Britain, it started to look cleaner and began to seem more aesthetically pleasing. It wasn’t just the music now that was appealing, it was how life was looking here. We had just ended 13 years of Labor government in Australia in 1996 and the UK finally had a Labour government come in in 1997. The future looked bright. It looked better.

The Kinks – Waterloo Sunset

A homage to London and the Thames. London was not a part of the whole “Anglophile” thing that particularly appealed. It seemed a big scary, dirty place. And even after my first visit there shortly after I moved over, I felt very “meh” about it. The place I fell in love with first in the first few weeks I was here was Bath. My partner has relatives in Bristol and a cousin was getting married 4 weeks after I moved over. A bit of a baptism of fire, that. Going to a big family wedding when we’d barely been married a year ourselves. We stayed a weekend in a B&B on the outskirts of the city and had a day in Bath. The weather was glorious and warm and the architecture of Bath floored me.

It took a while…but slowly there were aspects of London I grew to like. The convenience of getting there from Luton was a HUGE plus. Erm….the West End. Theatreland. The museums and art galleries. The fact it is a cultural hub. From being absolutely indifferent to London, over the years I found the little hubs and things I liked about it. And certainly being by the Thames (particularly along the Southbank) was one. I never wanted to live in London though. NEVER. Luton was more than close enough.

London is definitely no Glasgow! Thank fuck for that!

You can also listen to the tracks as a Spotify playlist here…

The Little Drummer Girl Finally Has A Kit!

I kept convincing myself I wanted an acoustic kit. Like how I kept telling myself that I wanted to learn to drive a manual car. And like with the manual car when I realised that it actually would end up being faster and easier to learn to drive an automatic, I decided that if I really DID want to learn to play just to be competent and play at home and play to a standard (no desires of actually being a professional player at this time in my life) then a good electronic kit is all that was needed.

So, here we are. Here’s my new kit. Yay! It should be with me in a few days. I am very happy.

Oh, and I got one of these too…

I’ve got a fever and the only prescription is – MORE COWBELL!

Jim Kerr – In His Own Words – Record Mirror 1985

We’ve always had an Art School tag…I don’t even think there is an art school in Glasgow.

Jim Kerr, 1984 on Simple Minds

I do NOT believe for a single second he’d have said that! I mean, geez, the Glasgow School of Art is one of the city’s most famous buildings! They even played there in the early days as far as I am aware. If he said it, he was trying to be contrary and funny, which was obviously lost on the magazine! Lol

Also can I just say – the thing about him saying Chrissie being a friend – and more? Oh…I dream! Well, I dream JUST to be a friend. Geez! Just friendship would do. Anything else is beyond pie in the sky. “Friendship” is pie in the sky enough!

I took close up scans of the pics as well. Pretty sure the one of him holding the mic is one of Virginia’s.

I’m post some more as and when.