Minds Music Monday – The American – 40th Anniversary

Released in May, 1981 – while the band are still busily recording the Sons And Fascination/Sister Feelings Call albums, the first of the singles of the album is rushed out.

But as “rush jobs” go, it has been a mainstay in the Simple Minds live set…well, since even BEFORE it was recorded in the studio and released as a single.

Well, so the Dream Giver site says but when I look at setlists from the March tour I see Sweat In Bullet on the setlist and not The American. Also there is a mention on the page about the March ‘81 tour that Careful In Career and Love Song had been written earlier in the year and already getting live airings. Which makes The American an odd choice for a first release single. Why not Sweat In Bullet or Love Song? I guess the desire to give a thirsty public something completely fresh and new won out (though you’d have thought only the small-ish contingent of die hard Minds fans would be the only ones familiar with the new tracks from the March setlist?).

Anyway, I suppose I’m splitting hairs. The point remains that the single is braw (“very good” for the non Scots reading this). And if only Simple Minds would give their still incredibly thirsty fanbase new material like this these days – and this quickly! No such luck. It’s all such a corporatocracy now. Music as “commodity”. No. We release singles as one new song tagged on to a “best of” album. Yet ANOTHER “best of” album. Sorry, but, yeah. I never like to criticise the band much but, one “new” song attached to a “best of” album, and a whole tour based around that?! Well, in retrospect, maybe a pandemic was just what this band needed to get a bomb up its arse and think about just WHAT their fanbase wants or DESERVES.

I’m sure Jim will not be best pleased with what I have written just above. But then again, he probably doesn’t give two shits, which is how things have felt this past year in the Simple Minds fandom, to be honest. YES! He keeps talking about new material and a new album, but then it gets handed over to record company fucking bureaucratic red tape shit. FUCK! JUST GIVE US SOMETHING TO LOOK FORWARD TO BEYOND PROMISES! JESUS CHRIST!

Hey ho. I guess the Minds story will come to an end soon enough anyway, so why does it matter?

*shrugs*

ANYWAY! The American! Let’s celebrate The American. The rush job of a single that still has the fanbase singing their lungs out to this day. I can’t be begrudging ANOTHER “hits” tour when I have so much love for songs like The American now, can I? It has appeared on many a tour over the years, with short rests during the Street Fighting Years and Real Life tours and just the odd absence from there.

There is a demo version of the song that got a release on the 2004 mega compilation, Silver Box. It’s all pretty much there. The final studio release was refined and honed.

I find the 12” extended version of the song much better than the album version. The album version is great too, just…a bit short. Still, I guess everything that appeared on Sons And Fascination/Sister Feelings Call was pushing for space. So much so that the LEAD single from the sessions doesn’t even get put on the lead album but on its twinned “sister extra”.

The 12” also gets a highlight on the wonderful Themes sets – on Volume 1 of the releases. As well as that, in the late nineties, there is an “Interference Mix” of the song released. It remains a solid favourite of mine of the Simple Minds remixes that have been produced.

The earliest live appearance I can find on a bootleg is at the Futurama 3 gig at Bingley Hall in Stafford on Sept. 6th, 1981. The infamous one where Jim is “as crook as Rookwood”, as we say in Oz (ie: feeling very unwell). It’s audible, to the point where it sounds to me that Jim sings “here comes the meds” during the second run of the “chorus”. There is a lot of dead air where he normally would be singing. And Derek gives the sign off at the end of the song for the end of the gig. I guess Jim is off puking again by this point?

Another favourite involves “early days” footage of the band on French TV performing it live. Jim is partly clothed in my favourite combo, in his riding boots and baggy white troosers. (And in a fairly figure-hugging white t-shirt as well – his chest looks frigging awesome! OMG!) He also does some wrapping of the mic cord around his elbow and he just makes shapes and is just the sexiest thing alive! Beautiful! He’s beautiful.

But I digress!

The most “recent” (some recent to my ears anyway) versions I have really enjoyed have been the live acoustic version (not the studio version on the Acoustic album – that never really sat well with me for some reason) but also the version I heard from the Good News From The Next World tour. It was a return of the song on the setlist after an absence of some eight years. I heard a version of it from the gig at the Royal Concert Hall in Glasgow on 10th September, 1995. Jim actually sings all the BV lines! The “across a curved earth / Nassau club days / in collective fame / the eventful workouts” lines. I nearly lost my shit hearing it for the first time. It was late at night but inwardly I was shouting, “HE’S DOING THE LINES! HE’S DOING THE LINES!” Lol. I was ssooo happy!

In light of what I said earlier in this post, The American is one song I would be happy to keep on the setlist. It is a firm favourite of mine at gigs and one I am guaranteed to dance and sing along to. But I would be absolutely OVER THE MOON if more tracks from Sons And Fascination/Sister Feelings Call were performed. The only tracks with almost concrete affirmation to stay on the setlist are, The American, Love Song and Theme For Great Cities. The only other track I’ve had the privilege of hearing performed live in front of me from the albums is This Earth That You Walk Upon. I’d love to hear Sweat In Bullet or Sons And Fascination itself, or Seeing Out The Angel or In Trance As Mission. Anything really.

Speaking of “rush jobs” – the cover! Malcolm Garrett was given just 48 hours to come up with something for the cover of the single – his first design for Simple Minds. His time at the cover design helm for the band saw a number of iconic covers produced, the pinnacle of these, for many, being New Gold Dream (81-82-83-84). But the start of the working relationship with Assorted iMaGes the band had was through the first work of The American. The cover holds personal significance for me, given how Malcolm collected the images together and how I make my own art.

Overall, the 12” version as well as many live versions are my favourites of The American, so for this week’s Minds Music Monday, let’s say happy (almost!) 40th anniversary to the AMERI-AMERI-AMERI-AMEREE-AMERICAAAN!

Minds Music Monday – Good News: Live – RCH, 1995

It is with some level of trepidation that I explore live output from Simple Minds in 1995. Mostly just to do with my silly hang up about Jim’s style of singing during that period.

But with yet ANOTHER new upload from Art&Talk (YouTuber of eternal mystery…), I felt almost duty bound to take the plunge and listen to the gig uploaded. That namely – a gig from the Good News From The Next World tour of them at the Royal Concert Hall on September 10th, 1995.

We start things off with a pretty stellar version of She’s A River. Full version, and so new still (although already several months old) that Jim ACTUALLY REMEMBERS the words! 😱😱😱😘😜

Then into a bit of a curveball for the period and into Up On The Catwalk. Quite enjoyed that too.

From early on you get a real feel for the atmosphere of the gig. You can also sense how much live production techniques have refined and changed over the past 15 years (up to 1995) as everything sounds pretty crystal clear – from Jim’s breathlessness to the crowd going apeshit when he asks of them “everything okay?” – the only thing that gets lost in the mix at times is the crowd singing along, which isn’t an entirely bad thing IMHO.

See The Lights was also great. But then, for me, the highlight. The jaw-drop moment. The one that almost had me throwing myself out of bed and doing cartwheels on the bedroom floor – The American. But not just ANY OLD VERSION of the song but one in which Jim actually SANG THE BV LINES! The “across a curved earth, Nassau club days, in collective fame, the eventful work-outs” – I nearly wet myself with excitement! I mean…he NEVER sang those lines live that I have ever been aware of – before or since! In the early days he’d do the “here comes the flag, I’m walking in the black” lines and also do “hand shake, this world, here comes the flag” lines – but never those BV lines!

I wanted to be able to up jump back in time, crawl through some kind of wormhole and just kiss him all over and shag his brains out! Lol – fuck! Goddamn!!!

I’d sell my fucking eyeballs off if he sang those lines again. I’d even be happy with the “hand shake, this world, here comes the flag” lines these days!

I think this will now – singularly – be my favourite live version of The American … EVER! And if you told me that THAT was going to happen from listening to this gig, I’d have never believed you!

I grinned like a Cheshire cat through the whole song. In actual fact, I was mostly like THIS through it (and grinning like a loon when I allowed myself to close my mouth a little. Lol)

But after the joy of The American came the mixed bag of Big Sleep. Great that Jim (again!) was great with the lyrics (he was on a roll at this gig) – but he was veering into the singing style that grates on me a little too much with this version. But! Having said that it wasn’t the complete turn off from some versions of it I have heard. Also…it was short. Literally half the length the song usually is – particularly live. I suppose that was probably a good thing.

Back on the up again with a cracking version of Great Leap Forward. A decent enough version of SSIS (not sure Mark Schulman quite had the feel of the drumming on that right, but perhaps I am being pernickety?) sandwiched between a pretty cracking Hypnotised.

Let There Be Love from that period had us ‘coming’ “like an ocean” twice! Lol (Don’t mind if I do, Jim. Fucking Tsunami, I reckon, if you ever … erm … “came” near me like that! Lol – Noah would need the ark! And then some …😂😂😂😂)

Belfast Child? Did it work at that point, played like that? Hmmm, jury’s out. I liked the line change “peace is raging through the Emerald Isle” of the time. It still took a few more years to get there from that point – but it did get there in the end.

Back to Jim being the “blues crooner” during the medley of Roadhouse Blues and into Waterfront. I can’t be too dismissive of him for that. Given the choice between Jims Morrison and Kerr and which one has the more sex appeal for me – THERE IS ABSOLUTELY NO FUCKING CONTEST – sorry Mr Morrison. I appreciate the sex appeal you exuded, I do…but, you are not the Jim for me (though I am pretty sure I’d have had a hard time saying no to you had I ever found myself in your presence).

The crowd interaction, Jim talking to the punters…still extolling lovingly of Glasgow.

We then go into Love Song and as much as I am enjoying this gig, sleep is starting to take hold of me. I start to fall into a dwam and Love Song and it’s slight medley into Glory begin to elude me as I fall deeper in. I barely hear the beginnings of Alive And Kicking and am almost fully asleep by the time the song ends. The rapturous applause by the crowd is what rouses me back from my ever deepening dwam.

I am fully awake once more for the encore which begins with And The Band Played On. Everything performed from the Good News album gets a solid thumbs up from me.

And…knowing that we were into the encore and with it yet to make an appearance, I was dreading the inevitable appearance of Don’t You (Forget About Me). And…there she blows! Penultimate song of the night! Never as bad a thing to endure when you’re in amongst the crowd and you let yourself get caught up in the sing-a-long, nostalgia-trip-fest – but other than that, I derive very little enjoyment from it these days. God, I’d have LOVED the 5×5 Live Tour (and I bet they bloody LOVED having a tour that the song didn’t have to be part of since 1985!) – a whole tour in which you NEVER had to endure DYFAM – what a dream! I know! It sounds like I hate the song. I don’t! What I hate is how overplayed it is! What I hate is knowing I’ll have to hear it at every single Simple Minds gig I ever attend for all the rest of my days. What I hate is…pretending that I really enjoy hearing it at every damned gig and feeling implored to sing “la la las” for five fucking minutes while Jim takes a few minutes break from singing.

Final song is…the final song I ever heard being performed live… Sanctify Yourself. Again…upon reflection – I’d have LOVED 5×5 Live because with no DYFAM also comes no Alive And Kicking and no Sanctify Yourself. I’d have to double check it, but I am pretty sure these three songs have either been the final three songs or within the final five songs (in a slightly altered and reversed order) of the set at EVERY SM gig I’ve been to – and that’s 22 of them (23 if you count that I actually attended both shows at Copenhagen).

I’m sorry to say it, but I stopped listening. Tiredness was taking over and my patience was wearing thin so…I switched off.

BUT! I really enjoyed the gig, and apart from most likely skipping the final two tracks (if I had been there, I might have pissed off home a bit early, at least I could catch the 75 back home before everyone else needing it piled on 👍🏻👍🏻👍🏻), I’d definitely listen to it again. And…THE AMERICAN! THE AMERICAN was fab!

So….

For MMM this week, enjoy the Good News from 1995!

Glasgow Weekender – Trevor Horn Gig – Saturday, July 27th – Part One

It was going to be a long day. I had set out from home at the ungodly time of 4.30am. Plenty of time to get myself to Luton station for the 5.08 train to St Pancras. That was the theory. The practice was different!

I arrived at Luton station around 4.45am. I looked to the screen for the timetable and see which platform my train was leaving from. In a rather tired state from such an early start it took a moment or two to register what I was seeing on the screen. All the trains going to London up til 5.40am (all that the screen was showing at that point) were cancelled. I stood there rather dumbstruck initially. And then the panic set in! It’s ticking towards 5.00am and I had to be at Euston station by 6.30 at the latest for my 6.36am train to Glasgow Central. WHAT THE HELL WAS I GOING TO DO?! It flashed through my mind “Well, short of getting a taxi into London that may or may not even get me there in time – AND cost me a small fortune – I’m pretty screwed. In fact, I’m probably not going!” I wanted to cry!

The thought of that…the thought of not going was breaking my heart. The only thing I could feasibly think of doing was getting in a taxi…but I knew it wouldn’t be cheap. I rang my partner and told her what was happening. “What do I do?” “Well…there isn’t much choice left. Take a taxi.” The first cab couldn’t take me as he wasn’t able to take card payments but thankfully the second driver could. “We will make it, won’t we?”, I say to him. “I’m sure we will. I will do my best.” As I’m settled in and we’re making our way to the M1 motorway he says to me “You know, you could have just flown to Glasgow.” Lol. I could have throttled him at that point. But I went on to explain that I booked the train because my passport had expired and although Luton to Glasgow is an internal domestic flight, I believed that a passport was still required. I subsequently learned that only photo ID is required and that even an expired passport (up to five years from expiration) is sufficient for internal domestic travel. Damn!

To my huge relief the motorway was largely clear of traffic and the rain wasn’t too heavy so the driver was able to go as fast as his traditional Hackney cab would allow. He dropped me at Euston at 5.49am. We made it in under an hour. I was stunned and relieved – and rather sad to be paying a £90 taxi fare! BUT…I had made it to Euston and in plenty of time before the train was due to depart.

The rest of the journey was relaxing and I arrived at Glasgow Central right on schedule at 11.59am. Approximately 10 minutes later, I found myself in Tantrum Doughnuts ordering two of them – a limited edition hazelnut blondie and the signature pistachio and hibiscus one. I also had a reviving latte.

The weather was a bit miserable when I arrived – dreich, as the locals are known to describe it. I wandered about a bit. Tried to keep dry. Then eventually made my way up to my accommodation for the night, hoping I’d be able to check in a little early and maybe get an hour’s sleep before the gig later on.

I head back down to the city centre at around 6pm, stopped in for a coffee at a cafe nearby the RCH, then went into the venue around 7pm.

I was starting to get quite excited by then. I know Mick had told me on FB that, of the Minds, only he would be there…but I couldn’t help but hope that maybe Jim had wanted to surprise even Mick by showing up at the last minute…either on his own or with Charlie.

I had a great view from my seat and the stage looked quite full so there was going to be quite a few people on the stage performing! The show started promptly at 7.45. Trevor arrives on stage to a warm and rousing round of applause. Once at the mic he says, “I’m 70 years old and this is my first solo headline tour.”

Musically, the show started with the biggest bang – an amazing version of Two Tribes, sung by “Roberto” (as Trevor kept introducing him through the night as) aka Kalon Rae. I don’t really watch TV these days so was unaware of him and his appearance on The Voice UK last year. He certainly nailed it! It was one heck of an opener that’s for sure and it set a standard for the rest of the night. Second song in was Trevor’s own Buggles composition of Video Killed The Radio Star. The next song – a Godley & Creme composition, Cry, came with the dawning realisation that the short man on guitar standing next to Trevor on his right was indeed Lol Creme himself! Kalon sang Cry but Lol himself sang the next number, a fab version of 10CC’s Rubber Bullets (Lol having written and performed it as part of the 10CC lineup, of course).

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And the hits just kept on a-coming. A photo of the setlist above. The wonderful Steve Hogarth sang It’s Different For Girls and Ashes To Ashes. A pair of wonderful female singers sang the “t.a.T.u” number All The Things She Said. One of them took the lead on Slave To The Rhythm.

It was back to Kalon for another Frankie tune – The Power Of Love, then Trevor himself sang the lead for Living In The Plastic Age, and Steve Hogarth again for I’m Not In Love – Lol Creme on piano for it – and Everybody Wants To Rule The World.

There was an interval of 15 minutes.

When the gig resumes, Trevor is delayed in his return. It becomes immediately obvious as to what the delay was when he comes striding back out in a sparkly jacket and A KILT. He is welcomed back out to cheers and a number of wolf whistles. Lol. He places his hands on the sporran at the centre of the kilt and says, “I have always wondered what these things were for…but now I know.” He opens it up and reaches in then holds his hand aloft. “Picks!”, he says, with a pick between his thumb and fingers. On we go into a fab version of Owner Of A Lonely Heart sung by Trevor.

Then the moment arrives. “While we are on a Scottish theme”, says Trevor, “I started visiting Scotland more in 1988. That’s when I started working with Simple Minds. I’d already been working with so many bands and artists by that point but I can say that working with Simple Minds, it was the first time I felt like I wasn’t working with a bunch of arseholes. They are great guys.” And then it becomes a little bit of a blur what else he said because I know Mick is about to appear on the stage, but I still remained hopeful that at the very last minute that Jim and Charlie would be there too. Sadly that didn’t happen, but I gave the loudest cheer as Mick walked on stage. To be there to see him play was all I needed to make my night.

I feel terrible that I didn’t catch the singer’s name but he was very good. And seeing Mick play was so very special. I recorded Brothers In Arms live on FB but stopped filming when Rhythm Of My Heart started. I just wanted to take it in properly and enjoy watching Mick perform. Kalon provided the vocals this time, and he was wonderful again.

A lovely understated female vocal ballad version of Dancing In The Dark was next. Not before Trevor relayed the story of his dealings with The Boss and how he’d asked permission to do Born To Run…bossa nova style. Lol

Another major guest performer in the shape of Argent’s Russ Ballard. Crowd sing-a-longs to Since You’ve Been Gone and God Gave Rock N Roll To You left the hordes on a high.

Great renditions of Girls On Film by the female vocalists, then it was Steve Hogarth again for Kiss From A Rose and Blue Monday, before a final Kalon led amazing crowd up-off-our-seats, clapping and dancing version of Relax.

A final encore of Money For Nothing and that was it. An amazing night was had by the vast majority of patrons in attendance. I certainly enjoyed it! It is a strong contender for “gig of the year” for me. Perhaps only being slightly pipped by Massive Attack at The Hydro back in January and Stewart Copeland at the Festival Hall in March.

As soon as I was back out on the street, I propped myself up by the stage doors. The only person waiting there initially. But then Phil Palmer and the man providing the vocals on Brothers In Arms and Money For Nothing came out for a cigarette and that got one or two people stopping, congratulating and thanking them for the gig. After about 15 mins, there was six other people waiting with me. About 45 minutes of waiting and Mick walks out through the stage doors. I get his attention “Hi, Mick.” When it registers with him who I am he says to me “THERE YOU ARE! I’ve been looking for you all night.” Aaww! What an utterly sweet thing to say! “So, you made it then?” A bag of nerves, I just said “Yes I did.” But in hindsight I’d say “Of course I did! I wouldn’t have missed this for the world!” We chatted briefly and then I asked him if he would be so kind as to sign my Life In A Day 7” picture sleeve and an original vintage print I have of Mick taken in Brussels in 1983 by Stefan De Batselier. He signed them both for me. We hugged and then he was on his way.

Oh no! I didn’t even get a photo with him! Mercifully one of the other people waiting had stopped him and asked if they could have their photo with him so that gave me the opportunity to ask. I tried to be Miss Appalling Selfie Taker (and was succeeding!) when the man with Mick said “I can take it if you like?” YES PLEASE! Lol. Save me from my selfie doom. Lol. And he really couldn’t have taken a more wonderful photo. It is just so, so lovely.

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It was a wonderful night.

I will discuss Sunday’s day of exploration tomorrow.

Hedging My Bets, Trev…

It wasn’t until very late last night did I realise that tickets for the Trevor Horn Reimagines The Eighties Tour at the end of July/beginning of August had gone on pre-sale yesterday.

And in the overtly hopeful notion that Jim and Charlie (and quite possibly even Mick MacNeil – for the first show, at least) may take part in it (as “OTHER special guests to be announced in due course” was said on Trevor Horn’s web site) I have secured a ticket for the first show at the Royal Concert Hall in Glasgow.

I am starting to have the sneaking suspicion that this may be about the only chance I may get to see anything of the Minds this year.

So, come July 27th (or perhaps the 26th if I need to do the red-eye coach up overnight), I’ll be travelling to Glasgow yet again…and seeing yet ANOTHER gig at the RCH.

The bugger is that Horn plays the Festival Hall in London the following night which could actually cause a problem for me getting back there, if indeed I want to go a second time. At the moment I am happy with Glasgow only. I decided on Glasgow because, frankly, the strongest chance of there being an appearance on stage by Jim and Charlie WILL be at the Glasgow opener. Hame turf – opening night of the tour…it’ll be braw! And if Mick were to take part? Well, that definitely may be a Glasgow only affair. And how bloody special would that be? Had to get a ticket! Had to hedge my bets!

Review: The Bard’s Tale IV – Royal Concert Hall, Glasgow – January 31st, 2019

I wasn’t sure when the gig was meant to start, despite a 7.30pm time on the FB page. There was a support act which I sadly missed.

I also missed the opportunity to get a good photo, at least to show where I was sitting – but it’s all about the music, right?

And, well…what music! Ged walked out on stage looking rather dapper in a nice tartan suit and gave us a little intro and background to how The Bard’s Tale IV soundtrack came about and how he got to be involved in it.

A few minutes later the gig was under way. There was a large screen projecting video montages of the game and its landscape. Some eight Gaelic singers were involved, including the angelic voiced Eilidh Cormack and Kim Carnie, Fiona Hunter and Kathleen MacInnes – male voices too, Gregor Philp and it was fabulous to see young Donald Barker providing male Gaelic vocals and featuring as the main vocalist on one song. Wonderful harmonies from all the singers when group vocals took place.

Beautiful musically. Wonderful melodies and traditional instruments used. Harp, bodhran, harmonium, low whistle, pipes as well on some tunes.

In between tunes were spoken passages delivered by “The Bard” himself, the actor who provides the protagonists voice in the game, John Buick. At one point he was to deliver a drunken rant about how, although there had been a battle won, there was one deserter in the pack…and that role for Mr Buick (as a focal point) fell to me. I suppose that is what one gets when they sit in the front row! It made for an interesting bit of theatre, esp. for yours truly! It was both thrilling and a little unnerving, but fun.

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The tunes have depth of emotion as you would imagine from such a beautiful language – so harmonious. Poignancy, joy – not all the tunes are ballads, and not every song is in Gaelic. Gregor Philp performed songs in English – Snow In Summer and Across The Seven Realms – as did Fiona Hunter – A Hardworking Hand. But to hear the sounds of traditional folk music and Gaelic language vocals was a very moving experience. And you don’t need to understand the language to be moved by it and be swept up in…to sense its emotion and get an understanding of its heart and joy.

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The show as a whole flowed really well. Sometimes the bits of video footage from the game could be a distraction, but the screen was not used constantly. The main point of the concert was to deliver the music and have that come across…the importance of the Gaelic language and how intrinsic it should be in Scottish culture. Something that needs to be retained for fear of it becoming lost for good.

The musicianship on display on Thursday night was incredible. And such amazing talent from all involved. Ged should be full to bursting with pride of the show he put on on Thursday night. It was a wonderful experience, as I’d had every belief it would be from the moment I bought my ticket.

Photo one by Lily Warring.

Other photos by Gordon Machray.

Review: Loudon Wainwright III at Celtic Connections – Royal Concert Hall, Glasgow – Jan 30th 2019

I had been lucky enough to get myself a free ticket to see a recording of The Afternoon Show on BBC Radio Scotland yesterday morning. I knew Grant Stott would be presenting the show, and there would most likely be live music, but that was all I knew.

The Cottiers was packed out for the show. We all got seated and some of the musicians entered the room ready to start recording. I see this guy enter the room and I think “Geez, that bloke looks like Loudon Wainwright III – OMG… is it?!”

Yep! It was. I was chuffed! I had wanted to see him for years. I mean I am by no means a huge fan of folk music… not much of a fan at all, really. There are some exceptions, but generally, I don’t go out of my way to seek it out. LWIII is one of those exceptions I have always found him humorous and fun.

He was so great at the Afternoon Show, that as soon as it wrapped up and we were done, I walked down to the Royal Concert Hall and grabbed a ticket for the gig.

His support act, Karen Casey, had also performed on the Afternoon Show and I enjoyed her too.

She was great last night as well. She’s got wonderful talented musicians playing with her and she has a wonderful voice. She chatted a bit between songs and shared funny anecdotes. I enjoyed her set.

There was a lot of love in the room for LWIII as he walked on stage.

Funny from the get go. He spoke of his father. A fractuous relationship he had with him. His dad was a renowned writer for Time magazine. He shared some extracts of columns that his father wrote for Time. He told us that through the passage of time, after his dad’s death in 1988, he got to know him better and understand him better.

I can’t remember all the songs he did. I am not familiar with their titles, so they didn’t stick in the memory. But the ones I do remember from last night that he performed – Meet The Wainwrights – a theme for a show he did in which he, Rufus, his partner and their daughter Lucy toured Alaska with fans for a five date tour with the family – he had fun anecdotes to share about all that too. Five Years Old – a song he wrote about missing Martha’s 5th birthday.

One I recorded called “It Ain’t Gaza” – I will post it when I get home. Just a great thing about… if you think things are shit to just put it in some perspective.

It was a great show. I’d love to see him again. Funny, a little sad now and then and thought-provoking too. I’m so glad I went.

The 60’s Paisley Print Kaftan

This dress is bloody gorgeous. Proper vintage from the 1960s. I have dreamed of having a piece of vintage clothing for the longest time and when I found this dress – and it fitted me – I died! I *had* to have it!

I have owned it for a year, and have never worn it anywhere! I have been waiting for a reason…the right time. I was contemplating it for my birthday and the John Grant gig, but decided against it.

Laying in bed a couple of nights back, sleepless, listening to the Bard’s Tale, I thought “Oh wow! That’s the PERFECT opportunity for that dress to FINALLY get an outing! The Royal Concert Hall – you always need to be a bit glam for there (I was in a lovely black lace dress with white collar and cuffs at the Acoustic gig there in 2017 – Catherine complimented me on how I looked, which was nice 😊) – and the dress has a look that will perfectly suit the occasion. Green Paisley print – it’s perfect!

So, yep! I’m doing it! This dress is getting its debut wearing at the Bard’s Tale gig.

I just gotta wear it out once…

The Bard’s Tale – Live At Celtic Connections

The uber talented Ged Grimes had, very recently, not only been making music and playing with Simple Minds, but he had been busily composing music for a “video” game (in this day and age, do we still call them “video” games?) called The Bard’s Tale.

Sarah Brown interviewed (quizzed?) Ged on this event to do with it, as part of Celtic Connections.

It’s at the Royal Concert Hall in Glasgow on January 31st, 2019. Now…it just so happens that John Grant is playing in Glasgow the following night as part of Celtic Connections…and I already have a ticket, so I am thinking perhaps I should go up a day earlier and experience The Bard’s Tale live?

I’ve never been a big gamer and I can’t claim to be into The Bard’s Tale…but I have liked what I’ve heard of the music and it would certainly be an interesting experience to see it performed live…esp. as it sounds like it could be quite an interactive experience. I’ve got to say, I’m intrigued, and interested.

I will let Ged explain more (with the help of Ms Brown). Click here for ticketing details…

UPDATE: Ticket booked. Going! 👍🏻

Saturday Night Gigs

Nothing happening for me this weekend as far as gigs are concerned…but I get the feeling a certain someone MAY just be going to this gig tomorrow night…seeing how much he loves the man and all. And…there’s a little gap in the schedule until the gigs kick off again NEXT weekend (nine days to go until Wentworth!).

He’s performing The Human Menagerie and The Psychomodo, back to back, is Steve. I’m sure Sir will enjoy it immeasurably. Have fun, Sir. Wish I could experience one of these things with you. Call me daft, but I am just as intrigued/tantalised by the notion of watching him watching someone else as I am watching him perform in front of me.

Geez I sound like a right voyeur! Lol

“The Voyeur Of Utter Destruction As Beauty.” (It just made me think of that, and Bowie. Hmmm. May have to listen to Outside tonight!)