Old Gold Dream?

I felt rather disheartened by yesterday’s 6 Music “Album Club”. The remit for BBC Radio 6 Music when it started was to be “indie” and “alternative”. It seems to have edged away from that over the years. I mean…it was fabulous that they gave exposure to Walk Between Worlds in 2018. No one was more surprised than me. I really thought it would be Radio 2 that would give it the exposure.

The fact that Simple Minds can straddle getting airplay from both stations is testament to the lasting legacy and style of the music they have produced. GOOD ON THE MINDS!

But the disappointing things about yesterday were – the repetition of the interview. At least 6 Music alluded (or even ELUDED) to it being a repeat…but with a modicum of uncertainty I tuned in anyways but once it got under way, the interview was sounding pretty familiar.

The other was the fact that they – 6 Music – ONCE AGAIN chose to concentrate on New Gold Dream.

Now….DON’T GET ME WRONG! New Gold Dream is EVERYTHING that the lasting reverence and esteem it is held in by all and sundry is worthy of. It is as near to perfection as Simple Minds ever got, aurally. And you all know well enough how I feel about Jim in 1982. The album and him…both near perfection in 1982. He is as aesthetically beautiful as the album work itself. The album is art and Jim right at that point is Michelangelo’s David for me.

Back to that 6 Music remit. “Indie and alternative”. It makes me wonder then WHY…why not highlight EMPIRES AND DANCE? It was its 40th anniversary, FFS! Or…Sons And Fascination/Sister Feelings Call – which is absolutely CRYING OUT for a box set reissue, but looks as if it will never get it – to my (and quite a number of others fans) eternal consternation.

It just had me perplexed. New Gold Dream is constantly lauded. Constantly gets the praise. It’s almost as if, sometimes in the eyes of many, that Simple Minds made only one great album and it’s that one thing. For me, it almost falls into the danger zone of Don’t You (Forget About Me). Except it is far more superior to that (sorry for the Don’t You lovers – I once was a lover of it too, many moons ago…and then I became a Simple Minds fan). Simple Minds only known for ONE SONG and ONE ALBUM. It just sucks arse!

And I am ssooo disappointed that there wasn’t more to celebrate and applaud Empires And Dance. On this milestone anniversary year, it REALLY deserved it. I hate how both EAD and Sons/Sister are just deemed creative precursors to NGD. Never really seen as the amazing sonic innovations they both were.

At times I can be left with a kind of desensitised feeling after having listened to NGD – like it just washes over me because it’s kind of “too good”. I can’t explain it right. But…I NEVER have that feeling with Sons And Fascination/Sister Feelings Call. It ALWAYS leave me floored, in awe, astounded and like I have been on the most amazing sonic journey. And Empires And Dance just floors me thinking about their age and ambition and how they pulled off such a sound. Drawing on so many influences, but finding their own musical identity.

Anyway, that’s just how I felt about yesterday’s Album Club. Once I heard that the interview was indeed a repeat, I switched the radio off.

Yesterday I wasn’t much in the mood to hear more praise heaped upon NGD.

Play A Long Song – Play The Long Game!

Now, where do I start with this?

I’m not sure. The past 24 hours I have been, although celebrating the anniversary of Empires And Dance – it’s been giving me time to reflect on aspects of the music and my fandom.

There are several stepping stones my fandom took as I was discovering them properly. I guess I should use the word “REdiscovering” as I already knew of them and was a “fan” – but I use the quotation marks around the word because it felt very different then to what it does now. I was very fair-weather and knew very few songs outside of “the hits” and those songs would have only been from Once Upon A Time – the only Simple Minds album I had ever owned until “diehard” fandom took hold.

Unlike 2006, when the idea of exploring their back catalogue extensively took hold, but failed to actually TAKE HOLD, in 2014 I persevered. Kept moving on. In 2006 I listened to Life In A Day a few times, didn’t much warm to it, apart from (what I felt at the time) a few standout tracks and then just…gave up. I keep putting it down to just not being ready. So I remained a fair-weather “fan”. It needs the quotation marks because there is a clear distinction in how I was a fan of Simple Minds pre summer of 2014 to post summer of 2014. I mean, for instance, say…I like The Cure, I know some of their songs and really like them – I even bought a copy of In Between Days when it came out in 1985. I think I might bought a copy of Friday I’m In Love as well – but do I call myself a fan? Not really. I don’t own any of their stuff. I don’t really sit around and listen to them. And if I did listen to them, I’d probably only play the songs I know and like. Does that make you a fan? Not for me. That’s a “fan”. Let’s not forget that the word “fan” – to describe someone who has a particular affinity for a band, music artist, actor, painter, etc – is a derivative of the word “fanatic”.

Rather regretfully, it took another 8 years to be ready again. I started again chronologically, first with Life In A Day. The first change was…I wasn’t quite as dismissive of the album as I was in 2006. I could feel the burning embers of a spark. Although I still sat on the fence about it. This time more than just a few songs started to grab me. So instead of going “oh, I don’t know” and giving up, I went “Well, okay, I’m still not fully convinced here, let’s see what the next album offers” and I started listening to Real To Real Cacophony. Well, I think for a start you have to be open to the quirkiness of this album. As a concept – unlike Life In A Day before it – it really IS a mixed bag. But a great mixed bag! And they wear their experimental hearts on their sleeves with this, And I could hear it, feel it, appreciate it for exactly what it was. And it made me love things like Veldt for being just so…off the wall “out there”! Things like Factory and Premonition are just so strong and incredibly rounded and formed pieces of musical art. So very much an early indicator of how great Simple Minds are and could be. Other tracks are overlooked by fans but are just as incredible to me: Citizen (Dance Of Youth) – it has real political guts that song. And there are dance tracks too already with Changeling. Film Theme is a wonderful instrumental. Calling Your Name and Scar are slight throwbacks but still so strong. Scar is such a strange one. It already seems fully formed and is played live for several months in its previous form and then Jim goes and completely rewrites the lyrics! Lol. The same thing happened with Cocteau Twins/No Cure. You’re a curious (and very beautiful!) beast, Mr Kerr. Lol

As much of a hit and miss that Real To Real Cacophony seemed – for me it was much more “hit” than “miss”. I understood and appreciated the experimentation going on. In actual fact, I applauded it! I was much more won over by RTRC and was excited to move on to listen to Empires And Dance. And…oh my lord! How that album took hold of me. I can remember listening to it for first time genuinely AGASP at what I was hearing. I don’t think my jaw came back off the floor until the stylus got stuck on the inner end groove ring. Lol. A metaphor as I actually listened to it on Spotify. But…I was agasp. And remember sitting there just stunned that this was the same band that did Don’t You (Forget About Me).

It was the second side of the album (I know! I listened on Spotify but…anyway) that really sealed the deal for me. As masterful as I Travel, Today I Died Again, Celebrate and This Fear Of Gods was (and OMG – I can remember how slack jawed I already was listening to “Gods”), it was the three after that – Capital City, Twist/Run/Repulsion and Constantinople Line that I think PROPERLY, categorically, without a shadow of a doubt SEALED THE DEAL for me. After those three songs played – I was a Simple Minds FAN – no quotation marks needed any more.

Constantinople Line to me was like…film noir, a Hitchcock film in song…Strangers On A Train in song – espionage and John Le Carre – cloak and dagger – but with just a smattering of tongue-in-cheek matter-of-factness thrown in “these stations are useful, these stations we love them”.

Twist/Run/Repulsion is also film noir and deliberately jarring which makes it fucking AWESOME to me. I will never understand in a month of Sundays how Jim – still with a stutter that could trip him up quite often though getting more manageable with age (and exposure to being the band’s spokesman and poster boy) – was able to sing and deliver those lines. But I guess that is just that wonderfully headfuck aspect of a stutter in that those who suffer it can usually sing without any of the effects of it showing up in song.

So, yes. After yesterday’s celebration I can safely say that without Empires And Dance being there as the third album – as the “third time lucky” piece – I don’t think I’d be here on a blog called “Priptona’s Simple Minds Space” and have the URL of priptonaweird.co.uk – or be making art with the moniker “Priptona” or even be calling myself PRIPTONA. I mean…where would I have come up with such a silly name for myself without Minds? Without Jim?

And there was the other thing that happened. Once it was Empires And Dance, then I was off, trying to go through all the early live footage I could get my hands on. I wanted to SEE them then. I wanted to see how they looked and performed back then after that. And…nothing prepared me for how…in awe I would get with Jim. Again…it was an absolute jaw-drop moment. The first thing I watched was the Hurrah’s stuff. And I am watching thinking “fuck off this is Simple Minds. And that’s Jim Kerr! Give over!” Lol. “Look at the way he’s moving! OMG! He was fucking amazing! How did I never know this? How has this taken so long for me to be exposed to all this?!”

And I move on and just try and watch all the things I can find…and I find the French TV one. Celebrate. The leather. The tambourine. If I say any more on that…well…just…look at my blog, FFS! Lol – and it’s brief description “may contain a heavy dose of Jim Kerr.” MAY?! HAHAHAAHAHAHAHAHAHHAAA! I really should change the “may” to “does”. It certainly would be a more accurate description. I could be taken to trading standards at the moment. Lol

And then we moved on to Sons And Fascination/Sister Feelings Call and the rest REALLY IS history from that point on.

So, here’s to Twist/Run/Repulsion! She doesn’t get enough love. But she is a “film noir” creepy, jarring, tongue-twisting little gem. I love her!

Celtic Blood

One done just for Jim. No Priptona mark.

Maybe he’ll hate it (statistically I seem to have about a one in 50 “hit” rate. Lol – or something like that. I’m not really counting).

I think I like it. Not so sure now it’s the next morning. Hoe can I expect him to like it? Lol.

I don’t ‘expect’. I just hope. Again, as always, made with love. I’ll never stop loving him.

Lament…

Well, this certainly has had the punters talking. And more so than any SMOG post can achieve. A shame the actual band page is all but abandoned now. It used to be so dynamic and wonderful! Even if a post like this makes me feel a little ostracised on a personal level – I’d much rather this on the band page than nowt!

The stats speak for themselves. Over 2.5k likes – 700+ comments, 80 odd shares on the post, as of 6.50pm this evening.

If Jim came back and played some pun games as well, I’d be a happy bunny. If … he would talk to me. If I could get affirmation. Yeah, okay…I get that I can annoy the boots off him but I used to feel, if nothing else, a level of tolerance. I don’t even feel that any more.

ANYWAY. I SHALL STOP FUCKING TALKING ABOUT IT! THE ONLY PERSON THAT IS ACTUALLY BRINGING ME DOWN ABOUT THIS FUCKING SHIT IS ME. AND THE ONLY PERSON WHO CAN TRULY FIX IT IS ME.

In other news….I still think he is the most beautiful creature ever to exist. Below, a piece of banner art in all of his resplendent, naked-from-the-waist-up glory!

Also in other news – red bean paste swirled in yoghurt is as delicious as I was anticipating. YES…the tin is ACTUAL, proper red bean paste! Praise be.

I have also booked tickets for the reopening of the Riverside Museum on Monday. Yes!

The Birth Of “Priptona”

Ah, if only it was the “Birth of Venus”. Lol. As if I could hold a candle to Botticelli OR Venus.

That aside…yesterday was an anniversary. Five years ago I bought the photo editing app for my iPad Mini that…well, not to put too fine a point on it…kind of changed my life. Well it felt like it did. Even if just for a short while.

Below, I cringingly share my first “work”. Lol. Of course, Jim is at the centre of it! Lol. Nothing ever changes (lol – except a lot of the time it does…especially if you allow it to or perpetuate the change)!

I will never stop being thankful for the things this app gave to me. The way it allowed me to express myself and what the music of Simple Minds has meant to me. How much I adore the song-writing of Jim Kerr – and well, just…how much I adore Jim Kerr. How therapeutic it was (and still at times is) to work on “art” pieces and feel creative and purposeful, and perhaps kid myself I am…CAN be…talented.

That I can create things full of joy and love and hope.

Because these five years…that is what it has been most of. That’s what I have felt most making this art and being a Simple Minds fan. Full of joy, love and hope.

Sometimes it feels like that is slipping through my fingers and I can’t help but lament at that. But I try to push on and see a way through.

I want to let love win. I need it to!

Happy Anniversary, Priptona: the artist – you are no doubt the better part of me.