And Then It Continued…

Sharing the things that make/made me most happy. This is how it started. I titled this “And Then It Continued…” but this is really how it started.

I loved this “artwork” so much. And I couldn’t believe that he liked it as much as I did. For that I will be forever grateful. I wish it would have got printed in the Heart Of The Crowd book. It was all I wanted in there. Just the piece. Not even any words. But for want of the photo of it being printed – the words had to suffice.

Does he still have his copy on a wall? I can only ever hope. Or lie to myself that yes, it’ll be there. Somewhere.

I know my copy is still on my bedroom wall. And always will be. All the days of my life. It’ll be going nowhere. And I guess that’s the thing.

I’ll always have mine with me. That’s it.

Minds Music Monday – This Earth That You Walk Upon – SAF/SFC 40th Anniversary Celebration

When you consider the tracks on the album that have just gone by – the thumping drum and bass monster of Boys From Brazil and the pre-techno genre Euro dance beat of Love Song – there is a calming and stillness to This Earth. A soft rim shot (that’s what that particular percussive sound is called in the pro world) and slow haunting reverb guitar start the track off before Mick comes in with simple but gorgeous synth melody. It feels as if a magic carpet has arrived to take you on a meditative ride.

Soft little hushed tones from Jim accompany the music before he comes in with a pondering set of questions – “What’s your name? What’s your nation?” There is now – after the rush of the previous two album tracks – a definite “sense of order / sense of speed” – at least a reduction of speed to the more tranquil and more….meditative.

More fragmented lyrics still “shakes his hand / turns away / turns his back and walks away”. Jim seems to have recurring themes in his lyrics. Quite a bit of hand shaking and walking into, out of, or generally around spaces. There’s a lot of walking. I guess it is reflective of how much of a walker (yes, that’s “waLker” lol) he is. Some elements of songwriting, no matter how much you feel are not a reflection of you personally can’t help but be a mirror.

Reading up about it, it was initially an instrumental and was released as an instrumental only version on the B-side of Love Song. Jim added the vocal at the latter stages of the album recording. Probably having walked around Glasgow for days on end listening to the track god knows how many times on his(?) or Brian’s(?) Walkman. Each time I hear it I think of the reply I had from him about listening to music while walking (or jogging as the post he had written had alluded to) around Glasgow. I’ll include it below as it is a piece of “conversation” I cherish. I cherish all the interactions I’ve ever had with Jim and I despair the thought of it being past tense now. “All things must pass”, I guess. I feel as if I have been in mourning twice in recent years. Losing my mum at the end of 2019 and then…well…

I have probably highlighted this bit of conversation several times over already, but here goes…

I used to think that was a ridiculous kind of bravado to claim that. To say “no birdsong could compete”. But he is right. No birdsong can. But the birds aren’t trying to compete with Mick MacNeil’s or Charlie Burchill’s genius. They’re just the males in the species competing with each other for “top bird”. To get the best females. I pretty much think Mick had that part covered as well – without trying. Cheekbones you could cut yourself on.

For me, this song has Charlie Burchill’s best guitar solo. By far. It almost sounds off key. But that makes it stand out. And it’s haunting. Like his guitar is weeping. It is so beautiful. And then to match it to Jim’s lyrics after the solo ends – “screaming edge of light / shines so, shines so hard”. Those lines exactly encapsulate what Charlie has just produced with his guitar.

I had my “heavenly moment” with this song. The Walk Between Worlds tour of 2018 and it starting at the Barrowland Ballroom in Glasgow. We were just a few songs into the show. The songs that you’d expect to get things under way. The ones the early diehards love – I Travel, Celebrate, Love Song… and then…THEN came the B-side to Love Song in lyrical form. As soon as the jangling guitar, the soft percussive beat and synth melody began, I almost fell to my knees in raptures! There was talk of surprises being on the setlist leading up to the tour. Unexpected things that would keep the diehards happy. And of course by this time I was one of those diehards.

I had never expected much from the promise of surprises. I know sometimes that Jim says one thing and means another. I was cynical enough to keep my expectations in check for fear of disappointment. This one floored me. I was ssooo happy! I just wanted to shut myself off from everything else that was happening around me. I closed my eyes and just let the whole thing wash over me. To just let it soak into my skin and try to keep myself in the moment.

I don’t actually recall much of how the song actually sounded on the night. I remember Jim and Catherine sharing vocal duties on it. I remember feeling blissful hearing the music and anticipating Charlie’s solo which was just about note perfect from my vague memory of it. The memory is vague because I suffer from a kind of sensory and emotional “overload”. When things are very special or mean a lot to me, it overwhelms me and plays havoc with my memory recall. I have the worst memory as is – but when it is a special thing, a moment that I REALLY WANT TO REMEMBER – then that is guaranteed to be the thing I remember least – or worse still can’t recall at all. A lot of things I wipe from memory completely. Thankfully in these modern times with Smartphones being rather ubiquitous, there is not much need for me to have to rely on my memory recall – thank god! But it would still be lovely to be able to recall it first-hand from my own memory bank. To feel all the things I felt that night as the song was playing rather than the vagueness of knowing it meant the world to me to hear it being performed and wanting to savour the moment.

I know this is not the most information rich post about this song. There’s never really been much said of it. Never much talk about it. It’s quiet and sparse and glorious. Understated. Simple and beautiful. Mick MacNeil at his very best. Charlie Burchill at his very best also. And Jim Kerr at his most lyrically enigmatic. Quiet and sparse – but also expansive. Cinematic. “Worldwide on the widest screen” – latter lyrics that also sum up the atmosphere of This Earth That You Walk Upon. This whole planet is home to us. This big blue planet that we really should be taking much better care of but never will. Humans by nature are just far too greedy and selfish. Even those who otherwise appear altruistic still have these awful human foibles. We all do. Sadly it is also what makes us human. We don’t seem to be able to learn and change what makes us the worst example of humanity.

But alas, I digress some. For I am sure This Earth That You Walk Upon is just meant to be enjoyed as a reflection of all that is good and joyous about this world. The vastness of it. The nature of it. A soundtrack to the world, of our place in it and of nature.

I’ll offer two versions here. The album version with the lyrics and a version of it from the Walk Between Worlds Tour in 2018.

Minds Music Monday – Something Different – Until Next Week – Kant Kino Tantrum Remix

Normal service for MMM will resume next week, but until then I’d like to share a special gift from my mate Baggers. Kant Kino is one of my favourite, if not my MOST FAVOURITE, Simple Minds instrumental. Only problem is, it’s so short!

“No probs. I’ll sort it!”, said Baggers to me and lo! He sent this (audio link below) to me not long after. A few days before my birthday in 2017 as a gift. He called it the “Tantrum Remix”. Lol

So, in lieu of being prepared for another Sons And Fascination/Sister Feelings Call themed post for this week, I am sharing this lovely extended version of Kant Kino.

I missed the chance to check the building out in 2019. I had it all planned out; going to Germany with Ruth, seeing The Stranglers and making my way to selected spots around Berlin. A pilgrimage that never got to take place.

Alas. Maybe one day…

Minds Music Monday – I Travel (Not!) – Utah Saints Mix

Taking a break in the usual proceedings with Minds Music Monday this week. The focus has been (and will continue to be for the weeks to come) tracks from Sons And Fascination/Sister Feelings Call as we approach the 40th anniversary of its release in September.

Four tracks have been covered so far – The first single to be released – The American, then In Trance As Mission, 70 Cities As Love Brings The Fall, and just last week, Boys From Brazil – as well as an initial look at the band going into the recording studio for the production process – https://priptonaweird.co.uk/2021/04/12/minds-music-monday-sons-and-fascination-sister-feelings-call-recording-begins/

If you’re already tired of getting out to the pub, going and meeting up with friends and once again socialising and enjoying the sun – then you can read up on the previous weeks MMM’s by clicking on the song titles and the link.

This week’s MMM is a bit of a sick joke of a choice for us Glasgow residents (I have to stop myself from saying “us Glaswegians” because obviously I am not Glaswegian, just a mere resident of this amazing city) – as we are still in the strictest lockdown in the whole of the UK and that my friends means NAE TRAVEL for us.

So! Enjoy your freedoms, other UKers and if you find yourself at a loose end, then do check out my previous SAF/SFC themed posts.

Au revoir! (I ain’t going nowhere.)

P.S. I hope to have more to come to do with I Travel and Sons And Fascination during the week – something that involves a kind of collaborative thing with one Malcolm Garrett – finger’s crossed. Stay tuned! 🤞🏻🤞🏻

Kerr-oke Is The Real Thing

A backstage “post gig” sequence of photos that I first worked on years ago and decided to update. Jim’s holding a can of Coca Cola. Obviously it was at a point in time when he wasn’t too concerned with looking after his voice. I guess he was young and maybe didn’t foresee the band still going strong so many years later – living for the now.

These days he takes much more care of his voice, thankfully. ❤️