First gig off the rank next year…at least ticket purchase wise…
King Creosote at the Royal Concert Hall…
First gig off the rank next year…at least ticket purchase wise…
King Creosote at the Royal Concert Hall…
It was going to be a long day. I had set out from home at the ungodly time of 4.30am. Plenty of time to get myself to Luton station for the 5.08 train to St Pancras. That was the theory. The practice was different!
I arrived at Luton station around 4.45am. I looked to the screen for the timetable and see which platform my train was leaving from. In a rather tired state from such an early start it took a moment or two to register what I was seeing on the screen. All the trains going to London up til 5.40am (all that the screen was showing at that point) were cancelled. I stood there rather dumbstruck initially. And then the panic set in! It’s ticking towards 5.00am and I had to be at Euston station by 6.30 at the latest for my 6.36am train to Glasgow Central. WHAT THE HELL WAS I GOING TO DO?! It flashed through my mind “Well, short of getting a taxi into London that may or may not even get me there in time – AND cost me a small fortune – I’m pretty screwed. In fact, I’m probably not going!” I wanted to cry!
The thought of that…the thought of not going was breaking my heart. The only thing I could feasibly think of doing was getting in a taxi…but I knew it wouldn’t be cheap. I rang my partner and told her what was happening. “What do I do?” “Well…there isn’t much choice left. Take a taxi.” The first cab couldn’t take me as he wasn’t able to take card payments but thankfully the second driver could. “We will make it, won’t we?”, I say to him. “I’m sure we will. I will do my best.” As I’m settled in and we’re making our way to the M1 motorway he says to me “You know, you could have just flown to Glasgow.” Lol. I could have throttled him at that point. But I went on to explain that I booked the train because my passport had expired and although Luton to Glasgow is an internal domestic flight, I believed that a passport was still required. I subsequently learned that only photo ID is required and that even an expired passport (up to five years from expiration) is sufficient for internal domestic travel. Damn!
To my huge relief the motorway was largely clear of traffic and the rain wasn’t too heavy so the driver was able to go as fast as his traditional Hackney cab would allow. He dropped me at Euston at 5.49am. We made it in under an hour. I was stunned and relieved – and rather sad to be paying a £90 taxi fare! BUT…I had made it to Euston and in plenty of time before the train was due to depart.
The rest of the journey was relaxing and I arrived at Glasgow Central right on schedule at 11.59am. Approximately 10 minutes later, I found myself in Tantrum Doughnuts ordering two of them – a limited edition hazelnut blondie and the signature pistachio and hibiscus one. I also had a reviving latte.
The weather was a bit miserable when I arrived – dreich, as the locals are known to describe it. I wandered about a bit. Tried to keep dry. Then eventually made my way up to my accommodation for the night, hoping I’d be able to check in a little early and maybe get an hour’s sleep before the gig later on.
I head back down to the city centre at around 6pm, stopped in for a coffee at a cafe nearby the RCH, then went into the venue around 7pm.
I was starting to get quite excited by then. I know Mick had told me on FB that, of the Minds, only he would be there…but I couldn’t help but hope that maybe Jim had wanted to surprise even Mick by showing up at the last minute…either on his own or with Charlie.
I had a great view from my seat and the stage looked quite full so there was going to be quite a few people on the stage performing! The show started promptly at 7.45. Trevor arrives on stage to a warm and rousing round of applause. Once at the mic he says, “I’m 70 years old and this is my first solo headline tour.”
Musically, the show started with the biggest bang – an amazing version of Two Tribes, sung by “Roberto” (as Trevor kept introducing him through the night as) aka Kalon Rae. I don’t really watch TV these days so was unaware of him and his appearance on The Voice UK last year. He certainly nailed it! It was one heck of an opener that’s for sure and it set a standard for the rest of the night. Second song in was Trevor’s own Buggles composition of Video Killed The Radio Star. The next song – a Godley & Creme composition, Cry, came with the dawning realisation that the short man on guitar standing next to Trevor on his right was indeed Lol Creme himself! Kalon sang Cry but Lol himself sang the next number, a fab version of 10CC’s Rubber Bullets (Lol having written and performed it as part of the 10CC lineup, of course).
And the hits just kept on a-coming. A photo of the setlist above. The wonderful Steve Hogarth sang It’s Different For Girls and Ashes To Ashes. A pair of wonderful female singers sang the “t.a.T.u” number All The Things She Said. One of them took the lead on Slave To The Rhythm.
It was back to Kalon for another Frankie tune – The Power Of Love, then Trevor himself sang the lead for Living In The Plastic Age, and Steve Hogarth again for I’m Not In Love – Lol Creme on piano for it – and Everybody Wants To Rule The World.
There was an interval of 15 minutes.
When the gig resumes, Trevor is delayed in his return. It becomes immediately obvious as to what the delay was when he comes striding back out in a sparkly jacket and A KILT. He is welcomed back out to cheers and a number of wolf whistles. Lol. He places his hands on the sporran at the centre of the kilt and says, “I have always wondered what these things were for…but now I know.” He opens it up and reaches in then holds his hand aloft. “Picks!”, he says, with a pick between his thumb and fingers. On we go into a fab version of Owner Of A Lonely Heart sung by Trevor.
Then the moment arrives. “While we are on a Scottish theme”, says Trevor, “I started visiting Scotland more in 1988. That’s when I started working with Simple Minds. I’d already been working with so many bands and artists by that point but I can say that working with Simple Minds, it was the first time I felt like I wasn’t working with a bunch of arseholes. They are great guys.” And then it becomes a little bit of a blur what else he said because I know Mick is about to appear on the stage, but I still remained hopeful that at the very last minute that Jim and Charlie would be there too. Sadly that didn’t happen, but I gave the loudest cheer as Mick walked on stage. To be there to see him play was all I needed to make my night.
I feel terrible that I didn’t catch the singer’s name but he was very good. And seeing Mick play was so very special. I recorded Brothers In Arms live on FB but stopped filming when Rhythm Of My Heart started. I just wanted to take it in properly and enjoy watching Mick perform. Kalon provided the vocals this time, and he was wonderful again.
A lovely understated female vocal ballad version of Dancing In The Dark was next. Not before Trevor relayed the story of his dealings with The Boss and how he’d asked permission to do Born To Run…bossa nova style. Lol
Another major guest performer in the shape of Argent’s Russ Ballard. Crowd sing-a-longs to Since You’ve Been Gone and God Gave Rock N Roll To You left the hordes on a high.
Great renditions of Girls On Film by the female vocalists, then it was Steve Hogarth again for Kiss From A Rose and Blue Monday, before a final Kalon led amazing crowd up-off-our-seats, clapping and dancing version of Relax.
A final encore of Money For Nothing and that was it. An amazing night was had by the vast majority of patrons in attendance. I certainly enjoyed it! It is a strong contender for “gig of the year” for me. Perhaps only being slightly pipped by Massive Attack at The Hydro back in January and Stewart Copeland at the Festival Hall in March.
As soon as I was back out on the street, I propped myself up by the stage doors. The only person waiting there initially. But then Phil Palmer and the man providing the vocals on Brothers In Arms and Money For Nothing came out for a cigarette and that got one or two people stopping, congratulating and thanking them for the gig. After about 15 mins, there was six other people waiting with me. About 45 minutes of waiting and Mick walks out through the stage doors. I get his attention “Hi, Mick.” When it registers with him who I am he says to me “THERE YOU ARE! I’ve been looking for you all night.” Aaww! What an utterly sweet thing to say! “So, you made it then?” A bag of nerves, I just said “Yes I did.” But in hindsight I’d say “Of course I did! I wouldn’t have missed this for the world!” We chatted briefly and then I asked him if he would be so kind as to sign my Life In A Day 7” picture sleeve and an original vintage print I have of Mick taken in Brussels in 1983 by Stefan De Batselier. He signed them both for me. We hugged and then he was on his way.
Oh no! I didn’t even get a photo with him! Mercifully one of the other people waiting had stopped him and asked if they could have their photo with him so that gave me the opportunity to ask. I tried to be Miss Appalling Selfie Taker (and was succeeding!) when the man with Mick said “I can take it if you like?” YES PLEASE! Lol. Save me from my selfie doom. Lol. And he really couldn’t have taken a more wonderful photo. It is just so, so lovely.
It was a wonderful night.
I will discuss Sunday’s day of exploration tomorrow.
It wasn’t until very late last night did I realise that tickets for the Trevor Horn Reimagines The Eighties Tour at the end of July/beginning of August had gone on pre-sale yesterday.
And in the overtly hopeful notion that Jim and Charlie (and quite possibly even Mick MacNeil – for the first show, at least) may take part in it (as “OTHER special guests to be announced in due course” was said on Trevor Horn’s web site) I have secured a ticket for the first show at the Royal Concert Hall in Glasgow.
I am starting to have the sneaking suspicion that this may be about the only chance I may get to see anything of the Minds this year.
So, come July 27th (or perhaps the 26th if I need to do the red-eye coach up overnight), I’ll be travelling to Glasgow yet again…and seeing yet ANOTHER gig at the RCH.
The bugger is that Horn plays the Festival Hall in London the following night which could actually cause a problem for me getting back there, if indeed I want to go a second time. At the moment I am happy with Glasgow only. I decided on Glasgow because, frankly, the strongest chance of there being an appearance on stage by Jim and Charlie WILL be at the Glasgow opener. Hame turf – opening night of the tour…it’ll be braw! And if Mick were to take part? Well, that definitely may be a Glasgow only affair. And how bloody special would that be? Had to get a ticket! Had to hedge my bets!
I wasn’t sure when the gig was meant to start, despite a 7.30pm time on the FB page. There was a support act which I sadly missed.
I also missed the opportunity to get a good photo, at least to show where I was sitting – but it’s all about the music, right?
And, well…what music! Ged walked out on stage looking rather dapper in a nice tartan suit and gave us a little intro and background to how The Bard’s Tale IV soundtrack came about and how he got to be involved in it.
A few minutes later the gig was under way. There was a large screen projecting video montages of the game and its landscape. Some eight Gaelic singers were involved, including the angelic voiced Eilidh Cormack and Kim Carnie, Fiona Hunter and Kathleen MacInnes – male voices too, Gregor Philp and it was fabulous to see young Donald Barker providing male Gaelic vocals and featuring as the main vocalist on one song. Wonderful harmonies from all the singers when group vocals took place.
Beautiful musically. Wonderful melodies and traditional instruments used. Harp, bodhran, harmonium, low whistle, pipes as well on some tunes.
In between tunes were spoken passages delivered by “The Bard” himself, the actor who provides the protagonists voice in the game, John Buick. At one point he was to deliver a drunken rant about how, although there had been a battle won, there was one deserter in the pack…and that role for Mr Buick (as a focal point) fell to me. I suppose that is what one gets when they sit in the front row! It made for an interesting bit of theatre, esp. for yours truly! It was both thrilling and a little unnerving, but fun.
The tunes have depth of emotion as you would imagine from such a beautiful language – so harmonious. Poignancy, joy – not all the tunes are ballads, and not every song is in Gaelic. Gregor Philp performed songs in English – Snow In Summer and Across The Seven Realms – as did Fiona Hunter – A Hardworking Hand. But to hear the sounds of traditional folk music and Gaelic language vocals was a very moving experience. And you don’t need to understand the language to be moved by it and be swept up in…to sense its emotion and get an understanding of its heart and joy.
The show as a whole flowed really well. Sometimes the bits of video footage from the game could be a distraction, but the screen was not used constantly. The main point of the concert was to deliver the music and have that come across…the importance of the Gaelic language and how intrinsic it should be in Scottish culture. Something that needs to be retained for fear of it becoming lost for good.
The musicianship on display on Thursday night was incredible. And such amazing talent from all involved. Ged should be full to bursting with pride of the show he put on on Thursday night. It was a wonderful experience, as I’d had every belief it would be from the moment I bought my ticket.
Photo one by Lily Warring.
Other photos by Gordon Machray.
I had been lucky enough to get myself a free ticket to see a recording of The Afternoon Show on BBC Radio Scotland yesterday morning. I knew Grant Stott would be presenting the show, and there would most likely be live music, but that was all I knew.
The Cottiers was packed out for the show. We all got seated and some of the musicians entered the room ready to start recording. I see this guy enter the room and I think “Geez, that bloke looks like Loudon Wainwright III – OMG… is it?!”
Yep! It was. I was chuffed! I had wanted to see him for years. I mean I am by no means a huge fan of folk music… not much of a fan at all, really. There are some exceptions, but generally, I don’t go out of my way to seek it out. LWIII is one of those exceptions I have always found him humorous and fun.
He was so great at the Afternoon Show, that as soon as it wrapped up and we were done, I walked down to the Royal Concert Hall and grabbed a ticket for the gig.
His support act, Karen Casey, had also performed on the Afternoon Show and I enjoyed her too.
She was great last night as well. She’s got wonderful talented musicians playing with her and she has a wonderful voice. She chatted a bit between songs and shared funny anecdotes. I enjoyed her set.
There was a lot of love in the room for LWIII as he walked on stage.
Funny from the get go. He spoke of his father. A fractuous relationship he had with him. His dad was a renowned writer for Time magazine. He shared some extracts of columns that his father wrote for Time. He told us that through the passage of time, after his dad’s death in 1988, he got to know him better and understand him better.
I can’t remember all the songs he did. I am not familiar with their titles, so they didn’t stick in the memory. But the ones I do remember from last night that he performed – Meet The Wainwrights – a theme for a show he did in which he, Rufus, his partner and their daughter Lucy toured Alaska with fans for a five date tour with the family – he had fun anecdotes to share about all that too. Five Years Old – a song he wrote about missing Martha’s 5th birthday.
One I recorded called “It Ain’t Gaza” – I will post it when I get home. Just a great thing about… if you think things are shit to just put it in some perspective.
It was a great show. I’d love to see him again. Funny, a little sad now and then and thought-provoking too. I’m so glad I went.
This dress is bloody gorgeous. Proper vintage from the 1960s. I have dreamed of having a piece of vintage clothing for the longest time and when I found this dress – and it fitted me – I died! I *had* to have it!
I have owned it for a year, and have never worn it anywhere! I have been waiting for a reason…the right time. I was contemplating it for my birthday and the John Grant gig, but decided against it.
Laying in bed a couple of nights back, sleepless, listening to the Bard’s Tale, I thought “Oh wow! That’s the PERFECT opportunity for that dress to FINALLY get an outing! The Royal Concert Hall – you always need to be a bit glam for there (I was in a lovely black lace dress with white collar and cuffs at the Acoustic gig there in 2017 – Catherine complimented me on how I looked, which was nice 😊) – and the dress has a look that will perfectly suit the occasion. Green Paisley print – it’s perfect!
So, yep! I’m doing it! This dress is getting its debut wearing at the Bard’s Tale gig.
I just gotta wear it out once…
The uber talented Ged Grimes had, very recently, not only been making music and playing with Simple Minds, but he had been busily composing music for a “video” game (in this day and age, do we still call them “video” games?) called The Bard’s Tale.
Sarah Brown interviewed (quizzed?) Ged on this event to do with it, as part of Celtic Connections.
It’s at the Royal Concert Hall in Glasgow on January 31st, 2019. Now…it just so happens that John Grant is playing in Glasgow the following night as part of Celtic Connections…and I already have a ticket, so I am thinking perhaps I should go up a day earlier and experience The Bard’s Tale live?
I’ve never been a big gamer and I can’t claim to be into The Bard’s Tale…but I have liked what I’ve heard of the music and it would certainly be an interesting experience to see it performed live…esp. as it sounds like it could be quite an interactive experience. I’ve got to say, I’m intrigued, and interested.
I will let Ged explain more (with the help of Ms Brown). Click here for ticketing details…
UPDATE: Ticket booked. Going! 👍🏻