That cost a bomb. A few little unseen treasures from various publications. Sadly music magazines are notorious for not always giving photo credits, but I will try and credit those who took these gems, if published.
This one is a small little inset. A clipping from what I think might be a Dutch magazine. Taken in 1982 by the look of things. I love Jim in this photo.
This one is fabulous! And I wish I knew who took it. looking like it is probably from around early 1980.
This one is not in the best of condition. It had already been scanned out of the magazine it appeared in. So now it is a scan of a scan. To me it looks like it could be backstage at Kant Kino, so it might have been taken by Holgar Rabe. I know it ain’t the clearest photo but I felt it interesting enough to share, despite its low quality. Again, it would be early 1980 – around March.
I have some magazine and newspaper articles to scan and share. Some will be in Dutch and from the 1980s. Others will be in English and from the late 1990s, middling 2000s and the early 2010s.
I’ll scan and post them in the coming days and weeks.
It’s Halloween on Sunday, and I’ll be 51 – YAY! Pfft! Lol
What am I doing to celebrate? Not much – but more than I got to do last year. A milestone birthday, “celebrated” in the middle of a pandemic was ssoooo joyous! Lol
Anyway, this year I get a night out in Edinburgh, seeing my favourite musical, I get a free meal out, and I get to sleep in as the clocks go back the morning of my birthday. Pretty sweet, huh?
I may even drink myself stupid. Who knows? I decided against it last year as I couldn’t face being hungover. This year, the idea of being hungover and worst for wear feels rather appealing. We’ll see.
On to Simple Minds and it being Minds Music Monday. They’ve given us a number of dark themed tracks to associate with Halloween over the years. Be it deliberate or inadvertent.
I was listening to one of my plethora of Simple Minds playlists on Spotify last night and this track played. Only a day or two earlier, I had been admiring my artwork I had made for it. I really do like this artwork. And I love that line “the clothes he wears date back to the war”. It does remind me of Monty Python’s Flying (Prospecthill) Circus. (See what I did there? Lol)
It’s a great track. Nice and dark. Intelligent. Made by two boys of barely 21 (all the other members being that bit older – Brian not that much older than Jim and Charlie, but older nonetheless). Filled with that European dystopian imagery that Jim liked to subject us to at that point in time. I always think of Bowie on Dinah Shore’s show when he’s on with Iggy, and he talks of how he got to know ‘Jim’ (Osterberg) and his music and said “I just loooooove nihilism!”, in a fay and foolish manner – being comedically sarcastic. Lol
So…enjoy Today I Died Again. Happy MMM Halloween!
UPDATE: For good measure (and fun) – Bowie, Iggy and “nihilism”.
I was catching up with Billy Sloan’s radio show last night. I haven’t listened in for….a few months now. I think I got a bit overwhelmed by him referring to me as one of his “most loyal” listeners. And to be honest, I wasn’t at that point, though I would listen most weeks. But that statement from him – I guess it kind of put the mockers on it. I didn’t feel worthy of such a thing and then weirdly it kind of then … I dunno. Weird, eh?
Anyway, the previous week he had been asking for favourite songs that mentioned mens names in the lyrics or title. Earlier in the week when he first asked the question the song I chose hadn’t entered my head, even though it had been an earworm for days on end already. By Saturday evening, it was there swirling around as Billy posed the question again just before show time. Of course I put in my choice of “Oh, Jim”. I didn’t end up listening to the show that night. I was chatting away to a friend and ended up “otherwise engaged” but I was intrigued to see if my choice got mentioned. It did. And it seemed Billy had missed me! Bless him! I didn’t expect that at all. Well, I’ve missed him too. He puts on a great show week after week and there’s always something that particularly piques the interest – more on that shortly.
Anyway, that’s a looong preamble to say…I am back listening to Billy Sloan’s show. I didn’t hear it go out live but caught up with it via BBC Sounds last night. The topic was … what do you think is the greatest song of all time? One choice! Mine is “What Becomes Of The Brokenhearted?” by Jimmy Ruffin. It’s both sadly melancholic but ultimately uplifting.
Around midway through the show, Billy played “River Deep, Mountain High” and it had me thinking about Jim’s post a few days back about “songs of home” and him talking about Nutbush City Limits – another Ike and Tina Turner song. As River Deep, Mountain High was playing, I am taking in the words as I usually do with the songs I listen to. I always try to pay attention to the lyrics. Not always easy as singers’ diction when they sing can vary wildly so it isn’t always easy to decipher lyrics. Hence the long litany of misheard lyrics. Lol. Nothing wrong with Tina’s diction though. I was taking in the lines “when you were a young boy did you have a puppy?” and then my brain backtracked and was thinking about the first lines of “when I was a little girl I had a rag doll” and “I love you just the way I loved that rag doll” and started thinking… “Hang about? Is THIS the genesis for ‘she rag doll’ in Celebrate?”
I have been in recent times debating this line (one could deem it a “mass debate”, perhaps? Though no…not between just two people it ain’t. Lol) with a friend of mine about the true meaning of that “she rag doll” line. Rather unusually for me, I interpreted rather “innocently” – my version of innocent anyway. More a kind of “canoodling” way….a bit kind of “post-coital spooning” kind of way. My friend informed me that a “rag doll” can be seen much more sexualised than that even. I never considered it to have such potency. I found it potent enough with my interpretation of it to be honest. And if one ponders the lyrics further then “she rag doll, keeps him warm / but this negative shows no form” – then I guess a “rag doll” in its most sexualised sense would NOT show any true form on a negative. My word!
Either way, it’s damn sexy! And it is why I love Celebrate so much. Celebrate, when you get down to the heart of it, is a kind of love song. Well, maybe not a LOVE song – but a song of desire. The desire for lust and life. “A lust for life.” And it’s certainly uplifting. That “dark light” of theirs. Of Jim’s lyrics. Give it a dark heart but make it ultimately “feel good”. God, he’s good at it!
Anyway, River Deep Mountain High seems like the most innocent thing in the world now compared to Celebrate! Lol
Also on Billy’s show, he played this – the new Placebo single. It immediately piqued my interest before it even played as Billy said the title of it is “Beautiful James”. And what a chorus! “Beautiful James / I don’t wanna wake you” – how goddamn beautiful is that?! That’s me right there picturing Jim sleeping and just enjoying the sheer beauty of it. Gorgeous. Just so we end on a rather more innocent note than we could have done on the dirty ditty of Celebrate.
Normal service for MMM will resume next week, but until then I’d like to share a special gift from my mate Baggers. Kant Kino is one of my favourite, if not my MOST FAVOURITE, Simple Minds instrumental. Only problem is, it’s so short!
“No probs. I’ll sort it!”, said Baggers to me and lo! He sent this (audio link below) to me not long after. A few days before my birthday in 2017 as a gift. He called it the “Tantrum Remix”. Lol
So, in lieu of being prepared for another Sons And Fascination/Sister Feelings Call themed post for this week, I am sharing this lovely extended version of Kant Kino.
I missed the chance to check the building out in 2019. I had it all planned out; going to Germany with Ruth, seeing The Stranglers and making my way to selected spots around Berlin. A pilgrimage that never got to take place.
Taking a break in the usual proceedings with Minds Music Monday this week. The focus has been (and will continue to be for the weeks to come) tracks from Sons And Fascination/Sister Feelings Call as we approach the 40th anniversary of its release in September.
If you’re already tired of getting out to the pub, going and meeting up with friends and once again socialising and enjoying the sun – then you can read up on the previous weeks MMM’s by clicking on the song titles and the link.
This week’s MMM is a bit of a sick joke of a choice for us Glasgow residents (I have to stop myself from saying “us Glaswegians” because obviously I am not Glaswegian, just a mere resident of this amazing city) – as we are still in the strictest lockdown in the whole of the UK and that my friends means NAE TRAVEL for us.
So! Enjoy your freedoms, other UKers and if you find yourself at a loose end, then do check out my previous SAF/SFC themed posts.
Au revoir! (I ain’t going nowhere.)
P.S. I hope to have more to come to do with I Travel and Sons And Fascination during the week – something that involves a kind of collaborative thing with one Malcolm Garrett – finger’s crossed. Stay tuned! 🤞🏻🤞🏻
Interesting retrospective review from these guys. Very brief and quite broad. Not even any praise for Pleasantly Disturbed on Life In A Day – which is a HUUUUGE oversight in my eyes. They don’t really get much into the nitty gritty of the albums…but if you have a spare 15 mins…
I posted this onto SMOG earlier this afternoon – but I get the feeling it is going to be somewhat overshadowed by a wonderful post about Jim, which I am sure he will love (who can blame him?). Anyway, I thought I’d also post it here as well. (I haven’t altered the words I posted.)
Back a few years ago, I posted something on the Simple Minds visitor wall. I think it was a review of a gig. It came from an independent fanzine. Jim replied to my post, saying he had fond memories of some of the guys who set up these kind of publications, recalling the names of Johnny Waller and Lindsay Hutton, particularly, on this occasion. Hutton had started a fanzine called “Next Big Thing”.
Well I stumbled on to a copy of Next Big Thing today, and there within the pages was an advert for Empires And Dance, as well as a glowing review of the album by Lindsay himself. (Albeit if he is somewhat disparaging to Roxy Music and Gary Numan in the process. Oops!)
It took me on my own little nostalgia trip. Of a time that I particularly loved being a Simple Minds fan. Thanks for those wee chit-chats, Jim. They’ll always be super special to me. I loved putting on my “researcher’s hat” for that one as when you replied to me you had said “I wonder what happened to Johnny and Lindsay?”, which had me off and searching for you. A time you made me feel both happy and purposeful.
If it doesn’t come out too clear for reading, then here is a transcript of what is written below.
“The danceable solution to teenage revolution? If Roxy were still any cop they’d be making albums like this. I don’t altogether go along with the belief that synthesisers always ruin things. There’s ample proof of the reverse here, but the fact that idiots like gerbil face Numan seem to represent the genre, mean that there is no media indication that there is life after electronics. ‘Empires’ is the 3rd Minds elpee and places them well up the league. Especially tasty are the opener ‘I Travel’ and the Jeepster style backbeat of ‘Celebrate’. If you’ve been put off by the moderne talk of Morley then think again kiddo, because this sound can co-exist with rock ‘n’ roll because it’s performed from the heart. Can you afford not to own a record by a band whose singer drew Noddy on the Berlin Wall in lime green chalk? Good wee group this.”
Due for release late next month “Shake The Foundations” looks like another well thought out Cherry Red release, focusing on what they’re classifying as “Militant Funk and The Post-Punk Dancefloor 1978-1984”.
On CD One of the compilation is Empires And Dance album track classic, This Fear Of Gods.
Other artists to feature on the set include: A Certain Ratio, Haircut 100, The Stranglers, Fun Boy Three and John Cooper Clarke.
I like the cover artwork. It seems somewhat inspired by Mr Garrett’s Assorted iMaGes work.
You can view more info and a full track list by clicking HERE
I was pretty much a U2 fan from the get go. My brother, Quince, is only a few weeks younger than Bono…so U2’s debut release was as about as contemporary as it could get for him!
I was half the age, only just coming up to my 10th birthday, but the album spoke volumes to me too. Possibly more so because I feel, in retrospect, Boy was a VERY aptly titled album. It denotes all those elements of the first U2 release. Bourgeoning, adolescent, insular, self-absorbed, centred on school and friends and the opposite sex…grappling with the things we all go through in adolescence. Trying to make sense of our place in the world and what we’re here for.
I listened to Boy last night. Has it aged well? I’m not sure. It has an immaturity about it. It mostly looks inward and hardly projects outwards. And I can still hear it with the ears of my early teenage self. I was very aware of U2 in 1980 but it wasn’t until 1983/4 that I really got into them myself. And that is when I got heavily buried into the early albums. Boy is very much my early teenage album. And it takes me back to all those things I was feeling then. All those hang ups and stuff. Thinking that Bono was the best thing I’d ever seen – but he was just one on a list.
It is a good album. I can see why they got early plaudits for it, but I can also see why it was just an early stepping stone and not an absolute breakthrough. I feel it is age-defining and age specific. It is very much rooted in the feeling of 1980 and one’s teenage years.
Alert: I am about to make THE “comparison”. It can’t be helped.
Compare it to say, Simple Minds’ Empires And Dance and well…there is no comparison! Compare I Travel to I Will Follow:
I Travel – European dance. Pulsing energy. Dazzling with lights of cars, planes, trains. Cities cruising by in a head of haze. Exposing you to the dilapidation of the east and the extravagance of the west.
I Will Follow – a boy grappling with becoming a man “a boy tries hard to be a man, his mother takes him by his hand / if he stops to think, he starts to cry – oh, why”. Chalk and cheese! And barely a year in age difference between the lyricists.
What would I have listened to more then – Empires And Dance or Boy? Well, it’s easy to say that Boy won out as I only vaguely knew who Simple Minds were in 1983/4 and I certainly didn’t know of them at all in 1980!
What do I listen to more now? The most rhetorical of questions! We all know! This blog isn’t “Larry-elle’s U2 Space” that ‘may contain a heavy dose of Paul Hewson’ after all now, is it?!
For me, Boy is now definitely “of its time”. A nostalgia trip. There were obviously hints of the maturity of the band there. I hear it in different songs now to what I used to. Songs that I probably didn’t like as much or felt a little more indifferent to back then. I have always loved An Cat Dubh (it took YEARS for me to find out it meant “The Black Cat”. You gotta love pre-Internet days. Lol) and its segue to Into The Heart. Into The Heart these days makes me cry. It’s so tender! It has hidden maturity because it is an adolescent mind already feeling nostalgic for the innocence of childhood. Probably a marker on Bono thinking of his mum. That yearning of her still being present.
The last time I was a bit harsh on Shadows And Tall Trees – I guess because that line of “Mrs Brown’s washing is always the same” is the most dominant line in the song for me – because of the way Bono delivers it. But it is a rarer one on the album as it projects outwards rather than looking as much inwardly to the self. But when it does look inwardly, it’s more about how is one going to face up to life and what to do about it “do you feel in me anything redeeming, any worthwhile feeling / is life like a tightrope, hanging from the ceiling.”
The musicality of it is barebones, and raw. Like skinny kids that are slightly malnourished and thirsty for water, food – knowledge. Experience. “Songs of innocence.” It’s very sparse but very bright. There can be darker elements too. There has always been a dark mood to The Ocean. And there is darkness or at least dullness and greyness to Shadows And Tall Trees.
I enjoyed listening to Boy again last night. I don’t visit U2 often these days, but when I do, I still have an “experience”.
Happy Anniversary, Boy. You make a girl feel old! Lol