Review: Field Music – St Luke’s – Glasgow – 8/10/2021

Last night’s gig for me was as highly anticipated as the Scritti Politti gig was just a couple of weeks back. It has been somewhat of a slow burn in relative terms, my love for Field Music. Meandering through other channels. Initially coming via getting into Warm Digits – whom I first got to be aware of by listening to Paul Smith from Maximo Park presenting a show on BBC 6 Music about bands and music from the North East of England (Newcastle, Sunderland, and the general vicinity). He played a track from Warm Digits on the show and I immediately sought them out and have been a solid fan ever since. I don’t remember him playing any Field Music on that same show, but I’m sure he must have done. Anyway, as a consequence of my love for Warm Digits, my love has also grown for Field Music, solidified further by seeing them perform the whole of the Making A New World album at Kelvingrove Art Gallery and Museum in January 2020. (Ah, pre-Covid days! Remember those?)

I have been suffering from a gammy knee for about the past week or so. I honestly don’t know what’s brought it on but my right knee feels in a constant state of dislocation. Like it just wants to crack back into place all the time. And if I try and walk at any kind of pace when it feels like this, my leg feels like it is going to buckle from under me from the knee down. It righted itself a couple of days ago, only for me to stretch my leg out in bed on Wednesday night for it to go out of alignment again. Friday’s forecast had been looking iffy for most of the week, but by midday yesterday it seemed as though from around 5pm onwards the skies would be relatively clear and dry so I decided to get the train in and walk to St Luke’s from Queen Street. BAD IDEA! Just as we (the OH accompanied me into the city) got into Gallowgate, my knee gave an almighty crack and went from under me. Determined not to miss the gig, I hobbled past the Morrisons, precariously crossed the road and made it around the corner to Bain Street where I sat my butt down on one of the stone blocks outside St Luke’s.

Despite my pain and worry that I’d round the corner and already see a queue as long as your arm outside, I was about the first person to be queuing up. Only one other couple were outside, seated on one of the other stone blocks. Doors were opening at 7pm and it was already 6.35pm. Something made me double check with one of the security personnel at the door what the time the gig was due to finish. I took just a cursory glance at the relevant info for the gig posted by the promoters earlier in the afternoon and something had me recalling that it said “Finish: 10pm” – I had booked a cab to collect me at 11pm – thinking the gig would end between 10.30-10.45 as most gigs do. The security guy confirmed that the gig was ending at 10pm so I called the cab firm and altered my collection time to 10.15.

I got myself positioned front and centre once the doors were open, thankful to be at the barrier so I could at least stand on my dodgy leg without too much discomfort. Sadly the support act had to pull out of the gig earlier in the day. I was really looking forward to seeing Galaxians who I have also had exposure to from them being label mates of both Warm Digits and Field Music. I recommend you check out the talent Memphis Industries have on their excellent label. Galaxians had suffered a broken down van the night before in Aberdeen and then yesterday their drummer was experiencing Covid symptoms so they had to pull out of the Glasgow gig. 

UPDATE: Drummer Matt has tested positive for Covid, so the rest of their tour is postponed. Sad news. I hope Matt has only a mild case and will be fully recovered soon. 

At short notice local act, Raveloe, stepped in. Kim Grant played a solo set last night. Usually accompanied by a drummer and bassist, I’m guessing that at such short notice she had to play solo. I enjoyed her set. She has a lovely voice. She finished the set with the band’s latest single New House.

Some dismantling and resetting of mics, some tuning of guitars, etc and it was all set for Field Music by 8.30pm. Then it was 8.35. Then 8.40 and I am starting to think “Should I have altered my taxi pick up to 10.30?”, but just before 8.45pm the band arrived on stage. The Glasgow crowd at St Luke’s always incredibly welcoming. 

The set started with a track from their latest album Flat White Moon called Do Me A Favour. Next up was Disappointed, which I just love the ending of. 

At this point in proceedings, I am starting to feel rather fraudulent and a horrible “fair weather” fan for although I could make out some of the tracks from Flat White Moon and I recognised Disappointed and knew Money Is A Memory from Making A New World, other tracks performed were fairly alien to me. I wasn’t alone – and Peter Brewis could feel it from the crowd too. That the crowd were largely unfamiliar with most of the material on offer. It has given me the extra impetus to continue to listen to them regularly and stop being so fair weathered! 

Continuing on with the bad fan fair weathered nature, I recorded a song to share for my review and had to search through tracks to get the name of it. The song is called I’m Glad and is from their 2016 album, Commontime, the same album Disappointed appears on.

David and Peter Brewis take turns in the drum and guitar parts, alternating in lead vocal parts also as a result. They had foam muffs on their mics as a way of adding a layer of protection for when they were swapping around. David’s muff was red, Peter’s was blue. Every time they swapped over, they had to make sure they took their muffs with them. 

All the swapping and retuning instruments meant that banter ensued – especially between the brothers. David initially goading Peter, having snide little digs at him, but Peter gave back as good as he got. Brotherly love, eh? I hope it was all tongue-in-cheek banter and things are all fine between the Brewis brothers. They are both such lovely guys, with a fantastic sense of humour and always wonderfully engaging with the crowd.

I have to give a special mention to Liz Corney who is absolutely fantastic with them. A great keyboardist and always so happy and in her element on the stage. She’s absolutely fab. She was like sunshine last night. 

The drumming – I honestly don’t know who I love more with the drumming parts – David or Peter. David whacks the shit out of the drums, but Peter has a bit more finesse. I honestly can’t decide. They’re both so good! From what I remember of talking to them both after the Kelvingrove gig, I’m sure David told me that Peter taught him the drums. So I guess on that basis, Peter should win the battle of Brewis brothers drummers.

As much as I was saying before that I am unfamiliar with a lot of Field Music’s…music, I could tell that they performed several other tracks from Flat White Moon, including No Pressure, Meant To Be and Not When You’re In Love. 

I found myself keeping an eye on the time, worried that I had booked my cab home too early. But as we got to around 9.45, Peter declares that they have just two songs in the set to go. Lots of sighs from the crowd who have been loving every tune. And rightly so! Just because the majority of us weren’t overly familiar with the material, it didn’t mean we were any less appreciative of it.

The set ended with the lead single of the Flat White Moon album – Orion From The Street, reproduced perfectly live, and where Liz truly came out to shine. Beautiful! 

All the music was top class and this band is stellar live. The reason I kept on clock watching was because I didn’t want the gig to end at 10pm! I really didn’t! I’d have happily stayed on until 11pm to watch them. 

But after a single song encore, the gig was over at 10pm sharp! A few minutes to try and get my now totally screwed legs working, put my mask back on and slowly shuffle on out the front doors. A short wait for 10.15pm to tick over and right on cue my taxi arrived and I was home at 10.30pm – which just blows my mind! I had only ever experienced that joy just the once in Luton when Ruts DC came to play the Hat Factory in March, 2018. It was bliss! Usually great gigs by big names meant trips to Cambridge, or London, or perhaps if you were lucky, Milton Keynes or Bedford, or St Albans, Watford or Hemel Hempstead. 

Glasgow is just…such a gem! It really is. And what gigs this city gets! I love it! The only thing that would have made this night better was that there had been nothing wrong with my leg. Other than that, it was a perfect evening. I thoroughly enjoyed every single moment of it. Field Music are top notch!

Review: Scritti Politti + Alexis Taylor – St Luke’s – Glasgow – 27/09/2021

The last gig I went to prior to this was March 10th, 2020. The “two gigs in one night” show of Simple Minds at Store Vega in Copenhagen. My last gig SHOULD have been two days later seeing King Creosote at the Royal Concert Hall in Glasgow on March 12th but the return flight home from Copenhagen ended up so delayed I missed the gig. And my first gig back SHOULD have been John Grant on September 9th at Barrowland Ballroom, but I was attending the gig alone and was too anxious about it to attend.

So…it has been a long time between gigs! Esp. for me as I am these days as I now attend gigs on a fairly regular basis.

I was still very anxious about last night. All through the day I was wondering if I should be going and questioning whether I even WANTED to go! Speaking of weather – I love Glasgow but fuck me! The weather is ssoooo unpredictable here! I was worried that we’d get pissed upon getting there, so we booked a cab mid afternoon, only for it to be basking in sunshine when the driver collected us at around 5.40pm. We were at St Luke’s 10 minutes later.

There was going to be a bit of a wait. The doors weren’t opening until 7pm. Thankfully the weather stayed dry for the queue outside. But dry also tends to mean flipping cold at this time of year. I wanted to travel as light as possible, so I had no big coat with me to keep me warm. I was freezing! 

Once the doors opened, we got in fairly quickly. It was a bit of clamour to get in. A loose queue had formed outside and we were fourth (and fifth) in the queue, but were third (and fourth) to be let in as the guy ahead of us was refused entry for not having a mask. He had his vaccine passport with him – but “no mask, no entry” was also the policy. So he had to go off and buy one to be allowed entry later on. 

It was a bit of a wait before support act Alexis Taylor started his set. I wasn’t sure of set timings and I don’t think Alexis started his set until 8.15pm, allowing enough time for the checks at the door to be done and for the punters to gain entry. He played the set either completely solo or with fellow Hot Chip (and Scritti Politti) band member Robert Smoughton (aka Grovesnor). It was a short set but very good. Taylor has a great voice and a really nice style of guitar playing. A nice mix of synths and Mellotron played through the tracks as well. He complimented what was to come with the SP set very well.

A short reset of the stage setup and then the main affair were on shortly after 9pm. 

The crowd were very receptive as Green and Co hit the stage. This gig had been hotly anticipated by all who came to see it. 

We started things off with a little rusty but by no means unenjoyable rendition of The Sweetest Girl. Several other hits and SP faves were performed in the lead up to the main event – the playing of the whole of Cupid And Psyche 85. A fabulous rendition of “Oh Patti (Don’t Feel Sorry For Loverboy)”, also great versions of Day Late And A Dollar Short and Skank Bloc Bologna as well as my favourites from the pre-Cupid And Psyche set – The Boom Boom Bap and Trentavious White.

Then with a call of “Are we ready? Right, let’s go” from Green…in comes The Word Girl. At the end of the song…well, the place was in raptures. Before that, even. The Glasgow crowd don’t disappoint in terms of getting behind people they love. And Green was certainly feeling the love last night. I think he was quite overwhelmed by the reception he was getting.

You can always feel how much of a very scary thing it is for him to be up there on that stage still. But he’s so deflective and self-effacing with it. He is such a sweet man and such an incredible performer, you cannae help but be swept by the emotion of it. But all in a very positive way. The music is so funky and uplifting and joyous and there was just such a buzz in the crowd and so much positivity around.

And on and on we went through the rest of the album. Fabulous versions of Absolute (see snippet above) and Perfect Way. The cheers and gratitude displayed by the crowd just built and built after each song.

Then comes Wood Beez (Pray Like Aretha Franklin) and you can’t help but be gobsmacked by how incredibly like the album version they get it. Green’s voice is … magic. There’s no other superlative for it! The man is 66 years old! For one, he doesn’t LOOK 66 – he’s aged incredibly well – but also vocally, to have that voice. To be able to replicate your voice on record from nearly 40 years ago is nothing short of astounding! 

The crowd were singing along to Wood Beez – I’ll give it to the Glaswegians, they can hold a tune when it comes to crowd singing. It was quite beautiful really. That same crowd went MENTAL at the end of Wood Beez. They…WE…(I was in the crowd too, duh!) were sssooo appreciative of hearing it and the way it was performed.

Final track of the night was Hypnotize and Green was sounding like he could sing all night. 

The crowd gave a final incredible round of applause and appreciation to Green Gartside, Rhodri Marsden, Dicky Moore and Robert Smoughton for a great performance.

Just a few minutes of waiting. A begging crowd asking for more received a single song encore. Alexis Taylor joined the band on stage. I had my suspicions and hopes for what was about to happen – and I wasn’t disappointed. As soon as Green started his intro of it with “The song we’re going to do was originally recorded by Chic”, I knew what was coming and grabbed my phone out from its holder. I had rued not recording this when seeing Green Gartside and Alexis Taylor at Bedford Esquires back in 2017, so I was NOT going to miss it this time. It was beautiful the last time and it was just as beautiful this time. At Last I Am Free – true to Robert Wyatt’s rendition of it. Stunning!

Any negatives to report from the night? Only slight niggles. A bit of reverb that could have been sorted better. The guitars were maybe a little too low in the mix. Green’s vocal also a little too lost in the mix sometimes. Some stupid c***s deciding to have a natter midway through Alexis Taylor’s set. Grrr! And another short chat during the main Scritti Politti set – which is just fucking outrageous! But honestly…minor bugbears – nothing to take away the overall enjoyment of the gig.

For all the anxiety I was feeling prior to the gig, I am so thankful I pushed myself to go and get out there and enjoy it, because it was wonderful. I could not have wished for a better gig to return to.

*Crappy sound quality of clips is down to my crappy phone. Records great video but shit sound with it unfortunately.

Crowd photo curtesy of Rhodri Marsden. I’m on the left.

Warm Digits (Poliça) – St Luke’s and Winged Ox, Glasgow – 10/02/2020

It was a miserable old day in Glasgow yesterday. Everything and the kitchen sink, weatherwise, came our way. There was a bit of sun to be had but not much. Mostly it was strong winds, rain, sleet, and even at one stage a crack of thunder and lightning.

I was quite cosy at home, thank you very much! I wasn’t looking forward to venturing out. Conversely, I did not want to miss the opportunity of seeing one of my most favourite bands – Warm Digits – playing here in Glasgow.

It had been nearly two years since I last saw the boys perform. A wonderful day I had at The Cluny in Newcastle seeing them at the end of June in 2018. Far too long not to have seen them. And I knew they were planning on performing new material from their forthcoming album – Flight Of Ideas. I could NOT miss this gig!

I decided a taxi was the best way to go. Wait until nearer to gig time and just grab a cab to drop me right outside. The beauty of where we live in Glasgow, it is pretty cheap to get a private hire taxi into the city for around £6.50.

I had posted on Facebook how much I was looking forward to the gig in spite of the weather, and cheekily asked would there be any chance of me observing the soundcheck. A reply back to me said it was up to the venue but I was welcome to try. Soundcheck was happening at 6pm.

I booked a cab at 5.25pm. My driver arrived at 5.40pm. I was inside St Luke’s 15 minutes later.

I was unsure where to go. No sign of Andy or Steve in the Winged Ox so assumed they must already be setting up for soundcheck. I walked through a set of doors and down a short corridor. There were two sets of doors. I could see Steve and Andy on the stage. Could I just…push the door open and let myself in? Yes! A young lady was there setting up things in the bar at the rear end of the room, just by the door. “I’ve just come in to see Steve and Andy, is that okay?” “Yeah, sure”, she said, with a mild shrug. They both seemed genuinely happy to see me, which was a very lovely thing. You know…I can’t help but feel a little bit pushy and a bit of a pest…but it’s just the enthusiasm. And they are such lovely guys … and yeah. It was such a wonderful experience last time at The Cluny. I had never been to a soundcheck or had an opportunity to “hang out” with a band like that ever in my life before. I felt very privileged.

And that feeling was the same last night. Chatting to them while they were setting up. Asking them how the tour had been going so far, and just…catching up on general “life” stuff too. Experiencing again what goes on in the soundcheck. And being a bit privy to how they were going to be sounding as they actually performed “for real” is a great thing. I feel anyway. And the way they were sounding during soundcheck, I knew they were going to be fab when the real show started.

Soundcheck done and they were both heading next door back to the Winged Ox for a bite to eat. I was invited along. Before I left with Steve one of the security guys handed Steve his AAA pass. The security guy says to me “do you want one?” I look to Steve, then back to the security guy “Erm…if I’m allowed to have one, yeah!” He had run out of passes but went off and got me one. Never had one of them in my life. Not one GIVEN to me for my use at a gig.

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Food consumed. A catch up with friends that came to see the show and it was show time! They performed six songs in the set. Four new tracks from the album – the lead single, The View From Nowhere…then, Feel The Panic, Replication and False Positive (I think that’s correct). Then two previous tracks, End Times – from the Wireless World album and Weapons Destruction from debut album Keep Warm. Weapons Destruction is usually the set ender – or the encore, depending on whether they are headlining the gig or not. And IT ROCKS!

They were sounding as fab as ever last night. And the new tracks are great. Both the instrumental tracks, Replication and (I believe it to be) False Positive, were the ones I enjoyed most last night. But the whole set was great. The only problem with the set was it wasn’t long enough! They were on for just 30 minutes. But I was so happy I went in that yucky weather because it was the best 30 mins!

I stayed on to watch some of Poliça who are quite atmospheric. Kind of…ambient electronica. I was enjoying them. The only criticism I would give is they could end up sounding a bit…”samey”. To me there wasn’t too much diversity in the tracks I was hearing them perform, but I only watched the first 25 mins of their set. But I enjoyed the look of them. Their singer had small coloured laser lights projected on her, swirling around her body and on the walls around St Luke’s. They sounded really good in live performance. I had been listening to them on and off for a couple of weeks so I’d be a little familiar with the tracks they’d perform. Personally, I think the feeling of their music would be more suited to a seated venue. That sentiment definitely DOES NOT apply to Warm Digits though. You need to up and dancing, foot-stomping, head-banging with those boys!


A huge thank you to Steve and Andy for once again giving me a fantastic night out. Great music. Great atmosphere. A great catch-up and chat. YOU GUYS ARE THE BEST!

They just have the two gigs left supporting Poliça – tonight in London and tomorrow night in Brighton. But they will very soon be on the road again with a headline tour for the Flight Of Ideas album. And they are set to play in Edinburgh and Newcastle. No official dates just yet, but I will definitely be booking tickets to see them in these two cities. And I will give details on the blog once info comes to hand.

They will also be doing an album launch at Rough Trade East in London on April 4th. I am gutted I cannot go because I’ll be in Paris seeing Simple Minds! But if you can get to London to see them at Rough Trade, do so! Tickets are available here. But be quick! Tickets for these Rough Trade events go FAST!

Caezar The News!

News of a Caezar gig towards the end of November was revealed today. Joe and JJ will be playing Saint Luke’s on November 23rd, with King Of Birds once again as support.

I couldn’t turn back round after two weeks to make their date in February but I’ll pull out all the stops to try and make November’s gig. Who knows? With any luck, might even be living up there by that time (I will continue to dream…though it feels like it slips further and further away).

Fingers crossed, by hook or by crook, I’ll make it…money, health, etc permitting (asterisk, asterisk). If I’m not up there and/or can’t make it, I’ll pray that Joe will have a hometown gig somewhere around Windsor way again.

Tickets go on sale on Friday. This time round, I think these will sell like hot cakes! Get in quick, peeps. That’s my advice! Find tickets HERE