I posted this onto SMOG earlier this afternoon – but I get the feeling it is going to be somewhat overshadowed by a wonderful post about Jim, which I am sure he will love (who can blame him?). Anyway, I thought I’d also post it here as well. (I haven’t altered the words I posted.)
Back a few years ago, I posted something on the Simple Minds visitor wall. I think it was a review of a gig. It came from an independent fanzine. Jim replied to my post, saying he had fond memories of some of the guys who set up these kind of publications, recalling the names of Johnny Waller and Lindsay Hutton, particularly, on this occasion. Hutton had started a fanzine called “Next Big Thing”.
Well I stumbled on to a copy of Next Big Thing today, and there within the pages was an advert for Empires And Dance, as well as a glowing review of the album by Lindsay himself. (Albeit if he is somewhat disparaging to Roxy Music and Gary Numan in the process. Oops!)
It took me on my own little nostalgia trip. Of a time that I particularly loved being a Simple Minds fan. Thanks for those wee chit-chats, Jim. They’ll always be super special to me. I loved putting on my “researcher’s hat” for that one as when you replied to me you had said “I wonder what happened to Johnny and Lindsay?”, which had me off and searching for you. A time you made me feel both happy and purposeful.
If it doesn’t come out too clear for reading, then here is a transcript of what is written below.
“The danceable solution to teenage revolution? If Roxy were still any cop they’d be making albums like this. I don’t altogether go along with the belief that synthesisers always ruin things. There’s ample proof of the reverse here, but the fact that idiots like gerbil face Numan seem to represent the genre, mean that there is no media indication that there is life after electronics. ‘Empires’ is the 3rd Minds elpee and places them well up the league. Especially tasty are the opener ‘I Travel’ and the Jeepster style backbeat of ‘Celebrate’. If you’ve been put off by the moderne talk of Morley then think again kiddo, because this sound can co-exist with rock ‘n’ roll because it’s performed from the heart. Can you afford not to own a record by a band whose singer drew Noddy on the Berlin Wall in lime green chalk? Good wee group this.”
