Recorded this morning (Sunday)
Recorded this morning (Sunday)
I had previously seen them performing I Travel on this ORS episode, but hadn’t seen this performance of New Gold Dream before. It’s as the end credits roll so gets a bit cut off but still gold to see.
Now that we’ve gotten that crap “sycophancy Nancy” stuff out the way – drooling over 1982 Kerr aesthetic yet again! On with some proper business and serious music news.
Bernard Butler and Catherine Anne Davies have collaborated on an album together called “In Memory Of My Feelings”. It had been in the bag for some time and feared destined to languish and remain unreleased, but at last it is due to see the light of day.
The lead single from the album is called The Breakdown – rather fitting under current personal circumstances!
Further talk about the album’s imminent release can be seen on Catherine’s social media pages (as Catherine Anne Davie or under the moniker of The Anchoress).
This is not the follow up to The Anchoress’s debut album, Confessions Of A Romance Novelist. The follow up to that is set for release any day now – also some time in the bag and in the hands of the record label.
NME have a piece on In Memory Of My Feelings that you can read HERE.
The album is set for release on September 18th and is available to pre-order in various formats and bundles here – (I have already pre-order the vinyl signed version.) https://orcd.co/in_memory_of_my_feelings
What was I saying yesterday? Lol
THERE IS NO HOPE FOR ME!
Oh, look at him! Just LOOK AT HIM! Why do you have to be so goddamn fucking beautiful?!
*cries into hands*
After having recorded over 2 and a half hours of video to try to explain where my head and heart was at – after a time of reflection and a dream – and a talk and correspondence with some wonderful folk came this.
I recorded it late last night. I didn’t want to post it on YouTube because, even unlisted, if someone has a link, they could share it elsewhere. Well, they could share a blog post link elsewhere too. But I get to see through pingbacks where they go and can withdraw my consent of a post being linked somewhere else. Can’t do that with a YouTube clip!
My attempts to upload it directly to the blog – even splitting in half and trying to upload in two parts failed. So, YT it was….goddamnit!
Anyway, here goes confession time!
I need to explain this post header. Lol
“The Man in the Sky”, Mick MacNeil, was being interviewed….well, more joined in in a live stream chat (with a loose interview in there) for this YouTube channel called the Pro Synth Network. Basically a weekly synth geek’s get together to discuss all things Synth and keyboard based. New bits of kit out on the market, etc, etc.
Once we get the technicals and geek talk out the way, about 45 minutes in, then there is talk with Mick about his time with Simple Minds and just…his background of being a synth player and how it all came to be. It’s a great thing and Mick shares great anecdotes and is a lot of fun. He always gives great banter.
I am going to drop in on the interview right at the point where Mick says he went to see the band before he joined. What he says about Jim absolutely cracked me up and had me in stitches! Which then meant I missed the next minute or so of the conversation. The very interesting point Mick made about Jim and his stutter (or on anyone with a stutter – in the broader sense).
Anyway, let’s cut to it. But I recommended you maybe go back a few minutes on the clip and listen to Mick talk about taking up (or having it thrust upon him, more accurately!) the accordion and sticking with the rest of the video.
This week we have an imposter for MMM. Over the weekend I was “VJing” (for want of a better term) over on the SM fan group that I vaguely help out with from time to time.
We do Playbacks (long before Tim Burgess came along with his lockdown inspired “listening parties”). Head honcho of the group, G Man, would conduct playbacks. A bunch of fans meet at the group at a specified date and time and listen to a playlist of SM songs simultaneously and just…comment along with thoughts and memories about the tracks playing. All great fun.
Except…when I hosted a couple a few months back! Lol. It was just prior to lockdown, I think. Anyway I did a couple and it scared the bejaysus out of me. I found it INCREDIBLY stressful but…a little bit fun. Despite not being able to enjoy them as I had done as someone who just listened in rather than ran the thing! Lol
Anyway, there hadn’t been one for a while and I suppose I wanted to see if it was as stressful as I remembered it feeling. Short answer? Yes and no. The prep is stressful! And I now realise from after this weekend….I need to give myself much more time to prep and I need to have all the prep done before I even announce that there is going to be a playback or playbacks on the weekend chosen. That working on it for a couple of hours a day until all the playlist links, my intros to them, any interesting info I want to share about what’s being played, etc, etc is all sorted. That will lessen a lot of stress attached, because once the thing is under way…once you’ve put that first track out and have the playback going – then it’s fun!
So, this weekend the playbacks had come via a group member suggestion of having the first and last track of each album as the list.
To end the second part of the playback and have it run to a similar time to the first part, I chose a couple of SM covers at the end of the list. Rockin’ In The Free World by Neil Young (which was on the Searching For The Lostboys album bonus that was released with Graffiti Soul) and then All Tomorrow’s Parties (from Neon Lights – which is now just about my favourite Simple Minds cover of all).
I think there is something about SM covering Lou Reed/Velvet Underground songs that gives them more resonance, makes them better, gives them more feeling, more emotion…be it melancholia or joy – or even a mix of both. They just seem to give them…more. Perhaps it is down to Jim’s “hero worship” of Lou? I’m not sure. But the best SM covers seem to be Lou Reed penned compositions.
I finished yesterdays playback with two encores. Them performing Street Hassle live at the Roskilde festival in 1983 and then an early live version of White Light/White Heat from 1979.
So, here we are. Another Lou Reed cover. This time from when Jim branched out on his tod as Lostboy! He’s a bit of an imposter this Lostboy! but there’s an SM connection there, I think. I think the link is Jim Kerr…. *pondering face – rubs chin* 🤔😜
The title seemed relevant for me too. I mean…what the fuck DOES go on in my mind? Lol. Not even sure I know most days! Anyway….after that long-winded fucking intro…enjoy!
Of what it all means… (apalogies for the whining cats)
Some of you might like to see how pathetic I am behind the kit? Well…if you want to waste 30 minutes of your life, you can watch this video!
Enjoy! (Please be kind! Someone needs to be. My tutor told me to be kind to myself today, but it’s impossible. I suck!)
The camera angle sucks too. If you like big women, you’re in for a treat. Gawp at my fat ass for 25 minutes! Lol
ERMEAGEERRRRRRD! IMMA GONNA CRY! I am ssssoooo happy this is up there. But I am sssooooo scared it’ll get taken away. PLEASE stay up there until morning, so I can make sure I can copy it for my own personal collection.
Jim is just off his tits glorious in this performance. I mean…he really is flying high, but I just love how he is. He’s just….EVERYTHING!