She Rag Doll And Beautiful James

I was catching up with Billy Sloan’s radio show last night. I haven’t listened in for….a few months now. I think I got a bit overwhelmed by him referring to me as one of his “most loyal” listeners. And to be honest, I wasn’t at that point, though I would listen most weeks. But that statement from him – I guess it kind of put the mockers on it. I didn’t feel worthy of such a thing and then weirdly it kind of then … I dunno. Weird, eh?

Anyway, the previous week he had been asking for favourite songs that mentioned mens names in the lyrics or title. Earlier in the week when he first asked the question the song I chose hadn’t entered my head, even though it had been an earworm for days on end already. By Saturday evening, it was there swirling around as Billy posed the question again just before show time. Of course I put in my choice of “Oh, Jim”. I didn’t end up listening to the show that night. I was chatting away to a friend and ended up “otherwise engaged” but I was intrigued to see if my choice got mentioned. It did. And it seemed Billy had missed me! Bless him! I didn’t expect that at all. Well, I’ve missed him too. He puts on a great show week after week and there’s always something that particularly piques the interest – more on that shortly. 

Anyway, that’s a looong preamble to say…I am back listening to Billy Sloan’s show. I didn’t hear it go out live but caught up with it via BBC Sounds last night. The topic was … what do you think is the greatest song of all time? One choice! Mine is “What Becomes Of The Brokenhearted?” by Jimmy Ruffin. It’s both sadly melancholic but ultimately uplifting. 

Around midway through the show, Billy played “River Deep, Mountain High” and it had me thinking about Jim’s post a few days back about “songs of home” and him talking about Nutbush City Limits – another Ike and Tina Turner song. As River Deep, Mountain High was playing, I am taking in the words as I usually do with the songs I listen to. I always try to pay attention to the lyrics. Not always easy as singers’ diction when they sing can vary wildly so it isn’t always easy to decipher lyrics. Hence the long litany of misheard lyrics. Lol. Nothing wrong with Tina’s diction though. I was taking in the lines “when you were a young boy did you have a puppy?” and then my brain backtracked and was thinking about the first lines of “when I was a little girl I had a rag doll” and “I love you just the way I loved that rag doll” and started thinking… “Hang about? Is THIS the genesis for ‘she rag doll’ in Celebrate?”

I have been in recent times debating this line (one could deem it a “mass debate”, perhaps? Though no…not between just two people it ain’t. Lol) with a friend of mine about the true meaning of that “she rag doll” line. Rather unusually for me, I interpreted rather “innocently” – my version of innocent anyway. More a kind of “canoodling” way….a bit kind of “post-coital spooning” kind of way. My friend informed me that a “rag doll” can be seen much more sexualised than that even. I never considered it to have such potency. I found it potent enough with my interpretation of it to be honest. And if one ponders the lyrics further then “she rag doll, keeps him warm / but this negative shows no form” – then I guess a “rag doll” in its most sexualised sense would NOT show any true form on a negative. My word! 

Either way, it’s damn sexy! And it is why I love Celebrate so much. Celebrate, when you get down to the heart of it, is a kind of love song. Well, maybe not a LOVE song – but a song of desire. The desire for lust and life. “A lust for life.” And it’s certainly uplifting. That “dark light” of theirs. Of Jim’s lyrics. Give it a dark heart but make it ultimately “feel good”. God, he’s good at it!

Anyway, River Deep Mountain High seems like the most innocent thing in the world now compared to Celebrate! Lol

Also on Billy’s show, he played this – the new Placebo single. It immediately piqued my interest before it even played as Billy said the title of it is “Beautiful James”. And what a chorus! “Beautiful James / I don’t wanna wake you” – how goddamn beautiful is that?! That’s me right there picturing Jim sleeping and just enjoying the sheer beauty of it. Gorgeous. Just so we end on a rather more innocent note than we could have done on the dirty ditty of Celebrate.

Minds Music Monday – Something Different – Until Next Week – Kant Kino Tantrum Remix

Normal service for MMM will resume next week, but until then I’d like to share a special gift from my mate Baggers. Kant Kino is one of my favourite, if not my MOST FAVOURITE, Simple Minds instrumental. Only problem is, it’s so short!

“No probs. I’ll sort it!”, said Baggers to me and lo! He sent this (audio link below) to me not long after. A few days before my birthday in 2017 as a gift. He called it the “Tantrum Remix”. Lol

So, in lieu of being prepared for another Sons And Fascination/Sister Feelings Call themed post for this week, I am sharing this lovely extended version of Kant Kino.

I missed the chance to check the building out in 2019. I had it all planned out; going to Germany with Ruth, seeing The Stranglers and making my way to selected spots around Berlin. A pilgrimage that never got to take place.

Alas. Maybe one day…

Minds Music Monday – I Travel (Not!) – Utah Saints Mix

Taking a break in the usual proceedings with Minds Music Monday this week. The focus has been (and will continue to be for the weeks to come) tracks from Sons And Fascination/Sister Feelings Call as we approach the 40th anniversary of its release in September.

Four tracks have been covered so far – The first single to be released – The American, then In Trance As Mission, 70 Cities As Love Brings The Fall, and just last week, Boys From Brazil – as well as an initial look at the band going into the recording studio for the production process – https://priptonaweird.co.uk/2021/04/12/minds-music-monday-sons-and-fascination-sister-feelings-call-recording-begins/

If you’re already tired of getting out to the pub, going and meeting up with friends and once again socialising and enjoying the sun – then you can read up on the previous weeks MMM’s by clicking on the song titles and the link.

This week’s MMM is a bit of a sick joke of a choice for us Glasgow residents (I have to stop myself from saying “us Glaswegians” because obviously I am not Glaswegian, just a mere resident of this amazing city) – as we are still in the strictest lockdown in the whole of the UK and that my friends means NAE TRAVEL for us.

So! Enjoy your freedoms, other UKers and if you find yourself at a loose end, then do check out my previous SAF/SFC themed posts.

Au revoir! (I ain’t going nowhere.)

P.S. I hope to have more to come to do with I Travel and Sons And Fascination during the week – something that involves a kind of collaborative thing with one Malcolm Garrett – finger’s crossed. Stay tuned! 🤞🏻🤞🏻

New Old (Cleaner!) Clips!

I’d love to know more about when and where this video of Love Song was done (ie: which music program, which country and when – 1981 is all I got)! Answers on a postcard.

At least I know a tad more about the Hear Here appearance and thank fuck they were allowed to perform live! I’ve never got music shows that have bands on and then don’t let them play live. What is the bloody point of having them on if they don’t play live?!

Anyway, enjoy these two in a bit more clarity than before.

Rare Kerr Photos Are Like Buses

Yesterday four arrived and then today, another four! The first one is another from the photoshoot at the Olympic Stadium in Stockholm, and the next is one from the day before the gig, taken on June 8th, 1989. So I kind of now have a complete set of photos of the Street Fighting Years gig for Stockholm.

The next is by a photographer called Ronald Siemoneit. There’s no date on the back, but I would guess by Jim’s hair and what he’s wearing, esp. the belt he has on, that it was taken in 1983. The photographer was based in Berlin, so I would also assume it to have been taken at a German gig, most likely in Berlin. They played Berlin on March 24th, 1983 and Jim is wearing that same white t-shirt with the rolled-up sleeves and that big belt.

Lastly, another Michael Hohmann one from the same gig as the previous two of his that I got. Again, no date or venue but I would say they are from 1980. And most likely either of the support slots they had for Peter Gabriel in Berlin – one on September 4th at the Deutschelandhalle, the other on September 19th at Stadion. Looks more likely to be the former as it’s a smaller venue and indoors.

There’s a possibility it could be Kant Kino but Jim looks more like how he appeared in the latter part of 1980 in the photos. The photos (in the Michael Hohmann set) are definitely no later than 1980 anyway.

Beyond the immediate enjoyment of ogling Jim, I love the history that’s attached to them. I absolutely treasure these things. I love this aspect of collecting memorabilia.

I also did get a copy of Next Big Thing, which I will discuss in a separate and relevant post.

New Kerrsday Treasures

Some new arrivals for this Kerrsday.

The first three are all promo photos taken of Jim inside the Olympic Stadium in Stockholm.

The black and white photo has a newspaper headline attached to it on the back that translates in English as saying, “Jim Kerr in Simple Minds visited Stockholm Stadium on Saturday, where the band will play on June 9.”

The three photos have dates stamped on them. The two colour ones are dated April 1st, 1989, (a date of March 31st has been crossed out on one of them). The B&W one is dated March 31st, 1989. Checking what day of the week it was then, it tells me Saturday was April 1st.

It would seem from this that Jim made the trip esp. to get the promo shots done at the stadium. I was sceptical, but it is definitely the stadium in Stockholm that he’s been photographed inside.

Finally, the smaller photo (actual size is 7×5 inches) of an even younger Jim was taken backstage at Kant Kino on March 3rd, 1980.

Timely photos, all of them. (He looks a right poser in the one the Swedish newspaper chose to print to promote the concert. Lol)

Always Destined To Be The … Next Big Thing

I posted this onto SMOG earlier this afternoon – but I get the feeling it is going to be somewhat overshadowed by a wonderful post about Jim, which I am sure he will love (who can blame him?). Anyway, I thought I’d also post it here as well. (I haven’t altered the words I posted.)


Back a few years ago, I posted something on the Simple Minds visitor wall. I think it was a review of a gig. It came from an independent fanzine. Jim replied to my post, saying he had fond memories of some of the guys who set up these kind of publications, recalling the names of Johnny Waller and Lindsay Hutton, particularly, on this occasion. Hutton had started a fanzine called “Next Big Thing”.

Well I stumbled on to a copy of Next Big Thing today, and there within the pages was an advert for Empires And Dance, as well as a glowing review of the album by Lindsay himself. (Albeit if he is somewhat disparaging to Roxy Music and Gary Numan in the process. Oops!)

It took me on my own little nostalgia trip. Of a time that I particularly loved being a Simple Minds fan. Thanks for those wee chit-chats, Jim. They’ll always be super special to me. I loved putting on my “researcher’s hat” for that one as when you replied to me you had said “I wonder what happened to Johnny and Lindsay?”, which had me off and searching for you. A time you made me feel both happy and purposeful.

If it doesn’t come out too clear for reading, then here is a transcript of what is written below.

“The danceable solution to teenage revolution? If Roxy were still any cop they’d be making albums like this. I don’t altogether go along with the belief that synthesisers always ruin things. There’s ample proof of the reverse here, but the fact that idiots like gerbil face Numan seem to represent the genre, mean that there is no media indication that there is life after electronics. ‘Empires’ is the 3rd Minds elpee and places them well up the league. Especially tasty are the opener ‘I Travel’ and the Jeepster style backbeat of ‘Celebrate’. If you’ve been put off by the moderne talk of Morley then think again kiddo, because this sound can co-exist with rock ‘n’ roll because it’s performed from the heart. Can you afford not to own a record by a band whose singer drew Noddy on the Berlin Wall in lime green chalk? Good wee group this.”