The Race (For Life) Is The (Glittering) Prize

It was such a great day today. The weather conditions were perfect. Temps in the high teens, cloudy with a light breeze. Unlike last year when I was a disorganised idiot and turned up 5 minutes before race time, I got there in plenty of time this time.

There didn’t seem to be as many people taking part this year as last year but hopefully we raised just as much. Hopefully more! I certainly raised far more this year. Current total is at £282 (the Just Giving page can take donations until July 20th!), which is beyond my £250 target, and over FOUR TIMES as much as my tally for last year (a meagre £68!).

I did my 10km in 1 hour 39 mins – not exactly Steph Twell (10km in 31 min 8 sec!!! FUCK OFF PT1!) or Eilish McColgan (10km in 31 mins 16 sec! FUCK OFF PT2!) but I at least did the course! And did the full 10km, and not just piked out at 5km.

I had my usual Simple Minds mix on Spotify as my race companion. The mix started with Oh Jungleland – which was kinda a little bit…Grrrr! Seeing as I had initially signed up doing this year’s Race For Life in Glasgow but by April I knew that wasn’t going to be and gave Race For Life a call to see if I could switch it to Luton. Fingers crossed next year’s can happen in Glasgow.

At about the 2.5km point Lostboy’s The Wait Pt1 and 2 played and I really picked up the pace (the course narrows and is a bit of a bottleneck between the 1km-3km mark, and it makes it difficult to pass people and get a pace on – esp. as we all set off and there are so many more 5km participants at the start) and started to pass quite a few people.

A couple of versions of Four Letter Word (the Planet Funk track that came out earlier in the year – Jim on vocals) played, live versions of She’s A River and Don’t You, Promised You A Miracle, the acoustic version of New Gold Dream and then THIS…I LOOOOOOVE this live version of Glittering Prize. I think it might be my favourite live version. I just find it the most uplifting, most positive…life-affirming version. It’s just glorious. And you can just hear how completely “in it” Jim is that night.

So after it played once, I hit the rewind button so it played again. And when it was done, I played it AGAIN…and then AGAIN. Four times over. It took me from the 6km mark to the 9km mark.

So, we’re all done for another year. And I am happy with my effort and absolutely OVER THE MOON with all you guys for helping me raise such a fab amount of money. THANK YOU! You guys rock!

Stay tuned because, honestly, a promise is a promise and I have NO INTENTION on reneging on that promise. On Tuesday, all you £10+ donors are having your names put into a draw for the Somebody Up There Likes You print. The winner will be drawn on FB Live and announced over my social media.

Once again, thank you all for the donations. Let’s do it again (hopefully in Glasgow!) next year 😘😘😘😘

The Wright Stuff

The full piece on Andy Wright from the latest Classic Pop issue below. If at the main site, click on the post header to then view the pages by clicking on them and accessing zoom options on the bottom right of the page.

If at the post page already…just click on the thumbnails!

The Master Of The Art

I’m always flicking through the pages of the music mags. Not much really has me stopping for too long. (Perhaps to my detriment? A slow reader’s curse that to be drawn in to read something, you REALLY have to grab their attention – going by my own experience anyway.)

I suppose I am finding myself studying Lou Reed quite a bit of late. Not in an involving and methodical way like I have done with others who end up deeply piquing my musical interest. Bowie very much became a study piece as much as a musical exploration. If I’d have taken an OU degree in English Lit. say, Bowie in some way or other could have ended up the subject of my thesis.

I can feel it possibly going that way now with Lou Reed. Exploring his work deeper. I am certainly starting to feel that sense of the story itself being as important as the music. But I think that is what usually pulls me in to those musical artists I admire and covet most. They are great storytellers, either by encapsulating the narrative verbally, or creating a visual palette of what is being told with an inner visual artist flair. (John Foxx’s description of Jim Kerr being the “the best internal movie director” always springs to mind. It is my favourite description of Jim as a songwriter and it is just so…”on point”, as the whippersnappers say these days).

I really am starting to get that there is much more to Lou than meets the eye.

10km Race For Life – 5 Weeks To Go

I raised a miserly £68 last year. If any of you reading this would like to donate, please?! If I could get anywhere near £250 (that’s my target for this year. I had it at £150 last year and barely got halfway there. Don’t like my chances this year, then!) in funds raised, I’d be over the moon. Please consider it?

Please click on the image below (a montage of my efforts last year) to be taken to the donation page. As an extra incentive…the highest donor will get their own personalised art print – SM based or otherwise. THERE YOU GO! No excuses NOT to donate now! Highest donor gets a special Prip print! Get donating!

At the moment – Rob, the print is yours! I can see you with a special Barrowland Star “stinky pies” print. Lol

Hedging My Bets, Trev…

It wasn’t until very late last night did I realise that tickets for the Trevor Horn Reimagines The Eighties Tour at the end of July/beginning of August had gone on pre-sale yesterday.

And in the overtly hopeful notion that Jim and Charlie (and quite possibly even Mick MacNeil – for the first show, at least) may take part in it (as “OTHER special guests to be announced in due course” was said on Trevor Horn’s web site) I have secured a ticket for the first show at the Royal Concert Hall in Glasgow.

I am starting to have the sneaking suspicion that this may be about the only chance I may get to see anything of the Minds this year.

So, come July 27th (or perhaps the 26th if I need to do the red-eye coach up overnight), I’ll be travelling to Glasgow yet again…and seeing yet ANOTHER gig at the RCH.

The bugger is that Horn plays the Festival Hall in London the following night which could actually cause a problem for me getting back there, if indeed I want to go a second time. At the moment I am happy with Glasgow only. I decided on Glasgow because, frankly, the strongest chance of there being an appearance on stage by Jim and Charlie WILL be at the Glasgow opener. Hame turf – opening night of the tour…it’ll be braw! And if Mick were to take part? Well, that definitely may be a Glasgow only affair. And how bloody special would that be? Had to get a ticket! Had to hedge my bets!