Spotify played this track to me about a week ago and I had never heard it (or them) before. I really liked the sound (!) of them so went and listened to the rest of the album this song was off. I mentioned them here in one of my video posts.
They sounded really good. Anyway, this shows up in my YouTube recommendations.
Minds fans, take a note of what he sings at the 3min 10sec mark – BOBT, anyone? Wonder if Jim had seen them…?
Obviously I did a bit more digging and had no idea The Doors had done a song called “Five To One” which is surely where Jim got the lines from.
Jim’s voice, and his lyrics. They are deep (both voice AND lyrics), as per usual in these early years. His lyrics have a depth beyond his tender years at this point in the Simple Minds story. He so very quickly becomes such a stark, bold lyricist. The imagery he conveys is startling. God, can you tell I’m in love with him(!) as a songwriter? Lol.
Another Simple Minds song in which there is a demo version to compare and contrast. The demo is pretty much fully formed, musically. The drumming is softer…and Charlie’s guitar is WILD. It really screams! Mick’s synths are disturbing and sit up front. And even though at this point in the song’s life, Jim’s lyrics are sparse and still taking shape, his vocal performance is still mesmerising. “How can this be?”, I hear you ask. Just listen to the demo!
When we get to the album recording…we have positively STONKING lyrics. It’s almost like Jim’s version of Rock N Roll Suicide. More than likely still only just 21 when he wrote it. Still younger than Bowie was when he writes Rock N Roll Suicide.
“It’s a shame
To go away
It’s a shame
To die already”
Musically it becomes softer and tighter. I’m not sure that makes sense. Perhaps softer and more succinct is what I mean. Charlie’s guitar becomes softer and sweeter, but still has those soaring highs. Mick’s synth is refined, toned down. The chords aren’t as disjointed and off-key as they were on the demo. And the beginning of the song has much more impact. The way the drum comes in. Serwwweeet!
But it really is all down to The Boy on this one. Those grand, dark, disturbing lyrics. Images of despair, emptiness…like, you’re wondering what it’s all worth and whether you should even bother any more. Wanting to live – “I’ve come so far already”…but wondering whether you should – “It’s a shame”.
And the way he delivers them too. The looooong, drawn out, deliberately protracted pronunciations of words I think are fantastic. One of his best vocal performances on record. (And I’m trying REALLY hard to be unbiased here)