Limited to 500 tickets only. GET IN QUICK! Link for tickets here – https://tickets-scotland.com/whi51
Limited to 500 tickets only. GET IN QUICK! Link for tickets here – https://tickets-scotland.com/whi51
News on the Virginia Turbett front. There’s a book on Iggy Pop coming out. In his own words, it seems. Not quite a memoir, as such, but more the printing of his lyrics with notes and photos complimenting and elaborating on the thought processes involved in the craft of songwriting.
It sounds really good. And a bit of a left-field choice for a publisher like Penguin Books!
Some of Virginia Turbett’s photos of Iggy feature in the book. And wow, she has taken some AMAZING photos of Iggy over the years. Along with continuing to expand upon my own personal Simple Minds archive of VT’s work, I plan to get some Iggy photos from her as well.
Check out Virginia’s website to view some of her wonderful Iggy stills – https://virginiaturbett.com
You can pre-order the book from the Penguin website, just CLICK HERE to be taken to the site.
Hey peeps! If you find yourself in Brighton on Sunday, you could do worse things than get yourself to the Volks Club along the seafront in Brighton. There’s a celebration of all things Mod going on over the weekend and on Sunday, Virginia Turbett will be there selling Mod themed prints – both digital prints from the original negatives, as well as vintage hand made prints.
She’s also holding a raffle in which you can win a life size (well, possibly a little larger than life, it stands at 1.8m) print of Paul Weller from 1981. Every print you buy gives you a free raffle ticket, or you can buy raffle tickets for £2.50 each. (That’s an exclusive for this blog!)
If any other reason was needed to have a lovely sunny Sunday in Brighton, I don’t know of it 🙂
I may see you there myself!
View this post on Instagram
On Sunday 25th August, I will be at the Mod Weekender in Brighton selling rare, original, hand made, vintage prints from my archive of mods and bands from the mod revival of 1979 to 1981. Visit my stall inside The Volks Club on Marine Parade on Sunday from midday to 5pm. Prices start at £25 for digital prints and £50 for vintage hand made. All prints are made from the original negative. #modweekender #brighton #bankholidayweekend #virginiaturbett #photography #music #ska #2tone #1979 #1980 #1981 #madness #thejam #paulweller #selecter #purplehearts #secretaffair #bodysnatchers #badmanners #chords #volksclub
A fantastic book filled with photos and stories of gigs featuring many bands that have played in Scotland over the peak period of 1974 to 1990 – including many local bands like Johnny and the Self Abusers and Simple Minds – could be published – with your help!
A crowdfund has been set up to get the funds needed for publishing the book and there is only a few days left for it to reach its target. Below is a clip of Chris explaining more about it.
Please pledge to the crowdfund if you can. It would be so great to get this book published. If you’d like to pledge, please click the LINK HERE – but be quick! Time is running out! The crowdfund needs to reach its target by August 8th.
It was going to be a long day. I had set out from home at the ungodly time of 4.30am. Plenty of time to get myself to Luton station for the 5.08 train to St Pancras. That was the theory. The practice was different!
I arrived at Luton station around 4.45am. I looked to the screen for the timetable and see which platform my train was leaving from. In a rather tired state from such an early start it took a moment or two to register what I was seeing on the screen. All the trains going to London up til 5.40am (all that the screen was showing at that point) were cancelled. I stood there rather dumbstruck initially. And then the panic set in! It’s ticking towards 5.00am and I had to be at Euston station by 6.30 at the latest for my 6.36am train to Glasgow Central. WHAT THE HELL WAS I GOING TO DO?! It flashed through my mind “Well, short of getting a taxi into London that may or may not even get me there in time – AND cost me a small fortune – I’m pretty screwed. In fact, I’m probably not going!” I wanted to cry!
The thought of that…the thought of not going was breaking my heart. The only thing I could feasibly think of doing was getting in a taxi…but I knew it wouldn’t be cheap. I rang my partner and told her what was happening. “What do I do?” “Well…there isn’t much choice left. Take a taxi.” The first cab couldn’t take me as he wasn’t able to take card payments but thankfully the second driver could. “We will make it, won’t we?”, I say to him. “I’m sure we will. I will do my best.” As I’m settled in and we’re making our way to the M1 motorway he says to me “You know, you could have just flown to Glasgow.” Lol. I could have throttled him at that point. But I went on to explain that I booked the train because my passport had expired and although Luton to Glasgow is an internal domestic flight, I believed that a passport was still required. I subsequently learned that only photo ID is required and that even an expired passport (up to five years from expiration) is sufficient for internal domestic travel. Damn!
To my huge relief the motorway was largely clear of traffic and the rain wasn’t too heavy so the driver was able to go as fast as his traditional Hackney cab would allow. He dropped me at Euston at 5.49am. We made it in under an hour. I was stunned and relieved – and rather sad to be paying a £90 taxi fare! BUT…I had made it to Euston and in plenty of time before the train was due to depart.
The rest of the journey was relaxing and I arrived at Glasgow Central right on schedule at 11.59am. Approximately 10 minutes later, I found myself in Tantrum Doughnuts ordering two of them – a limited edition hazelnut blondie and the signature pistachio and hibiscus one. I also had a reviving latte.
The weather was a bit miserable when I arrived – dreich, as the locals are known to describe it. I wandered about a bit. Tried to keep dry. Then eventually made my way up to my accommodation for the night, hoping I’d be able to check in a little early and maybe get an hour’s sleep before the gig later on.
I head back down to the city centre at around 6pm, stopped in for a coffee at a cafe nearby the RCH, then went into the venue around 7pm.
I was starting to get quite excited by then. I know Mick had told me on FB that, of the Minds, only he would be there…but I couldn’t help but hope that maybe Jim had wanted to surprise even Mick by showing up at the last minute…either on his own or with Charlie.
I had a great view from my seat and the stage looked quite full so there was going to be quite a few people on the stage performing! The show started promptly at 7.45. Trevor arrives on stage to a warm and rousing round of applause. Once at the mic he says, “I’m 70 years old and this is my first solo headline tour.”
Musically, the show started with the biggest bang – an amazing version of Two Tribes, sung by “Roberto” (as Trevor kept introducing him through the night as) aka Kalon Rae. I don’t really watch TV these days so was unaware of him and his appearance on The Voice UK last year. He certainly nailed it! It was one heck of an opener that’s for sure and it set a standard for the rest of the night. Second song in was Trevor’s own Buggles composition of Video Killed The Radio Star. The next song – a Godley & Creme composition, Cry, came with the dawning realisation that the short man on guitar standing next to Trevor on his right was indeed Lol Creme himself! Kalon sang Cry but Lol himself sang the next number, a fab version of 10CC’s Rubber Bullets (Lol having written and performed it as part of the 10CC lineup, of course).
And the hits just kept on a-coming. A photo of the setlist above. The wonderful Steve Hogarth sang It’s Different For Girls and Ashes To Ashes. A pair of wonderful female singers sang the “t.a.T.u” number All The Things She Said. One of them took the lead on Slave To The Rhythm.
It was back to Kalon for another Frankie tune – The Power Of Love, then Trevor himself sang the lead for Living In The Plastic Age, and Steve Hogarth again for I’m Not In Love – Lol Creme on piano for it – and Everybody Wants To Rule The World.
There was an interval of 15 minutes.
When the gig resumes, Trevor is delayed in his return. It becomes immediately obvious as to what the delay was when he comes striding back out in a sparkly jacket and A KILT. He is welcomed back out to cheers and a number of wolf whistles. Lol. He places his hands on the sporran at the centre of the kilt and says, “I have always wondered what these things were for…but now I know.” He opens it up and reaches in then holds his hand aloft. “Picks!”, he says, with a pick between his thumb and fingers. On we go into a fab version of Owner Of A Lonely Heart sung by Trevor.
Then the moment arrives. “While we are on a Scottish theme”, says Trevor, “I started visiting Scotland more in 1988. That’s when I started working with Simple Minds. I’d already been working with so many bands and artists by that point but I can say that working with Simple Minds, it was the first time I felt like I wasn’t working with a bunch of arseholes. They are great guys.” And then it becomes a little bit of a blur what else he said because I know Mick is about to appear on the stage, but I still remained hopeful that at the very last minute that Jim and Charlie would be there too. Sadly that didn’t happen, but I gave the loudest cheer as Mick walked on stage. To be there to see him play was all I needed to make my night.
I feel terrible that I didn’t catch the singer’s name but he was very good. And seeing Mick play was so very special. I recorded Brothers In Arms live on FB but stopped filming when Rhythm Of My Heart started. I just wanted to take it in properly and enjoy watching Mick perform. Kalon provided the vocals this time, and he was wonderful again.
A lovely understated female vocal ballad version of Dancing In The Dark was next. Not before Trevor relayed the story of his dealings with The Boss and how he’d asked permission to do Born To Run…bossa nova style. Lol
Another major guest performer in the shape of Argent’s Russ Ballard. Crowd sing-a-longs to Since You’ve Been Gone and God Gave Rock N Roll To You left the hordes on a high.
Great renditions of Girls On Film by the female vocalists, then it was Steve Hogarth again for Kiss From A Rose and Blue Monday, before a final Kalon led amazing crowd up-off-our-seats, clapping and dancing version of Relax.
A final encore of Money For Nothing and that was it. An amazing night was had by the vast majority of patrons in attendance. I certainly enjoyed it! It is a strong contender for “gig of the year” for me. Perhaps only being slightly pipped by Massive Attack at The Hydro back in January and Stewart Copeland at the Festival Hall in March.
As soon as I was back out on the street, I propped myself up by the stage doors. The only person waiting there initially. But then Phil Palmer and the man providing the vocals on Brothers In Arms and Money For Nothing came out for a cigarette and that got one or two people stopping, congratulating and thanking them for the gig. After about 15 mins, there was six other people waiting with me. About 45 minutes of waiting and Mick walks out through the stage doors. I get his attention “Hi, Mick.” When it registers with him who I am he says to me “THERE YOU ARE! I’ve been looking for you all night.” Aaww! What an utterly sweet thing to say! “So, you made it then?” A bag of nerves, I just said “Yes I did.” But in hindsight I’d say “Of course I did! I wouldn’t have missed this for the world!” We chatted briefly and then I asked him if he would be so kind as to sign my Life In A Day 7” picture sleeve and an original vintage print I have of Mick taken in Brussels in 1983 by Stefan De Batselier. He signed them both for me. We hugged and then he was on his way.
Oh no! I didn’t even get a photo with him! Mercifully one of the other people waiting had stopped him and asked if they could have their photo with him so that gave me the opportunity to ask. I tried to be Miss Appalling Selfie Taker (and was succeeding!) when the man with Mick said “I can take it if you like?” YES PLEASE! Lol. Save me from my selfie doom. Lol. And he really couldn’t have taken a more wonderful photo. It is just so, so lovely.
It was a wonderful night.
I will discuss Sunday’s day of exploration tomorrow.
A quick interview with Jim from 1979. I feel vindicated about my thoughts on cassettes. Lol
See…I don’t get the comparisons to Magazine, either. But I’d have died to have seen one of those gigs now!
As for the “Secondhand Simplicity” review title? A lazy alliteration…that’s all it was. I seem to remember it was a pretty good review otherwise. I’m sure I have it posted here on the blog somewhere.
Last year when I participated in Race For Life for Cancer Research UK – I raised a meagre £68. I had a target of £150. I didn’t even make it to half my target. The only thing that kept me incentivised was…I would be doing something active for my own personal health. How could I see £68 making any damn difference to cancer research?! What would THAT achieve?
This year I have increased my target to £250. I’m already off to a great start with two £10 donations. But I want more! I want to make a difference!
I was going to give away a Priptona print to the highest donor. But, I don’t think that is incentive enough. Or even fair to other donors. So, I am going to make a big sacrifice here! All minimum £10 donations will go into a draw to win THIS! (See pics below.)
(As you can see from the photos, it currently adorns my landing space wall. Below is a clearer image of how the print looks – unframed and unsigned.)
There are only a few copies of this that exist in print. Jim has one of them. He requested a copy from me specifically. This is how bloody special this thing is! I do this with a heavy heart! “It’s no sacrifice”, sang Elton John. Well, it is! Trust me! But some things are much more important. Like the work Cancer Research UK do.
So, as I was saying, there are only a few copies of it in print. And only two are signed by Jim. My friend Janis has one (I asked Jim if he would sign a copy for her as Somebody Up There Likes You is her fave SM song, and her daughters appear very obscurely within the print – the beach scene is a photo I took at Victor Harbour in South Australia), and this one is obviously mine (for now).
The only proviso I am putting on this is that I reach my £250 target before this is given away. If I don’t reach the target, then the original regular SM print of the donor’s choice will be the giveaway.
So…there you go! How’s THAT for incentive to donate?! All £10+ donors will go into a draw to win my signed print of Somebody Up There Likes You/Waterfront (Jim always sees it as a Waterfront print…who am I to argue with him?). The target MUST REACH £250 for this to apply though. I will not be giving this print away for anything less. It means far too much.
So PLEASE, donate!
My Race For Life is on July 7th, 2019. All £10+ donations will be eligible up to and including that date. To donate just CLICK THE LINK HERE