As highlighted on Cherisse’s social media accounts as well as the Simple Minds social media accounts, Cherisse took part in Drumathon Live last night.
The Drumathon is a 264 hour non-stop drumming session, featuring drummers from all different bands from all around the globe. It’s all for charity, raising funds for the NHS and mental health charities, including the Anna Freud National Centre for Children and Families, UK Trauma Council, Mind, NHS Charities Together, and Child Bereavement UK.
Yesterday morning, Cherisse was interviewed for BBC Radio 5 Live about the Drumathon. She also performed a little snippet of Alive And Kicking during the interview.
Mel Gaynor will also be taking part with his drumming slot taking place between 10am and 10pm on Thursday, May 20th.
You can tune into the live stream and donate by visiting drumathon.live
There’s been a recent newcomer on YouTube, uploading SM bootlegs. Some I really enjoyed as they were of a fairly decent quality – others …. not so great.
The most recent upload I was really excited to see was another from the tail end of 1982 – my all time favourite period for listening to them live.
I started to tune in last night but I quickly stopped, disappointed that the quality of the audio just WASN’T there.
They had shared the upload on one of the SM fan group pages with a cheeky “Art & Talk who???” comment. Lol
Well, if you’re going to be full of bravado about it, then honestly, A&T has nothing to fear because A&T uploads QUALITY!
I’ll even delve into periods of the band I am not so enamoured with because I know the sound quality of the bootleg will be “to a standard”. It is why I listened to the Glastonbury set a few nights ago. As much as I love the Good News From The Next World album, and as great as the band was live at the time, there is an element of Jim’s singing voice at that period that grates on me. I don’t really know what it is – I just don’t like the way he sounds at that point. It’s mostly to do with word annunciations and nuances in pronunciations of words – kind of “American mid-west crooner” kind of style. Or more … over-emphasised “blues man”. It just sounds false and kind of protracted and laboured. It wasn’t so pronounced at the Glastonbury gig so I did enjoy it but other gigs from the time, his voice just gets on my tits and I have to stop listening (sorry, Jim!).
So, yes, the quality of A&T’s uploads means I *will* listen to things I normally wouldn’t. Not always. Some I still haven’t dabbled in – but I’ll get around to it.
Of course there are some points in the history of the band’s bootlegs in which it will be nigh on impossible to have quality recordings. Unless they actually had made recordings for radio, etc, and they were professionally recorded, there is going to be little quality around.
And still, for my own level of interest in wanting to listen to bootlegs – quality is key. It is why I shied away from dabbling into bootlegs for so long. One) the general poor quality of recordings, and two) I wasn’t overly into live music when I first got into the band. That has changed massively since being a SM fan and now I really enjoy the live music experience. And I actually find the bootleg experience to be a much better (and truer) representation of what it is like being at a gig than a more professionally recorded thing with full production techniques and “in studio ‘enhancements’” and overdubs made to them.
I want to hear the crowd! Yes, I hate having some bloke being a pub singer right next to me and wailing over the top so I end up hearing much more of them than I do of Jim! But I’d prefer that than to no crowd noise at all and Jim’s voice sounding perfectly audible … almost as if he had gone and recorded his voice in a studio 🤨🤔🤔
If you’re going to give me a live album – make it LIVE. Don’t fiddle with it! Give me the imperfections and the crowd noise.
Still, one wonders exactly HOW MUCH is *live* at the gigs these days. Well, not much at the moment in good old Covid World.
But I digress.
Bootlegs – they need to be of a certain standard. They can still have the crowd and the punters talking and singing and you can hear the cheers and the screams and that makes you feel a part of it. And the band still sounds full and strong, and you can hear Jim’s patter between songs and he always sounds amazing and emotive, sometimes even breathless, and on the VERY ODD occasion, off key – but it all adds to the magic.
So, you provide the quality and I’ll keep on listening – capiche?!
As I said yesterday in my Sunday Waffle Vlog post, I went looking through the Art & Talk YouTube channel for something else to listen to, having been enjoying his more recent offerings.
I gazed upon the one below and thought “well, it’s only a few weeks prior to one of my most favoured gigs – one that helped to cement my uber SM fandom – Rockpalast in Cologne” so to me it had the strong potential of being a goodun’.
I was NOT disappointed! Right from the get go! Changeling – Jim just spits venom and vitriol. God I bloody LOVE IT when he performs like this. I find it absolutely as sexy as fuck! It’s just so…visceral and guttural and just….I just want to lick him from head to toe!
Then Thirty Frames and the switching of the lines – Jack comes back earlier than normal. Lol. But then, almost in a way angry at himself mabbies for fluffing up and putting the lines in the wrong place, he follows it with a “fuck you, Jack!” Lol
Premonition next and a fab version. Sweat In Bullet also. Then early outings for Promised You A Miracle – already been out as a single and FINALLY, Simple Minds score strong chart positions with a single. King Is White And In The Crowd follows, and Jim continues to spit venom with the “Wire them up! Fire them up!” lines.
The wonderful pairing (still being paired together to this day) of I Travel and Celebrate. I’m not sure I’ve ever heard a crap version of Celebrate. JIM – I WANT TO BE YOUR RAG DOLL!!! Jesus fucking christ this man is so fucking sexy! Ermaaaaageeeerd! Had I actually been around for these gigs in 1982 – I think I’d have melted in a puddle most nights.
Then what is always my favourite at gigs – The American. Then finally, a fabulous version of Room – a shame it fades out towards the end….but we probably got 80-85% of the song.
Let’s move away from me concentrating on Jim’s performance and my…stirrings and talk about the quality of the recording and the rest of the band performance. The band – all tight AF. A really good turn from Mike O on the drums. The more I get exposed to Mike’s performances, the more I am coming round to appreciate him. Derek and Charlie both solid as ever. Mick was probably great too – but some of the keyboards got lost in the mix. Other than that, the sound quality is pretty ace. I mean, I proper recording as I guess it was recorded for a radio station as this version of the gig was recorded off Dutch radio by a fan. Jim sounds very strong and clear – hence all the visceral sounding stuff coming to the fore soundwise.
I really loved this gig. I found adrenaline pumping – if for no other reason than Jim’s vocal performance and his absolute SEX GOD appeal! Be still my beating ovaries! GODDAMN!!
Catherine Anne Davies – aka The Anchoress was a guest on BBC Radio 4’s Front Row programme on Tuesday night. In case you missed it, you can listen here. This will remain a permalink of her interview.
I listened in live and it was very good. She was very eloquent, esp. when giving her response to the arts funding boost offered in the latest budget. A mere piss in the ocean. Then again, they dared only give NHS nursing staff a MEAGRE 1% pay rise. Oh, all that money saved from leaving the EU was going to go STRAIGHT into the NHS. Was it just…
Anyway, the wait is nearly over! The Art of Losing is out on Friday, and the Q and A with Pete Paphedis for Rough Trade will happen on Friday evening as well. This is going to be some album launch!
In the meantime, here is the Front Row interview for your lugholes to enjoy.
Tomorrow is National Album Day and it has a theme this year – the 1980s. Celebrations abound over the next 48 hours or so. Special limited edition albums and singles are to be released today, available in record stores across the country.
Tim Burgess is holding a day of themed listening parties via his “Tim’s Listening Party” Twitter account tomorrow – mostly involving the albums that have been released to celebrate the day.
BBC Radio 2 have joined in the celebration by asking fans and collating the results with a panel of judges (involved in the music business) for the Top 40 Best Albums of the 1980s. The Top 10 list was revealed in the early hours of the morning on the BBC News site in the Entertainment and Arts section. I won’t link to the Top 10 here just yet. I feel a bit peeved it got revealed before the broadcast of this (information below), in actual fact.
Gary Davies hosts the Sounds of the 80s on Radio 2 and tonight at 8pm BST, he’ll be doing a countdown of the Top 40 Best Albums of the 1980s.
Will New Gold Dream feature in THIS list? It bloody better! Well, at least ONE Simple Minds album should! I’d even be happy if it was LITCOL to be honest.
Anyway, I’ll be tuning in to see how the list pans out and what gets where.
Click on the image to go to the page that will get you tuned into Radio 2’s Sounds of the 80s.