Motivation?

Some new prints from Virginia arrived today (Middle and right – silver framed. There’s one other not pictured – it’s in landscape ratio and so in the frames on the other side of the room).

I’d be happy to gaze upon his beautiful smiling face for eternity. Past or present. Twenty-three or sixty-three.

That colour one of him looking to camera was one of the first photos I got from Virginia when I could only get a few tiny 6×4 inch photos. It was coming up to Glasgow with me with the rest of the small array of 6×4 photos I had. They were taken when the van was broken into on the move up here some two and a half years ago.

Replaced at last.

The one next to it (Arthur’s Seat/Edinburgh 1981) was another I had in 6×4 also, I think.

Anyway… on with study and trying to complete another assignment…

The ‘Fidget Arse’ Trio – or… The KERRwalski Triptych

AKA Fiddle Merchant. Some of the negatives I got to view on that first visit to Virginia’s (some four and a half years ago now) were wonderful to see. Actually, all of them were. But it was hard to see much detail in viewing them under magnification.

But once they had been scanned and printed, the detail in many made it a brand new experience seeing them. Take these three, for example. I have A LOT of photos of Jim that are favourites. Most can be viewed and enjoyed on an individual, photo-by-photo basis. By this trio is my favourite in sequence.

Photo one, the focus is on what’s in his hands. What is it he has? Has it got his name on it? I still am not sure what it is. It looks like it’s a key fob, but if so, why would he have his name on it?

The second photo, his focus has waned a little. Perhaps he’s now a little bored? Or his mind is adrift on something?

The final photo, I get the impression Virginia might have seen what I saw in frame two and tried to grab his attention with an “Oi, Jim!”

Whatever finally got his attention to look down the lens…I love it. And I love that his name is clearly visible in what he’s holding. I love those boots. OMG, those boots. And the jeans, and the white shirt.

A Glaswegian Stanley Kowalski. Or is that KERRwalski? “Stellaaaarrrrr!!”

Brooding and beautiful. I love these three.

Looking Back By Moving Forwards – A Precursor To Next Week’s Book Release

I had a hoard of memorabilia come in this week and in amongst it was this article, written by Graeme Thomson, none other! Featuring in The Guardian on February 24th, 2012, just as the 5×5 Live tour is getting under way.

We know how I feel about that. Goddamn! I was out by just over two years. I will forever rue it!

Some of the discussion that takes place between Graeme, Jim and Charlie during the interview for this article features in the Themes For Great Cities book.

I thought I’d scan the article and post it here. Just as a little taster of what’s to come next week.

A footnote (and a chance for me to be a pedantic pr*ck); the inset photo of Jim is from 1980. October, in fact. It’s one from the Tavistock Square session. The same session the photo on the book’s cover comes from.

Review: Themes For Great Cities – A New History of Simple Minds by Graeme Thomson

“This is a fast story”, author Graeme Thomson says at the beginning of the book and keeps reminding us a few more times further in. 

It’s a story of the formative years of two pals from Toryglen, their school chum down the road, the keyboard player from the Chinese restaurant and the bass player that was meant to be a guitarist. 

The focus is as one would hope – primarily on the music and the band itself. The meeting of five incredibly creative and gifted men and how those quite different young men come together to produce the alchemy that results in the early music of Simple Minds. We learn most about their creative and working lives. There is little about their individual backgrounds, only vaugaries that are relevant to the telling of the overall story. 

Although the story is heavily focused on Jim Kerr, Charlie Burchill, Mick MacNeil, Derek Forbes and Brian McGee, we also hear from others deeply involved in the story (if not necessarily within the band itself or the creation of the music). Jaine and David Henderson, Bruce Findlay, John Leckie, Simon Draper, Steve Hillage and Pete Walsh get mentioned and/or spoken to at length. 

Graeme Thomson has been meticulous without dragging out the pace of the story. As he continues to reiterate through the book it is a fast story. Like the five men that feature most strongly within the story, there is not an ounce of fat on it. Nothing lags. Nothing is protracted. Succinct, yet never lacking in detail. If I had got around to writing a book about the band I love, then this is EXACTLY the book I hope I’d have written. 

Along with content from interviews conducted with the primary band members, there is also input in the form of small “bridge” chapters from Bobby Gillespie, James Dean Bradfield and Ian Cook. There is also a dedicated “Q and A” interview chapter with art designer Malcolm Garrett. 

Some never-before-seen (even by me!!) photos are contained within the two sections of photographic content within the book. A number of wonderful photos by Virginia Turbett are within. Rare gems from John Leckie and Carole Moss can also be found within. 

There are things that I have questioned or pondered within my time as a Simple Minds fan that are discussed in the book. For instance, was the Life In A Day album already too “old” by the time it was released? Was Jim Kerr’s pudding bowl haircut a work of genius? Is Real To Real Cacophony one of the best albums they ever made? Is there anything that you cannot like about Empires And Dance? Why didn’t Grace Jones ever record a Simple Minds song? (Love Song gets singled out as the prime pondering here.) Can I ever stop my mind from wandering off to the object of my sexual desire when discussing Jim Kerr’s “Archimedes moment”? I may be the only person who grapples with that notion to be honest, but I am happy to keep on pondering it. “Eureka!”

If you want the WHOLE story of Simple Minds then this isn’t the book you want. But actually it IS the book you want. It is exactly the book you want! Because without this beginning, then there would be no “whole story”. This book is about the building blocks. That sandpit on the Toryglen building site where Jim Kerr and Charlie Burchill met as eight year old boys is such a fantastic serendipitous metaphor for the whole story of Simple Minds. Getting a gang of workers together. Gathering the materials required. Assembling the parts. Laying the foundations and by album number six, having a cathedral to wow yourself (and others) with. 

For the ardent Simple Minds fan, the book actually contains few new revelations. I don’t want that to be a disappointment to the ardent fan because Thomson tells the story so well you will find it utterly enthralling all the same. The retelling is compelling. 

For anyone who is newer to the Simple Minds fold, or came to Simple Minds from the point of Once Upon A Time and hasn’t really explored their back catalogue extensively, I implore you to read this book. 

For the diehards – YOU NEED THIS BOOK! It is a fast and exhilarating ride. The book jumps off around the time of the recording of Once Upon A Time. That’s a different tale to tell then. 

I honestly have not enjoyed a book like this since I read The Complete David Bowie by Nicholas Pegg. With Pegg’s book it was the telling of the Hunky Dory/Ziggy Stardust/Aladdin Sane years of the Bowie story that struck a chord most. The telling of Bowie’s meeting with Tony Defries and the MainMan years in particular. It made me “want in”. I wanted to be part of it. It fed the hunger of the dream to be in “the thick of it”. To be right in the cogs of that working machine. 

I am feeling the same with how Graeme Thomson tells the Simple Minds story here. He takes you right in. I can feel myself in the recording studio. At Rockfield, walking about those barns and inside the studio, at the mixing desk. Watching John Leckie orchestrate these young guys as they get to grips with how to write songs and produce music that confounds and mesmerises, enthrals and bewilders. 

To experience the “coming of age” of these young men, from the evolution of Jim Kerr as songwriter and stage performer, to Mick MacNeil finding his feet as a musical architect and composer, working alongside Charlie Burchill, it makes you appreciate more than ever what actual musical juggernauts both Burchill and MacNeil are. Also just what a bedrock the rhythm section of McGee and Forbes were together. 

A tale told with utter distinction. I genuinely have not wanted to put this book down for a single moment since it arrived. Hide yourself away. Devour it at will. Gorge upon it! You won’t be disappointed. It is a feast. Then play those first six albums again with new ears and a newfound appreciation of the astonishing band Simple Minds are. 

I have two copies of the book to give away. If you would like to win yourself a copy of “Themes For Great Cities: A New History of Simple Minds” by Graeme Thomson, simply answer the following question: In the book Jim Kerr tells of his “Archimedes moment” when writing the lyrics for which song? (Hint – search this website to find the answer.) Leave your answer in the comments section of this blog post. You’ll find the comments section at the bottom of the post titled “leave a comment” (you may have to scroll past the existing comments to leave your own unique comment. Fresh comments will provide me with details to contact the winners). If you have trouble with the comments section, you can also enter via the “contact me” form found HERE. All successful entries will go into the draw to win one of two copies of the book. The competition closes on Sunday, January 23rd, 2022 at 23.59 GMT. Winners will be notified shortly after. The competition is open worldwide. Good luck!

Merry Christmas From Little Brown Books!

This arrived in the post this morning. I am literally like a kid at Christmas!!! So very excited to be reviewing the book for the blog. The review will be up on the blog VERY soon. As will be details of a giveaway of copies of the book!

Exciting times. Keep an eye out for the review and more details on the giveaway shortly.

Merry Christmas!

As Dorothy Said To Aunty Em…

“There’s no place like home.” A much used quote lifted from The Wizard Of Oz. But it rings true. And it certainly seemed to have rung true on the nights of November 18th and 19th, 1982.

Simple Minds had just returned to Glasgow after another whirlwind stint of touring to the far reaches of the globe (yes, GLOBE – no “flat earth” conspiracy theorists here! Have ANY of these flat-earthers NEVER been on a plane? How do they explain the curvature of the earth and the horizon? I digress!) – heading back to Australia, New Zealand and Canada directly after the release of New Gold Dream.

I was looking into fanzines on eBay last night, after having seen an enquiring post on my FB feed about a certain Scottish produced fanzine. I thought I’d have a hunt around the interwebs and see what I could find. I decided on eBay first and got caught up looking at fanzines on there. One in particular caught my eye. One called Deadbeat. I looked at the listing of every issue and viewed the images, trying to scan and find more info on the fanzine production itself more than anything.

No one was then more surprised than me to find within the shared images of one listing of the magazine – THIS! A review of Simple Minds playing Tiffany’s in November, 1982. It’s unclear as to whether the reviewer is at the first gig or the second, but regardless of that it’s a glowing review.

The only error in the review is that they say Mike Ogletree is on drums. And it wasn’t until I was listening over the bootleg last night did I think to myself “Naw, pal. That ain’t Mike, that’s Mel.” Mike’s last gig was in Toronto about 10 nights prior to this gig. So in actual fact, it was Mel’s first or second night at the kit – depending on which night the reviewer was there.

They wax lyrical about Jim. Such praise! Excited at my discovery of this review last night I did a very rare thing (these days) and posted it to SMOG first with a link to Art & Talk’s upload of the November 18th gig to YouTube. In my post on SMOG, in reference to the lashings of praise heaped on Jim, I said “anyone would think I wrote the review! Lol.”

It is true though – anyone WOULD think I had time travelled and gone and reviewed it for the fanzine. It is wonderful to see such praise given to His Kerrness though. And it’s certainly nothing I wouldn’t have done myself.

A companion piece for me are the photos I have from Virginia of them playing the second night at Tiffany’s. My favourite photo of the set? One of Jim on the stage – looking pretty fucking sensational, I have to say in signature white collared shirt, shiny tailored trousers and black wee “ballet” shoes. And in the bottom left corner of the frame you can see his brother, Mark, looking as though he would rather be anywhere else than watching his big bro up on stage. Lol. Poor Mark! It’s not in the ones I have posted above, but you can view the particular photo I am referring to on Virginia’s site HERE

Lastly, here is the link to the first of the two Tiffany’s gigs that A&T uploaded. Oh, for a night at Tiffany’s! This is the next best thing…

P.S. Artwork used for the YT ident, eh? *wink* Thanks A&T!

Virginia Turbett On Twitter

The boss lady has FINALLY joined the Twittersphere, having been dead against it for the past two and a half years of me helping her out with FB and Instagram.

So, please welcome to the Twitterverse VTurbett_Photos!

Virgins Boys – Virgin Photos – Part Two

After the post about Virginia’s photos of the day Simple Minds signed to Virgin Records in March, 1981…today THESE babies arrived!

Obviously my favourites are going to be the ones of Jim. In one he is poised to sign (or has just signed) the contract. He has those pursed lips there – the excited sign of concentration.

The other I love is him with Ronnie Gurr. He’s looking at Ronnie all smitten, like. Lol

Ronnie left comments on my sharing of these photos on Facebook. It seems Ronnie was still working for Arista at the time, but soon moved over to Virgin also.

“A great day. I was still an Arista boy but took the afternoon off and soon followed my pals by becoming a Virgin a few months later.” is what he had said to me.

And the rest, as they say, is history.

Virgin Boys With Warm Fizz

I’m a lucky, lucky girl to work for my Boss Lady (as I affectionately call her) – Virginia Turbett, because I get to enjoy some perks. One being viewing wonderful photos before many others get to see them.

Today I was asked to post these to Instagram with the following caption:

“Due to popular demand – here are a couple of never printed and never scanned images of Simple Minds on the day in March 1981 when they signed to Virgin. See the gorgeous, young laddies from Scotland sup warm champagne out of plastic beakers in the artfully ‘junk shop’ styled office of Virgin MD Simon Draper. Also there that day were Virgin A&R Legends and Minds Super-fans – Ross Stapleton and Ronnie Gurr, both of whom have championed the band from their earliest gigs to this day.”

Gorgeous young laddies alright! Lord knows I have my preference. “WHO could it be?” You’re all wondering….well…. his first name rhymes with a slang term for a certain body part! 😱😉 That’ll keep you lot guessing…and if you’re brave enough – comment your answers and if someone gets it right, I’ll send you a print – of my artwork…not of Virginia’s. Sorry – I have no authority to do that!

Anyway…geez, what a momentous day that Virgin signing was, eh?

Glasgow 1978-1979 – Virginia Turbett – Cafe Royal Books

I had this arrive in the post this morning. It’s a piece of sobering beauty of the city’s recent past.

Virginia’s association with Glasgow goes far beyond her work of capturing Simple Minds in the early 80s. Her brother was a social worker in the city and so she would visit often. And her work wasn’t solely confined to rock photography, for she also did a lot of editorial work as well.

In visits to the city during 1978 and 1979, Virginia pictorially documented life in Glasgow. Selected photos now showcased in a photobook published by Cafe Royal Books.

These photobooks are available to purchase through the Cafe Royal Books website (link below) for £6.50 each (plus postage).

Cafe Royal Books