Hedging My Bets, Trev…

It wasn’t until very late last night did I realise that tickets for the Trevor Horn Reimagines The Eighties Tour at the end of July/beginning of August had gone on pre-sale yesterday.

And in the overtly hopeful notion that Jim and Charlie (and quite possibly even Mick MacNeil – for the first show, at least) may take part in it (as “OTHER special guests to be announced in due course” was said on Trevor Horn’s web site) I have secured a ticket for the first show at the Royal Concert Hall in Glasgow.

I am starting to have the sneaking suspicion that this may be about the only chance I may get to see anything of the Minds this year.

So, come July 27th (or perhaps the 26th if I need to do the red-eye coach up overnight), I’ll be travelling to Glasgow yet again…and seeing yet ANOTHER gig at the RCH.

The bugger is that Horn plays the Festival Hall in London the following night which could actually cause a problem for me getting back there, if indeed I want to go a second time. At the moment I am happy with Glasgow only. I decided on Glasgow because, frankly, the strongest chance of there being an appearance on stage by Jim and Charlie WILL be at the Glasgow opener. Hame turf – opening night of the tour…it’ll be braw! And if Mick were to take part? Well, that definitely may be a Glasgow only affair. And how bloody special would that be? Had to get a ticket! Had to hedge my bets!

Review: The Bard’s Tale IV – Royal Concert Hall, Glasgow – January 31st, 2019

I wasn’t sure when the gig was meant to start, despite a 7.30pm time on the FB page. There was a support act which I sadly missed.

I also missed the opportunity to get a good photo, at least to show where I was sitting – but it’s all about the music, right?

And, well…what music! Ged walked out on stage looking rather dapper in a nice tartan suit and gave us a little intro and background to how The Bard’s Tale IV soundtrack came about and how he got to be involved in it.

A few minutes later the gig was under way. There was a large screen projecting video montages of the game and its landscape. Some eight Gaelic singers were involved, including the angelic voiced Eilidh Cormack and Kim Carnie, Fiona Hunter and Kathleen MacInnes – male voices too, Gregor Philp and it was fabulous to see young Donald Barker providing male Gaelic vocals and featuring as the main vocalist on one song. Wonderful harmonies from all the singers when group vocals took place.

Beautiful musically. Wonderful melodies and traditional instruments used. Harp, bodhran, harmonium, low whistle, pipes as well on some tunes.

In between tunes were spoken passages delivered by “The Bard” himself, the actor who provides the protagonists voice in the game, John Buick. At one point he was to deliver a drunken rant about how, although there had been a battle won, there was one deserter in the pack…and that role for Mr Buick (as a focal point) fell to me. I suppose that is what one gets when they sit in the front row! It made for an interesting bit of theatre, esp. for yours truly! It was both thrilling and a little unnerving, but fun.

73EC8244-64E1-4467-BF90-0729F08A5CBB

The tunes have depth of emotion as you would imagine from such a beautiful language – so harmonious. Poignancy, joy – not all the tunes are ballads, and not every song is in Gaelic. Gregor Philp performed songs in English – Snow In Summer and Across The Seven Realms – as did Fiona Hunter – A Hardworking Hand. But to hear the sounds of traditional folk music and Gaelic language vocals was a very moving experience. And you don’t need to understand the language to be moved by it and be swept up in…to sense its emotion and get an understanding of its heart and joy.

2C534659-390E-461B-99B8-995F8369E967

The show as a whole flowed really well. Sometimes the bits of video footage from the game could be a distraction, but the screen was not used constantly. The main point of the concert was to deliver the music and have that come across…the importance of the Gaelic language and how intrinsic it should be in Scottish culture. Something that needs to be retained for fear of it becoming lost for good.

The musicianship on display on Thursday night was incredible. And such amazing talent from all involved. Ged should be full to bursting with pride of the show he put on on Thursday night. It was a wonderful experience, as I’d had every belief it would be from the moment I bought my ticket.

Photo one by Lily Warring.

Other photos by Gordon Machray.

Review: Loudon Wainwright III at Celtic Connections – Royal Concert Hall, Glasgow – Jan 30th 2019

I had been lucky enough to get myself a free ticket to see a recording of The Afternoon Show on BBC Radio Scotland yesterday morning. I knew Grant Stott would be presenting the show, and there would most likely be live music, but that was all I knew.

The Cottiers was packed out for the show. We all got seated and some of the musicians entered the room ready to start recording. I see this guy enter the room and I think “Geez, that bloke looks like Loudon Wainwright III – OMG… is it?!”

Yep! It was. I was chuffed! I had wanted to see him for years. I mean I am by no means a huge fan of folk music… not much of a fan at all, really. There are some exceptions, but generally, I don’t go out of my way to seek it out. LWIII is one of those exceptions I have always found him humorous and fun.

He was so great at the Afternoon Show, that as soon as it wrapped up and we were done, I walked down to the Royal Concert Hall and grabbed a ticket for the gig.

His support act, Karen Casey, had also performed on the Afternoon Show and I enjoyed her too.

She was great last night as well. She’s got wonderful talented musicians playing with her and she has a wonderful voice. She chatted a bit between songs and shared funny anecdotes. I enjoyed her set.

There was a lot of love in the room for LWIII as he walked on stage.

Funny from the get go. He spoke of his father. A fractuous relationship he had with him. His dad was a renowned writer for Time magazine. He shared some extracts of columns that his father wrote for Time. He told us that through the passage of time, after his dad’s death in 1988, he got to know him better and understand him better.

I can’t remember all the songs he did. I am not familiar with their titles, so they didn’t stick in the memory. But the ones I do remember from last night that he performed – Meet The Wainwrights – a theme for a show he did in which he, Rufus, his partner and their daughter Lucy toured Alaska with fans for a five date tour with the family – he had fun anecdotes to share about all that too. Five Years Old – a song he wrote about missing Martha’s 5th birthday.

One I recorded called “It Ain’t Gaza” – I will post it when I get home. Just a great thing about… if you think things are shit to just put it in some perspective.

It was a great show. I’d love to see him again. Funny, a little sad now and then and thought-provoking too. I’m so glad I went.

The 60’s Paisley Print Kaftan

This dress is bloody gorgeous. Proper vintage from the 1960s. I have dreamed of having a piece of vintage clothing for the longest time and when I found this dress – and it fitted me – I died! I *had* to have it!

I have owned it for a year, and have never worn it anywhere! I have been waiting for a reason…the right time. I was contemplating it for my birthday and the John Grant gig, but decided against it.

Laying in bed a couple of nights back, sleepless, listening to the Bard’s Tale, I thought “Oh wow! That’s the PERFECT opportunity for that dress to FINALLY get an outing! The Royal Concert Hall – you always need to be a bit glam for there (I was in a lovely black lace dress with white collar and cuffs at the Acoustic gig there in 2017 – Catherine complimented me on how I looked, which was nice 😊) – and the dress has a look that will perfectly suit the occasion. Green Paisley print – it’s perfect!

So, yep! I’m doing it! This dress is getting its debut wearing at the Bard’s Tale gig.

I just gotta wear it out once…

The Bard’s Tale – Live At Celtic Connections

The uber talented Ged Grimes had, very recently, not only been making music and playing with Simple Minds, but he had been busily composing music for a “video” game (in this day and age, do we still call them “video” games?) called The Bard’s Tale.

Sarah Brown interviewed (quizzed?) Ged on this event to do with it, as part of Celtic Connections.

It’s at the Royal Concert Hall in Glasgow on January 31st, 2019. Now…it just so happens that John Grant is playing in Glasgow the following night as part of Celtic Connections…and I already have a ticket, so I am thinking perhaps I should go up a day earlier and experience The Bard’s Tale live?

I’ve never been a big gamer and I can’t claim to be into The Bard’s Tale…but I have liked what I’ve heard of the music and it would certainly be an interesting experience to see it performed live…esp. as it sounds like it could be quite an interactive experience. I’ve got to say, I’m intrigued, and interested.

I will let Ged explain more (with the help of Ms Brown). Click here for ticketing details…

UPDATE: Ticket booked. Going! 👍🏻

Saturday Night Gigs

Nothing happening for me this weekend as far as gigs are concerned…but I get the feeling a certain someone MAY just be going to this gig tomorrow night…seeing how much he loves the man and all. And…there’s a little gap in the schedule until the gigs kick off again NEXT weekend (nine days to go until Wentworth!).

He’s performing The Human Menagerie and The Psychomodo, back to back, is Steve. I’m sure Sir will enjoy it immeasurably. Have fun, Sir. Wish I could experience one of these things with you. Call me daft, but I am just as intrigued/tantalised by the notion of watching him watching someone else as I am watching him perform in front of me.

Geez I sound like a right voyeur! Lol

“The Voyeur Of Utter Destruction As Beauty.” (It just made me think of that, and Bowie. Hmmm. May have to listen to Outside tonight!)