Glasgow Weekender – Trevor Horn Gig – Saturday, July 27th – Part One

It was going to be a long day. I had set out from home at the ungodly time of 4.30am. Plenty of time to get myself to Luton station for the 5.08 train to St Pancras. That was the theory. The practice was different!

I arrived at Luton station around 4.45am. I looked to the screen for the timetable and see which platform my train was leaving from. In a rather tired state from such an early start it took a moment or two to register what I was seeing on the screen. All the trains going to London up til 5.40am (all that the screen was showing at that point) were cancelled. I stood there rather dumbstruck initially. And then the panic set in! It’s ticking towards 5.00am and I had to be at Euston station by 6.30 at the latest for my 6.36am train to Glasgow Central. WHAT THE HELL WAS I GOING TO DO?! It flashed through my mind “Well, short of getting a taxi into London that may or may not even get me there in time – AND cost me a small fortune – I’m pretty screwed. In fact, I’m probably not going!” I wanted to cry!

The thought of that…the thought of not going was breaking my heart. The only thing I could feasibly think of doing was getting in a taxi…but I knew it wouldn’t be cheap. I rang my partner and told her what was happening. “What do I do?” “Well…there isn’t much choice left. Take a taxi.” The first cab couldn’t take me as he wasn’t able to take card payments but thankfully the second driver could. “We will make it, won’t we?”, I say to him. “I’m sure we will. I will do my best.” As I’m settled in and we’re making our way to the M1 motorway he says to me “You know, you could have just flown to Glasgow.” Lol. I could have throttled him at that point. But I went on to explain that I booked the train because my passport had expired and although Luton to Glasgow is an internal domestic flight, I believed that a passport was still required. I subsequently learned that only photo ID is required and that even an expired passport (up to five years from expiration) is sufficient for internal domestic travel. Damn!

To my huge relief the motorway was largely clear of traffic and the rain wasn’t too heavy so the driver was able to go as fast as his traditional Hackney cab would allow. He dropped me at Euston at 5.49am. We made it in under an hour. I was stunned and relieved – and rather sad to be paying a £90 taxi fare! BUT…I had made it to Euston and in plenty of time before the train was due to depart.

The rest of the journey was relaxing and I arrived at Glasgow Central right on schedule at 11.59am. Approximately 10 minutes later, I found myself in Tantrum Doughnuts ordering two of them – a limited edition hazelnut blondie and the signature pistachio and hibiscus one. I also had a reviving latte.

The weather was a bit miserable when I arrived – dreich, as the locals are known to describe it. I wandered about a bit. Tried to keep dry. Then eventually made my way up to my accommodation for the night, hoping I’d be able to check in a little early and maybe get an hour’s sleep before the gig later on.

I head back down to the city centre at around 6pm, stopped in for a coffee at a cafe nearby the RCH, then went into the venue around 7pm.

I was starting to get quite excited by then. I know Mick had told me on FB that, of the Minds, only he would be there…but I couldn’t help but hope that maybe Jim had wanted to surprise even Mick by showing up at the last minute…either on his own or with Charlie.

I had a great view from my seat and the stage looked quite full so there was going to be quite a few people on the stage performing! The show started promptly at 7.45. Trevor arrives on stage to a warm and rousing round of applause. Once at the mic he says, “I’m 70 years old and this is my first solo headline tour.”

Musically, the show started with the biggest bang – an amazing version of Two Tribes, sung by “Roberto” (as Trevor kept introducing him through the night as) aka Kalon Rae. I don’t really watch TV these days so was unaware of him and his appearance on The Voice UK last year. He certainly nailed it! It was one heck of an opener that’s for sure and it set a standard for the rest of the night. Second song in was Trevor’s own Buggles composition of Video Killed The Radio Star. The next song – a Godley & Creme composition, Cry, came with the dawning realisation that the short man on guitar standing next to Trevor on his right was indeed Lol Creme himself! Kalon sang Cry but Lol himself sang the next number, a fab version of 10CC’s Rubber Bullets (Lol having written and performed it as part of the 10CC lineup, of course).

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And the hits just kept on a-coming. A photo of the setlist above. The wonderful Steve Hogarth sang It’s Different For Girls and Ashes To Ashes. A pair of wonderful female singers sang the “t.a.T.u” number All The Things She Said. One of them took the lead on Slave To The Rhythm.

It was back to Kalon for another Frankie tune – The Power Of Love, then Trevor himself sang the lead for Living In The Plastic Age, and Steve Hogarth again for I’m Not In Love – Lol Creme on piano for it – and Everybody Wants To Rule The World.

There was an interval of 15 minutes.

When the gig resumes, Trevor is delayed in his return. It becomes immediately obvious as to what the delay was when he comes striding back out in a sparkly jacket and A KILT. He is welcomed back out to cheers and a number of wolf whistles. Lol. He places his hands on the sporran at the centre of the kilt and says, “I have always wondered what these things were for…but now I know.” He opens it up and reaches in then holds his hand aloft. “Picks!”, he says, with a pick between his thumb and fingers. On we go into a fab version of Owner Of A Lonely Heart sung by Trevor.

Then the moment arrives. “While we are on a Scottish theme”, says Trevor, “I started visiting Scotland more in 1988. That’s when I started working with Simple Minds. I’d already been working with so many bands and artists by that point but I can say that working with Simple Minds, it was the first time I felt like I wasn’t working with a bunch of arseholes. They are great guys.” And then it becomes a little bit of a blur what else he said because I know Mick is about to appear on the stage, but I still remained hopeful that at the very last minute that Jim and Charlie would be there too. Sadly that didn’t happen, but I gave the loudest cheer as Mick walked on stage. To be there to see him play was all I needed to make my night.

I feel terrible that I didn’t catch the singer’s name but he was very good. And seeing Mick play was so very special. I recorded Brothers In Arms live on FB but stopped filming when Rhythm Of My Heart started. I just wanted to take it in properly and enjoy watching Mick perform. Kalon provided the vocals this time, and he was wonderful again.

A lovely understated female vocal ballad version of Dancing In The Dark was next. Not before Trevor relayed the story of his dealings with The Boss and how he’d asked permission to do Born To Run…bossa nova style. Lol

Another major guest performer in the shape of Argent’s Russ Ballard. Crowd sing-a-longs to Since You’ve Been Gone and God Gave Rock N Roll To You left the hordes on a high.

Great renditions of Girls On Film by the female vocalists, then it was Steve Hogarth again for Kiss From A Rose and Blue Monday, before a final Kalon led amazing crowd up-off-our-seats, clapping and dancing version of Relax.

A final encore of Money For Nothing and that was it. An amazing night was had by the vast majority of patrons in attendance. I certainly enjoyed it! It is a strong contender for “gig of the year” for me. Perhaps only being slightly pipped by Massive Attack at The Hydro back in January and Stewart Copeland at the Festival Hall in March.

As soon as I was back out on the street, I propped myself up by the stage doors. The only person waiting there initially. But then Phil Palmer and the man providing the vocals on Brothers In Arms and Money For Nothing came out for a cigarette and that got one or two people stopping, congratulating and thanking them for the gig. After about 15 mins, there was six other people waiting with me. About 45 minutes of waiting and Mick walks out through the stage doors. I get his attention “Hi, Mick.” When it registers with him who I am he says to me “THERE YOU ARE! I’ve been looking for you all night.” Aaww! What an utterly sweet thing to say! “So, you made it then?” A bag of nerves, I just said “Yes I did.” But in hindsight I’d say “Of course I did! I wouldn’t have missed this for the world!” We chatted briefly and then I asked him if he would be so kind as to sign my Life In A Day 7” picture sleeve and an original vintage print I have of Mick taken in Brussels in 1983 by Stefan De Batselier. He signed them both for me. We hugged and then he was on his way.

Oh no! I didn’t even get a photo with him! Mercifully one of the other people waiting had stopped him and asked if they could have their photo with him so that gave me the opportunity to ask. I tried to be Miss Appalling Selfie Taker (and was succeeding!) when the man with Mick said “I can take it if you like?” YES PLEASE! Lol. Save me from my selfie doom. Lol. And he really couldn’t have taken a more wonderful photo. It is just so, so lovely.

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It was a wonderful night.

I will discuss Sunday’s day of exploration tomorrow.

The Lowe Benchmark

The latest Record Collector looking into the best of Nick Lowe.

The bit about The Pretenders’ Stop Your Sobbing. I had NO IDEA that Nick and Chrissie had been an item! You learn something new every day, peeps!

Michael Rother Live Review

I really, really wanted to get to this gig, but money was far too tight. It sounded very good. Perhaps if I am very, very lucky, I may get to see him in Glasgow in September. Fingers crossed! (P.S. Good to see someone use the word “myriad” with grammatical precision.)

Stewart Copeland – Royal Festival Hall, London – March 30th, 2019

After Thursday’s affair at The Stranglers gig, I was thankful to know that I’d be seated at the Stewart Copeland gig.

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From my memory of how the side seats looked when I was there for the Manic Street Preachers/The Anchoress Meltdown gig last June, the seats appeared like they’d give you a pretty good view. I suppose the rail could make it a little restricted with the view, especially if you’re a short person and sit low in your seat but for less than half the price of the stall seats, it made it an affordable last minute choice to go.

And I chose my seat well. There were seats either side of the auditorium. Both seats I was viewing when buying my ticket would have given me very similar views of the stage. It was just down to me whether I’d feel more comfortable facing the stage via facing it to the right or left. For some reason I couldn’t quite understand, I was favouring sitting on the left side. It ended up a great choice as from how you see in the few sneaky snaps I took, Stewart’s kit was facing – what was for him from the stage side perspective, the right side of the auditorium. I had a prime view.

He arrived on stage promptly at 7.30pm, wishing the crowd a good evening. Cracked some jokes about half of his children were probably in the audience…or the actual audience! Lol. He started with film scores.

Tunes from Rumble Fish, Wall Street, his work on the Ben Hur live experience, the Spyro videogame soundtrack….as well as the odd Police number (in which he gave praise to Sting – I nearly fell off my chair! “Gordon Matthew Thomas Sumner – the greatest songwriter ever to exist on the planet” – quote/unquote!), playing Don’t Stand So Close To Me, Darkness and Miss Gradenko. And no Stewart Copeland set would be complete without The Equalizer, which he strangely did not perform but handed it over to the orchestra conductor who just happened to be a rather accomplished drummer himself. Stewart by way of a role swap, conducted the orchestra on the piece, as you can only imagine Stewart Copeland would…with quite a few giggles from the crowd as he made over exaggerated hand gestures and at one point did the Twist whilst still conducting away.

I think he also played something from The Rhythmatist and also played some Balinese Gamelan music.

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He talked in between every piece, telling a brief story behind each. How they came to take place, etc. Namedropping directors like Oliver Stone and Francis Ford Coppola along the way. Always bringing out chuckles in the audience.

With a 20 minute interval about 45 minutes into the set, the gig came in at just on two hours. All done and dusted by 9.30pm. I had never been out of a gig so early! I was back at Victoria by 9.50 and on the coach back to Luton just after 10pm. And back in the door at home by 11.30pm. Incredible!

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Any worries I may suffer a repeat of Thursday were long gone. I had a draining journey back from Weston-super-Mare during the day, but was soon revived with a meal and a short meander around the Southbank of London.

Stewart put on a great show. Great musicianship by the orchestra. Stewart was in good form both musically and as a general showman and class goofball.

It was a great night. I was so happy to have seen him. At times during the set I had been sitting their inwardly pinching myself, thinking “I am actually HERE watching Stewart Copeland play! This is fucking amazing!” And it was.

I Need Some Rejuvenation!

Well, the packaging looks amazing. I will invest ASAP.

As for last night’s Stranglers gig? I suffered yet ANOTHER fainting spell. I felt unwell about 30 mins into their set. I sat down for a few mins, but was told to get back up for fear I’d be crushed. Bless his cotton socks! JJ saw me resurface and asked me if I was okay.

I mouthed back at him “yeah, I’m okay.” But I wasn’t. I fresh wave hit me a few minutes later and I was out for the count and hurled over the barrier and taken outside to recover.

More on this in my rather hampered review of the gig on Sunday.

In the meantime, I managed to capture photographic evidence that JJ does indeed smile sometimes!

Life In A Day – 40th Anniversary Single Review

We are nearing the release date of Simple Minds’ debut album, Life In A Day. From what I can deduce, Life In A Day – the track itself – was released as a single inline with their first appearance on television when appearing on the Old Grey Whistle Test on March 27th. As that day is a Tuesday, I am going to assume that the single would have been released a few days prior, on the Friday (March 24th).

So, happy 40th anniversary Life In A Day single! For some fun, I will review the single and the B Side, Special View.

I’ll try as much as I can to remember my feelings of listening to it for the very first time some 13 years ago…and again, almost entirely fresh almost 5 years ago now. Five years ago would have been my first ever listen to Special View. There was no 5×5 box out in 2006, so back then I heard the album as it originally was, with no B-side bonuses present.

Here goes!

LIfe In A Day: It reminds me of a song I loved as a kid. Part of the synth melody is similar. The song was called Computer Games by a New Zealand group called Mi-Sex. The Minds single pre-dates Computer Games by several months so any similarities would apply the other way round (that perhaps Simple Minds influenced the sound of Mi-Sex). And I never knew this until looking up info on them for this post, they named themselves Mi-Sex after an Ulatravox song!

It’s catchy. I like the guitar echo ending. Lots of synths. Like the “knock knock” sound. Lyrics are good. The song is quite moody. Best lines? “The premonition came true / look all around and you’ll see. Some say it takes two to know / or could it all just be me?” Not too keen on those word endings…ay ay aaaay. It’s got a good post-punk sound. The song makes you think. I don’t want something that’s purely visceral. It’s good to have something working the old grey matter.

It’ll grow on me, definitely.

Special View: I looooove that the song begins from a fade in. I really like the pace of it. I like the keys and guitar. It’s a basic riff but so catchy. That singer’s voice is really sultry. I bet he’s well sexy! (Jim…I’d have happily played with your basin cut, baby! 🤓🤗🤗😘😛😎)
I do love the song’s bridge. The jangly keys and and edgy guitar. Really changes the pace of it before settling back into that sultry meander.
I’ll probably get caned for saying it (Whip me, Jim. WHIP ME! Lol) – but I like the B side more.

It’s not to say I dislike Life In A Day, it’s definitely a grower – I just like Special View more. I am knocking my whole thing about preferring thought-provoking songs to something more visceral right on its head now, because my preference for Special View is because I find it ssoooo bloody sexy! Grrrr!

I’ve also mentioned in a previous post about the song specifically (and for lyric art I have done for the song) how I see stark, lucid imagery when listening to the song. A walled seafront. Waves crashing upon the walled promenade. A young woman waiting for her boyfriend to show up. The both of them walking along this walled seafront. The sky along the horizon looking both bright yet clouding over ominously. “The summer’s gone” says Jim, so it’s probably early autumn. Late September, so the sun is fading by 5pm and the air is brisk.

I have always loved the imagery that Simple Minds songs conjure up. And they mostly derive from Jim and his words, but obviously the musicality of the songs play a part too. King Is White And In The Crowd is a prime example of that.

Anyway…as for the overall rating of Life In A Day as a single? It’s a solid start as a debut single…I’d give it a 7/10

Rejuvenation CD/DVD Box Set Review – Mojo Magazine

A very favourable review of the Rejuvenation box set inside the latest edition of Mojo magazine.

Oh, and post New Gold Dream…Sparkle In The Rain (just as the first example) only went straight in at number one in the UK chart and spawned three hit singles…but “they seldom came anywhere near that masterpiece”. Okaaaaay…

It’s the only bit of the review that is questionable to me.