As I said yesterday in my Sunday Waffle Vlog post, I went looking through the Art & Talk YouTube channel for something else to listen to, having been enjoying his more recent offerings.
I gazed upon the one below and thought “well, it’s only a few weeks prior to one of my most favoured gigs – one that helped to cement my uber SM fandom – Rockpalast in Cologne” so to me it had the strong potential of being a goodun’.
I was NOT disappointed! Right from the get go! Changeling – Jim just spits venom and vitriol. God I bloody LOVE IT when he performs like this. I find it absolutely as sexy as fuck! It’s just so…visceral and guttural and just….I just want to lick him from head to toe!
Then Thirty Frames and the switching of the lines – Jack comes back earlier than normal. Lol. But then, almost in a way angry at himself mabbies for fluffing up and putting the lines in the wrong place, he follows it with a “fuck you, Jack!” Lol
Premonition next and a fab version. Sweat In Bullet also. Then early outings for Promised You A Miracle – already been out as a single and FINALLY, Simple Minds score strong chart positions with a single. King Is White And In The Crowd follows, and Jim continues to spit venom with the “Wire them up! Fire them up!” lines.
The wonderful pairing (still being paired together to this day) of I Travel and Celebrate. I’m not sure I’ve ever heard a crap version of Celebrate. JIM – I WANT TO BE YOUR RAG DOLL!!! Jesus fucking christ this man is so fucking sexy! Ermaaaaageeeerd! Had I actually been around for these gigs in 1982 – I think I’d have melted in a puddle most nights.
Then what is always my favourite at gigs – The American. Then finally, a fabulous version of Room – a shame it fades out towards the end….but we probably got 80-85% of the song.
Let’s move away from me concentrating on Jim’s performance and my…stirrings and talk about the quality of the recording and the rest of the band performance. The band – all tight AF. A really good turn from Mike O on the drums. The more I get exposed to Mike’s performances, the more I am coming round to appreciate him. Derek and Charlie both solid as ever. Mick was probably great too – but some of the keyboards got lost in the mix. Other than that, the sound quality is pretty ace. I mean, I proper recording as I guess it was recorded for a radio station as this version of the gig was recorded off Dutch radio by a fan. Jim sounds very strong and clear – hence all the visceral sounding stuff coming to the fore soundwise.
I really loved this gig. I found adrenaline pumping – if for no other reason than Jim’s vocal performance and his absolute SEX GOD appeal! Be still my beating ovaries! GODDAMN!!
Not exactly sure of the date. It just came to me as a clipping. I got it because of that Shelia Rock photo of Jim. God, that is such a wonderful photoshoot. There are some beautiful images of Jim in that white outfit – the jaiket and the “jodpurs” as he called them once. I think he was having a shot at my obvious penchant for him in that suit with those boots, with his dyed black hair and all that guyliner and make up. I guess I am pretty overt with that love of the 1982 Kerr aesthetic.
I’ll find the reply I got asking him about him namechecking Philip K Dick when posting about Theme For Great Cities a few years back.
Oh, but just look at him! A THOUSAND TIMES – YES! I love that jaiket. Without the jaiket though?! ERRRRRRRMAGEEEEERRRRRRD!!!! You are sex on legs, Kerr!
I’ve spent sssooo much time delaying this post trying to find that reply from Jim about sci-fi, Philip K Dick and his 1982 aesthetic that I will add it WHEN I find it!
I have just been perusing the latest issue of Electronic Sound magazine and was taking a cursory glance through the reviews section. King Creosote has a new release out called KY-10 (I’m going to assume it has something to do with his postcode and not anything to do with lubricant – as I think he is a Michelle – aka a Fifer…see what I did there?).
The review given has me rather intrigued. I think I may have to give King Kenny’s latest a listen this evening…
The response to June’s “Discs and Doughnuts” follows.
I suppose Computer Love is more “accessible” than earlier Kraftwerk. More lyrics, more harmonies. I guess “warmer”. It’s more dancey too, I suppose. It has a rhythm though…that kind of minimalist repetitive cycle which gets quite hypnotic…not as, I dunno “colourful” as it was on Autobahn. I do like it though. Hard not to like anything by Kraftwerk. Masters of the game.
Never heard Rubberband Man before ever in my life before. Detroit Spinners I am guessing (without looking into it – doing in totally blind) are Motown – it’s Detroit, right? That funk centric thing cannot help but be fab and uplifting. It’s the BVs that make it for me.
I love Jim – Iggy, I mean. I admit to not exploring The Stooges so much. I’ve gone to in the past. Obviously being led to Iggy via Bowie and learning Raw Power was produced by David so it was a natural progression of discovery to look into Iggy and Lou Reed, etc. I guess The Stooges didn’t pull me in as strongly as Iggy did as a solo artist.
I gotta say the Sparks track is catchy. Lol. It has great harmonies. Fun for the novelty value. On this first listen I can’t see it being something I will be playing in years to come thinking “wow, what a classic!” Lol. I mean, it isn’t exactly The Number One Song In Heaven, is it?
How do you like people who think you suck arse, Jim? Lol. All I remember is Mac going on about, well, maybe not so much you, I dunno…but he was always dissing Bono and back as a lovelorn teen it would fucking piss me off. Lol. I prefer other Bunnymen songs, I think. (Lips Like Sugar – wonder why that would be? Lol. The Cutter.)
4th And Vine. Bhangra beat! It’s almost like (apart from the actual marriage aspect of the song) the “lockdown let out ladies let’s get dolled up release”. Lol. Put the bins out – bin isolating dress up excuse. Lol. It’s got all that getting married/love stuff in it. Meh. Lol. (I’m just envious, is all.)
Life In A Northern Town: It’s a magic mix of melancholy and joy. It has that softness in between those drums. For Aussies like me, it kind of reinforced that feeling of like “geez, England looks sssoooo oppressive!” Oh, as that line comes in “as the train pulls out of sight…byyyyye byyyye” – the protracted delivery of the “bye bye” – that used to induce tears I’m not ashamed to say. As oppressive as England looked, it always drew me in though. The music made me the most extreme Anglophile. Because the music ALWAYS transcended how life looked. And the same went for Scotland too. When I moved here – first to England, then to Scotland – both felt like “coming home”. As much as I loved growing up in the western suburbs of Sydney – there was always something that never felt quite like I belonged. I dreamed of getting out.
I love musicals. I’ve seen a few. And this is where I let my guard down and admit that my favourite musical is the Disney version of Beauty And the Beast. Lol. I’ve seen it about seven times on the stage in Sydney, London, Bristol (during the early stages of whooping cough in 2002 – surprised they didn’t chuck me out of the Hippodrome – I couldn’t shut up!) and Milton Keynes. Own copies of the animated film and the original cast recording of the Australian production (Hugh Jackman as Gaston, thank you very much – sadly I didn’t get to see him on the stage, he was only in the Melbourne production and didn’t come up to Sydney, DANG!). Went and saw the live action remake a few years back. Yep!
Anyway…moving on! Tom Waits…well…yeah, he’s kind of an acquired taste. Lol. I could take him in small doses. Not sure I could deal with that voice for a whole album or concert. It is a lovely languid version and not dripping with pretension – which is always good. And it’s musically pretty lush.
Well…no need for me to do a playlist in response just yet, eh, Jim? (As if he’s looking or gives a flying fuck. Lol. Asked the fans what their choices would be in the post today – no interaction! Oh, Mr Kerr, you are a master at dangling a carrot on a stick, you really are).
I keep telling myself I will try and walk away. Save myself. But I always come back for more!
Do I go through the pretence of responding? Lol. Dream of the old “discs and doughnuts” idea? Well, the doughnuts are back on, that’s for sure. Oh, to sit and listen to these with him and then discuss them over a pistachio and hibiscus signature…
Let’s give a thought-out response in due course. And I PROMISE I’ll write it out to spare you all looking at my hideous face.
Jim has shared his Spotify playlist for June along with the reasons for his choices! It includes Kraftwerk, Detroit Spinners, The Stooges, Sparks, Echo And The Bunnymen, Sinead O'Connor, Dream Academy & Tom Waits. All the detail here: https://t.co/w2PIQdOAtCpic.twitter.com/1Kxt9LVrvb
I started listening to it last night but started to drift off to sleep. But I came around again long enough to hear Jim’s deliver of the second verse in Celebrate “she rag doll / she she she keeps him so warm”. OMG – that line will NEVER stop being as sexy as fuck!
Anyway, I’ll give it a proper listen later, while I am fully awake. Lol
From the bits I was conscious of, Jim seemed a little…not quite with us/under the weather…? I dunno. I mean, it isn’t a sleight on his performance. He’s always frigging stellar. Even when physically ill, he very rarely gives a bum performance. It just seemed from what I heard last night that he may have been a tad…maybe had too many “helping hands”, if you get my drift?
He was fine and on amazing form in Cologne three weeks later, so who knows? I’ll give a more comprehensive assessment later. For now…enjoy!
UPDATE: WRITTEN LAST NIGHT (May 12th)
Always a def. difference between Kenny and Mike as drummers.
Jim does a lot of screaming and shouting in this version of Changeling – I like it!
He doesn’t finish introing 30 Frames. It’s quite manic and he mixes up parts of the verses. Quite a bit of screaming again. Swearing too! “He said ‘fuck you, Jack’!” Naughty Jim! Sexy Jim!
Premonition – Worried Jim wasn’t feeling himself with this performance. Dunno why. Derek initially intros the song, but then Jim adds a bit of commentary “sometimes people have no choice”. Hard to get a definite feel without seeing visuals. Can only go by audio. Jim alters between sounding super emotive and ….lethargic and not right. Maybe he was just tripping or had too much to drink to try and settle the nerves? Dunno.
Sweat In Bullet – Does he say “kinda like now”? Maybe he was just bloody hot. Lol. Hot and frigging sexy! OMG! It really doesn’t help that I’ve been looking at photos of him today – trying to make decisions on photos from Virginia. Photos of him with tambourines and boots and sunglasses and just being goddamn sexy.
Celebrate – that “she rag doll” line…I’m not saying any more!
Room – is kind of chaotically sexy. And he turns it into Rock n Roll – but I was only thinking listening to it tonight that, really, it’s the Simple Minds version of Sister Midnight.
Jumped on the tickets when it was first announced. At £10 a throw, they were not to be sneezed at.
I thought Greenwich might be a bit of a pain to get to…but hey, the gig would be great so we’d cross that bridge on the day. Well, as it happened, we could get a train direct to Greenwich from Luton. I had NO IDEA this was even possible. That made logistics nice and easy.
We got the train to the stop after Greenwich, Maze Hill, so we could our bearings to the pub. It wasn’t far from Maze Hill station. After we cased the joint, we took a meander along the Thames and headed back towards Greenwich. There was a bit of time to kill to peruse and look about. We ended up at the Royal Observatory. ****PUN ALERT**** I had a “mean time” straddling the meridian. I was getting myself quite muddled about this the other day when I was there…being quite a thicky. Lol! I can be the biggest dumbass sometimes. I’d never been to Greenwich before and didn’t realise just quite what a viewpoint of the rest of London you have from the observatory.
Looking ahead I think this train journey will cut out a lot of faffing getting to the Alice Cooper gig at the O2 in October.
But let’s get back to the gig and Ruts DC.
While we were at the observatory having a mooch about, the boys were back at the Pelton Arms going through soundcheck. From the little clip I saw on Facebook, it was sounding fantastic. I didn’t have much doubt of it.
A quick pitstop back in the main bit of town for a bite to eat then back to the pub in time for the gig.
Leigh was about in the pub. I ended up seated next to him. I had taken along my copy of the South Of Babylon photobook with Virginia’s photos in. I asked Leigh if he’d sign it for me. “I’m not in it though”, he says to me. “I know, but you’re part of the band now and I’d like you to sign it.” He seemed to think the other guys would be a bit funny about it. He said “If you ask Segs and he says it’s okay, then maybe I will.”
After a short while, my ears tune in to a song playing over the sound system. I think I am hearing the opening strains to something VERY familiar…and then I hear the unmistakable drum and bass combo of McGee and Forbes and YES! Theme For Great Cities was playing in the pub. This pub was now officially the coolest pub in London!
About 10 mins before showtime, Segs and Ruffy arrive at the pub. I take my chance while Segs hasn’t been flanked on both sides by peeps. I sidle up to him, book in one hand, Sharpie in the other. “Hi Segs, could I please have you sign this for me?” “Is this the book? I haven’t seen it yet”, and he has a flick through it. “This is brilliant.” Of course he signs it but then keeps hold of it and carries it around showing peeps. He showed the guy manning their merch stall and then the promotor (I’m assuming?) of the gig. He then goes over to Leigh and shows him. “Hey, have a look at this. Isn’t it fab?” It’s my cue to say “I asked Leigh if he’d sign it earlier on but he said I to ask your permission first. So, will you give him permission to sign it?” “Leigh! You can sign it. I’ll get Dave to sign it for you and all.” Ruffy had gone to a back room to get into his gig clothes. So when he comes out, Segs is on the case. He’s still carrying the book around. He’s got it open on a page of close up portraits of the guys so he can show Ruffy his portrait. “Look at this – it’s that book”, he says to him, putting the book on the table. “Will you sign this for this lady?” With the book all signed, I left them to get themselves ready for the stage.
The stage was right in the corner of the pub. Acoustic levels were great. Clear views were awkward, esp. if you’re on the shorter side of height, obv. Not much space for dancing…but the couple of ladies in front of us were determined. From my place in the crowd, I could see Leigh but not much of Ruffy and Segs only from time to time.
The crowd kept jostling and moving about. People continuously moving, making their way back to the bar and the back again to try and get back to their spot. About halfway through the set, things were getting a bit steamy. I was getting ready to alert the OH about maybe getting out of the crowd and sitting back down when she says to me “I need to get out of here and sit down. I don’t feel so good.” We’re as bad as each other. Lol. She has Meniere’s so standing venues are not great for her anyway.
Sat back down, we were both okay. Obviously couldn’t see a thing but could still hear things great. Couldn’t fault them for sound levels. They were spot on.
It was a fairly short set. They played for just over an hour. Babylon’s Burning being the close of the set, with a single song encore. Others in the set included Music Must Destroy, In A Rut, Staring At The Rude Boys, Love In Vain, West One, Kill The Pain and Psychic Attack.
Enjoyed the set. Crowd was good. Nothing kicked off. Everyone pretty respectful and stuff. Pub was great. Acoustics inside were great. I do actually prefer acoustic sets. As much as I love the full rock experience, you tend to get a better clarity at the acoustic gigs. There’s no distortion of sound. You can actually HEAR things, you know? The venue location was good too. Easy to get to. All good.
I went and thanked Segs for a fab set, asked for a snap together and we were off back home.
Not sure when my next opportunity to see them will be. I would LOOOOVE it to be Hamburg in December (where they are supporting The Stranglers)…but things are a bit too up-in-the-air for that to be a definite at the moment. Only time will tell.
Woke up mega tired. Didn’t sleep that well. Had silly trivial things (in the context of things) on my mind. Set out early today and got to Mill Hill in plenty o’ time.
I walk past the entrance to a park on my way to the rehearsal rooms each week. So with a bit of time to spare this week, I thought I’d take a quick detour. It’s an ordinary looking park. A decent size for play, etc. A few dog walkers were about. A lady passed me with her cute little Pomeranian in tow. I sat on a park bench for a few mins, setting the world to rights. Lol
I try and hit the studio each week without any overriding feelings of anything. Nothing too positive or negative. Just trying to stay balanced. It obviously doesn’t always work!
I’m getting used to the little routine I have when I enter the room to set up. Get the little recording device out and get that going. Grab the iPod Touch, over-ear headphones and ear protectors, to alternate between them as and when. Adjust the kit. It still drives me nuts (adjusting the kit), but it just has to be done. The day I have my own kit, and it is just ready for me every day….I’ll be kissing my drum kit with a greeting! Lol
I had two goes with my mix of songs. I tentatively tried to play along with fills and things. Really not as easy as it seems it will be doing the stick practice at home.
I also tried playing the backbeats to Glittering Prize. OMG! If Mel Gaynor was no longer with us, he’d have been rolling in his grave today! Lol. If he ever hears my attempt, he WILL die! Lol. 😂😂😂😂
But instead of just getting frustrated and angry, or despondent and disillusioned…I just tried to make it fun today. Just resign myself to it – in a positive way. Just accept there’s a way to go…but just relax. Just try to enjoy the time more. It’ll make the learning easier in the end. I spoke over the top of what I was “playing” and just took the piss out of myself.
One drumming session at a time. Tiny smatterings of progress MAY just happen that I don’t detect. I dunno. I’ve just got to get into the habit of embracing the frustrations and accepting them happening and see them as fun too. What I am doing is fun! I get to make a racket and hit and bash things for two hours.
This week I just tried to play along as confidently as my lack of actual musicality and expertise will allow. Just to loosen up and just have fun. I’ll even share a bit of my stuff on here, just because I think they’ll be funny. Just me waffling and playing and giving “critiques” to myself on the fly.
Next week, I am very, VERY excited about. AT LAST! I get tuition again! Not with Cherisse, as she is still on the road with Kelly Jones at the mo…and I think will have a few other things after the tour ends. So next week, Gareth will be my tutor. I really am overdue some tuition time. There is stuff I want to get moving onto and implementing. I need some routine with this. If I am serious.
I just feel like…I started the commitment, so I need to give it a good old stab for a while, you know?
Anyway. Appalling but funny snippets to come…and YAY to next week!
Weather wise, it was pissing it down when I left the house this morning. Then it stopped for a bit. Pissed down again. Then eventually stopped for good. Mercifully didn’t get too wet. Who’d believe it’s the middle of June, eh? Blow me!
Another small mercy. No train complications or anything. My 11.21 train was running and on time.
This week I took my over-ear cheap pair of Sennheisers with me. YES! Cheaper Sennheiser headphones do exist and they work just as well as the ones you’d pay hundreds for – I would think – I’ve never DARED invest more than £50 on a pair of ‘phones. I didn’t pay this much for these Sennheisers. Only about £20 and I’ve had them several years.
So, took the over-ear cans so I didn’t have to use the amp to play my mix of tracks that I practice playing along to at home. I had been missing the opportunity to play with them on the actual kit. Just hadn’t been very successful with setting up the play along at the rehearsal room right. ANYWAY, this week – fab! I needed the over-ears to get the ratio of hearing the tracks playing but also hearing myself playing in time (or at least TRYING to play in time) right. Got the sound levels right right off the bat and started playing along once I had the kit set as near as possible to my liking without wasting too much time on that. Must have been a kid in before me, as the snare was nearly on the bloody floor it was down so low. Lol. Snare was waaaay down, but the hi hat was higher than normal. Go figure *shrugs*
I just…got on with things this week. Just got on with business, like. When I am playing along to songs, I don’t do fills or crashes, because usually the fills and crushes and things are on the backbeat or on a separate time signature to the rest of the song. That I am now finding a bit frustrating. I want to start getting coaching on how I start to do that. I feel I really, REALLY need a lesson right now. Now, I THINK the Kelly Jones tour takes a small break for about 10 days or so after tonight’s London gig and Cherisse said to me she might be able to squeeze a lesson in…but it might not happen. So…I may be another month off having another lesson, which will just…kill me. Lol.
I think if she doesn’t do any tutoring until mid July, I might have to book a 90 intensive session just to feel like I am getting back on track properly.
In the mean time, next week is booked and ready to go, but looking ahead…July could be a bit iffy for practice. My Race For Life 10km event is on July 7th. I’ll be far too knackered after that to think about a practice session. I may think about altering it to the Saturday that week and maybe shortening it to just an hour. We’ll see. The other weekend in July that will affect things is the weekend of the Trevor Horn gig. I’ll be leaving for Glasgow at about 5am on the Saturday (July 27th) morning and won’t be back in London until 6.30am on Monday – so that knocks out any chance of anything for that weekend. UNLESS! I find a place in Glasgow I can practice in! Oooh…there’s a thought! We shall think on with that one!
I’m halfway through playing back practice. It doesn’t sound too bad. But I am just craving for some incremental advancements in tuition right now. But I felt fairly good this week. That’s the crux of it.
P.S. I meant to say. I walked 11km today. I was absolutely KNACKERED when I got home. When I was listening to my recording of my practice…I fell asleep! Lol. Maybe I am getting some musicality to my playing? Lol. I wish!
You know what? Well, I was worried about why I had been blocked from the Decade 77-87 Facebook page. And I was genuinely scratching my head wondering why the hell it would be that I was. Then this evening, with a new share of a Simple Minds video compilation they had put together, I realised what potentially may have caused it.
Last year they shared a clip of Factory from Folllies – the Belgian music show. When they shared the clip, they made the claim it was exclusive to them. But it wasn’t. It appeared just a day or two before on YouTube, and they clearly had just copied it off from there. And I said as much. So…if that is their gripe and why I was blocked from their page? Meh! I just told the truth.
Subsequently, that clip WAS taken down from YT and only their clip of Factory remains. (As a superior colour clip. There still is the inferior black and white clip on YT) One could argue they had the last laugh.
So…tonight, this new clip from them shows up! One of SM on Get Set For Summer in 1982. Jim looking UBER lush and beautiful (no apologies for my ovary exploding fangirling tonight). There are two parts to the clip. Them doing Promised You A Miracle – which I had NEVER seen before, and a snippet of them doing Sweat In Bullet – which I had seen before, in appalling quality, on Daily Motion (Daily Motion really is NOT the place for clips these days!).
So, seeing as it had appeared on the Decade FB page, I thought “Oh, there must be an original source on YouTube. Let’s have a look.” Lo and behold, there it was! It had been up there for seven months already. Damn!
Anyway, here’s the original, full YouTube clip. Promised You A Miracle starts at around the 11 minute mark. I skipped through the rest of the clip, wondering if the bit of footage I saw of them being interviewed was in it too – the one where Jim pretends to whack Peter Powell on the head with the microphone (should have done it for real, Sir!). No such luck. Not that I saw anyway.
There’s a curious thing around the 25 minute mark. They are interviewing some head huncho at the Grandstand studio about some sporting event being broadcast and I SWEAR for all the world it’s Steve Coogan – more fittingly – Alan Partridge. Except Coogan is only 16 at the time of the airing of this show, so it CANNOT be him. But, the voice and mannerisms are unreal!
Just watch it! Shortly after it is the Sweat In Bullet snippet.