I wanted to choose Space today because – I always wish to see Jim in my dreams. I spent the past few years before going to sleep, making that wish… “Please! When I go to sleep PLEASE let me dream about him. If I can’t get to be with him and spend time with him like I’d love to in real life, at least let me have it in my dreams. Please just let me dream of being with him!”
It rarely ever happened. And I honestly don’t know when the last time I dreamed about him was. I gave up asking. He’s as sick of me in my dwam state as he is in real life, it seems.
I don’t think I had ever heard this Johnson Somerest mix of Space before today. He always makes good mixes, some are naturally better than others, but I don’t think there has ever been one I haven’t liked.
Jim – I am trying to give you space, I really am. The last thing I have ever wanted is to bore you rigid. I fear that I have. So I am trying really hard to stop that from happening. But you post things and then…I just want to talk to you! And then I just pray that you’ll respond to me. Interact with me. Throw me a bone by responding to me.
And then I sound all super needy and clingy and I hate myself because I know that kind of stuff is stuff you detest. As I said before – to be enthusiastic is great, but to be OVER-enthusiastic is undesired.
Today is also the anniversary of something else that I don’t really want to think about or have happen ever, ever again. But it doesn’t stop me from living further back in the past. He started his post today with a quote from Kierkegaard …
Life can only be understood backwards, but it must be lived forward
I don’t feel like I live too much forward. I spend too much time in the past. Steeped in what feels like “halcyon days” when the art was good, when I felt like I was going somewhere, when I felt that affinity, though perhaps it was a dwam too?
GAH! I’m so sick of myself! No wonder he’s sick of me too! If I’m not living in the past, I just want to live in dreams…
I remember this article from around the Walk Between Worlds tour. The photographer – as far as I was concerned – took some really unflattering photos of Jim, but in amongst the more questionable ones was this one. The best of the bunch. I had several goes of tidying it up but I probably didn’t really improve things much. Scanning from newspapers always results in a lot of “artefact”.
Looking in from the outer, I see some tentative improvement on “The Group”. At least a few more memories are filtering through and the admins at SMOG (well, more accurately, the admins at SMO via SMOG…same admins? Dunno) at least asked for some participation and contributions from fans yesterday.
It may have legs yet. I still need convincing.
In the meantime, the memories shared by the North American fans and by those who travelled to the USA and Canada to see a gig or gigs have been great to see. Some wonderful phots and videos shared.
In amongst the ones I saw yesterday was this amazing snap of Jim by Cody Fulfer. Wonderful stuff.
And here also, from the album, is Love Song – sounding overdubbed (Jim’s voice, at least) to buggery.
Look…I hate to criticise, I really do. BUT…if you are going to release a live album…have the bloody courage of your convictions! If you want to keep that reputation of being one of the best live bands in the world…WHY overdub “live” albums?
Okay, I am basing this purely on the sound of Love Song. I’ve not heard anything else from the album, and I wasn’t at that gig…but Jim did write a post after the tour about how run-down and full of lurgy he was feeling during the tour. No one I knew who went to the gigs heard anything up with his voice.
I’m sorry, but to me, overdubs feel deceptive.
And he’ll be pissed off with me for my preliminary critique. But it is how I feel. And I am NOT going to lie. It’s just my first impression over what I’ve heard.
Sorry, Sir. But if I can’t be honest with you, then I might as well just…do as Annie Mitchell suggested and go and “step off the planet”.
But it’s a first impression, based on one song from it. I’ll no doubt invest in it, listen to it and give it a full and fair critique on release date.
Available to pre-order…details can be found on Simple Minds’ social media platforms.
Why? I don’t get why anyone would do this. My video of Hunter And The Hunted that I recorded at the Grandslam gig at Colchester Castle Park on August 26th last year was taken and embedded into someone’s personal FB timeline, like the video was their own.
They then shared the clip on various Simple Minds groups and were happy to accept credit for the clip as if it was their own.
I really don’t have a problem with people sharing clips. Sharing the love we have for Simple Minds. But this is different. This was someone taking a clip from YouTube. Copying it off the site, then uploading it on Facebook, on their own timeline, which then makes the clip appear to be theirs.
A decent and honest person would have shared the clip from YouTube by just posting it on their timeline through sharing the YT link. Why didn’t they do that? Why take the clip and embed it in a FB post? It is blatant theft!
If you need proof, here it is. The two clips side by side. My original clip is at the top left, and the clip taken and used on FB is at the bottom right. It is 100% my video.
I have to say…things is quiet on the SM front, and I do miss Mr Kerr.
I hope things are okay. One can’t help but worry. I guess it isn’t our place to be concerned.
It’s one year to the day since the opening Grandslam gig at Maidstone in Kent. Mixed feelings still of the gig, only having been allowed back on to SMO the week prior. The cynic in me can never help but think it was just tactics (having my block from SMO revoked). I wish for more than anything in the world that it wasn’t.
My lasting memory of the day will be of meeting my beautiful friend, Ally, and us in an embrace singing along to Someone Somewhere In Summertime together. A magic memory. ❤️❤️❤️
I obviously didn’t film it at Maidstone. I was swept up enjoying the moment with Ally, but I recorded them doing it at Leeds the following weekend.
I’m sure it doesn’t seem the case to those who THINK they know me…I’m sure I seem the biggest blabber mouth on the face of the earth, but I CAN keep a bloody secret!
One that I was (somewhat accidentally, admittedly) entrusted with was the info there was going to be a live release from Simple Minds’ most recent tour of the U.S.
Today I received the latest issue of Classic Pop in the post and there’s a big old write up and interview with SM producer, Andy Wright. In amongst it, he talked about his working relationship with SM and within it was also the reveal of there being a live release of SM recorded during the resent U.S. tour. He says it’s going to be a 40 track thing…but that seems quite a lot. I’m not even sure 40 individual tracks made it on the setlist in America, did they? Perhaps some things played during soundcheck are being included? Who knows? We’ll see around Christmas time, I guess.
The melody…Jim’s voice…the lyrics! There have been some 333 days since its release…so I reckon that means I must have played this at least 500 times already (I never play the song just once – and I don’t listen to Walk Between Worlds every day, so hence my conservative estimate of 500 plays). I love it to bits!