The first thing I love about this song is…the two keyboard notes that intro it – sitting on top of another single note. Then the subtle building of the tempo with the kick drum beats. Then the snare comes in with the bass guitar quickly following. Then there’s Charlie Burchill…wailing guitar maestro.
Then…the pièce de résistance … Jim Kerr and that incredibly nuanced vocal performance of his. The way he just … elongates the lyrics and adds another layer of depth to them as a result. I find it almost chilling but sonically delicious.
It was one of the earlier songs written for the Sons/Sister albums right at the beginning of 1981. It was recorded as a demo (listen above) and had the working title of “Check Out”.
After the demo recording in February, it quickly got put on the setlist for a live performance that was captured at Tiffany’s in Glasgow on March 1st, 1981 (listen HERE). The one and only time that the song was ever performed live. Why it never made any kind of return to the setlist for 2012’s 5×5 Live tour remains completely perplexing to me. I guess it was simply the case that with a tracklisting as extensive as there is from the Sons And Fascination/Sister Feelings Call albums – something had to miss the cut. I think it would have been a perfect fit for Jim’s voice now and I’d have loved to have heard him do those long, protracted vocalisations of the words. To quote the song, “It’s a shame.”
At the demo stage the lyrics weren’t much more than the repetition of the words “careful”, “career” and “take care”, with some strange sounding whoops and hollers and unearthly drawn out calls of “walk”. Still wonderfully atmospheric and definitely worth a listen, if for nothing else than to appreciate just what the song progressed into.
I’m including an interview with Jim in this post. One he did for Radio One with Richard Skinner (not Kid Jensen as the wording at the end of the clip suggests) – almost 40 years to the day, in fact. Jim mentions that they’ll be playing the Futurama gig the following night so that dates the interview as September 5th, 1981.
In it, Jim talks about the “trance” musical theme that the Sons/Sister albums seem to end up developing over their recording. No stronger example of this than a track like Careful In Career.
I think the thing that astounds me is when Skinner says to Jim “I’m surprised at your longevity.” The band had been going less than four years by this point. FOUR YEARS! And Richard Skinner is talking about being SURPRISED at the band’s longevity?! Well, here we are, 40 years to the day still talking about what a phenomenal body of work the Sons And Fascination/Sister Feelings Call albums are. Not only that but also that there is new music from Simple Minds in the bag and set to be released some time in the near future! Now THERE’S longevity for you, Richard Skinner!
Richard Skinner sounds like all he takes from the albums is darkness and gloom and a Joy Division-esque “dystopia”. But there is rarely a track like that on Sons/Sister for me. I think it really is only the end tracks on Sister Feelings Call – League Of Nations and Careful In Career that give off that kind of dark atmosphere.
But even within something like Careful In Career you have lines like “performance or ecstasy” and “I’ve come so far already” – positive affirmations rather than anything negative that lines like “It’s a shame to go away/It’s a shame to die already” bring with them. I find such beauty in how dark it is, actually. I guess it’s that point Jim was making in that interview extract I added to my Seeing Out The Angel post, when he spoke of the inspiration for the song, the reading of the short story that sparked the lyrics and of the “beauty in fear”.
And so here we are in the present day with just one week to go before the anniversary date of September 12th (coincidentally it will be my eldest brother’s 63rd birthday), with just one song left to post about – Sweat In Bullet, released as the final single from the album in…well, it says on Dream Giver that the single was released in November, 1981, but I recently read a Virgin press release from the time seeming to state that the single was released in October 23rd, 1981. Either way, there is no need for me to wait until these dates and so I’ll be wrapping up my track-by-track celebration of Sons And Fascination/Sister Feelings Call with a Minds Music Monday finale that will be “rolling and tumbling” in celebration!
On a final personal note, the art piece I did for Careful In Career (pictured above) remains one of my favourite pieces. I love the photo of Jim (I still have no idea who the photographer is – or whether it is even an actual photograph or a still image from a video) and I love how I set out the topography of the lyrics. The colour blending too. I rarely actually give myself any esteem for my work but for a change I am going to here. I’ll make an exception of usually shitting all over my own work by saying that my Careful In Career piece is the kitties whiskers!
It has been a short MMM this week again – but believe me, we’ll be going out with a bang! And I have some pretty exciting news to come in the next week with further Sons/Sister celebration news. Stay tuned, peeps!
Good read Larelle! I agree with your assertion thst Sons and Sisters is far from dark tracks..In fact. most all the lyrics are enveloped around a specific theme..Some may disagree, but I believe these early songs were building blocks for later tunes..SM were always great at pulling similar arrangements and plugging them into something new…Personally, Im glad the band did not stay the course with that type sound…It would of ruined them as they slipped away into some far-gone trance act that in time tends to bore the hell out of the listener…ex: PINK FLOYDD etc, etc..anyway, thanks again for the read…bye,bye! ?
Thanks for taking the time to read it, Dave. And it?s great to hear your opinion and insight into things too. And definitely! A band needs to expand, develop, hone and refine, otherwise what is the point?