A song that makes you sad.
This is such a beautiful version….
A song that makes you sad.
This is such a beautiful version….
OMG! I only saw this today. The gig (in London anyway) is 18 days away. I WANT THIS SOOOO MUCH! This man is…my drumming GOD. He is everything, in drumming terms, that I would ever aspire to be. I’ve never seen him live. It would be ssoooooo amazing to see him. So amazing.
I probably won’t be able to buy a ticket until next week. So…I just have to hope and pray some will be left then. Fingers crossed! It would be a DREAM to see him.
It wasn’t until very late last night did I realise that tickets for the Trevor Horn Reimagines The Eighties Tour at the end of July/beginning of August had gone on pre-sale yesterday.
And in the overtly hopeful notion that Jim and Charlie (and quite possibly even Mick MacNeil – for the first show, at least) may take part in it (as “OTHER special guests to be announced in due course” was said on Trevor Horn’s web site) I have secured a ticket for the first show at the Royal Concert Hall in Glasgow.
I am starting to have the sneaking suspicion that this may be about the only chance I may get to see anything of the Minds this year.
So, come July 27th (or perhaps the 26th if I need to do the red-eye coach up overnight), I’ll be travelling to Glasgow yet again…and seeing yet ANOTHER gig at the RCH.
The bugger is that Horn plays the Festival Hall in London the following night which could actually cause a problem for me getting back there, if indeed I want to go a second time. At the moment I am happy with Glasgow only. I decided on Glasgow because, frankly, the strongest chance of there being an appearance on stage by Jim and Charlie WILL be at the Glasgow opener. Hame turf – opening night of the tour…it’ll be braw! And if Mick were to take part? Well, that definitely may be a Glasgow only affair. And how bloody special would that be? Had to get a ticket! Had to hedge my bets!
Weyhey! Kind permission for sharing given by Laurine Payet via The Lemon Twigs fan page on Facebook.
You can see all the photos taken by Laurine by visiting her site: https://upkominguk.com/2019/02/28/the-lemon-twigs-roundhouse-27th-feb-2019-photos/
Who dat in the foreground at the front in the stripey top? Why that would be me, that is!
The Roundhouse is probably the handiest venue for me currently. A short journey on the Thameslink rail line from Luton to Kentish Town station and then a 20 minute walk from there to the venue. Easy!
I arrived early enough, around 7.20pm. Support act Matt Maltese wasn’t due on until 8pm.
I found myself stood at almost the exact same spot I was in at the Franz Ferdinand gig last September…and I was getting a little apprehensive about it. I had fainted at the gig. The first time anything like that had happened to me. It was starting to play on my mind. But I just kept talking to myself, reassuring myself. Shortly after, I got chatting to a man next to me and it took my mind off it and distracted me enough for me not to worry and dwell on it. I also made sure that this time I had ample food and drink in me (and had water to hand should I feel the need to keep myself hydrated).
Matt Maltese was quite good. I liked what I heard. He’s got a fairly “lo-fi” quality to him. Quite laid back. He performed several songs, of which Hello Black Dog was the standout for me. You’ll find a little snippet of it below. I’ll give his album a listen in the next few days. I really do think it’ll be something I’ll enjoy.
There wasn’t too much of a wait before The Twigs appeared. As soon as it hit 9pm, the crowd were getting restless…clapping and cheering for the guys to appear. On the Roundhouse FB page it stated they’d be on at 9.05 and there they were, almost on the dot and straight into Go To School opener Never In My Arms, Always In My Heart.
Michael had some of the girls in the crowd screaming from the off. Using all he gained from his years as a child actor, giving the most Jagger-esque of “rock star stud” performances.
Once done, Michael starts to talk about his meeting with legendary U.S. songwriter, Paul Williams, and how some mutual appreciation went on. To the point in which he says, “so I thought ‘fuck it, you know…and I sucked him off’.” Erm, okay Michael! Thanks for sharing! Lol. I got the distinct impression it was all bravado and very much tongue-in-cheek (or perhaps cock-in-cheek in this instance) and on they went into Foolin’ Around (which obviously he had been doing with his felating Paul Williams story).
There is quite a distinction between the D’Addario boys. Michael is definitely the showman. All front, bravado, then pretend nonchalance. But, of course, the musicianship is there. Brian, conversely, brings the musicianship more to the fore with sublime vocals and maestro guitar playing (as well as some time behind the keyboard too). But he can let his hair down as well, but it’s always more controlled and more restrained to Michael’s bold theatrics.
It’s then Brian’s turn to shine, leading a wonderful version of Small Victories. Also on the amazing “influences worn unapologetically on sleeves” I Wanna Prove To You.
Other songs in the set included (sandwiched between the two songs just mentioned) This Is My Street, The Lesson, Hi & Lo, Light & Love, the beautiful These Words, Queen Of My School, Baby Baby, Tailor Made, Home Of A Heart, then a full showman display for The Fire – excerpt below – and finally As Long As We’re Together.
Instruments down. Guitars left playing feedback…the crowd were left wanting more. Only a few minutes were we left waiting for a solitary song encore of If You Give Enough.
Had this gig been on at the Roundhouse 50 years ago, it would not seem at all out of place. The D’Addario brothers really are not shy in melding all their influences together and spewing them forth. Everything is there. And that interplay between the studious Brian and the miscreant Michael is one that makes a Lemon Twigs gig really work. It’s showy, rocky, theatrical, brash yet sublimely rich musically. I left the gig wanting more. And I left so downhearted I had to miss seeing them play Saint Luke’s in Glasgow last week. But I also left knowing I’ll want to see them again and again!
I would love to be in a position to buy quite a number of Carly’s prints but as the cheapest is as close to £200 as you can get (minus shipping)…well, it is unlikely.
Two at best – unless he offers a (considerable) discount for buying in bulk? I mean ten prints will be £2000! Yep…not sure I could ever justify that.
There are at least 15 I’d like from the page linked to alone! (And there are other sets of his to view.)
Of them all, the one below has some kind of mystical beauty to it for me. I get the impression Jim is still fighting feeling unwell in this image. He was sick at this particular gig…and I feel weirdly voyeuristic for knowing it. I mean, he doesn’t let it phase him, because he’s incredible and it was “just a gig” – as he said in a recent SMO post he’d say to himself – bravado central, trying to stave off the effects of the stage fright (and having got himself sloshed trying to suppress it in the first place and resultantly made himself even sicker).
If I can only get one Philippe Carly photo, it’ll be this one…
You can view the entire set of the New Bingley Hall, Stafford gig photoset by CLICKING HERE