May contain a heavy dose of Jim Kerr
I have just not been able to tackle this until now. This idea first took form just over a year ago, these “why I love” pieces. They are for my Top 50 Simple Minds songs, and I was going to write one a day for 50 days. I quickly realised that was a bit much,…
Starting with that cross-stick snare beat from Brian and killer Dan bass line – it has a groove! Possibly one of my most favourite Mick synth pieces. There’s a level of maturity to it. Then those sharp little wails from Charlie’s guitar while that fantastic little riff plays just under those wails. Then Jim…not afraid…
Today there was a change. After a year of the same songs being in my Top 50, I had to bump one out and Lightning in in its place. I wanted to rejig my art piece. At first I just whited out the song being bumped and put Lightning in over the top of it…but…
Firstly that little playful synth at the beginning. Almost like a little jingle. Then, just such GRINDING ax work from Charlie. One long grinding chord. I always think it sounds like an angry cow mooing loudly. Lol. I know! And each time it grinds, I join in “MOOOOOOO!!”. And after each guitar grind, a thwacking…
Read full post “Why I Love…70 Cities As Love Brings The Fall” »
It’s that opening. Those opening chords. I find something “otherworldly” about them. I find the words wonderfully upbeat. It’s about escapism (to me it is anyway…my interpretation of it). “She don’t need no rocket ship, Just close her eyes and takes a trip. Baby’s big on aviation, Baby loves a levitation. Yeah, she’s a spaceface…
Well, the reading of the manuscript by a lady in French is the first indicator that something about this song is going to be a little “left field” and wonderfully avant garde. Not to mention the rather unsettling and creepy sounding reversed words at the very intro of the song. It was only VERY recently…
My partner always sings “Big Science” over the top of it (it drives me endlessly nuts – but I suppose she’s allowed a little vengeance for being a “Mindow” – that’s a Simple Minds widow. Lol. I only just made that up there and then on the spot!) . I can’t say I hear…
(Different audio to visuals…but a great version) Another fantastic percussive display from Brian McGee. I know I keep saying it, but I just ADORE him as a drummer. I know Mel has been with them for nearly 35 years now, and he is fabulous…but I will never stop loving Brian and appreciating his drumming on…
It’s that amazing bass to start. Derek Forbes always does great reverb chords. Mick’s synths give a great Eastern mystique to the music. Jim’s words, again. I don’t know HOW he manages to conjure up SSOO much imagery in so few words. He is a master of the short and succinct (I wish I had…
Read full post “Why I Love…King Is White And In The Crowd” »
Another killer Dan bassline. It’s a simple bassline but carries the song. The beginning of it and further along in the song when the bass is up front…there’s almost the sound of Aboriginal clap sticks. Don’t know if it’s my imagination…or there’s some other percussive instrument Brian’s using? I read on Dream Giver Redux…