Off topic for a reputed Simple Minds blog but… I think this band is just about my favourite of the young Glasgow bands about at the moment and ONE DAY I’ll brave going to see them live.
Over the past couple of years they’ve released several singles. Billy Sloan has been a champion of them and that’s how I got to hear of them initially. New single is out today called “Heavy Night”. The video is awesome as well. Who disnae like to have a wee dance around the Clyde with a paper bag over their heid? Lol
Anyway, enjoy Memes with “Heavy Night”. It’s a catchy little fucker.
The Dark Flowers (aka Paul Statham and friends) are set to release material in a few weeks time, featuring guest vocalists that we know and love.
First to launch will be E.P. “Death and Desire”, released on March 19th and featuring guest vocal performances from Gabriella Cilmi, Shelly Poole and our very own Anchoress. Lead track off the E.P. is titled Death Valley 69 and features David J and Char on vocals.
Even more exciting news, still, will be a follow up release of a full album by Dark Flowers later in the year called Indian Summer, which again features The Anchoress on guest vocals as well as FOUR TRACKS with Jim on vocal duties!
I nearly wet myself when I read this!
Paul was extremely kind to allow me to hear one song some time back which features both Jim and Catherine in a duet and it is wonderful. I will say no more! My lips are SEALED! But to say I am excited by the news of this album’s imminent release would be somewhat of an understatement! I am doing all I can to remain composed enough to type out this post. Lol. It’s probably riddled with mistakes as a result.
You can read lots more info on The Dark Flowers HERE and find links to pre-save the E.P. for streaming upon release date.
In Jim’s post today he talked about The Beatles track Tomorrow Never Knows.
Now whenever it gets mentioned I think of this. When it was released, someone left a comment on the Field Music Facebook post saying “it has a Tomorrow Never Knows vibe to it”. When I listened to the track again, I could here it too.
It has a fab melody. That caught me straight away. But it took a few more listens to get fully into the song.
I have a disgusting piece of romanticism attached to the song as well. I tend to listen to music late at night whilst laying in bed. My bedroom windows face south west – and I keep my blinds open at night – so on a clear night, I can see Orion from my bed.
I’d love to talk more about Jim’s post but…meh. I’ll save it for another time. When it feels like there’s no “two-way street” any more, the passion starts to die.
It’s starting to feel a little hard to enthuse sometimes. The interactivity that used to happen gave you something to bounce off. “Mutual appreciation” and all that baloney…
It has been a little over 10 years since Catherine Anne Davies and Bernard Butler first decided to team up with each other and work on producing music together. They quickly felt they had the makings of an album together. Little by little things came together, building on their work together when time allowed. A few years down the track with Catherine working on her on solo career as The Anchoress, and then being part of the touring band with Simple Minds and in between those things juggling with continuing work with Butler on what would become In Memory Of My Feelings. Talk about multi-tasking!
The album was all but completed for a number of years. Davies and Butler suffered knock backs. Record companies would show an interest and then inexplicably go cold on the idea. But both Catherine and Bernard knew they had a diamond here! They just needed someone else to see, feel and hear it! Enter Pete Paphides and his newly established record label, Needle Mythology. He knew the gem that was before him. And so, with one last little hiccup along the way (the test pressing of the album causing a problem which meant a one month delay from the initial release date of September 18th), Friday – at last – saw the release of In Memory Of My Feelings, on vinyl, CD and in digital format and through streaming services.
Was it worth the wait? My opinion – a resounding YES!
The Breakdown: It’s beautiful melancholia. Catherine has a knack for that. Its sparse chords and mirrored vocal harmonies exude fear and regret but…there is light. The best melancholic songs always bring a hope with them. There is hope. It ends in hope. There is love. Strength. And the offering of courage.
Ten Good Reasons: It has been my earwarm all day! There is sass and sensuality and sultriness. Relationships when they hit the rocks and flatline. Do we push on? Is there any sense in doing so? That’s what I hear in this song. Again, impeccable harmonies and fabulous guitar work from Butler. The final 30 seconds of the song is just…perfection. That repetition of “what a mess we’re in” and then the ending piano chords. Geez…I know that is something. Or is a nod to something familiar but I can’t put my finger on it! (Catherine might tell me if she sees this?)
Sabotage (Looks So Easy): Rocking. Just – pow – straight in! Intelligent lyrics. Just punchy and ballsy. Again full of sass and attitude. We’re not gonna take deceit lying down.
In Memory Of My Feelings: It’s like three songs in one! What a break up song! Just, the musical weaving and blending, ducking and diving. The harmonies! My god, the harmonies on this album are flawless! Delivery on the lyrics “because you can’t take it back / you’ve done it now / and that is that” during the bridge breaks (right term?) are just beautiful. This could be my favourite track on the album. It just has such layers to it. And the dark and light of it. It interplays with mood and colour. Light and shade. It’s fabulous!
I Know: Or is THIS my favourite track? THE HARMONIES! I want to die! And with Butler’s guitar riding it all underneath…geez! It really is a beauty this one. Tenderness. Such tenderness to it! A love that is blossoming yet already faltering? Everything is all tentative. It’s beautiful, this. Just really beautiful.
Judas: LET’S ROCK! Just to dry up those tears shed from the beauty of the previous track. It’s a rollercoaster, this album! A rollercoaster of gems! Just absorb the sensuality and sultriness of this one. And just eat up that jangling guitar. Sell it to me, brother! (I don’t know what I’m saying anymore. Lol)
No More Tears To Cry: It’s almost a gospel tune. What fabulous lines “here in my mouth / here in my heart / is the place where the hunger starts”. And fabulous guitar work for BB. Esp. on this track. His guitar work is strongest on this. Great middle solo. Oh, it’s SSOOO good!
The Waiting Game: I don’t usually hear much of Manic Street Preachers influence on Catherine, but I hear it really strongly on this track. Abandonment? It’s the worst! It’s the daisy petal game, this song. “He loves me. He loves me not.” We’ve all done it, even if just metaphorically most times…picking them petals off the daisy. Life is a waiting game…for buses, trains, planes, people to tell you they love you and want to be with you. This song is catchy AF.
The Patron Saint Of The Last Cause: When you don’t feel you are worthy of anyone’s attention or interest or kindness. Melancholic again, but delivered to sound lighthearted. “Hey, I’m a fuck up. Don’t be bothering yourself with me” to an upbeat tune.
F.O.H.: Again, those bloody harmonies. Hell! And then…
To be honest…this is the only track I am kinda grappling with. I don’t know what to make of it still. I am not saying I don’t like it. I just don’t find it so easy to express how I feel about it/what I’m getting from it. The jury’s out a little…but that’s okay. If we say this is one only song I am really not gelling with that well with then, that gives this album a massive 9/10!
The Bonus tracks:
Live To Tell is a stellar version of the Madonna original. Much more emotional to me. Catherine’s vocal performance utterly perfect. Lovely space left on the track too. Excellently executed. Better than the original.
The Patron Saint Of The Lost Cause (Harmonium Version) the air of lightheartedness on the album version is diminished somewhat by the barebones harmonium sound. It isn’t a bad thing. I really like both versions.
Why this album was such a long push to get to be released is truly perplexing having listened to it several times now. The rejecting record company’s loss and Needle Mythology’s gain. Congratulations to Catherine and Bernard. And well done to the both of you for having the courage of your convictions to know that what you had produced here deserved to have an audience because you were both SSOO right!
In Memory Of My Feelings is a very strong album. Great lyrics, fabulous harmonies, musically “on point”. Everything just fits.
I can’t recommend this album enough!
It’s near faultless.
It has to be a 9/10!
I was listening to some stuff on Spotify last night. Started listening to things labelled “Neo-classical” on shuffle mode – just to help keep me calm as the storms stirred outside.
Anything that particularly strikes a chord with me when I play random shuffle mode I just take a quick screengrab of so I can see them and record the titles and look into them better when I’m awake and able to search, etc.
These two tracks that played last night both struck a chord. Nostalgia, eh? Has a song ever been more aptly titled?! It certainly conjures up that feeling! It’s lovely.
But this one was even more beautiful. Such a short piece but just…so fragile and delicate. Ephemeral – I love that word! Beautiful. Even more so than Nostalgia.