Always Destined To Be The … Next Big Thing

I posted this onto SMOG earlier this afternoon – but I get the feeling it is going to be somewhat overshadowed by a wonderful post about Jim, which I am sure he will love (who can blame him?). Anyway, I thought I’d also post it here as well. (I haven’t altered the words I posted.)


Back a few years ago, I posted something on the Simple Minds visitor wall. I think it was a review of a gig. It came from an independent fanzine. Jim replied to my post, saying he had fond memories of some of the guys who set up these kind of publications, recalling the names of Johnny Waller and Lindsay Hutton, particularly, on this occasion. Hutton had started a fanzine called “Next Big Thing”.

Well I stumbled on to a copy of Next Big Thing today, and there within the pages was an advert for Empires And Dance, as well as a glowing review of the album by Lindsay himself. (Albeit if he is somewhat disparaging to Roxy Music and Gary Numan in the process. Oops!)

It took me on my own little nostalgia trip. Of a time that I particularly loved being a Simple Minds fan. Thanks for those wee chit-chats, Jim. They’ll always be super special to me. I loved putting on my “researcher’s hat” for that one as when you replied to me you had said “I wonder what happened to Johnny and Lindsay?”, which had me off and searching for you. A time you made me feel both happy and purposeful.

If it doesn’t come out too clear for reading, then here is a transcript of what is written below.

“The danceable solution to teenage revolution? If Roxy were still any cop they’d be making albums like this. I don’t altogether go along with the belief that synthesisers always ruin things. There’s ample proof of the reverse here, but the fact that idiots like gerbil face Numan seem to represent the genre, mean that there is no media indication that there is life after electronics. ‘Empires’ is the 3rd Minds elpee and places them well up the league. Especially tasty are the opener ‘I Travel’ and the Jeepster style backbeat of ‘Celebrate’. If you’ve been put off by the moderne talk of Morley then think again kiddo, because this sound can co-exist with rock ‘n’ roll because it’s performed from the heart. Can you afford not to own a record by a band whose singer drew Noddy on the Berlin Wall in lime green chalk? Good wee group this.”

Record Store Day 2020

This year’s RSD takes place on Saturday April 18th. There are some things that have piqued my interest, pictured below.

There is also a Steven Wilson mixes edition of Roxy Music’s eponymous debut album. For me, Field Music and kd Lang’s All You Can Eat and Drag would be lovely on vinyl. I used to play those and the Ingenue album SSSOO much. I absolutely ADORE her voice.

There is also the tenuous Simple Minds connected offering of Corporation Of One’s The Real Life – which as I understand it, oddly enough samples the title track from SM’s 1991 album.

Something for the purist, I guess. I can’t say I am that enthusiastic about it, but now I’ve said that, I’ll probably by it. Lol

Graffiti Soul For RSD 2019

The list for Record Store Day 2019 (the day itself being Saturday, April 13th) was revealed early last night and Simple Minds are offering up a 10th anniversary limited edition (limited to 2000 copies only!) 2LP coloured vinyl of Graffiti Soul.

There’s quite a list of stuff, of course, and if money was no object, I’d try for other things…but the only other things I’d really want to go out of my way for are these.

The Roxy Music debut remixes 12″ set looks wonderfully packaged. The contact sheet photo cover looks brilliant.

The other I’d like is this lovely looking gatefold double 7″ of The Police’s Meaasge In A Bottle. If I can get all three things, I’ll be chuffed to bits!

You can view the full list here if you haven’t seen it already.

Spotify 2018 Listening Stats

I really, really do lve Silent Kiss ❤️😊😚

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The only pages I didn’t save were the ones giving me a link to my Top 100 Songs of 2018 playlist – which you’ll find a link to below – and the final “share” page to share your Spotify stats rundown via social media.

 

Sheer Art Attack – The Art Rock Side Of Glam In 1973

From the current edition of Record Collector – a look at the “men from outer space” art rock side of the glam genre at the peak of its power in 1973, as seen from the prespective of Kevin Godley.

Oh, And A Lovely Thing Happened This Morning

Totally unexpected and out of the blue…
(PS: Didn’t mean to cut all that positive feedback off…but it was the only way I could fit the inclusion of my pic in there, leaving the post as it appeared on the SMO timeline as so.)

February 14th, 2017, was the last time this happened…so, yep, it really was unexpected, but so wonderful. Thank you ❤️

And…as soon as I used the term “out of the blue”…this started playing…

The Birth Of Glam Rock – Classic Rock Magazine

A fabulous read…from the eyes of those involved and those on its periphery.