Review: The Bard’s Tale IV – Royal Concert Hall, Glasgow – January 31st, 2019

I wasn’t sure when the gig was meant to start, despite a 7.30pm time on the FB page. There was a support act which I sadly missed.

I also missed the opportunity to get a good photo, at least to show where I was sitting – but it’s all about the music, right?

And, well…what music! Ged walked out on stage looking rather dapper in a nice tartan suit and gave us a little intro and background to how The Bard’s Tale IV soundtrack came about and how he got to be involved in it.

A few minutes later the gig was under way. There was a large screen projecting video montages of the game and its landscape. Some eight Gaelic singers were involved, including the angelic voiced Eilidh Cormack and Kim Carnie, Fiona Hunter and Kathleen MacInnes – male voices too, Gregor Philp and it was fabulous to see young Donald Barker providing male Gaelic vocals and featuring as the main vocalist on one song. Wonderful harmonies from all the singers when group vocals took place.

Beautiful musically. Wonderful melodies and traditional instruments used. Harp, bodhran, harmonium, low whistle, pipes as well on some tunes.

In between tunes were spoken passages delivered by “The Bard” himself, the actor who provides the protagonists voice in the game, John Buick. At one point he was to deliver a drunken rant about how, although there had been a battle won, there was one deserter in the pack…and that role for Mr Buick (as a focal point) fell to me. I suppose that is what one gets when they sit in the front row! It made for an interesting bit of theatre, esp. for yours truly! It was both thrilling and a little unnerving, but fun.

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The tunes have depth of emotion as you would imagine from such a beautiful language – so harmonious. Poignancy, joy – not all the tunes are ballads, and not every song is in Gaelic. Gregor Philp performed songs in English – Snow In Summer and Across The Seven Realms – as did Fiona Hunter – A Hardworking Hand. But to hear the sounds of traditional folk music and Gaelic language vocals was a very moving experience. And you don’t need to understand the language to be moved by it and be swept up in…to sense its emotion and get an understanding of its heart and joy.

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The show as a whole flowed really well. Sometimes the bits of video footage from the game could be a distraction, but the screen was not used constantly. The main point of the concert was to deliver the music and have that come across…the importance of the Gaelic language and how intrinsic it should be in Scottish culture. Something that needs to be retained for fear of it becoming lost for good.

The musicianship on display on Thursday night was incredible. And such amazing talent from all involved. Ged should be full to bursting with pride of the show he put on on Thursday night. It was a wonderful experience, as I’d had every belief it would be from the moment I bought my ticket.

Photo one by Lily Warring.

Other photos by Gordon Machray.

The 60’s Paisley Print Kaftan

This dress is bloody gorgeous. Proper vintage from the 1960s. I have dreamed of having a piece of vintage clothing for the longest time and when I found this dress – and it fitted me – I died! I *had* to have it!

I have owned it for a year, and have never worn it anywhere! I have been waiting for a reason…the right time. I was contemplating it for my birthday and the John Grant gig, but decided against it.

Laying in bed a couple of nights back, sleepless, listening to the Bard’s Tale, I thought “Oh wow! That’s the PERFECT opportunity for that dress to FINALLY get an outing! The Royal Concert Hall – you always need to be a bit glam for there (I was in a lovely black lace dress with white collar and cuffs at the Acoustic gig there in 2017 – Catherine complimented me on how I looked, which was nice 😊) – and the dress has a look that will perfectly suit the occasion. Green Paisley print – it’s perfect!

So, yep! I’m doing it! This dress is getting its debut wearing at the Bard’s Tale gig.

I just gotta wear it out once…

The Bard’s Tale – Live At Celtic Connections

The uber talented Ged Grimes had, very recently, not only been making music and playing with Simple Minds, but he had been busily composing music for a “video” game (in this day and age, do we still call them “video” games?) called The Bard’s Tale.

Sarah Brown interviewed (quizzed?) Ged on this event to do with it, as part of Celtic Connections.

It’s at the Royal Concert Hall in Glasgow on January 31st, 2019. Now…it just so happens that John Grant is playing in Glasgow the following night as part of Celtic Connections…and I already have a ticket, so I am thinking perhaps I should go up a day earlier and experience The Bard’s Tale live?

I’ve never been a big gamer and I can’t claim to be into The Bard’s Tale…but I have liked what I’ve heard of the music and it would certainly be an interesting experience to see it performed live…esp. as it sounds like it could be quite an interactive experience. I’ve got to say, I’m intrigued, and interested.

I will let Ged explain more (with the help of Ms Brown). Click here for ticketing details…

UPDATE: Ticket booked. Going! 👍🏻