OMG…I don’t even know where else to begin or what else to say here other than …. SQUEEEEE!!!
Russell Mael guesting on a track! Fucking hell! That is so fucking awesome! I’m betting Jim would have been like a kid in a candy store with that one. Jeez-o!
And, they are performing in Leeds on Sept. 17th for this BBC Radio 2 weekender thingy going on there!
I want to pre-order EVERYTHING! But I need to keep money for Saturday’s gig at Blenheim Palace, so it’ll have to wait. I missed out on a test pressing for Walk Between Worlds. The same will happen again. Never mind. Doesn’t matter.
Anyway…all the info is on their social media. I will never get to be armed with any exclusives. I’m ‘just another fan’ – but hey ho. That’s okay. I love this band to the moon and back no matter what.
Vision Thing has now had an official release. Here’s the video. Enjoy! And happy pre-ordering. (I’ve yet to get a cassette for ANYONE that has bought out a cassette – Pathfinders excepted – it was the only option in that case. I am SOOOOO getting a cassette copy of this!)
I didn’t really say too much about the actual soundcheck. And I can only remember two of the songs that were performed – Hypnotised (seemed pretty apt for me! Lol) and The Walls Came Down (which Jim said will be on the new album coming out). It all sounded great to me…as soundchecks go. Jim always feels the need to prefix it all with an apology of it sounding echoey and stuff.
After that kind of engagement I always feel…a whole mix of emotions. I don’t even know anymore what the overriding feeling is? Relief? Joy? Overwhelmed? Emotionally shattered? I can feel both overwhelmed to be there and simultaneously feel as though I have no place…no right to be there. Happy…I think. Happy and grateful. Ever so grateful.
I WAS PARCHED!
It was 6pm and so we decided to try and grab something to eat and drink. We were able to do a little cheat (shh!) – I felt a little guilty for this, but hey – why not? The only thing that couldn’t be altered with the whole Paris show was the seats we had – which was fine. I had bought the best seats I could get as soon as Paris was on sale anyway, so it wasn’t like we were going to be stuck waaaaay at the back. The VIP treatment continues for the punters with actual VIP tickets and because we’d been in there for the experience, we were given little cards to be fast tracked through the queue when coming back to the venue for the gig itself. We really shouldn’t have got those as we were in standard seats – but I was sssooo thankful we got given them all the same. It meant we didn’t really have to get back to the venue TOO early and it would give us time to get a bit of a recharge.
We found an Italian place just back over the bridge, five minutes away from La Seine Musicale. It was teeming with people but there still seemed to be space and seats available. We were about to walk off just to check the few places a little further down the way when I could hear Don’t You (Forget About Me) being played through their sound system. Very canny ploy of theirs because it got Birdy and I to stop and rethink. Then a waiter stopped and looked at us like…are ya coming in or what? In we went! Birdy had a G&T and I had a non-alcoholic Bora Bora mixer, consisting mostly of pineapple and grenadine. We shared bruschetta. The Simple Minds music continued while we dined in Cafe Seguin – Alive And Kicking, Promised You A Miracle, New Gold Dream, all tunes I remember overhearing while there.
With a little time left we decided to take our VIP merch bags back to the hotel. The location of the hotel could not have been better. The only thing I didn’t like was crossing the couple of intersections we needed to cross when walking to/back from the hotel. French traffic is sssooo bad – and pedestrians don’t feel very high on your average French driver’s concerns. The crossings are marked on the road, and doubled up with red/green men – but even with a marked crossing and a green man you still have to check and double check that no one is wanting to bomb around the corner and knock you down. French roads, and Parisian roads in particular, scare the crap out of me!
We made it back to the hotel and then back to the venue in one piece. We were back at La Seine Musicale at 7.30pm and got fast tracked through to our seats. Birdy was convinced we were seated over to the side several rows back, whereas I thought we were going to be the same number of the rows back, but right bang in the front central block. I was right. Those front blocks of seats weren’t incrementally elevated though – they were all flat which meant not the clearest view of the stage but geez – I was more than happy enough where I was.
We arrived when Roxy’s Love Is The Drug was playing. There is a song in the pre-show playlist that I HAVE to find out who it is by! I should have recorded a bit of it, but I didn’t think to do so. Damn! It’s bugging me! I like the song but have no idea who it’s by.
As the time gets towards 8pm, I find myself listening out for the opening piano chords to So May We Start? That’s when it all kicks in for me – SHOWTIME! That song instils such a buzz within me now.
On Friday night it started…about 90 seconds later the band started walking out onto the stage. The crowd erupts. Full cacophonous joy by the time Jim appears and everyone is up off their seats – OMG! Act Of Love is SUCH a fantastic opening song! Those three songs just hit you like a freight train! Act Of Love, I Travel and Celebrate…just the most fantastic opening trio. I feel like a sicko for every time only recording Celebrate but I just want to get every conceivable different way Jim can deliver the “she rag doll / keeps him warm” line. He didn’t disappoint in Paris. “She’s just keeping him warm.” Is that all she’s doing? Really? That’s rather unfortunate for her if so….(She’s doing much more than that in my mind, that’s for sure! Lucky ‘doll’!)
There wasn’t much of a pit stop after that. A bit of banter from Jim, if memory serves me correct. Then on to Glittering Prize followed by, for me, the best version of Promised You A Miracle I’ve experienced in a while (Jim got the words right!!!! AMAZEBALLS! I’ve got over the one bugbear I had left of him saying ‘belief is the only thing’ rather than ‘belief is a beauty thing’ – but verses all in order and word perfect. AMEN!). I adored it!
I fall more and more in love with this particular arrangement of Book Of Brilliant Things with each performance of it. I can’t tell you how much I didn’t take to that whole ‘five to one/one to five’ line when I was first a SM diehard. But now….it’s just a perfect thing. It’s a rocking gospel. Sarah just SLAYS it every time. And her and Jim performing on it together is PERFECT! And I now love the ‘five to one/one to five’ line – because I think the thing that killed it for me was the words that followed; ‘dynamite and swings’…never liked that…but I loooooove the ‘with all the love she brings’ line. It’s just…sublime now. It’s incredible. I feel like I can take on the world after each performance of it.
Hunter And The Hunted was, as ever, grand. Also loved how wonderfully soulful Mandela Day sounded on Friday night. Best performance of that song I’ve ever experienced also. Belfast Child also was exemplary.
I was thankful for the break in the set I tell ya, because I was knucking fackered! Lol. Equally I didn’t want it to stop.
Soon after, the gang were back out on stage, minus Jim and Sarah, for a fab version of Theme For Great Cities. I took some footage of the lights hitting the crowd but the filming went a bit skewed. I’ll have to see if I can fix up the aspect ratio before posting.
Dolphins I love…but I still don’t know where it should be in the set…wherever it is placed it just…I don’t know. Belfast Child is in a great place within the set, so is Speed Your Love To Me – but Dolphins? I am still finding it a little jarring. We get hyped up again from the start of the second set and the playing of Theme For Great Cities to then be brought down by Dolphins. We’re brought back up again with Waterfront so that’s grand. I guess Dolphins is now kind of in the best place it can be. It cannae OPEN the second set…so…
The rest of the set is faultless. I managed to make myself completely hoarse singing along – by the time we got to New Gold Dream my voice was all but gone. After all the ‘la la la la’s of DYFAM, I could barely conjure up the remaining la’s for New Gold Dream. Lol
Jim – bless you! I think you tried to sing the lines in Sanctify Yourself correctly. It seemed as though you made an attempt to, but ‘it wisnae happening’ so you went to your fallback position of … some lines out of order (and repeated) are better than no lines at all (girly!)
I’m not sure when it happened but towards the end…probably with a bit of time to pause during Let It All Come Down or Speed Your Love To Me, the realisation hit me that this would be my last arena gig on this tour and all I could think about was wishing I could do this forever and ever.
People ask me – those outside the fandom mostly – why do I go to so many shows on a tour? ‘Aren’t they all the same’? Not really. In some ways, yes…but it isn’t really down to the performance of the band as such, and what you get from observing them – it’s what you get from being there, the taking part. Being surrounded by like minds (no pun intended)…and the way the music makes you feel personally. It’s a life-affirming thing and I wish to god I could go to EVERY SINGLE GIG, EVERY NIGHT – because there is no other feeling like it. Nothing else compares. That’s what it is! That’s what has me going to gig after gig – that…injection! It’s incredibly uplifting. I never really appreciated that until this band – until Jim would talk about it in those terms – not as a performer but as a member of the crowd. As a music lover. As a concert-goer. I realise with the more gigs I go to, the more the live music experience is not just about seeing a musical performance.
At the end of it, I felt like I had probably seen the BEST Simple Minds concert I have ever been to. Was it their actual best performance? Certainly particular songs, for me, were performed to their best on Friday night. Was it the best sound? It was great. I would say it was second best to Glasgow. I still can’t believe I’m saying the Hydro had the best sound – but it truly did! Olivier Gerard works magic!
Sadly I missed out on the only other souvenir I’d have liked. Speaking of GG, as I just did, I was hoping for a setlist but I was beaten to it. Doesn’t matter. I have enough. And it is always lovely to catch up with GG. To extend words of thanks to him. He’s a lovely man.
I was PARCHED! I think Birdy wanted to wet her whistle also. We met up with Marc Lichtenstein and Christophe Remacle afterwards and headed round to Seguin Sound for some refreshments. And those two reprobates were there (see Part One). Thanks once again for the wonderful, kind things you both said to me. It was a pleasure to meet the both of you. I hope I’ll have the pleasure of bumping into either of you again at future gigs. It was also a pleasure to meet both Marc and Christophe.
Back at the hotel, I had my earplugs, yay! But I hardly slept a wink anyway. But it didn’t matter half as much this time. I was too overjoyed to care. I had minimal sleep. Could have done with knowing check out was at midday, rather than the 10am I thought it was! Oh, well.
The day was cooler on Saturday. We had time after check-out to go and have some lunch then get a taxi to the airport for the flight home. We decided on Cafe Seguin again. Birdy had a Sicilian salad, and I had a vegetarian risotto. It was absolutely beautiful! Cafe creme is my jam! I want to live in Paris just for cafe creme! The French do the best coffee I have EVER tasted – and it’s consistently good, no matter where you go.
There’s not much else to say but…Thank you! To the best band in the entire universe! I’m coming up to 8 years as a ‘diehard’ Simple Minds fan (in the best fashion – stealing Jim’s birthday as my fan anniversary date) – and it’s been such a rollercoaster. But the ups happen way, way, WAY more than the downs. I will be counting down to Blenheim Palace – June 18th – I will be there, I will be there, I will be there!
Next gigs to come? Jimmy Webb in Edinburgh on June 3rd, followed by Crowded House at the Hydro on June 10th.
I was still feeling somewhat knackered from Abedeen and Glasgow but was excited for the next two.
It was a moderately early start for the trip to Leeds. I set out at 9.30am to make it to Queen Street for the express train to Edinburgh at 10.15am. From there just a 20 min wait to get the connecting train to Newcastle.
I’m SLOWLY getting used to the layout of Waverley station. I’m certainly getting used to where the trains between Glasgow and Edinburgh arrive and leave, so that part’s good.
The train to Edinburgh was positively HOACHIN’ – my mask was kept firmly OAN! I looooooove Newcastle train station! It is such a well laid out station! So easy to navigate and get around and everything is handy – just perfect!
I get into Newcastle at 12.53pm and have until 1.43 before my train on to Leeds is due to depart. I left home having only had my usual coffee and banana so I grabbed something to have to eat later on and for now just topped up with another banana and a chocolate bar.
The station was busy. A few hen’s parties were milling through. A wonderful array of St Tropez shades (from burnt umber to walnut) in various “barely there” states of dress (I use the word ‘dress’ VERY loosely here) were on display. “People-watching” at Newcastle station is a veritable feast for the eyes.
After that top up and the people-watching I find my eyes are quite heavy on the Newcastle to Leeds leg. A quieter carriage, at last, but I need to somewhat keep my wits about me as at York I need to change seats in the carriage. No great shakes. Unlike the change I had at Berwick on Sunday (more on that soon).
All the travel down to Leeds went as smoothly as I could have hoped for and arrive at around 3.15pm – thankful that for this one I don’t have to run around like a headless chook and get myself down to the venue before 4.30pm. For Leeds, I just had a standard ticket. No soundcheck or meet and greet – that’ll come at Newcastle. I should have a good seat.
I really was quite knackered. I had had an early night but I was up early and I really was flagging by now. Too worried about falling asleep on the train(s), I didn’t let myself rest too much but once I was booked into the hotel I was staying at (more an Inn – as it was a room in a pub) I allowed some time for a rest. When I got to the room I had the wrap I bought at Newcastle station earlier (I’ve got to say that Sainbury’s “Taste The Difference” halloumi and chargrilled vegetable wrap with basil pesto was DELICIOUS), washed down with a Yorkshire tea.
I double checked Google Maps to see how far the venue was from the pub. Less than half a mile away. A 10 minute leisurely walk. With the stations and trains on the way being as busy as they were – esp. From the Glasgow to Newcastle leg of the journey – and knowing I had a meet and greet for Newcastle, I didn’t want to be doing too much mingling. And once in Newcastle it was obvious to me that literally NOBODY in England is bothering with mask-wearing any more, so…. I just wanted to keep myself away from crowds and people for a few hours. I was happy to chill in my hotel. I had planned to meet up with some fans in a pub elsewhere but I decided not to risk it. It’s around 5pm by now and I decide to take a rest on the bed and head down to the venue around 6.45.
I get to the Leeds First Direct Arena about 6.50pm. There had been some showers while I rested on the bed but the sun was back out as I made my way to the venue. I took my seat about 7pm and chilled. Leeds First Direct Arena has a similar makeup to Aberdeen’s P&J – a rectangular shape with the length long of it being parallel to the stage, if you get what I mean? Longer in width WITH the stage, rather than longer in depth FROM the stage. I was in the lower tier seats (there were floor seats right up to the stage, rather than a general admission standing area like there was in Aberdeen and Glasgow) but in Row V, so I was quite a way back. I felt roughly as far back as I did from the stage at the Hydro, just much more elevated which made the distance feel further.
People were still milling in at 7.50pm. I personally love taking my seat early because I love listening to the tracks played over the sound system as the pre-gig “warm up”. About this time I spy two familiar faces making their way along the row in front of me. Chris and Robert, who I know from the SM fan groups on Facebook – and who I had met previously in Liverpool on the Acoustic Tour in 2017 – just happened to be sitting right in front of me! As I see them approaching I get up out of my seat and say hi and the three of us have a hug and a chin wag before the playing of Sparks’ “So May We Start?” signals the beginning of the night’s proceedings. (It keeps reminding me that I must watch Annette again!)
This was the first gig that I was in a position to really enjoy the full experience of the lighting and graphics show. It really IS quite the thing! I think us fans have been knocked out by it. We’re all raving about it! I really do love it. I’m not usually that taken in by all the “bells and whistles” of that kind of show – I’m usually in a cynical mind about that kind of show, as if the bands are making their staging great to deflect from the fact they’re not the best performers live…you know? But not with Simple Minds! And I am sure that has been part of the reason why they hadn’t been using stage sets quite like this before. I’m sure Jim has had similar feelings to mine about staging like that – how much of it is for “show”, as such. And I am sure it’s been a financial factor too – you can take the boy out of Glesga, etc, etc. But it has paid off. It’s a real spectacle. A great one!
If I can put my critics cap on for a second – I felt the sound was a little louder than it had been for the previous two gigs and therefore it was a little distorted. Only a tad. Not so much that it in any way diminished the enjoyment of the night. It was a strange outcome in fact because I had read a post on SMOG from Jason Beardsall referring to the sound at Glasgow and he said that Jim thought the acoustics at Leeds First Direct Arena were better than the OVO Hydro – which I thought was interesting. Prior to seeing them last Wednesday night, my only other experience of seeing a gig at the Hydro was seeing Massive Attack in January, 2019 and I didn’t feel the sound was that good that night. I didn’t have strong hopes for Wednesday night but to my surprise SM sounded absolutely AMAZING at the Hydro. Either GG worked his magic perfectly to get the sound right, or the acoustics there weren’t as bad as I had remembered or…I dunno. But the sound was first class on Wednesday night. But for Leeds, I experienced the sound quality I was expecting at the Hydro. So…who knows?
As for the gig itself? Well, the Leeds crowd were up off their feet from the get go. I grapple with this whole thing about seating and whether to stand or not. You know…we’re not getting any younger us lot and some people have health problems that they don’t always want to admit to. At times I like to sit at a gig. I can enjoy the aural experience without having to be on my feet for hours and that’s great if the act you’re seeing is not an out and out “rock” act that has slower, quieter songs in their set. And I am ALWAYS conscious of the people behind me. If they aren’t standing up, then I’m not going to stand up, either. The guy two seats in front of me (and the seat in front of Robert) was up nearly all night. I felt for Robert – he hasn’t been in the best health lately and he really needed to stay seated so he was missing a lot of the action. I appreciate that the guy wanted to stand up but…you know…when no one else around you isn’t standing, maybe you should be just a tad more courteous and sit back down. At least for the first set of the gig, eh, mate?
The crowd in general was quite rowdy. A couple of guys sitting next to Robert, on his left, were getting quite intoxicated and were singing on the top of their lungs and all that. I really am not very keen on alcohol being served at gigs, I have to say. I’m sure it’s a great revenue raiser for the venues but…I don’t get why people want to get tanked up for a gig.
During the second set I stood up more and at times Robert stood up too. I hope he enjoyed the gig and didn’t feel too squandered of his enjoyment of the gig thanks to matey in front standing all night. He didn’t seem to. I chatted to him and Chris after the show and he was happy and so was Chris. They were both blown away by the show actually. We left the venue and had a bit of chat outside for a while. I then said my fond farewells and went back to the pub hotel. The pub around the corner from it was heaving and from my room I could hear the goings on back there.
The place I was staying at is called The Wrens. When I got back I was feeling a little concerned about how much exposure I had to unmasked people in close proximity to me – from the travel down to Leeds to the patrons at the gig itself. It was all feeling quite “in yor face” to me and I had brought a lateral flow test with me to take in the morning and I was getting SSOOO worried it would end up positive! So when I got to my room, I washed my face and gargled my throat.
They had their own branded coffee mugs and coasters in the room. The room was a good size with a strange light bulb hanging wires chandelier thingy. A good bathroom too. The windows when closed provided pretty good soundproofing from the pub round the corner. There were also earplugs provided, in case you needed some extra peace. I had my own earplugs and used them for sleep. I had a good, deep sleep with little interruption.
I was awake by 7am but stayed in bed until 8am. Check out was at 10.30am and my coach back to Newcastle wasn’t leaving until 12.15 and the coach station was just a 10 min walk from the pub. I took the LF test about 8.40am. Had a coffee and a banana and waited for the result freaking out that I’d end up positive. PHEW! To my relief it was negative. I honestly don’t know how I have avoided getting Covid this past 2+ years, but I have. Thank fook! Because even people I know who have been as cautious as I have all this time have ended up with the thing these past few months – and I had been in close contact with people who’d been in contact with people with it. Steve and Andy from Warn Digits, as an example. When I went to see them in Newcastle in December, they were worried they were going to have to cancel the gig at the last minute as their kids both had Covid – well, Andy’s kid did anyway, and I think Steve was worried his kids MIGHT have had it but they had negative tests. Anyway, they both had tests on the day of the gig and they were both negative…but, you know…it had been ages since we’d seen each other (well, I say it had been ages…but actually it was only four weeks before that at the Stag and Dagger in Edinburgh…but prior to that? – nearly 2 years) so we hugged and all that. But I was fine. Nothing came of it.
But who knows how much longer I can outrun this thing? As long as it doesn’t stop me from going to Paris! That it doesn’t come and get me before Paris is due. I’ll be GUTTED if it does.
Anyway…all was great. I got to Leeds coach station in plenty of time. The weather was sunny. I had a mocha coffee and a chocolate brownie in the coach station and bided my time. Strangely enough the National Express coach I was getting to Newcastle was actually going all the way to Glasgow.
It was a smooth and uneventful journey along the motorway from Leeds to Newcastle. The coach was nice and warm and I had the sun on my face so I had a nice snooze along the way. Recharge the old rapidly depleting batteries.
My gig partner-in-crime, Birdy, was already in Newcastle ahead of me, having spent the day before in Durham checking out the cathedral and whatnot. I arrived around 2.15pm just ahead of the projected arrival time of 2.30pm. As we were making our way into the coach station I could see both the venue and the Jurys Inn and could see that everything was within easy reach. Grand!
We weren’t meant to book in to our room until 4pm, so we hung about the hotel lobby. With increasing numbers of SM fans arriving to stay, I think they soon realised that having people hang about the hotel lobby until 4pm would make it look a bit chaotic soon. I could see that some people were being allowed to go straight to their room so at 3pm we asked if it were possible to check in – we wanted to be at the Utilita right on 3.30pm for the VIP registration. They let us booked in at 3, yay! A bit of prep and we were back out the door at 20 past for the short walk over the road to the Utilita.
Queued up out the front at the “hospitality” area of the entrance, we got to catch up with Sue. We chatted away until they let us in through the doors around 3.45pm. While waiting inside, I notice Alison Wilkinson – I spotted her, then she spotted me and – I’m getting fucking old! I can’t remember her name! My mind went TOTALLY blank. I had the Wilkinson bit but my mind was just coming up blank with her first name! Lol. Awful! So awful! Honest to a fault, I tell her I can’t remember her name – Jesus Christ! (Lol. That wasn’t it.) Alison was with her friend, Gail, so the five of us are chatting away, me, Alison, Gail, Birdy and Sue.
Alison and I are a pair of ogling devils. I’m telling her about this LouderThanWar review of the Bournemouth gig in which the music journo is going on about Jim wearing skinny jeans and how the guy likens Jim’s junk flinging about to being slapped in the chops by Will Smith! I could say sssoooo much more about this – but I won’t. Suffice it so say that Alison and I are in stitches and I am recommending she read the review at her first available opportunity (here’s a link to it for anyone else interested in reading it – I myself found it highly entertaining and quite ‘tongue-in-cheek’ – or should that be ‘trooser-snake-in-knickers’???). LOUDER THAN WAR ARTICLE – HERE
It was a great way to pass the time until the soundcheck got under way. How Alinson and I managed to look at Jim with a straight face I will never know. Thankfully he was cracking jokes anyway, so us looking like two grinning school girls wouldn’t have seemed so out of place.
On a more serious note, I love hearing The Walls Came Down – those lines towards the end – “I don’t think there are any Russians / And there ain’t no Yanks / Just corporate criminals / Playin’ with tanks”.
And now I’m seeing a headline as I am typing this out about a shooting incident on the New York subway. Bloody hell! Scary times. It never changes!
The Q and A had some great questions. Someone asked Jim and Charlie about their memories of being on The Tube. Charlie mentioned Jim’s mic cutting out. He was thinking it was during their debut performance on it – but it was their second appearance when Sparkle In The Rain was released. Jim thought it was during Waterfront but it’s during Book Of Brilliant Things. He’s right on it though. Chucks the broken mic away, grabs Derek’s and off he goes. Nae bother!
Jim also talked about other memories of Newcastle. Him and Charlie hitching down to see gigs. “Sleeping together” in a phone box! And he spoke of earlier childhood visits too, when his Da was working on construction sites around Whitley Bay and going home with the lingo. “We don’t have accents”, he says. I roll my eyes. In my head retorting, “That old chestnut? Jeez-o!” Lol. “So after a week in Whitley Bay I’d pick up the lingo. And I had a stutter as a kid, so I’m in school the next week saying ‘w-w-w-w-why-aye, man!” I’m ashamed to say that THAt did crack me up. This man who ssoooo many years ago seemed so unsure of himself on the stage when it came to engaging with an audience is just…such an old pro at it now. It really is something to behold. You’d never imagine he had ANY fear of being on that stage back then – even if there was bravado he carried off in interviews back then expressing he wasn’t nervous. The reality was something else – and he was. He could perform, of course, and had his own way of engaging then – but you can see he isn’t comfortable there back then. Whereas now? So, so different. I love those polar opposites. I love the Jim of then, and the Jim of now. I love that transition. And how he overcame that.
Yeah…it was a really lovely soundcheck this one. I waved to Cherisse as the soundcheck got underway and when it was done, she came over and said hello, asked how I was and how the gigs were going so far. A guy next to me asked if he could have one of her sticks. She went off and checked and came back with one that she’d signed for him. Lucky guy! Cherisse is awesome!
And then comes the meet and greet – and I’ve had something on my mind. And I was tossing up whether to do this or not. Loz – I think to myself – strike while the iron’s hot! Just ask! What’s the worst that can happen? “Oh…Jim hates me forever and thinks I’m a rude cow.” Nothing too bad….
At Aberdeen, and again in Glasgow and then at Leeds the previous night, I’m noticing an altering of the words to Sanctify Yourself. In the second verse the line is “you’ve got a gun in your hand / you’re making self plans / stay with me all through the night” – but he isn’t singing the line like that. He’s singing lines from the third verse and is kind of mangling them up. But I thought maybe it was a deliberate ploy because maybe he was consciously avoiding that “you’ve got a gun in your hand” line…given how things are in certain parts of the world at the moment.
So, I’m thinking, “right, I’ll ask” – my curiosity is getting the better of me.
We’re queuing for the meet and greet. Before we go into the soundcheck, one of the staff of the VIP stuff – possibly she’s the main coordinator? She’s the one taking the photos anyway…she recognises me from Aberdeen and Glasgow and says “you’ve been on the Ultimate Fan experience before, right?”, “yes”, I say. “Well, you’ll be glad to know we have new lights in place and your photo will be great this time.” To be honest I had no complaints the last time. I felt fortunate my photo came out pretty good – compared to others I had seen.
Having said that…I was reassured by the information and was actually looking forward to a lovely photo. More on that in a mo! First, back to me plucking up the courage to ask about Sanctify Yourself.
So, Birdy’s up before me. I hear them discuss where she’s travelled from today and I hear Glasgow getting mentioned and I call out, saying “She’s lodging” (ie: with me, in Glasgow) – she told me this morning I put her off her stride with that. Oops. I feel awful now. I need to learn to keep my gob shut. Honestly!
Here we go…I’m up next. I’m just ready for a “You, again? Fucking hell, woman. Go home!” but before I even give them the opportunity for any of the that, I’m like “May I ask a quick question?” – stumbling over my fucking words again as I am spitting out – mindful of how very quick I’ll need to be to ask. “About Sanctify Yourself…” before I can continue, Jim says “I’m deaf, you’re gonna have to speak up.” I WANT TO DIE! I instantly regret my attempt at forwardness and taking the bull by the horns, striking why the iron’s hot and all those fucking metaphors and just…
I try raising my voice some – whilst at the same time feeling like I’m about to collapse in a heap on the floor, feeling me cheeks going scarlet – “Sanctify Yourself – I’ve noticed some changes to the lines of the song and I was just wondering about it” – Jim says “Am I mixing them up? Am I getting them wrong?” I ABSOLUTELY WANT TO DIE AND FALL INTO A 700 FOOT CHASM – the clock’s ticking and I don’t have time to say what I need to say (what I’ve written out about the lyrics just above) – I’m just now thinking “Oh, it doesn’t matter!” Because at this point had it been intentional he’d be saying “Clever of you to have noticed” or something similar…NOT “Am I getting them wrong?” OH FUCK!!!!
“You’ll keep me in check”, Jim says to me. And then probably inside his head, “Now fuck off and leave me alone, you fucking bitch! Who the fuck do you think you are? Fucking CHEEK of the woman. Jeez-o!”
Then I have to pose for the photo. At least it may end up a good one. God knows what Jim’s doing behind me. Probably giving me the bird! As soon as the photos are done, I quickly swing back round to face them and mouth “SORRY!” at them both – but especially to Jim.
WHY? Why do I do this shit?
The more I think about it after the fact – the more I think Jim gets off on putting me on the backfoot. The whole “I’m deaf, you’re gonna have to speak up” – I dunno…it’s probably genuine but I can’t help but see it that in his mind he’s there thinking … “This’ll put her off. Watch this.” He gets a kick out of seeing me squirm, I swear! Well, it worked. Of course it would. And he knows it will.
And…on top of it all – today those of us on the Newcastle meet and greet have received an email letting us know that the SD card in the camera got corrupted and our photos couldn’t be retrieved! Yay! So, you could have another Ultimate Fan experience at one of the remaining UK shows, or a partial refund. I took a quick look at Hull and Liverpool and although I could get to Liverpool cheaply enough – there’s no way I can stay the night, or be able to travel home cheaply that same night to get back to Glasgow – so it’s a partial refund for me.
Birdy has better luck as she’s going to the Cardiff gig and can do the meet and greet there. I’ll have to rely on Paris. Holy heck!
As for the gig? Well (soundchecks aside), this has been the first gig on the tour in which I was actually in the front row and OH MY GOD – front row is ssssooooooo good! There was a little extended edge at the centre of the stage. A bit of an edge for Jim to come out to and I was just to the right of where that ended. So just right of centre (my view of the stage) to the stage. And we were closer to the stage than those in the front row at Leeds appeared to be. I was ssssooooo happy!
I forgot about my embarrassing moment with the question at the meet and greet. I just wanted the best gig experience and just being in front of that man, watching him perform. I wish I could experience it every night for the rest of my life. There is just no bigger thrill. And, I don’t care how it sounds. I don’t care how embarrassing it is – he’s beautiful! He’s just beautiful!
I stood up this time! From the start til the (bitter) end, only taking a seat again during the interval. The way the barrier is in front of the seats, I am only that bit taller anyway. I think everyone in those lower front floor seats stood up anyway.
What a show!
Hearing Ghostdancing live for the first time was fucking braw too!
I was seated next to a lady called Elaine who’s from Aberdeen and was at the Aberdeen gig as well, and at the Hydro gig too. She was staying at the Jurys Inn. Actually the three of us – me, Birdy and Elaine – walked back to the Jurys Inn after the soundcheck. We were chatting away again before the gig started. She’s a really nice lady. She was having a great time too.
Unfortunately we didn’t meet up with Alison, Gail or Sue after the gig but I’m sure our paths will cross again soon enough.
Back to the gig! I managed a few good photos, and while I was in close proximity I decided to record Celebrate again (just in case Jim did a nice sexy “she rag doll” move for me – nom nom!). I also recorded Waterfront, and Cherisse’s drum solo after She’s A River. You’ll hear me scream my head off in raptures afterwards.
The best gig. Just the best. For the overall experience. For actual sound quality and light show, Glasgow was the best. Audience reception – Leeds was fab – but a tie for the top with Glasgow and Newcastle. I mean, Glasgow loves their boys (meaning Jim and Charlie, specifically) but Newcastle had a LOT of love for them (Simple Minds as a whole) too.
It’s a hard comedown knowing there are still gigs happening when your own lot is done for now – but at least Paris is only a few weeks away, and I’ve got to get back to studying anyway!
Thanks to Jim, Charlie, Ged, Gordy, Sarah, Berenice and Cherisse. You have all been awesome. Love you guys to bits! See you in Paris!
Great meeting and catching up with – Thomas and Ela, Michael and Nicola, Sarah, Michelle, Lesley, David and Ang, Robert and Chris, and finally Sue, Alison, Gail and Elaine. And I’m sorry to those I didn’t get the chance to catch up with. I hope we’ll get to see each other one day soon.
It all started very early. About two and a half years ago, in fact. These two gigs, Aberdeen and Glasgow, were originally scheduled to happen a few months apart. I can’t even remember the original dates now – but I think Glasgow was in April and Aberdeen was for August. Then the shit hit the proverbial in March 2020 and numerous reschedules saw the two gigs placed a day apart. Taking all logistical factors into account, the best option for Aberdeen seemed to be to drive – so the theory went!
We (me and the OH – the only driver in this relationship) set off at 10.15 am. I had arranged to get a Ultimate Fan Experience ticket from my friend, Thomas. Information sent out to Ultimate Fan/Soundcheck Experience ticket holders stated that registration for the VIP experiences would take place between 3.30pm and 4.25pm – ie: get your butt there by 4.25 AT THE LATEST!
The travelling started well. We got to Dundee in good time, arriving around 12.15. We stopped at an ASDA on the outskirts of the city. One with charging bays so we could top up the EV we hired. That was the theory! In practice…? Firstly, the charge points at the ASDA were not compatible with the connector to our EV. So I searched for another. There was one a mile away. Great! Nothing much lost in having to travel a mile along the road to the next one…. Except, that mile was done in crawling traffic and then I followed the Google Maps navigation to a T and it gave me the wrong entrance point for the garage where the charge point was. By the time we got into that garage, about 45 minutes had elapsed.
No worries! It’s a fast charge point. It’ll get us topped in no time at all! Except…it wasnae working. Fuck! Okay….where’s the next one? Camperdown Leisure centre. Okay! It’s only another mile away. The charge point was the wrong type. Then to Camperdown Country Park. Too slow! Then, FINALLY to one by a community centre in the east of the city. We sat there for…I can’t even remember how long….maybe an hour…possibly. FREEZING TO DEATH.
Anyway, we topped up enough to get us to Aberdeen. JUST enough. We spent the rest of the journey looking at the miles we had left to travel compared to the charge left in mileage on the car. And the time it would take to get to the P&J Live arena. If it all went okay from this point, I would get there about 4.15pm. Real touch and go shit.
We make it to the P&J car park with SEVEN MILES of charge left and we arrived at 4.12. I was BUSTING for the loo! I get to the VIP registration desk and get myself checked in. Then I head straight for the ladies. I find Thomas and his wife in the queue to go into the arena for the soundcheck. I’m relieved to have made it but am so worried that the OH will not find a fast charge point to charge the car up – especially with the limited range left. I left her in a complete state of panic about how critically low the car’s charge is. It’s all I can think about.
I want to be excited to be there but my worry for the OH and the car and her anxiety and my own stupid anxiety of being in front of Jim for the first time in over two years is just churning me up inside and making me want to wretch. Having made it to the meet and greet on time was no comfort. I felt guilty for my relief at making it, and guiltier still for putting my OH through this kind of crap. And on top of all that, if I got an “icy” vibe from Jim…? That would just make the day a hell.
The soundcheck was great. Very relaxed. There were some great questions asked and Jim had the rest of the band engage in the Q and A. I wish I could remember the question the lady asked that I liked the most – but I was in such a state at the point, I’m surprised I can remember any of it!
The soundcheck ends, and those on the soundcheck experience only leave the arena for those partaking in the meet and greet to stay behind. I was the penultimate turn. I nearly tripped over the step of the barrier on the way to being stood in front of Jim and Charlie. I said some gobbledegook of some kind – trying to form words, not really being able to look at either of them. And before I know it, I am being asked to face the camera for a couple of photos and are then given my marching orders.
Worry and stress all got the better of me. I was so low at that point…I probably misread things. I dunno. The day felt cold…
Our seat were side on to the stage. The P&J is a strange shaped arena. I’m not sure I like the arena set up much, in all honesty. Theatres and those approximately 3000-5000 capacity venues are what I like most.
The venue wasn’t to capacity. I’d say it was maybe three quarters full. The band sounded great! Security were having fun controlling some people in the crowd and a scene kicked off right by where we were seated to the degree where I Travel was completely interrupted for me.
Celebrate wasn’t though. And Jim did his sexy “she rag doll” delivery – which I liked (understatement!).
The audience in Aberdeen were otherwise quite subdued. The acoustics in the place was pretty good. It’s a strange rectangular shape.
As for the band themselves? Amazing. Like they had not had a two year enforced break from performing AT ALL. The only hiccup during the whole night was just at the start of the second verse of Belfast Child, Jim’s mic cut out on him. It took all of 60 seconds (quick as a flash!) for a guy to come running on stage with a replacement. They started the song again from scratch and it was perfect!
In the state I was in, I had tears rolling down my face for Hunter And The Hunted, and again for Someone Somewhere In Summertime.
I had the briefest of chats to GG (Olvier Gerard) afterwards and he gave me a setlist, which I was grateful to receive.
I left the arena with a heavy heart. A mix of relief, anxiety, dread and melancholy that I was worried that I wouldn’t get to shake for Glasgow.
The guesthouse we were staying at was only a couple of miles from the P&J. The OH was able to collect me from the underground car park she dropped me off at. We were at the guesthouse around 11.15pm and we were settled in bed just after midnight, hopeful of a restful sleep for an early setout the next morning.
The day started sunny in Aberdeen. I was only mildly hopeful that it was a sign. A sign that, if nothing else, the journey home would be smoother. We set off at 7.45am. We had a near to fully charged car (with a 3 mile critically low charge the night before – the OH finally found a working fast charge station and got the car back up to 95% capacity) – more than enough to get us to Dundee safely and with plenty of time on our side.
We were going to head straight to the chargepoint that worked out for us in Dundee the previous day. We got there just after 9am, but the charger was being used by someone else, so the search began again. This time I knew exactly what type of charger to look for and found another set of chargers just a couple of miles away from where we were. It had FIVE charge bays – and rapid ones too. We got there and were able to make 50% recharge in around an hour. It gave us more than enough charge and buffer in reserve to get us back to Glasgow.
We got home at around 12.30pm, drained but thankful to be home in plenty of time with an uneventful drive. Time for me to chill a bit. Have a coffee, a shower and just get myself prepped for the Hydro gig.
I didn’t want to turn up late again, so I had the OH drop me by the Hydro at at 3.45pm. I go in, get to the VIP registration desk and the lady serving me says “your question has been chosen for the Q and A today”. She hands me a piece of paper and says “Here’s your question. Erm, hang on…that’s your name, isn’t it?” – pointing to my name on the sheet. I had forgotten the ticket was booked in my OH’s name and so my name wasn’t matching up with the name on the VIP list. “Yes, that’s me. My partner booked the ticket for me.” “Oh, right. Okay, that’s great. If you could make sure that you stand by that popcorn kiosk just over there by 4.20pm so I can take all the people asking questions in together as a group, that will be great.”
Before she showed me the paper in my head I’m thinking “I’m going to get to ask Charlie a question, that’ll be fun!” as I had put questions in for both Jim and Charlie separately. And so…I just assumed it would be a question I had asked Charlie that got chosen, but when she showed me the paper, I saw it was my question for Jim that got picked. Oh, holy fucking shit!!!! After the embarrassing crap and that…vibe I thought I felt in Aberdeen the day before, I now had to have a microphone thrust in my face so I could ask Jim a question!!! OMFG!
Then the fun begins! I keep reading the question. Trying to implant it in my head so I wouldn’t have to open the page up and ask him – I’d just be ready. But with each read, the more it was galvanising the realisation that I would have to speak directly to him!
Two ladies were standing around the popcorn stand with me. After a while one of them asked “was your question picked too?” “Yes”, I said. “Are you nervous?”, she asks. I nod a yes. “Aaw, you’ll be fine! I bet you have a way better question to ask than me. Mine’s a silly one. I can’t even believe it got chosen! They mustn’t have had many to choose from.” I said, “Hey, they couldn’t have thought it that silly, otherwise it wouldn’t have been picked.” “Oh, no”, she said, “it’s really stupid.” But it wasn’t, it was a fab question!
I’m freaking out in the soundcheck. Again, worried how Jim will react when he sees me there – AGAIN! Pretty sure I’m a main contender for the “Stalker of the Decade” award or something. I’d be sick of the sight of me, that’s for sure! I know my question will be asked of me last which of course just ramps up all the anxiety and nausea. I try and wash it away so I can enjoy everything else, take in everyone else’s questions and take in the songs – watch Jim without being soooo obvious it hurts.
There’s a French lady that asks a question before me, and they took some time answering that. When the questions are more broad, Jim opens it up for the rest of the band to reply. So, I know it’s the penultimate question and as the band are giving their responses, my heart rate has jumped to 120+ BMP. It actually feels like it is going to break out of my chest. It’ll be my turn next. I see the lady with the mic extending the pole so it can reach me – that heightens my anxiety further. All through the soundcheck I am saying my question over and over. “Get the wording right! Don’t fluff it! Don’t stumble over your words. DON’T DO YOUR NERVOUS LAUGH!”
Here we go…crunch time! Mic in my face…I start with “Urm” – sssoooo professional! “Which line of a Simple Minds lyric are you most proud of having written?” I said it right, yes!! Here it comes! I know he’s gonna make a thing about me using the word “proud” – I know he will. But…how else do I ask this question? What other word can I use in its place?
BINGO! My brain is in meltdown right now so I can’t remember his exact words…but he said something about me choosing the word “proud”. I knew you would, Jim (as if he’s here. Lol) – I just knew you would!
Didn’t know how else to ask it. And I had so many other scenarios in my head of how the reply would go. I kind of expected a slightly evasive response – in a way hoping that maybe the question would be batted back to me with a “what’s YOUR favourite line?” He might have been too scared I’d say “semi-monde” lol, or “she rag doll” or …. I dunno. But had it come back to me, I was ready – because for the past couple of years it has been “when the other side of midnight calls, remind me I’m glad to be here”.
It didn’t come back to me – and in my daze I don’t remember how it all went (that…overwhelmed immediate mind blank I get when things mean far too much) but he mentioned misheard lyrics and spoke of a lady thanking him for writing her (then) 4 year old daughter’s favourite song. A song her daughter called the “Sadie Song”. “Why does she call it the Sadie Song”? “Because she thinks the words are Sadie One, Sadie Two, Sadie Three…” It was sweet. How could I not smile? My heart slowly melting away and my anxiety subsiding, just a little. Was I fully at ease? No! Was I enjoying it? In a weird sadistic sense, yes. Did it feel like a weight had lifted? Yes. Did Jim give a stellar performance? You betchya!
For the rest of the evening too. It was a truly stunning gig. This was my third Simple Minds “home crowd” gig – and this was the one that REALLY felt like it had that atmosphere to it. I didn’t feel the effect of that too much at the RCH in 2017 for the Acoustic tour – even taking into account that Jim’s dad was there and I saw other Kerr and Burchill relatives there and all that. And at Barras – the band – and Jim in particular seemed too nervous. It was the first show and the debut of a new album in full – I think the magnitude of it made it feel uncomfortable. That was my experience of the Walk Between Worlds Barras gig.
But last night? It was PROPERLY electric! A party atmosphere. Everyone was there for a whale of a time and the band were TOTALLY “on form”. From the get go – amazing! My only criticism is…I’m not sure the structure of the setlist flows right. Love Song and the Belfast Child seems a little…jarring in contrast, to me, anyway. Again, with She’s A River and then Dolphins.
I wasn’t sold on the setlist as a whole at Aberdeen. I was really saddened that due to how these past two years has panned out, any 40th anniversary nod to SAF/SFC has passed by and only Love Song and Theme For Great Cities remain. I’m gutted The American is off the setlist, but I understand why it is – it *is* meant to be a “hits” tour as Jim rightly points out three songs into the night by saying “We’ve just played three songs and none of them were ‘hits’!” It now being its anniversary year, it is right for New Gold Dream to have FIVE songs on the setlist. With four songs from Sparkle In The Rain and four from Once Upon A Time as well, it’s a setlist heavy with songs from the first 10 years of the band’s existence. If we discount Act Of Love as being entirely “new” – the most recent songs in the catalogue on the setlist are She’s A River (1995) and Dolphins (2005).
For me, I’m not sure whether I’d have a play about with the flow of it.
The things that work are – the placement of Book Of Brilliant Things – and its arrangement now. It has taken me a looooooong time to warm to this arrangement of BOBT – it is ssooo vastly different to the album version. But I love Sarah’s arrival on stage for the performance and I love that Jim is actually dueting with Sarah on it this time. It’s fuuuunnnky! It’s great.
The start of the second set is great. Theme then Waterfront is awesome. The stop-starts are Love Song then Belfast Child, then She’s A River then Dolphins.
The addition of Chelsea Girl last night in Glasgow was great. It could do with being there permanently for me. (Maybe have The American at the soundcheck – she hints for Newcastle or Paris *praying hands*)
The stage props, the big screens, the lighting – all PHENOMENAL! It’s an AMAZING set. A mind-blowing backdrop. Wow!
From a wash of Laurie Evans’s photos used at the start of the show with Act Of Love, to the showers of gold for Glittering Prize, to the wonderful “Badlands” landscape images for Hunter And The Hunted, to the video images for Belfast Child, the Clyde images for Waterfront, the Once Upon A Time style images for the song itself – it all is laid out to perfection. Spectacular.
The crowd were electric last night. They were really feeding the band. You could feel it. It was an amazing gig. Even without the personal added joy of the soundcheck and my question being answered, I would have LOVED this gig.
I loved this gig! And I am so looking forward to Leeds and Newcastle in the next few days and Paris in the next few weeks.
Okay, that makes the acronym of ‘HUNT’ – but hey, it’s Friday and I am in a jovial mood!
The Minds will be performing exclusively for Radio 2 as part of the “Piano Room” sessions at Maida Vale studios in London. That’s bloody exciting within itself! (I will share the link to BBC Sounds after broadcast.)
Also, yesterday, Cherisse mentioned on her social media that she’d be here in Glasgow over the weekend doing rehearsals. Yay! And GG (Olivier Gerard – sound engineer) shared a photo of the plane he had arrived on landing at Glasgow Airport last night. It’s all stepping up a level! 👏🏻👏🏻👏🏻
Finally, on a personal note, I am ecstatic to have been able to get a swap of my meet and greet from the Bordeaux gig (which we now cannot attend) to the Paris gig. And I am PRAYING also that it means those meet and greets WILL go ahead. 🙏🏻🙏🏻🙏🏻
I had been reading on Gary Numan’s FB page of how he was going to be conducting his meet and greets and have been praying that SM’s M&Gs will take a similar line – ensuring you have your vaccines and booster(s), making sure you’ve taken a negative LF test prior to arriving, wearing a mask, maintaining a social distance from the band – all fair enough under current circumstances. Okay, It means no (snogging…ahem) hugging…but hey ho. A few precious minutes with them in a room, albeit socially distanced, is worth it as far as I am concerned. I’d have not been in a room with them for TWO years so…I will be more than happy with that. Jim will probably be VERY thankful for the physical distance! Lol. And at least my mask will hide all the shame and embarrassment that would otherwise be visible on my face.
It’s getting exciting, but kind of scary too. I’m still worried about all the logistics of the travel to Paris. Still. And I’ve not been on a plane for two years, either. Last flight I was on was our massively delayed flight from Copenhagen back to Edinburgh.
Anyway, I am waffling with nervous anticipation of just how close it is all getting! Before I let myself run away with all that though, I have my first uni assignment to hand in! Still cannae believe I’m a uni student and I am about to hand in an assignment!! Fuuuuuck!
Exciting news! There will be a new “Priptona Talks” interview on the blog soon. I am excited by this one! As I have been with all my previous interviews. More details on that to come, so keep an eye out.
Last week there was a rather unexpected parcel that arrived on my doorstep. The sender of this parcel? One Francis Xavier Gallagher! I had left a comment on a post of his in which he had shown some shortbread for sale in his wife’s haberdashery store. I asked him if he made the shortbread himself. He confirmed that indeed it was he who makes it. I said in reply that I’d love to try it. “Stand by, Madame” was his reply.
At that point I thought “Oh, he’s not going to send me some is he? Nah! He would nae!”
Well, he bloody did! And not just some shortbread, but a Soundman Confidential mug in which to brew the bevvy that would accompany the shortbread, and some badges and a sticker. How bloody wonderful is that?!
Marks out of 10 for the shortbread? Delicious! 10/10! It had the mark of quality – both buttery and crumbly. The only downside to it all was – there wasn’t enough! You get a taste of something that good, you want more!
The best bit about the mug for me? Because I am left-handed, the logo stays facing me. Frank’s eyebrows follow me around the room! Lol.
On top of all that, news that…the rhythm section of Simple Minds (at least) – Ged and Cherisse are back into rehearsing SM material. Not sure what the rest of the band are up to, but at least there is some practice going on! With only seven weeks to go until the tour gets under way – FINGERS ARTHRITICALLY CROSSED – it’s great to have some optimism going on within the band dynamic that the tour WILL go ahead.
I have a bit of a mish mash of stuff to catch up with on here. Just, general music news and observations over the past few days. All to be brushed upon shortly. I’ve been delayed in getting to the topics coming up because on Sunday I was out pretty much all day with not much opportunity to post prior to leaving home. And yesterday I was just in an exhausted state. Physically knackered and tired, but also in the brain fug that comes with it, not in any real state to be writing blog posts with any kind of clarity.
Hence two wordy posts today. First the rather extensive one about the Warm Digits set at the Stag & Dagger in Edinburgh on Sunday, and now this general catch up in the world of Simple Minds and associated acts.
Firstly on the Friday was a special Drumathon fundraising for Children In Need. BBC weather presenter, Owain Wyn Evans, came up with the idea and Cherisse Osei was involved. All through Friday drummers took turns to do stints at the kit and raise funds for CIN. The highlight was a mass drum-a-long to the BBC News countdown theme.
You can still donate HERE. Children In Need is on BBC One this Friday (Nov 19th) at 7pm.
Saturday night I tuned into Billy Sloan on BBC Radio Scotland. His special guest for the show was none other than former Dreamboy and Springburn local done good, Peter Capaldi. After some 40+ years in the musical wilderness, Peter has released his debut album titled St Christopher. His interview with Billy was a great one. He discusses getting back into music, the making of the album, the songwriting process, his acting career and highlight roles like playing The Doctor and Malcolm Tucker and meeting Burt Lancaster on the set of Local Hero, and of course he talks about The Dreamboys, the Hellfire Club, Jaine and David Henderson, and meeting Craig Ferguson and Craig becoming drummer for The Dreamboys.
As I was heading out for the day in Edinburgh, there was a post from Jim on SM FB. Something about tartan shorts. Nah – not the pledge for him to wear some (and nothing else!) on the stage next year (goddamnit!) – but more to do with the construct of time and how time can feel both fleeting and protracted, dependent upon all the other sets of circumstances you find yourself in at any given moment. An hour feeling like a minute when in the company of a pretty girl (or that five minutes when you’re with that man that you bloody swoon over every single second of the day…how that feels like it is gone with a click of the fingers) – I wouldn’t know. Or conversely a short passage of time feeling an eternity. Billy Sloan’s interview a few weeks previous with Patti Smith springs to mind – of her telling the story of waiting on a phone call from her then boyfriend – later to be husband – Fred and how they only got the chance to talk on the phone once a week. He’d call at a prearranged time, but this one week he hadn’t called at the arranged time. An hour went by, then two… while she waits for him to call, she writes her section of lyrics to Because The Night. “Have I doubt when I’m alone / love is a ring, the telephone” – that line symbolic of her waiting on her call from Fred. Actually, the whole song is for him, she said.
Jim shared a rather different anecdote – one to do with boxing and Ken Buchanan. There was Einstein in there too. And there he was expressing the duality in him that I love – the brains and the brawn. “Brawn” I guess being rather overly complimentary of me as he describes his 12 year old self as being “whippet thin” and me thinking “you were still a whippet 10 years later – ya sexy devil – ggrrrrrr!!!”, more than a little conscious of how sad a fact it is an old, fat ‘coo’ like moi should be crushing on wee skinny boys (of then) like Jim. Talk of a 12 year old “whippet” had me thinking of one boyfriend I had for all of five minutes.
Should I share this sad tale of woe here? Ah, go on then! Why the hell not?
When I liked a boy…really liked a boy, I was NEVER going to wait for him to ask me out! (Sometimes I think the 51 year old me could really do with the gallus that the 11/12 year old me had for certain things!) Boys. I was boy crazy from… I dunno when. I can’t EVER remember a time in which I thought “Boys?! Eewwwww.” Nah. NEVER happened!
I’m in my final year of primary school – so I’m 11, turning 12. The boy in question was called Rodney Johnston (it is VERY rare for me to remember names of people I went to school with, so there’s some insight already about how fixated I was with him). Over the year, I asked him out several times, either directly, or indirectly. Every time a knockback. And…not just a subtle knockback, either. I mean…he made it pretty obvious after a while that he was NOT interested. I eventually stopped asking, starting to realise I was flogging a dead horse.
Several weeks later, lo and behold, he’s asking ME out!? Whaaaa? I was suspicious. Had he been dared into it by his mates? Why the sudden turn around? Was I gullible because I still fancied him? Probably. OF COURSE I SAID YES! So…we arrange “a date”. I’d visit his place and we’d hang out.
The day comes. I am SSSOOO excited! It was a beautiful spring day. The sun was shining, it was warm. I’m almost sick with excitement when I get to his house. “I’ll meet you by the back gate” he said to me when we arranged my visit. So I’m there at the gate waiting for him to appear. I can hear him approaching but before he gets to the gate, the family dog arrives at the gate. I put my hand over the gate to pat the dog and just as I do Rodney rounds the corner from the side of the house, sees what I’m about to do and shouts “NO! DON’T TOUCH THE DOG!” Just as the dog starts to take a leap and a snap of my hand. I retrieved my hand, but not quite in enough time to not get done by the dog’s bite. I still have the scar, though it is very pale now, on the pinky finger of my right hand. The dog sliced the top third of my right pinky finger open. Blood went everywhere. Rodney ran inside and got his mum. I was driven home and then driven to the local GP. I got five stitches to my wound. I didn’t have any other dates with Rodney.
The dog wasn’t a whippet, in case you’re wondering – but an Australian cattle dog – or “red/blue heeler” as they are known (depending on colouring). I had a fear of cattle dogs from that day on. Not really any other dogs. Just the red and blue heelers.
Rodney himself was the whippet. A skinny boy.
I have such luck with boys. Lol
I mentioned in my comment on the “tartan shorts” post about how that miscorrelation of time happens to us fans too. That a Simple Minds gig can feel like it lasts minutes. That it’s over before it has begun. The American is the signal indicative of that feeling for me. The American usually heralds the beginning of the end for me.
When someone asks why you would want to go and see your favourite band gig after gig, time after time – this is why! This is the biggest reason why. Because – time doesn’t behave itself! “Only with you life moves so fast – when I’m with you life moves so fast.” Don’t you know it, Jim Kerr! You were grappling with the construct of time even all the way back then.
Finally – a post on Instagram last night from Joe Donnelly, talking of new Caezar music in the making. All on course to be released early next year, with a summer tour to follow. Wonderful stuff!
That was a rather wordy catch-up! And a bit of “Priptona’s Life Story” piece right in the middle of it there. Oh, well. I had nothing much else doing on this Tuesday afternoon.