The Doughnut Dinner 4 Four

I was listening in to Gary Crowley on BBC Radio London and he brought up the topic of musical dinner guests. You could invite four guests, dead or alive, to dine with. You could also share what you’d make or serve them to eat.

Gary’s own choice for guests were Nina Simone, John Lennon, Sly Stone and Siouxsie Sioux and he said he’d serve Italian and Japanese food.

He was asking listeners to submit their choices. I thought I’d fire off a quick email and send it in, never thinking he’d actually read it out!

Here he is reading out my choice of dinner guests and what I’d serve them. It is audio only, of course, hence the black screen but just click it to hear the audio.

Tantrum Doughnuts ALL THE WAY, BABY! Lol.

 

Stewart Copeland – Royal Festival Hall, London – March 30th, 2019

After Thursday’s affair at The Stranglers gig, I was thankful to know that I’d be seated at the Stewart Copeland gig.

28BDCB54-7D79-4AA0-86D7-7C67050EA0E3

From my memory of how the side seats looked when I was there for the Manic Street Preachers/The Anchoress Meltdown gig last June, the seats appeared like they’d give you a pretty good view. I suppose the rail could make it a little restricted with the view, especially if you’re a short person and sit low in your seat but for less than half the price of the stall seats, it made it an affordable last minute choice to go.

And I chose my seat well. There were seats either side of the auditorium. Both seats I was viewing when buying my ticket would have given me very similar views of the stage. It was just down to me whether I’d feel more comfortable facing the stage via facing it to the right or left. For some reason I couldn’t quite understand, I was favouring sitting on the left side. It ended up a great choice as from how you see in the few sneaky snaps I took, Stewart’s kit was facing – what was for him from the stage side perspective, the right side of the auditorium. I had a prime view.

He arrived on stage promptly at 7.30pm, wishing the crowd a good evening. Cracked some jokes about half of his children were probably in the audience…or the actual audience! Lol. He started with film scores.

Tunes from Rumble Fish, Wall Street, his work on the Ben Hur live experience, the Spyro videogame soundtrack….as well as the odd Police number (in which he gave praise to Sting – I nearly fell off my chair! “Gordon Matthew Thomas Sumner – the greatest songwriter ever to exist on the planet” – quote/unquote!), playing Don’t Stand So Close To Me, Darkness and Miss Gradenko. And no Stewart Copeland set would be complete without The Equalizer, which he strangely did not perform but handed it over to the orchestra conductor who just happened to be a rather accomplished drummer himself. Stewart by way of a role swap, conducted the orchestra on the piece, as you can only imagine Stewart Copeland would…with quite a few giggles from the crowd as he made over exaggerated hand gestures and at one point did the Twist whilst still conducting away.

I think he also played something from The Rhythmatist and also played some Balinese Gamelan music.

220591D1-A4A7-45BE-9A9D-FA269FCF8049

He talked in between every piece, telling a brief story behind each. How they came to take place, etc. Namedropping directors like Oliver Stone and Francis Ford Coppola along the way. Always bringing out chuckles in the audience.

With a 20 minute interval about 45 minutes into the set, the gig came in at just on two hours. All done and dusted by 9.30pm. I had never been out of a gig so early! I was back at Victoria by 9.50 and on the coach back to Luton just after 10pm. And back in the door at home by 11.30pm. Incredible!

423F43F1-BC4C-4579-9480-24C2191A701C.jpeg

Any worries I may suffer a repeat of Thursday were long gone. I had a draining journey back from Weston-super-Mare during the day, but was soon revived with a meal and a short meander around the Southbank of London.

Stewart put on a great show. Great musicianship by the orchestra. Stewart was in good form both musically and as a general showman and class goofball.

It was a great night. I was so happy to have seen him. At times during the set I had been sitting their inwardly pinching myself, thinking “I am actually HERE watching Stewart Copeland play! This is fucking amazing!” And it was.

Whispering Sons

Upon recommendation by sound engineer extraordinaire, Olivier Gerard (aka GG) – I present to you, Whispering Sons. Currently on tour in the UK.  I just missed out seeing them in Bristol. The play Glasgow tonight.

And as Sod’s law would have it, they play The Lexington on Saturday, but I’m seeing Stewart Copeland that night. Had I not been commited to that gig already, I’d have definitely gone to see them.

Maybe if they play near any of you guys in the next few days, you can go and check them out. Give them a listen on Spotify.

They have a fairly dark, atmospheric sound. Think Joy Division meets Editors. I’d have been intrigued to see them. Hopefully I’ll catch them next time.

WANT! Gig Wish List – Number One!

OMG! I only saw this today. The gig (in London anyway) is 18 days away. I WANT THIS SOOOO MUCH! This man is…my drumming GOD. He is everything, in drumming terms, that I would ever aspire to be. I’ve never seen him live. It would be ssoooooo amazing to see him. So amazing.

I probably won’t be able to buy a ticket until next week. So…I just have to hope and pray some will be left then. Fingers crossed! It would be a DREAM to see him.

Review: The Lemon Twigs – Roundhouse, London – February 27th, 2019

The Roundhouse is probably the handiest venue for me currently. A short journey on the Thameslink rail line from Luton to Kentish Town station and then a 20 minute walk from there to the venue. Easy!

11D8862E-289A-4135-A67E-99FC3F15D4C9

I arrived early enough, around 7.20pm. Support act Matt Maltese wasn’t due on until 8pm.

I found myself stood at almost the exact same spot I was in at the Franz Ferdinand gig last September…and I was getting a little apprehensive about it. I had fainted at the gig. The first time anything like that had happened to me. It was starting to play on my mind. But I just kept talking to myself, reassuring myself. Shortly after, I got chatting to a man next to me and it took my mind off it and distracted me enough for me not to worry and dwell on it. I also made sure that this time I had ample food and drink in me (and had water to hand should I feel the need to keep myself hydrated).

67C83E31-9D50-4ACA-8CF4-DAA1EEC952CD

Matt Maltese was quite good. I liked what I heard. He’s got a fairly “lo-fi” quality to him. Quite laid back. He performed several songs, of which Hello Black Dog was the standout for me. You’ll find a little snippet of it below. I’ll give his album a listen in the next few days. I really do think it’ll be something I’ll enjoy.

There wasn’t too much of a wait before The Twigs appeared. As soon as it hit 9pm, the crowd were getting restless…clapping and cheering for the guys to appear. On the Roundhouse FB page it stated they’d be on at 9.05 and there they were, almost on the dot and straight into Go To School opener Never In My Arms, Always In My Heart.

Michael had some of the girls in the crowd screaming from the off. Using all he gained from his years as a child actor, giving the most Jagger-esque of “rock star stud” performances.

Once done, Michael starts to talk about his meeting with legendary U.S. songwriter, Paul Williams, and how some mutual appreciation went on. To the point in which he says, “so I thought ‘fuck it, you know…and I sucked him off’.” Erm, okay Michael! Thanks for sharing! Lol. I got the distinct impression it was all bravado and very much tongue-in-cheek (or perhaps cock-in-cheek in this instance) and on they went into Foolin’ Around (which obviously he had been doing with his felating Paul Williams story).

This slideshow requires JavaScript.

There is quite a distinction between the D’Addario boys. Michael is definitely the showman. All front, bravado, then pretend nonchalance. But, of course, the musicianship is there. Brian, conversely, brings the musicianship more to the fore with sublime vocals and maestro guitar playing (as well as some time behind the keyboard too). But he can let his hair down as well, but it’s always more controlled and more restrained to Michael’s bold theatrics.

It’s then Brian’s turn to shine, leading a wonderful version of Small Victories. Also on the amazing “influences worn unapologetically on sleeves” I Wanna Prove To You.

Other songs in the set included (sandwiched between the two songs just mentioned) This Is My Street, The Lesson, Hi & Lo, Light & Love, the beautiful These Words, Queen Of My School, Baby Baby, Tailor Made, Home Of A Heart, then a full showman display for The Fire – excerpt below – and finally As Long As We’re Together.

Instruments down. Guitars left playing feedback…the crowd were left wanting more. Only a few minutes were we left waiting for a solitary song encore of If You Give Enough.

Had this gig been on at the Roundhouse 50 years ago, it would not seem at all out of place. The D’Addario brothers really are not shy in melding all their influences together and spewing them forth. Everything is there. And that interplay between the studious Brian and the miscreant Michael is one that makes a Lemon Twigs gig really work. It’s showy, rocky, theatrical, brash yet sublimely rich musically. I left the gig wanting more. And I left so downhearted I had to miss seeing them play Saint Luke’s in Glasgow last week. But I also left knowing I’ll want to see them again and again!

Gigs Of The Year – 2018 – My Top 3

I have never seen so much live music in a single year. In fact, I saw more live music in 2018 than I have seen previously in all my adult life.

The year started with a album launch “all ages” show by Franz Ferdinand in Kingston-upon-Thames in early February, and was quickly followed by FOUR Simple Minds Walk Between Worlds showcase gigs, and continued on through the year, traversing the length and breadth of the UK and hopping across the English Channel into mainland europe and ending in Northampton seeing Blancmange. From Glasgow and Newcastle, to Leeds, Manchester and westwards to the Brecon Beacons, back over to Bristol, and many trips to London. A trip to Paris and the French Alps via Switzerland. I even managed a local gig! Luton isn’t usually known for its amazing live music scene, it has to be said.

I have no idea how many miles I’ve covered in all this crisscrossing of countries and continents. Thousands, I’m sure! And…I don’t want to think about what it did to the purse strings…but budgeting and shoestring travel makes it doable – trust me! You don’t have to be lavish to do this. Winning free weekend tickets for a festival also helps! 😁

And all absolutely worth it for some of the best live music the UK and the world has to offer.

Now, before I award my Top 3 gigs of 2018, let me recap (and try to remember!) just who and what I saw this year.

February: Franz Ferdinand and Simple Minds x4
March: Art Of Noise and Ruts DC
May: Warm Digits and Vessels, Simple Minds
June: Warm Digits x2, Manic Street Preachers and The Anchoress at Meldown Festival
July: Muilac Festival, Aix-Les-Bains. Caezar x2
August: Thumpasaurus, Green Man Festival, Simple Minds x3
September: Franz Fedinand
October: John Grant
November: Blancmange

All the acts I saw were fabulous…part of the reason I wanted to see them all. There were also a few standout support acts too.

Some worthy contenders for gig of the year, then? Manic Street Preachers…that was a real “love for the fans” gig. The guys were great and the crowd loved them. Franz Ferdinand – at both shows – just great. Make it look so effortless and Alex Kapranos is one of my favourite frontmen, currently. Ruts DC – don’t underestimate the power of ska/punk to be making an impact some 40 years down the road. These guys are great live. The Lemon Twigs – my live music find of 2018 – all thanks to winning a free weekend camping pass to the Green Man festival in the Brecon Beacons in Wales. Another act very worthy of note – Caezar. Joe Donnelly and JJ Gilmour have released one of the standouts of 2018, for me. And JJ is a phenomenal singer. An amazing voice. I hope to catch them again this coming February at Oran Mor in Glasgow.

At three: Art Of Noise – British Library – March 9th
An unusual setting for a gig – inside the library entrance, on the mezzanine. It made for a great atmosphere. I’m not an uber fan of theirs, but I just really enjoyed the atmosphere of the gig – there was a great rapport between the group and the fans. The acoutics were great and, yeah…can’t really pinpoint it…I just really enjoyed it a lot.

At two: John Grant – Green Man Festival – August 18th
John was the headline act on day three (Saturday) of the festival and he was just fabulous, and brought me to tears. It was a beautiful night and a wonderful setting.

At one: (who else but!) Simple Minds – Manchester Albert Hall – February 14th
For some it’ll be other shows. It SHOULD be Barrowland Ballroom – and it would be, if my choice was based beyond sheer performance. But I have seen SM nine times this year…and I could choose others. The Leeds grandslam gig was amazing. All three of the grandslam gigs were. But for majesty and sheer performance and for the concept of it, it goes to their Manchester WbW showcase gig. Whereas I thought palpable nerves at Barrowland led to some performance…inconsistancies. The next night at Manchester, they truly had it licked and were PHENOMINAL! They were just FLAWLESS by comparison to the night before. Amazing. absolutely amazing gig. Of the February WbW gigs, it was by far my favourite. It also wins out amongst the rest of the SM gigs I saw this year, purely for that full set of the complete Walk Between Worlds album performed live. Any band wanting to do that – to showcase a complete new package like that has the absolute courage of their convictions.

Congrats to Jim, Charlie, Gordy, Ged, Sarah and Cherisse (and to Catherine AD) for executing a truly amazing showcase of new matieral and killer setlist of hits. You guys f***ing rock the world…my world…the whole world! Thank you!