Looking for something else to do to celebrate Burns Night other than downing some haggis, neeps and tatties? May I suggest that you get your lugholes around this?
In case you somehow missed it (I dunno how you would!), Jim was on Billy Sloan’s show on Saturday night. Billy did ask one or two questions of Jim that I would want to ask him myself in all honesty. Jim’s responses were actually quite frank and full of humility. It’s always great to hear him talk.
If you missed it, you can catch up with it on BBC Sounds. Click on the player below to listen to a direct extract of the interview.
Of course there was talk about Act Of Love and the first official Simple Minds gig with Billy’s conversation with Jim happening on the actual anniversary of the gig (last Monday, Jan 17th).
The song is still an earworm for me. There was talk of it being played live when the tour commences – that will be great!
To say I am NOT a fan of The Daily Mail (otherwise known as either the Daily Fail, or Daily Flail in this household) would be SOMEWHAT of an understatement! But…the rag (in its truest definition of the word) has declared Act Of Love as its “track of the week”. It seems the publication CAN indeed print something positive…from time to time. A shame some of the details are slightly inaccurate. NOT “unrecorded” – recorded as a demo. There’s a difference. The devil is in the detail. I would have assumed the “devils” at the Daily Fail would be masters at that by now. Then again, who needs details, right?
I had a hoard of memorabilia come in this week and in amongst it was this article, written by Graeme Thomson, none other! Featuring in The Guardian on February 24th, 2012, just as the 5×5 Live tour is getting under way.
We know how I feel about that. Goddamn! I was out by just over two years. I will forever rue it!
Some of the discussion that takes place between Graeme, Jim and Charlie during the interview for this article features in the Themes For Great Cities book.
I thought I’d scan the article and post it here. Just as a little taster of what’s to come next week.
A footnote (and a chance for me to be a pedantic pr*ck); the inset photo of Jim is from 1980. October, in fact. It’s one from the Tavistock Square session. The same session the photo on the book’s cover comes from.
Well, well, well…look what we have here! This week on Billy Sloan’s Show on BBC Radio Scotland, SOMEONE is going to be Billy’s guest. A day after I conduct my interview for this wee blog. (No! I’m not interviewing Jim! In my goddamn dreams. But the person I AM interviewing is relevant to the content of this site…very much so. My lips are otherwise sealed.)
Now…how the fuck am I meant to concentrate on MY interview on Friday with knowledge of THIS now? Come on! Talk about test a woman. Jeez-o!
Look at him! Smug as you like! And I don’t mean Billy! 😁😁😁
It seems things are warming up quite nicely at SMHQ. GOOD! We could do with some cheer at long bloody last!
Not much else for me to say but…tune in to BBC Radio Scotland on Saturday night from 10pm GMT.
Despite how this extract reads, it’s NOT all about Jim! If the book was ALL about Jim, it would … well, I’d be fine with it (Lol) – but in all honesty, it would be boring. And the book isnae. It’s flipping braw!
There have been some other great reviews coming in for Graeme Thomson’s Themes For Great Cities book.
Firstly, Classic Pop magazine gave a glowing review. And recently, both Uncut and Electronic Sound magazines have reviewed it. The Electronic Sound review is succinct yet wonderfully positive. The Uncut review gives the book an 8/10 and its opinion of Graeme Thomson as a writer is wholly positive, but the rest of the review is rather backhanded and quite dismissive and scathing of the band. Almost as if the reviewer wondered why Thomson had bothered to waste his talent and energy in telling the Simple Minds story? Well, that’s how the review read to me anyway.
See what you think…
I still think my own review is the best of the lot of them so far. And I don’t usually plug myself with this much bravado! You can read my review HERE – and don’t forget that I am running a competition to win one of two copies of the book. Check the review post for details! The comp closes on Sunday, January 23rd.
Graeme himself was pretty awed by my review, as you can see below… I admit to being quite stunned by his reaction to it. And very humbled. A few tears were shed.
After a long, dry spell… (the last new release from Simple Minds being the release of For One Night Only for the 40: The Best Of Simple Minds 1979-2019 release towards the end of 2019) THERE IS NEWS! A new release from Simple Minds in celebration of the band’s debut gig at Glasgow’s Satellite City on January 17th, 1978.
To mark the 44th Anniversary of the gig taking place, the band have re-recorded the first song they performed on the night, Act Of Love.
Act Of Love was previously recorded as a demo. The band’s CaVa demo that secured their initial recording deal.
I don’t know why I have it stuck in my head as a Charlie Burchill song, but I just do. And by a Charlie song, I mean it being a song about Charlie.I don’t know where I have got that implanted in my head. It must have been something Jim had said when talking about the song? Perhaps he just expressed a particular likeness for Charlie’s guitar work on the track? Whatever it was, I have thought of “Jeweller” as Charlie’s song ever since.
Proving also that inspiration can come from just about anywhere, Jim said the lyrics came about from him seeing an advert in a magazine. I love it when he can share stories of defined examples of lyrical inspiration. I am sure most times his lyrics are an amalgam of inspiration. Pieces of a mosaic, as obscure and ambiguous as his words can be. Esp. early on in his songwriting. Never really a single point of focus. Well that’s how it seems anyway.
I like both the recorded versions of the song that I’ve heard. Both are very similar in sound with no real variation in lyrics, only just some backing vocal lyrics on one version, with Jim’s voice alternating in left and right channels to say “I want you – I still want you” – which for me is seductively sexy.
“When all seems lost, you’ll find the diamonds in the rough” is the general optimistic message of the song. Well, that’s how I interpret it.