ICYMI – Enjoy Some Dulcet Tones For Burns Night

Looking for something else to do to celebrate Burns Night other than downing some haggis, neeps and tatties? May I suggest that you get your lugholes around this?

In case you somehow missed it (I dunno how you would!), Jim was on Billy Sloan’s show on Saturday night. Billy did ask one or two questions of Jim that I would want to ask him myself in all honesty. Jim’s responses were actually quite frank and full of humility. It’s always great to hear him talk.

If you missed it, you can catch up with it on BBC Sounds. Click on the player below to listen to a direct extract of the interview.

Of course there was talk about Act Of Love and the first official Simple Minds gig with Billy’s conversation with Jim happening on the actual anniversary of the gig (last Monday, Jan 17th).

The song is still an earworm for me. There was talk of it being played live when the tour commences – that will be great!

Looking Back By Moving Forwards – A Precursor To Next Week’s Book Release

I had a hoard of memorabilia come in this week and in amongst it was this article, written by Graeme Thomson, none other! Featuring in The Guardian on February 24th, 2012, just as the 5×5 Live tour is getting under way.

We know how I feel about that. Goddamn! I was out by just over two years. I will forever rue it!

Some of the discussion that takes place between Graeme, Jim and Charlie during the interview for this article features in the Themes For Great Cities book.

I thought I’d scan the article and post it here. Just as a little taster of what’s to come next week.

A footnote (and a chance for me to be a pedantic pr*ck); the inset photo of Jim is from 1980. October, in fact. It’s one from the Tavistock Square session. The same session the photo on the book’s cover comes from.

“New” Music News!

After a long, dry spell… (the last new release from Simple Minds being the release of For One Night Only for the 40: The Best Of Simple Minds 1979-2019 release towards the end of 2019) THERE IS NEWS! A new release from Simple Minds in celebration of the band’s debut gig at Glasgow’s Satellite City on January 17th, 1978.

To mark the 44th Anniversary of the gig taking place, the band have re-recorded the first song they performed on the night, Act Of Love.

Act Of Love was previously recorded as a demo. The band’s CaVa demo that secured their initial recording deal.

You can pre-save the recording on your chosen streaming service by clicking on the following link – https://SimpleMinds.lnk.to/ActOfLoveFA

You can also hear the previous incarnation of the song below.

Next week we get the Minds Music Monday to end all Minds Music Mondays! YAAAAS! 👏🏻👏🏻👏🏻👏🏻

You can read much more by visiting the band website HERE

January – Go! Don’t go!

What does one do when the creative writing well seems dry? Find a topic? Pick something?

It’s nearing the end of the first week of January. I could talk to you about howJanuary feels to me? It feels like a month of 62 days! Most of the time…

But this time may just be different. We are almost one week in to this (usually) most arduous of months. At this rate it will sail by! But that is the trap January usually sets. It starts out fleeting and then seems to grind to a laborious halt around midway through. 

It’s definitely a northern hemisphere affliction, the long, arduous January. I have no recollection of Januarys lagging while I was growing up. In fact it was very much the opposite. Januarys were all too fleeting. It’s the height of summer in the southern hemisphere and for kids on the east coast of Australia, it’s summer holidays. Schools break up a few days before Christmas, and when I was growing up we had a six week break from school. We didn’t return to school until the second week of February. Yay!! It’s a little different down there now as there is an extended break over Easter that didn’t happen when I was going to school. At Easter back then it was just Good Friday and Easter Monday off school. Now there is a full week off school which means summer holidays are now generally five weeks long and the school year starts at the end of January in New South Wales, at least. 

So, as you can appreciate, the Januarys of my childhood felt like they were only maybe a week or two weeks long. And the end of January was dreaded! It meant the return to school was imminent. Now – the end of January is to be celebrated! The days are getting incrementally longer and, at long last, the month is done with! There is light at the end of the bleak, mid-winter tunnel. Hurrah!

This January is different. There are things to look forward to! My university study begins in just over two weeks time. And a few days after that, the new book on Simple Minds – Themes For Great Cities gets released. I’m looking forward to hearing everyone else’s thoughts on that. Also, Sarah Brown is releasing the debut single off her new solo album. That will be fantastic to hear.

What other news to come of Simple Minds? I pray there are some! March quite literally marches on and we are still quite deep into this Covid thing. Is the fear of it now vastly exceeding its threat to our lives? I feel we have turned that corner due to the vaccine rollout. It is very obvious the vaccines have done an incredible job by and large by reducing the severity of symptoms and effects, of not necessarily severity and rate of contagion. 

I am as doubtful of the prospect of seeing Simple Minds in Paris in March as I was by mid March of 2020. But then I had the gratitude of having just seen them in Copenhagen and the blind optimism that the Covid pandemic would be over in a few months at worst. 

April is a more promising prospect. And all within the UK, so perhaps even if on a personal level Paris proves a no-no, I am…mildly confident I will see the band come April.

But what else is there on the horizon to look forward to? Jim’s posts of late have been more on the personal, or of band history, not much of what’s to come – which is incredibly odd for a forward thinker like Jim. I guess he’s just as flummoxed as the rest of us about what the imminent future holds? There was talk of new music last year, but little of that has been discussed since. No news (from the next world) is good news? We’ll see in due course, I guess.

Perhaps I am better at this “writing from scratch” with a blank page in front of me than I give myself credit for?!

It bodes well for the study. Over the weekend I looked at the breakdown of my course. I could see what the whole academic year looked like. The topics we’ll be covering every week and what is required for each assessment during the year. I am excited. The Arts and Humanities is so broad. We’ll be looking at many things, from Cleopatra, to Elizabeth I, Gothic Architecture, painting and Greek and Roman sculpture, Mozart, The Blues, Philosophy, poetry, art from central and southern Africa. I am champing at the bit to dive in.

Today, January is flying by and I am welcoming its end for vastly different reasons than I normally would be. 

Let the year begin!

In the meantime…a nod to January…

Review: Warm Digits – The Cluny, Newcastle – 16/12/2021

What can one say about the year 2021? Not a lot. It started out quite abysmally and it took quite a few months before things slowly started to feel like they were getting better. We deluded ourselves we were getting on top of Covid. The vaccine roll out happened and the FM (First Minister of Scotland, Nicola Sturgeon) seemed pretty driven to get the Scottish population fully vaccinated as quickly as possible. Even now, statistically, compared to the rest of the UK, Scotland has the highest rate of vaccinated residents in the UK (I believe). As good as those stats are – a new variant has come along and now there is a new “evil” word joining Covid – Omicron! Covid cases are on the rise once more and there is a drive for booster vaccines to be given to as much of the population as possible in the quickest time.

This year I have been to as many gigs as I got to go to in 2020 before the Covid shit hit the fan – ie: not many at all. A couple of gigs I had chosen not to go to due to my own concerns still. Two gigs at Barrowland Ballroom I didn’t attend were John Grant and Manic Street Preachers. My list of gigs I went to is: Scritti Politti, Field Music (they were also one of my 2020 gigs), and Warm Digits (also on my 2020 list). I should have been going to one final gig this evening – to see Memes at McChuills. I had already decided I wasn’t going to attend it. I had taken enough risk seeing Thursday night’s Warm Digits gig. The good news is that in light of the Omicron variant and new restrictions coming into place, Memes have rescheduled their gig to April 1st next year.

The Warm Digits gig I have been concerned about for weeks. After the previous gig of going to the Stag and Dagger in Edinburgh to see them, and the disappointment of them having to cancel their Glasgow gig – and not being able to go to their gig in Manchester, it was all hinging on Newcastle. It had been a long while since I saw them play a full set and I really, really NEEDED to see a full set!

But with everything that hit with Omicron, I had my doubts about if I should go? Everything else I had put in place, determined to get there. I had purchased return train tickets straight after the Edinburgh Stag and Dagger and booked a room at a hotel nearest the venue. 

Other things were also playing on my mind. I actually thought the Covid things would be the thing of lesser concern. Vaccines were happening. Precautions were in place. I was worried weather would be a factor and had there been snowfall then that could stuff up the running of train services, etc, etc. Then about a week or so before the gig, this Omicron variant was spreading like nobody’s business around the world and I started to freak out. Esp. once Boris started talking about potentially going into lockdown again! I started to have my doubts that I would even be allowed to travel. And what happens if I end up going to England – will they let me back into Scotland on Friday? 

On Thursday morning I received a letter from SAAS about my application of my part-time fee grant. I was awarded the grant! Yay! But because this was my first time applying for the grant, I wasn’t sure how to interpret the letter other than I had been granted partial funding because the award was only for so much of the fee. So that left me believing I would somehow have to stump up the rest. I wanted clarity on this though and contacted the OU. They said I needed to specifically speak to the Scotland region of the OU, as they directly handle the fees and grant awards for Scottish OU students. During busy times though when you call the OU in Scotland number and the lines are busy, the calls are filtered through to the main OU phone lines in England. My call got filtered through to England twice. The second time, the adviser on the line said he’d put in a callback request for me so someone from OU in Scotland would call me back. Great. That was all good. But equally I am leaving for Newcastle with this worry that I am going to have to find 40% of the fee for the course! It was casting serious doubt on whether I could go ahead with my study. 

I packed a bag. Had a shower and got ready to head off to Newcastle. 

All the travel was running smoothly. Train into the city from Ashfield was on time. Arrived at Queen Street in good time for the connecting Edinburgh express train. Arrived at Edinburgh just after 2pm and the connecting train that was heading to London was already there on the platform. Found my carriage and seat and got comfy. About 40 minutes later we stop at Berwick-upon-Tweed, which looks like an absolutely STUNNING place, and is somewhere I’d definitely like to go and check out in the future.

Just after we pull out of Berwick, I get my callback from Ou in Scotland. I explained that I received the award letter in the post earlier that morning and had said I had been awarded so much – a partial award and wanted to check what I needed to do to pay the rest of the fee. The person on the phone asked me to clarify the award amount I was given, which I told them. “That is the maximum award they have given you. The university pays the rest. You have nothing to pay.” I don’t think I have ever been so relieved or felt so thankful for a phone call in a long while. I was like “Oh, my God! That’s incredible! I am so, so relieved. This is fantastic! Thank you so, so much!” I was on a cloud! So buoyed by that news. And just…so relieved and able to relax. 

It was pretty dark by the time I arrived in Newcastle. The sun had set and there was minimal twilight left. I decided to get a taxi to the Premier Inn I was staying at. Taxis were straight outside the exit from the station so I grabbed one and arrived at the Premier Inn several minutes later. 

Had a quick drink and a snack and after about an hour, I decided to head to The Cluny. I could see on Google Maps it was a really short walk to there from the Premier Inn. Less than half a mile. But it isn’t a busy part of the city and I was a little worried about the walk. But I knew that it would hardly be a taxi driver’s worth to come and collect me from the Premier Inn to drive me, quite literally, down the road and around the corner. So I walked it. But OMG, I was freaking out doing it! But I made it there safely (obviously!) but there was NO WAY I was going to take that walk back to the hotel after the gig. One, I knew by then my legs will have given out on me, and two, by 11.15pm, those streets will be even MORE terrifying. 

When I get to The Cluny, I familiarise myself with the place again and go to the back of the pub and upstairs to the quiet “lounging” area. I take a seat on the sofa and have been there all of a few minutes when I hear music start up and realise it’s Andy and Steve going through their soundcheck. Not only that, I can hear that they are rehearsing their Christmas song – Good Enough For You This Christmas. From the time of Edinburgh I had been saying “The Cluny is a Christmas gig. You HAVE to do the Christmas song! You just have to!” 

I got up off the sofa and snuck in through the doors of the auditorium in front of me. I stood towards the back, enjoying my little exclusive preview. Andy looked up at one point and I waved like a loon at him, grinning away that they were rehearsing the song. 

Steve was to the side of the stage and couldn’t quite see me from where I was standing, so when the song ended I shouted “YaaaaaaY!!!!” and that was Steve alerted to my presence and, bless him, he smiled and said “you made it! Excellent!”

Not only are Warm Digits bloody amazing musically – but Steve and Andy are just such lovely, lovely guys. They always make me feel welcome and they never make me feel a pest for wanting to hang out with them. They are just so, so fab. Speaking of FAB! We had a bite to eat together before the gig. Andy and I are very much “team Get Back”, the both of us waxing lyrical about what we thought of it and how great it was and how we’re both well up for completely ODing on the notion that Peter Jackson says he will eventually release all 60 HOURS of the footage! 

To the crux of the matter – the gig itself. There were two support acts. But with first support had to pull out of the gig unfortunately. That left Dextro as the sole support act. I really enjoyed his set. There’s quite a kind of “trance” vibe going on with his music. I find it hard to get into music with a lot of space like that and not much of a “groove” as such – more loops and repetition at a standing venue. I feel like it is more a style of music that needs to be enjoyed sitting down. As much as I was enjoying his set, after a while it started to play havoc with me and I feared I was about to have a vasovagal attack so I left the auditorium and went and sat on one of the sofas back out through the far doors. Just to give myself 5-10 minutes to compose myself and get my breathing under control. I was doing deep breathing inside to try and ward off the feeling but I was starting to feel like I better go and sit down for a few minutes while I was able to.

I went back and was able to enjoy the final 10 minutes of his set without the fear of keeling over.

Again, I will say that I enjoyed his set, but I would need to be at a seated venue to enjoy his set fully. I would see him again. I had checked out his music on Spotify before the gig and I liked what I was hearing and was interested in seeing him.

Hear more from Dextro by checking out his bandcamp page – https://dextro.bandcamp.com

As for Warm Digits? FANTASTIC! They sounded great from the off. The Cluny’s acoustics are fabulous and they get great sound guys in, I think. The levels were perfect. Nothing was too loud or distorted – so very different to how Edinburgh was. Crowd wise, despite Steve and Andy’s concerns there might only be a very small crowd, there was about (conservatively) 50 people in, which obviously doesn’t sound much – but given all other factors, it was pretty darn good. And everyone there was really into it and having a great time. It was great to see people enjoying themselves. And it was great for Andy and Steve too because of course they get to bounce off the reaction and appreciation from the crowd and it circles round. It was a lovefest in that room!

And it was just so great to hear a full set! To have things like Frames And Cages, Fools Tomorrow and False Positive (which now seems a wonderfully prescient title for that track!) on the setlist, as well as Flight Of Ideas stalwarts Feel The Panic and The View From Nowhere playing. Replication had been played a few times as well over the past 18 months but Thursday night allowed a great showcase of tracks from Flight Of Ideas. But there was a great mix of older tracks in the set too, End Times was sounding the best I’d ever heard it and Rumble And The Tremor was bloody fab too. Then quite the oldie, playing Connected Coast from their Interchange album. 

After the world’s shortest “end” of the gig was the encore with the much enjoyed (by me especially) Good Enough For You This Christmas and then a finish with the fabulous title track from Wireless World. 

The best. Just the best! Everything I was anticipating this gig to be. Nothing disappointed. The guys played great, the sound was fab. Everything was on the mark. And I was buzzing. And I wasn’t the only one. 

It’s still not been the easiest of years this 2021, but at least live…musically, for me it has ended on a real high. 

Thanks once again to Andy and to Steve for not only being my favourite band in the entire universe (along with Simple Minds) but for also being such wonderful men and being ever so great to your number one fan – in Glasgow, at least. I really hope to see you guys out there on the road again next year.

As Dorothy Said To Aunty Em…

“There’s no place like home.” A much used quote lifted from The Wizard Of Oz. But it rings true. And it certainly seemed to have rung true on the nights of November 18th and 19th, 1982.

Simple Minds had just returned to Glasgow after another whirlwind stint of touring to the far reaches of the globe (yes, GLOBE – no “flat earth” conspiracy theorists here! Have ANY of these flat-earthers NEVER been on a plane? How do they explain the curvature of the earth and the horizon? I digress!) – heading back to Australia, New Zealand and Canada directly after the release of New Gold Dream.

I was looking into fanzines on eBay last night, after having seen an enquiring post on my FB feed about a certain Scottish produced fanzine. I thought I’d have a hunt around the interwebs and see what I could find. I decided on eBay first and got caught up looking at fanzines on there. One in particular caught my eye. One called Deadbeat. I looked at the listing of every issue and viewed the images, trying to scan and find more info on the fanzine production itself more than anything.

No one was then more surprised than me to find within the shared images of one listing of the magazine – THIS! A review of Simple Minds playing Tiffany’s in November, 1982. It’s unclear as to whether the reviewer is at the first gig or the second, but regardless of that it’s a glowing review.

The only error in the review is that they say Mike Ogletree is on drums. And it wasn’t until I was listening over the bootleg last night did I think to myself “Naw, pal. That ain’t Mike, that’s Mel.” Mike’s last gig was in Toronto about 10 nights prior to this gig. So in actual fact, it was Mel’s first or second night at the kit – depending on which night the reviewer was there.

They wax lyrical about Jim. Such praise! Excited at my discovery of this review last night I did a very rare thing (these days) and posted it to SMOG first with a link to Art & Talk’s upload of the November 18th gig to YouTube. In my post on SMOG, in reference to the lashings of praise heaped on Jim, I said “anyone would think I wrote the review! Lol.”

It is true though – anyone WOULD think I had time travelled and gone and reviewed it for the fanzine. It is wonderful to see such praise given to His Kerrness though. And it’s certainly nothing I wouldn’t have done myself.

A companion piece for me are the photos I have from Virginia of them playing the second night at Tiffany’s. My favourite photo of the set? One of Jim on the stage – looking pretty fucking sensational, I have to say in signature white collared shirt, shiny tailored trousers and black wee “ballet” shoes. And in the bottom left corner of the frame you can see his brother, Mark, looking as though he would rather be anywhere else than watching his big bro up on stage. Lol. Poor Mark! It’s not in the ones I have posted above, but you can view the particular photo I am referring to on Virginia’s site HERE

Lastly, here is the link to the first of the two Tiffany’s gigs that A&T uploaded. Oh, for a night at Tiffany’s! This is the next best thing…

P.S. Artwork used for the YT ident, eh? *wink* Thanks A&T!

A Tale Of Woe (But Joy Too!) – Warm Digits – Edinburgh, 14/11/2021

I had shelved going to this Stag & Dagger event for quite a while. Once Warm Digits had announced a gig in Glasgow, I felt there was little need for me to see them a few days before in Edinburgh. They weren’t headlining the show which made me aware their set would be short, so I had settled on just seeing them in Glasgow and then seeing them in their home city of Newcastle. To have them play in Glasgow would be the ideal. 

Sadly the gig had to be cancelled a couple of weeks back so that meant putting the Stag & Dagger back on the gig list. I had planned to go alone. I had booked a place to stay overnight, then decided that seemed an unnecessary expence – Edinburgh isn’t THAT far from Glasgow, FFS! So I cancelled the night away.

Late last week I got a promotional email from ScotRail detailing a ‘BOGOF’ travel deal. Between Sunday and Thursday for the next two weeks, one adult could travel for free across the whole ScotRail network with one full ticket paying companion. With that I asked the OH if she wanted to accompany me to Edinburgh seeing as her travel would be free (you know these Cancerians – they never say no to a bargain, or a freebie. Lol).

When it came to the Stag & Dagger, my only intent was to see Warm Digits. I’d have perhaps liked to have seen Billy Nomates, but there weren’t any other acts playing I was that familiar with. To see Steve and Andy was all that I was worried about. 

The day started well. The train travel was smooth. No worries getting the train at Queen Street. We arrived from Ashfield on platform 3, and the Edinburgh express was there ready to depart a few minutes later on platform 4. 

We did a bit of wandering, not too much sightseeing. With Covid and lockdowns, our exploration of the rest of Scotland has been quite limited. The only time we’ve been to Edinburgh together so far was to spend a couple of hours at Portobello Beach. We just went straight to the beach and didn’t go into the city itself. So it was a bit of mindfuck,when the OH reminded me that it was her first visit to Edinburgh – the city itself – the Royal Mile – in 20 years.

After a bit of a wander about aimlessly, we went and had a bite to eat. I coaxed her into the Cafe Andaluz we had passed by. 

We were back out by 4pm and the light had faded to deep dusk. It’s Sunday, 4pm, the light is fading, I’m not wanting to walk too far and the boys aren’t on until 7.30pm – what are we gonna do?! 

Wander some more! We went down to Cowgate so I could see where the venue was, and exchange my ticket for my wristband. We went down to Grassmarket and wandered about there for a while. I didn’t want to abandon my OH to wander the streets of Edinburgh alone for three hours, but I didn’t want to move far from Cowgate. She’s not a drinker and at this point in time she’s still not wanting to be indoors in more confined spaces for longer than is necessary so just whiling away some time having a drink in a bar wasn’t on the cards. I was feeling bad for even suggesting she accompany me at this point in the afternoon. 

By 6pm my feet are feeling weary and I want to sit down a while so my legs aren’t aching TF by the time Warm Digits’ set starts. Me and the OH depart company. 

I catch up with first Steve and then Andy in the venue around 6.30pm. Both of them welcoming me like they’re seeing an old friend. These guys are far too lovely to me! There wasn’t too much of a chance to chat as the act performing before them got under way. Bit hard to have a convo in the middle of a gig. Perhaps a chance to chat later?

The act before them, Pet Shimmers, finished their set at 7.15, giving Steve and Andy just about 10 minutes (once Pet Shimmers had removed their kit) to set up. I was getting flustered just watching them! Such a tight schedule to set up, perform your set, then get all your equipment back off the stage ready for the next band to do it all.

Technical issues started. Gremlins had been let loose. The bass feed wasn’t coming through the channel it needed, so they had to do a rework, and then Steve’s laptop – where the graphics are, so well as that bass feed was kept dying. Trying to get that all sorted meant their set started late, and there was no time to run over so their set was cut short. 

They played Feel The Panic, End Times, One Track Groove (Living Stereo) and Growth Of Raindrops.

It was LOUD. I stood to the right of the stage, so I was right in front of the amp stack on the right side of the stage. I ended up with tinnitus in my right ear. For a while there I was worried lasting damage had been done. I’m still not sure whether lasting damage hasn’t been done. Since then things have not sounded quite right…

Yeah, incredibly loud and very distorted. But Pet Shimmers were sounding distorted too and that was at the very back of the venue. A shame. And not down to them that they were sounding like that. 

A good catch up afterwards. A bit more of a chance to talk and blether on. Both parties were apologetic for varying reasons. I felt for them so much. Esp. Steve – his frustration and disappointment with the technical issues growing ever visible on his face. But they could at least play something and didn’t have to leave the stage not being able to play anything.

Steve very kindly offered me one of their newly added lines of merchandise – a Warm Digits t-shirt, which I will wear with absolute pride as, if not just Glasgow’s biggest Warm Digits fan, then perhaps even Scotland’s…maybe even the UK’s?! Lol. I don’t know. But I know I love these guys and I can’t wait to see them again next month at The Cluny in Newcastle. It’s all set to go! I have my ticket. And I have my travel and accommodation already sorted. I am really, really looking forward to it!

An arduous journey home followed. A depressed OH (not very happy with hours of hanging about Edinburgh in the dark with nowt to do), a wrong route back to Waverley station, a slow “all stops” train back to Glasgow. No trains running on the Anniesland line at that time on Sunday evening. A bus to Milton that didn’t arrive when it was scheduled to, then a cab home from the city and in the door at 11.30pm.

And knackered after my version of a dance at a gig and nearly 15km of walking. But to see them for just that short space of time made it all worthwhile. 

ROLL ON NEWCASTLE!

I just took a few quick snaps on the night. No other footage. But here is a live version of One Track Groove they recorded many a year ago for you to enjoy.

Minds Music Monday – Light Travels

“Hello, hello – is anybody home?”

I’m not sure anyone is today. I feel absolutely shattered.

You see, I went to Edinburgh yesterday to see my second favourite band in the entire universe. It was a long way to go for what was barely a 30 minute set, but it had been so long since I saw them play, I was just happy to be there and see them. Even one song would have done!

And Steve and Andy are always so lovely. Greet me warmly and let me chat with them and make me feel like they are as happy to see me as I am to see them. Anyway, more on that in another post to come.

It was a tiring day anyway. Lots of aimless walking and a longer journey home than anticipated. So today I feel completely deflated and drained.

When my spirits are low, a song like Light Travels is just the antidote to that feeling. The matter-of-fact lyrics are sometimes what is really needed. “Things get better after things get worse.” IE: Buck up kid, it won’t always be this bad! 

And before that “hello, hello – is anybody home?” line there is “But there’s no need to worry” – and I have only taken in the true context of the next line! I used to think that line a bit rude, you know? Because people say that to someone who is “zoned out” – distracted and deep in their own thoughts and not really paying attention to what is going on around them. Say, if you’re talking to someone and are expecting a response from them and one isn’t forthcoming, you’d usually say “HELLLLO! Is anyone home? Wakey, wakey!” and wave a hand in front of them to try and coax them out of their perceived reverie. 

But I have just realised that what could be meant by it is (because of the line before being “but there’s no need to worry”) – DID YOU HEAR WHAT I SAID!? DID YOU JUST TAKE THAT IN!?

THERE’S NO NEED TO WORRY! So stop.

It’s uplifting because it’s a song reassuring you that you are not alone. We all have our ups and downs and the world still keeps turning. Light just keeps on traveling through the universe. 

My favourite lines in the song are “words unravel out of all of us / they arise / they refrain”. I understand why Jim and Charlie wanted this Sean Kelly track – it’s beautiful. 

And for the Acoustic album, they turned it into something even more beautiful again. It was a bonus track on the Acoustic vinyl album – both it and Speed Your Love To Me were, for me, (along with the cover of Richard Hawley’s Long Black Train) the standouts of the whole Acoustic album. 

If you today, like me, feel the need to be uplifted and reassured…listen to Light Travels and feel yourself somewhat healed.

See The Heights!

I had heard about the infamous Glasgow Apollo stage and its height. Some people had accused others of making the stage sound higher than it was. I had always been intrigued to see it and get some idea with my own eyes. I had never seen a photo of it – until today!

OMG! I don’t think many people were exaggerating about its height! It has be be at least 10 feet tall. Maybe 12 feet. Geez Louis! I’d have NEVER seen Jim standing at the front there!

Even the first few rows of seats wouldn’t really see that much. I certainly wouldn’t have wanted a front row seat there! I can see why people stood on the chairs in there now!

Anyway, the photo was originally posted by the Glasgow Chronicles FB page. Just wanted to share the image here.

Belated Birthday Swings And Roundabouts

Beauty and the Beast was fab. As was the Sunday birthday lunch. Weather was iffy but…meh. It’s Scotland. What are ya gonna do?

Yesterday was the belated added bonus of my Warm Digits boys being on the radio doing a live session on BBC Radio 6 Music on Marc Riley’s show.

They played The View From Nowhere, Feel The Panic and Replication. Replication sounded particularly fantastic. It is clearly going to be a live favourite for me. I remember particularly enjoying that when seeing them support Polica back in Feb. 2020 at St Lukes.

Just before the show was under way, I had an email from Eventim, the ticket agent I bought my tickets for their upcoming Glasgow gig with. The email was informing me that their Glasgow gig is cancelled. Oh, damn!

And yes, it is true. Sadly it is cancelled. But I will get to see them in Edinburgh at the Stag and Dagger in just under two weeks time, so that’s some compensation. Might have to see if I can get to Manchester as well. I have a ticket for their gig at The Cluny in Newcastle, but that’s near Christmas. But I’ll hope that the weather and travel is okay and that I can actually get there too. The Cluny is a fab venue.

In the meantime, here’s a link to BBC Sounds and the Marc Riley show from last night. He played a great blend of music. I recommend listening to the whole show. It was very entertaining.

https://www.bbc.co.uk/sounds/play/m00112m0