Old…but sssoooo new. If this is a sign of things to come….TAKE MAH MONEY!!!!
After a long, dry spell… (the last new release from Simple Minds being the release of For One Night Only for the 40: The Best Of Simple Minds 1979-2019 release towards the end of 2019) THERE IS NEWS! A new release from Simple Minds in celebration of the band’s debut gig at Glasgow’s Satellite City on January 17th, 1978.
To mark the 44th Anniversary of the gig taking place, the band have re-recorded the first song they performed on the night, Act Of Love.
Act Of Love was previously recorded as a demo. The band’s CaVa demo that secured their initial recording deal.
You can pre-save the recording on your chosen streaming service by clicking on the following link – https://SimpleMinds.lnk.to/ActOfLoveFA
You can also hear the previous incarnation of the song below.
Next week we get the Minds Music Monday to end all Minds Music Mondays! YAAAAS! 👏🏻👏🏻👏🏻👏🏻
You can read much more by visiting the band website HERE
I don’t know why I have it stuck in my head as a Charlie Burchill song, but I just do. And by a Charlie song, I mean it being a song about Charlie.I don’t know where I have got that implanted in my head. It must have been something Jim had said when talking about the song? Perhaps he just expressed a particular likeness for Charlie’s guitar work on the track? Whatever it was, I have thought of “Jeweller” as Charlie’s song ever since.
Proving also that inspiration can come from just about anywhere, Jim said the lyrics came about from him seeing an advert in a magazine. I love it when he can share stories of defined examples of lyrical inspiration. I am sure most times his lyrics are an amalgam of inspiration. Pieces of a mosaic, as obscure and ambiguous as his words can be. Esp. early on in his songwriting. Never really a single point of focus. Well that’s how it seems anyway.
I like both the recorded versions of the song that I’ve heard. Both are very similar in sound with no real variation in lyrics, only just some backing vocal lyrics on one version, with Jim’s voice alternating in left and right channels to say “I want you – I still want you” – which for me is seductively sexy.
“When all seems lost, you’ll find the diamonds in the rough” is the general optimistic message of the song. Well, that’s how I interpret it.
Pick out the jewels.
What does one do when the creative writing well seems dry? Find a topic? Pick something?
It’s nearing the end of the first week of January. I could talk to you about howJanuary feels to me? It feels like a month of 62 days! Most of the time…
But this time may just be different. We are almost one week in to this (usually) most arduous of months. At this rate it will sail by! But that is the trap January usually sets. It starts out fleeting and then seems to grind to a laborious halt around midway through.
It’s definitely a northern hemisphere affliction, the long, arduous January. I have no recollection of Januarys lagging while I was growing up. In fact it was very much the opposite. Januarys were all too fleeting. It’s the height of summer in the southern hemisphere and for kids on the east coast of Australia, it’s summer holidays. Schools break up a few days before Christmas, and when I was growing up we had a six week break from school. We didn’t return to school until the second week of February. Yay!! It’s a little different down there now as there is an extended break over Easter that didn’t happen when I was going to school. At Easter back then it was just Good Friday and Easter Monday off school. Now there is a full week off school which means summer holidays are now generally five weeks long and the school year starts at the end of January in New South Wales, at least.
So, as you can appreciate, the Januarys of my childhood felt like they were only maybe a week or two weeks long. And the end of January was dreaded! It meant the return to school was imminent. Now – the end of January is to be celebrated! The days are getting incrementally longer and, at long last, the month is done with! There is light at the end of the bleak, mid-winter tunnel. Hurrah!
This January is different. There are things to look forward to! My university study begins in just over two weeks time. And a few days after that, the new book on Simple Minds – Themes For Great Cities gets released. I’m looking forward to hearing everyone else’s thoughts on that. Also, Sarah Brown is releasing the debut single off her new solo album. That will be fantastic to hear.
What other news to come of Simple Minds? I pray there are some! March quite literally marches on and we are still quite deep into this Covid thing. Is the fear of it now vastly exceeding its threat to our lives? I feel we have turned that corner due to the vaccine rollout. It is very obvious the vaccines have done an incredible job by and large by reducing the severity of symptoms and effects, of not necessarily severity and rate of contagion.
I am as doubtful of the prospect of seeing Simple Minds in Paris in March as I was by mid March of 2020. But then I had the gratitude of having just seen them in Copenhagen and the blind optimism that the Covid pandemic would be over in a few months at worst.
April is a more promising prospect. And all within the UK, so perhaps even if on a personal level Paris proves a no-no, I am…mildly confident I will see the band come April.
But what else is there on the horizon to look forward to? Jim’s posts of late have been more on the personal, or of band history, not much of what’s to come – which is incredibly odd for a forward thinker like Jim. I guess he’s just as flummoxed as the rest of us about what the imminent future holds? There was talk of new music last year, but little of that has been discussed since. No news (from the next world) is good news? We’ll see in due course, I guess.
Perhaps I am better at this “writing from scratch” with a blank page in front of me than I give myself credit for?!
It bodes well for the study. Over the weekend I looked at the breakdown of my course. I could see what the whole academic year looked like. The topics we’ll be covering every week and what is required for each assessment during the year. I am excited. The Arts and Humanities is so broad. We’ll be looking at many things, from Cleopatra, to Elizabeth I, Gothic Architecture, painting and Greek and Roman sculpture, Mozart, The Blues, Philosophy, poetry, art from central and southern Africa. I am champing at the bit to dive in.
Today, January is flying by and I am welcoming its end for vastly different reasons than I normally would be.
Let the year begin!
In the meantime…a nod to January…
Early days of 2022. Early days of Simple Minds. One of the very first Kerr/Burchill compositions. The bane of my amateur drumming life. My hi hat playing sucks ass. I have no rhythm. I found Glittering Prize easier to play along to than this. I doff my cap to you, Mr McGee.
I’m now under the impression that Jim’s haircut at this point was a stroke of genius – even if it did end up in later years having him likened to Edmund Blackadder in the first series of the show. Lol. The proof of its genius is that we are here some 43 years later still discussing it. Kudos, Kerrmeister. Kudos!
Got to admire that gorgeous lullaby keywork from Mick on this as well. And Charlie with full-on rock two chord riff.
I always forget to praise Derek. Sorry, Dan. Lol. I think possibly because you are actually the most ubiquitous of all.
Happy New Year, Minds Music Monday-ers.
Seeing as it is the MMM before Christmas and there is not a SINGLE Simple Minds Christmas song – AND the boys performed this on Thursday night for me – I thought it appropriate that this year’s Minds Music Monday before Christmas should actually have a Christmas song….so it’s being hijacked by Warm Digits and their fab Good Enough For You This Christmas.
Merry Christmas to all that have visited the blog this year. It was a special one for celebrating the 40th Anniversary of Sons And Fascination/Sister Feelings Call. We’ll get to do it all again for the 40th Anniversary of the hallowed and lauded New Gold Dream in 2022.
Thank you also for all the feedback and kind words. Here’s hoping there will be much more to report in 2022. The year will start with more info of the book to be released later in January titled Theme For Great Cities. And I have something very exciting happening with that, so make sure you stay tuned.
Until then, Merry Christmas! Love, Priptona xx
What can one say about the year 2021? Not a lot. It started out quite abysmally and it took quite a few months before things slowly started to feel like they were getting better. We deluded ourselves we were getting on top of Covid. The vaccine roll out happened and the FM (First Minister of Scotland, Nicola Sturgeon) seemed pretty driven to get the Scottish population fully vaccinated as quickly as possible. Even now, statistically, compared to the rest of the UK, Scotland has the highest rate of vaccinated residents in the UK (I believe). As good as those stats are – a new variant has come along and now there is a new “evil” word joining Covid – Omicron! Covid cases are on the rise once more and there is a drive for booster vaccines to be given to as much of the population as possible in the quickest time.
This year I have been to as many gigs as I got to go to in 2020 before the Covid shit hit the fan – ie: not many at all. A couple of gigs I had chosen not to go to due to my own concerns still. Two gigs at Barrowland Ballroom I didn’t attend were John Grant and Manic Street Preachers. My list of gigs I went to is: Scritti Politti, Field Music (they were also one of my 2020 gigs), and Warm Digits (also on my 2020 list). I should have been going to one final gig this evening – to see Memes at McChuills. I had already decided I wasn’t going to attend it. I had taken enough risk seeing Thursday night’s Warm Digits gig. The good news is that in light of the Omicron variant and new restrictions coming into place, Memes have rescheduled their gig to April 1st next year.
The Warm Digits gig I have been concerned about for weeks. After the previous gig of going to the Stag and Dagger in Edinburgh to see them, and the disappointment of them having to cancel their Glasgow gig – and not being able to go to their gig in Manchester, it was all hinging on Newcastle. It had been a long while since I saw them play a full set and I really, really NEEDED to see a full set!
But with everything that hit with Omicron, I had my doubts about if I should go? Everything else I had put in place, determined to get there. I had purchased return train tickets straight after the Edinburgh Stag and Dagger and booked a room at a hotel nearest the venue.
Other things were also playing on my mind. I actually thought the Covid things would be the thing of lesser concern. Vaccines were happening. Precautions were in place. I was worried weather would be a factor and had there been snowfall then that could stuff up the running of train services, etc, etc. Then about a week or so before the gig, this Omicron variant was spreading like nobody’s business around the world and I started to freak out. Esp. once Boris started talking about potentially going into lockdown again! I started to have my doubts that I would even be allowed to travel. And what happens if I end up going to England – will they let me back into Scotland on Friday?
On Thursday morning I received a letter from SAAS about my application of my part-time fee grant. I was awarded the grant! Yay! But because this was my first time applying for the grant, I wasn’t sure how to interpret the letter other than I had been granted partial funding because the award was only for so much of the fee. So that left me believing I would somehow have to stump up the rest. I wanted clarity on this though and contacted the OU. They said I needed to specifically speak to the Scotland region of the OU, as they directly handle the fees and grant awards for Scottish OU students. During busy times though when you call the OU in Scotland number and the lines are busy, the calls are filtered through to the main OU phone lines in England. My call got filtered through to England twice. The second time, the adviser on the line said he’d put in a callback request for me so someone from OU in Scotland would call me back. Great. That was all good. But equally I am leaving for Newcastle with this worry that I am going to have to find 40% of the fee for the course! It was casting serious doubt on whether I could go ahead with my study.
I packed a bag. Had a shower and got ready to head off to Newcastle.
All the travel was running smoothly. Train into the city from Ashfield was on time. Arrived at Queen Street in good time for the connecting Edinburgh express train. Arrived at Edinburgh just after 2pm and the connecting train that was heading to London was already there on the platform. Found my carriage and seat and got comfy. About 40 minutes later we stop at Berwick-upon-Tweed, which looks like an absolutely STUNNING place, and is somewhere I’d definitely like to go and check out in the future.
Just after we pull out of Berwick, I get my callback from Ou in Scotland. I explained that I received the award letter in the post earlier that morning and had said I had been awarded so much – a partial award and wanted to check what I needed to do to pay the rest of the fee. The person on the phone asked me to clarify the award amount I was given, which I told them. “That is the maximum award they have given you. The university pays the rest. You have nothing to pay.” I don’t think I have ever been so relieved or felt so thankful for a phone call in a long while. I was like “Oh, my God! That’s incredible! I am so, so relieved. This is fantastic! Thank you so, so much!” I was on a cloud! So buoyed by that news. And just…so relieved and able to relax.
It was pretty dark by the time I arrived in Newcastle. The sun had set and there was minimal twilight left. I decided to get a taxi to the Premier Inn I was staying at. Taxis were straight outside the exit from the station so I grabbed one and arrived at the Premier Inn several minutes later.
Had a quick drink and a snack and after about an hour, I decided to head to The Cluny. I could see on Google Maps it was a really short walk to there from the Premier Inn. Less than half a mile. But it isn’t a busy part of the city and I was a little worried about the walk. But I knew that it would hardly be a taxi driver’s worth to come and collect me from the Premier Inn to drive me, quite literally, down the road and around the corner. So I walked it. But OMG, I was freaking out doing it! But I made it there safely (obviously!) but there was NO WAY I was going to take that walk back to the hotel after the gig. One, I knew by then my legs will have given out on me, and two, by 11.15pm, those streets will be even MORE terrifying.
When I get to The Cluny, I familiarise myself with the place again and go to the back of the pub and upstairs to the quiet “lounging” area. I take a seat on the sofa and have been there all of a few minutes when I hear music start up and realise it’s Andy and Steve going through their soundcheck. Not only that, I can hear that they are rehearsing their Christmas song – Good Enough For You This Christmas. From the time of Edinburgh I had been saying “The Cluny is a Christmas gig. You HAVE to do the Christmas song! You just have to!”
I got up off the sofa and snuck in through the doors of the auditorium in front of me. I stood towards the back, enjoying my little exclusive preview. Andy looked up at one point and I waved like a loon at him, grinning away that they were rehearsing the song.
Steve was to the side of the stage and couldn’t quite see me from where I was standing, so when the song ended I shouted “YaaaaaaY!!!!” and that was Steve alerted to my presence and, bless him, he smiled and said “you made it! Excellent!”
Not only are Warm Digits bloody amazing musically – but Steve and Andy are just such lovely, lovely guys. They always make me feel welcome and they never make me feel a pest for wanting to hang out with them. They are just so, so fab. Speaking of FAB! We had a bite to eat together before the gig. Andy and I are very much “team Get Back”, the both of us waxing lyrical about what we thought of it and how great it was and how we’re both well up for completely ODing on the notion that Peter Jackson says he will eventually release all 60 HOURS of the footage!
To the crux of the matter – the gig itself. There were two support acts. But with first support had to pull out of the gig unfortunately. That left Dextro as the sole support act. I really enjoyed his set. There’s quite a kind of “trance” vibe going on with his music. I find it hard to get into music with a lot of space like that and not much of a “groove” as such – more loops and repetition at a standing venue. I feel like it is more a style of music that needs to be enjoyed sitting down. As much as I was enjoying his set, after a while it started to play havoc with me and I feared I was about to have a vasovagal attack so I left the auditorium and went and sat on one of the sofas back out through the far doors. Just to give myself 5-10 minutes to compose myself and get my breathing under control. I was doing deep breathing inside to try and ward off the feeling but I was starting to feel like I better go and sit down for a few minutes while I was able to.
I went back and was able to enjoy the final 10 minutes of his set without the fear of keeling over.
Again, I will say that I enjoyed his set, but I would need to be at a seated venue to enjoy his set fully. I would see him again. I had checked out his music on Spotify before the gig and I liked what I was hearing and was interested in seeing him.
Hear more from Dextro by checking out his bandcamp page – https://dextro.bandcamp.com
As for Warm Digits? FANTASTIC! They sounded great from the off. The Cluny’s acoustics are fabulous and they get great sound guys in, I think. The levels were perfect. Nothing was too loud or distorted – so very different to how Edinburgh was. Crowd wise, despite Steve and Andy’s concerns there might only be a very small crowd, there was about (conservatively) 50 people in, which obviously doesn’t sound much – but given all other factors, it was pretty darn good. And everyone there was really into it and having a great time. It was great to see people enjoying themselves. And it was great for Andy and Steve too because of course they get to bounce off the reaction and appreciation from the crowd and it circles round. It was a lovefest in that room!
And it was just so great to hear a full set! To have things like Frames And Cages, Fools Tomorrow and False Positive (which now seems a wonderfully prescient title for that track!) on the setlist, as well as Flight Of Ideas stalwarts Feel The Panic and The View From Nowhere playing. Replication had been played a few times as well over the past 18 months but Thursday night allowed a great showcase of tracks from Flight Of Ideas. But there was a great mix of older tracks in the set too, End Times was sounding the best I’d ever heard it and Rumble And The Tremor was bloody fab too. Then quite the oldie, playing Connected Coast from their Interchange album.
After the world’s shortest “end” of the gig was the encore with the much enjoyed (by me especially) Good Enough For You This Christmas and then a finish with the fabulous title track from Wireless World.
The best. Just the best! Everything I was anticipating this gig to be. Nothing disappointed. The guys played great, the sound was fab. Everything was on the mark. And I was buzzing. And I wasn’t the only one.
It’s still not been the easiest of years this 2021, but at least live…musically, for me it has ended on a real high.
Thanks once again to Andy and to Steve for not only being my favourite band in the entire universe (along with Simple Minds) but for also being such wonderful men and being ever so great to your number one fan – in Glasgow, at least. I really hope to see you guys out there on the road again next year.
This song has a similar personal feeling for me than Spaceface does. Almost like they fit hand in glove. Even with the similarities in title – Space/Spaceface. There’s also a line within Wonderful In Young Life that fits in with the theme that I find particularly poignant. “Surviving these changes in paces and faces in free wonder, free wonder, free wonder style.”
For the two minutes I decided to try and sell my “art” as a kind of merch thing, selling prints, shirts and mugs, I titled my “business” Free Wonder Style. Paid for a web domain and everything. Feels another lifetime ago now. Hey ho.
Anyway, I digress already and we’re barely under way!
Space always felt like a “letting go” song. It resonated most with me when the “limerence” was at its worst. When I felt that Jim wanted “no more”. The placement of that idea? That signal? That came wholly within my own mind. When you’re wanting something so much. Wanting to feel a connection that you wish for all the world is there but deep down, within your rational mind, you know it isn’t. It can’t ever be. It never was.
“Imagination wears you out / crying brings you down again. The dream is over / the feeling’s gone / and we were something / you were dreaming all along.”
YOU WERE DREAMING ALL ALONG.
Everything about the song. Each line. Each line would just be like….
But then I’d hole on to the uplifting bits. “I’m the star you see tonight / and I wish I may / I wish I might / be in your dreams tonight.”
How many times I have been in bed at night, getting ready to settle down to sleep and I have silently mouthed a little chant of “please let me dream of him, please let me dream of him”.
I did it again last night! But he appeared. With the rest of the band. I couldn’t quite work out the scenario of the dream. I think I was allowed to go to see them rehearse somewhere. Cherisse greeted me in the dream. Let me in, showed me round. I bumped into Charlie. We had a brief chat but then he had to go off. As for Jim? Well, he was busy elsewhere, conducting interviews and what not. I saw him at the far end of one area within this kinda “complex” this dream was set in, but he was too far away from me to even say hello to or anything.
My dreams generally have a huge smack of reality to them.
It’s a song that I feel makes me come to terms with things. And I hate how ridiculous that makes me sound! The whole “limerence” thing. I don’t want it to be a “thing”, you know?
Like I said in my previous post discussing limerence. I feel like I am an otherwise intelligent and rational person. And I fear my explanation of my own “limerence” is not clear enough. I feel like I have to explain myself over and over again. I am NOT so deluded as to want “romantic love” from Jim! It really isn’t that! I don’t want to “run off with him”! That’s fucking ridiculous! I’m not THAT absurd or that much of a fantasist!
It really was just – friendship. A bond. I like you, and I hope you like me too. I just have been craving a closeness that just isn’t there. I have me and my small bunch of friends and well, Jim joked way back before Simple Minds got REALLY big that he had 8000 friends – or whatever astronomical figure it was then. And I know – rational hat on, that there are many people he’s known for years, all his life nearly. People he calls pals who he’d hardly have any contact with! So…who the fuck am I? What kind of fucking audacity have I got to wish for getting emails or letters or shite like that from him, eh? I mean, Jesus! It would be different if I had known him from when I was wee. Like, really known him outside of Minds and all that. Knew him as “Jim fae Prospecthill Circus” like, you know? But I don’t.
That “just a fan” status thing is hard to take. But it’s the cold, hard reality of it. It doesn’t stop it from sucking ass though!
Sometimes…just to stop it hurting sometimes, I initiate the whole “it’s his loss” talk. It doesn’t make it any less painful. And it really doesn’t apply. It cannae. I cannae make him give two shits. And it’s not fair on him that I try and enforce it, like.
So, getting back to Space. It makes me comes to terms with what is. What the “status quo” is. Where the lay of the land is. But, it still has that hope in it! Goddamnit! Like all Simple Minds songs do. It’s like it says to me “I know what you want, but you cannae have it. But, you can have it in your dreams.”
Well, of course I can have it in my dreams. I can have anything in my dreams. And I’m not even gonna go into the dreams I can have. Oh, the dreams I can have! That would make for some colourful posts, I tell ya!
Spaceface is more the antithesis of Space. Spaceface is pure joy. My “happy place”, as I call it. Pure “hunner per cent” uplifting. It’s my number one “feel good” Simple Minds track. Whereas Space is…a lament. There are things I want that I can’t have and I have to accept that. But…it’s okay to dream. It’s okay to want those things. To desire them. To wish for them. But don’t let it consume you. And there are times…too many times it feels as if it has consumed me. It has overtaken everything and made me ill. Or it has been exacerbated by another element of mental illness and I used it erroneously as a coping mechanism against other aspects of combating episodes of mental illness.
I still find it INCREDIBLY difficult to admit to and talk openly about my mental ill health. I don’t want to be seen as “mental” or “sick”. And I fear what people think of me – and it’s a vicious cycle because it is such an integral part of my ill health – that CONSTANT fear and concern of what people think of me and how I am perceived by others. But that is something I cannot alter. I cannot alter people’s perceptions of me. And in whatever way people perceive me, if it is an a way that is negative and it means they distance themselves from me – well, IT IS “their loss”. But the “people pleaser” in me continues to struggle to come to terms with that. Even though I accept and understand all the rationale behind it. You CAN’T have EVERYBODY like you! You just can’t. And nor should you want to. And Jim falls into that, you know?
It’s a whole jumbled up plethora of stuff.
Space is sometimes a very hard listen for me because of what the song symbolises to me.
When I am at my worst, mental health wise, I would cling on so much to the line “if you’re talking / I will listen”. Because sometimes it felt like Jim was listening to me.
It still stings my eyes with tears just how much I used to feel that and how much I have held on to it. How tightly I have held onto that.
It’s a long, slow letting go. I had been alone for so long. Before 2014 and Simple Minds mega fandom. So alone. Never imagined in a million years that Jim himself would make me feel welcome and part of the fold. It was a lighting of touch paper though. And such emotional sparks flew from within.
An inferno that is slowly quelling to kindling.
“The dream is over / party’s over.”
Star light. That light needs to shine from within.
The OH sent me this link the other night (yes, I know. We can communicate via social media even when living in the same house). Knowing how much I love Kometenmelodie 2, she guessed I’d love this steel band cover of it. Which I do. It’s gorgeous!
I’m not crying, YOU’RE crying!
UPDATE: 8th Dec, 2021. This post has been edited from the previous posted version.
A “modern” enigma this song is for me. I have placed the word “modern” in quotation marks as the song is now almost 20 years old which for me brings it into the more recent Simple Minds bracket. Anything pre-2001 is “old” Minds. Anything post-2001 is modern Minds.
Usually I am happy for the ambiguity to remain with a Simple Minds track. I love that Jim’s lyrics are open to interpretation and that songs very obviously mean different things to different people, but we unite in the acknowledgement and agreement that this band is like no other for us.
I don’t want to get bogged down in the mire of what I think of the Cry album in general. Suffice it to say I think it rings very true to where the band found themselves at the turn of the millennium. Set adrift. To use an old adage “up shit creek without a paddle”. Cry is a metaphorical “life raft”. It helps them out but it doesn’t quite get them to shore – not for me personally anyway. It’s only my opinion and feeling, of course.
There are things that keep them afloat, for sure. For me, the absolute pinnacle of the album is Spaceface. I will never have a bad word said against that song. Ever! This song dragged me out of such dark places time and again.
Disconnected does a similar thing. It wasn’t a song I warmed to initially but that soon changed. And it is amazing how that can happen. But I think the days of a “change of heart” with a song are now gone. I like what I like now when it comes to Simple Minds’ output pretty solidly.
Recently I have grown tired of certain songs and they have been on a listening break for a while. In fact, dare I say the whole of Once Upon A Time is on a listening hiatus for me as I feel genuinely “overexposed” to it all now.
I also don’t listen to the whole Cry album because of my “prejudice”. This reminds me of my exchange with Jim about David Bowie’s Heathen album. I guess Cry is my Heathen, eh, Jim? From memory I think you said you liked “Everyone Says Hi” from Heathen, but little else? (I talk as if he is reading this. Lol. Sooooo deluded!) Well, I guess that’s me with Cry and Spaceface (and Disconnected and Sleeping Girl).
Back to Sleeping Girl itself and the ambiguity of the lyrics. On Dream Giver there is only an attempted transcript of lyrics as none have actually been published. I kind of like that Jim tends to not want his lyrics published. I understand the reason behind why he doesn’t – if he still holds firm in the belief and justification he had in them not being printed in early SM days “they go with the music”, ie: he felt to single them out by printing them would turn them into poetry and separate them from the music. That’s fair enough. But conversely, you write the lyrics because you love words. They ARE meant to mean something. Not just to be heard merely as music, with music. If so, then you might as well sing in “vocalise”. Jim’s feeling on this must have changed by the mid 1980s because we wouldn’t have the lyrics we have on Street Fighting Years if he didn’t want his lyrics to say something. To have meaning. For people to find a meaning and definition to them.
I like that Sleeping Girl is mystical. What exactly is going on in that song? What is this “violation” Jim talks about? Are we meant to interpret that observing a “sleeping girl” without her knowledge is therefore a “perverse” act and in turn a “violation”?
I had recently been in conversation with a friend about observing someone in sleep. The beauty of it. The beauty of the sleeper. We are at our most vulnerable during our sleep. I think that vulnerability plays on the waking mind a lot. I will be very open here about something that happened to me a lot during my teens and into my early 20s. I’m not sure how often these kind of dreams invade other womens sleep. It’s not something you find yourself discussing with your female friends. Well, I didn’t. One, I didn’t exactly have many friends. Two, how does one bring up this subject in conversation?
The vulnerability of sleep meant that in my teens and into my 20s I often dreamed of being raped. (EDIT)
These days I just look at it objectively and think I was a raging, hormonal, sex-starved Scorpio (all those astrology things you read about Scorpios – take it from me, they aren’t overexaggerating the whole “lust” thing with our zodiac sign).
Anyway! I digress, some…
“Sleeping girl / I wish you could tell / this violation
Sleeping girl / I want you to smile / confirmation”
Is that – “I want you to feel or sense that I am watching you while you’re sleeping, and I want you to let me know that you feel it”?
If so, then that’s goddamn fucking sexy!
Also if so then it is very much on a par with the conversation I had with my friend about watching someone as they sleep and the feeling of the perverse that it triggers. You can’t help but feel you are invading someone’s vulnerability.
Another friend I have spoken to more directly about the song in particular interprets the lyrics with a far more innocent view. I don’t know how they can view it quite so innocently given the language Jim uses in the lyrics. Perhaps it says as much about the dark recesses of my mind as it does about her more innocent interpretation? For I would hardly describe this friend as “innocent”, but perhaps a little more…restrained than myself when it comes to certain actions.
In summing up this overexposed Minds Music Monday, I find the song both musically and lyrically incredibly sexy. Vocally too. Those “Sprechstimme” lines Jim delivers as a kind of chorus – holy moly! *melts into a puddle*