After Thursday’s affair at The Stranglers gig, I was thankful to know that I’d be seated at the Stewart Copeland gig.
From my memory of how the side seats looked when I was there for the Manic Street Preachers/The Anchoress Meltdown gig last June, the seats appeared like they’d give you a pretty good view. I suppose the rail could make it a little restricted with the view, especially if you’re a short person and sit low in your seat but for less than half the price of the stall seats, it made it an affordable last minute choice to go.
And I chose my seat well. There were seats either side of the auditorium. Both seats I was viewing when buying my ticket would have given me very similar views of the stage. It was just down to me whether I’d feel more comfortable facing the stage via facing it to the right or left. For some reason I couldn’t quite understand, I was favouring sitting on the left side. It ended up a great choice as from how you see in the few sneaky snaps I took, Stewart’s kit was facing – what was for him from the stage side perspective, the right side of the auditorium. I had a prime view.
He arrived on stage promptly at 7.30pm, wishing the crowd a good evening. Cracked some jokes about half of his children were probably in the audience…or the actual audience! Lol. He started with film scores.
Tunes from Rumble Fish, Wall Street, his work on the Ben Hur live experience, the Spyro videogame soundtrack….as well as the odd Police number (in which he gave praise to Sting – I nearly fell off my chair! “Gordon Matthew Thomas Sumner – the greatest songwriter ever to exist on the planet” – quote/unquote!), playing Don’t Stand So Close To Me, Darkness and Miss Gradenko. And no Stewart Copeland set would be complete without The Equalizer, which he strangely did not perform but handed it over to the orchestra conductor who just happened to be a rather accomplished drummer himself. Stewart by way of a role swap, conducted the orchestra on the piece, as you can only imagine Stewart Copeland would…with quite a few giggles from the crowd as he made over exaggerated hand gestures and at one point did the Twist whilst still conducting away.
I think he also played something from The Rhythmatist and also played some Balinese Gamelan music.
He talked in between every piece, telling a brief story behind each. How they came to take place, etc. Namedropping directors like Oliver Stone and Francis Ford Coppola along the way. Always bringing out chuckles in the audience.
With a 20 minute interval about 45 minutes into the set, the gig came in at just on two hours. All done and dusted by 9.30pm. I had never been out of a gig so early! I was back at Victoria by 9.50 and on the coach back to Luton just after 10pm. And back in the door at home by 11.30pm. Incredible!
Any worries I may suffer a repeat of Thursday were long gone. I had a draining journey back from Weston-super-Mare during the day, but was soon revived with a meal and a short meander around the Southbank of London.
Stewart put on a great show. Great musicianship by the orchestra. Stewart was in good form both musically and as a general showman and class goofball.
It was a great night. I was so happy to have seen him. At times during the set I had been sitting their inwardly pinching myself, thinking “I am actually HERE watching Stewart Copeland play! This is fucking amazing!” And it was.