I never shared this one properly before, so here it is fully scanned. God I love those Sheila Rock photos. Jim is utterly lickable! Him being photographed without a shirt on (not that you can tell it much from the way it’s printed in the magazine) is ALWAYS a bonus! 🤤🤤😛😛😛
And so you can use the zoom feature better, I will add the pages again in a gallery – then you can click on the thumbnails and use the feature on the bottom right of the page to see the full scan.
Originally set to take place on March 21st of this year, as soon as it was obvious that the UK was heading for lockdown – and with Scotland taking the earliest measures – the organisers of White Hot Day acted fast to first postpone and then reschedule the event.
With the world still in varying phases of lockdown and the rescheduled date fast approaching, the need to once again reschedule seemed the most obvious thing.
So here we are now, folks, with a new rescheduled date. This time, hopefully, nothing will stop it taking place. See you all next year in Glasgow! Bring gifts! It’ll be my birthday the following day.
It was going to be a long day. I had set out from home at the ungodly time of 4.30am. Plenty of time to get myself to Luton station for the 5.08 train to St Pancras. That was the theory. The practice was different!
I arrived at Luton station around 4.45am. I looked to the screen for the timetable and see which platform my train was leaving from. In a rather tired state from such an early start it took a moment or two to register what I was seeing on the screen. All the trains going to London up til 5.40am (all that the screen was showing at that point) were cancelled. I stood there rather dumbstruck initially. And then the panic set in! It’s ticking towards 5.00am and I had to be at Euston station by 6.30 at the latest for my 6.36am train to Glasgow Central. WHAT THE HELL WAS I GOING TO DO?! It flashed through my mind “Well, short of getting a taxi into London that may or may not even get me there in time – AND cost me a small fortune – I’m pretty screwed. In fact, I’m probably not going!” I wanted to cry!
The thought of that…the thought of not going was breaking my heart. The only thing I could feasibly think of doing was getting in a taxi…but I knew it wouldn’t be cheap. I rang my partner and told her what was happening. “What do I do?” “Well…there isn’t much choice left. Take a taxi.” The first cab couldn’t take me as he wasn’t able to take card payments but thankfully the second driver could. “We will make it, won’t we?”, I say to him. “I’m sure we will. I will do my best.” As I’m settled in and we’re making our way to the M1 motorway he says to me “You know, you could have just flown to Glasgow.” Lol. I could have throttled him at that point. But I went on to explain that I booked the train because my passport had expired and although Luton to Glasgow is an internal domestic flight, I believed that a passport was still required. I subsequently learned that only photo ID is required and that even an expired passport (up to five years from expiration) is sufficient for internal domestic travel. Damn!
To my huge relief the motorway was largely clear of traffic and the rain wasn’t too heavy so the driver was able to go as fast as his traditional Hackney cab would allow. He dropped me at Euston at 5.49am. We made it in under an hour. I was stunned and relieved – and rather sad to be paying a £90 taxi fare! BUT…I had made it to Euston and in plenty of time before the train was due to depart.
The rest of the journey was relaxing and I arrived at Glasgow Central right on schedule at 11.59am. Approximately 10 minutes later, I found myself in Tantrum Doughnuts ordering two of them – a limited edition hazelnut blondie and the signature pistachio and hibiscus one. I also had a reviving latte.
The weather was a bit miserable when I arrived – dreich, as the locals are known to describe it. I wandered about a bit. Tried to keep dry. Then eventually made my way up to my accommodation for the night, hoping I’d be able to check in a little early and maybe get an hour’s sleep before the gig later on.
I head back down to the city centre at around 6pm, stopped in for a coffee at a cafe nearby the RCH, then went into the venue around 7pm.
I was starting to get quite excited by then. I know Mick had told me on FB that, of the Minds, only he would be there…but I couldn’t help but hope that maybe Jim had wanted to surprise even Mick by showing up at the last minute…either on his own or with Charlie.
I had a great view from my seat and the stage looked quite full so there was going to be quite a few people on the stage performing! The show started promptly at 7.45. Trevor arrives on stage to a warm and rousing round of applause. Once at the mic he says, “I’m 70 years old and this is my first solo headline tour.”
Musically, the show started with the biggest bang – an amazing version of Two Tribes, sung by “Roberto” (as Trevor kept introducing him through the night as) aka Kalon Rae. I don’t really watch TV these days so was unaware of him and his appearance on The Voice UK last year. He certainly nailed it! It was one heck of an opener that’s for sure and it set a standard for the rest of the night. Second song in was Trevor’s own Buggles composition of Video Killed The Radio Star. The next song – a Godley & Creme composition, Cry, came with the dawning realisation that the short man on guitar standing next to Trevor on his right was indeed Lol Creme himself! Kalon sang Cry but Lol himself sang the next number, a fab version of 10CC’s Rubber Bullets (Lol having written and performed it as part of the 10CC lineup, of course).
And the hits just kept on a-coming. A photo of the setlist above. The wonderful Steve Hogarth sang It’s Different For Girls and Ashes To Ashes. A pair of wonderful female singers sang the “t.a.T.u” number All The Things She Said. One of them took the lead on Slave To The Rhythm.
It was back to Kalon for another Frankie tune – The Power Of Love, then Trevor himself sang the lead for Living In The Plastic Age, and Steve Hogarth again for I’m Not In Love – Lol Creme on piano for it – and Everybody Wants To Rule The World.
There was an interval of 15 minutes.
When the gig resumes, Trevor is delayed in his return. It becomes immediately obvious as to what the delay was when he comes striding back out in a sparkly jacket and A KILT. He is welcomed back out to cheers and a number of wolf whistles. Lol. He places his hands on the sporran at the centre of the kilt and says, “I have always wondered what these things were for…but now I know.” He opens it up and reaches in then holds his hand aloft. “Picks!”, he says, with a pick between his thumb and fingers. On we go into a fab version of Owner Of A Lonely Heart sung by Trevor.
Then the moment arrives. “While we are on a Scottish theme”, says Trevor, “I started visiting Scotland more in 1988. That’s when I started working with Simple Minds. I’d already been working with so many bands and artists by that point but I can say that working with Simple Minds, it was the first time I felt like I wasn’t working with a bunch of arseholes. They are great guys.” And then it becomes a little bit of a blur what else he said because I know Mick is about to appear on the stage, but I still remained hopeful that at the very last minute that Jim and Charlie would be there too. Sadly that didn’t happen, but I gave the loudest cheer as Mick walked on stage. To be there to see him play was all I needed to make my night.
I feel terrible that I didn’t catch the singer’s name but he was very good. And seeing Mick play was so very special. I recorded Brothers In Arms live on FB but stopped filming when Rhythm Of My Heart started. I just wanted to take it in properly and enjoy watching Mick perform. Kalon provided the vocals this time, and he was wonderful again.
A lovely understated female vocal ballad version of Dancing In The Dark was next. Not before Trevor relayed the story of his dealings with The Boss and how he’d asked permission to do Born To Run…bossa nova style. Lol
Another major guest performer in the shape of Argent’s Russ Ballard. Crowd sing-a-longs to Since You’ve Been Gone and God Gave Rock N Roll To You left the hordes on a high.
Great renditions of Girls On Film by the female vocalists, then it was Steve Hogarth again for Kiss From A Rose and Blue Monday, before a final Kalon led amazing crowd up-off-our-seats, clapping and dancing version of Relax.
A final encore of Money For Nothing and that was it. An amazing night was had by the vast majority of patrons in attendance. I certainly enjoyed it! It is a strong contender for “gig of the year” for me. Perhaps only being slightly pipped by Massive Attack at The Hydro back in January and Stewart Copeland at the Festival Hall in March.
As soon as I was back out on the street, I propped myself up by the stage doors. The only person waiting there initially. But then Phil Palmer and the man providing the vocals on Brothers In Arms and Money For Nothing came out for a cigarette and that got one or two people stopping, congratulating and thanking them for the gig. After about 15 mins, there was six other people waiting with me. About 45 minutes of waiting and Mick walks out through the stage doors. I get his attention “Hi, Mick.” When it registers with him who I am he says to me “THERE YOU ARE! I’ve been looking for you all night.” Aaww! What an utterly sweet thing to say! “So, you made it then?” A bag of nerves, I just said “Yes I did.” But in hindsight I’d say “Of course I did! I wouldn’t have missed this for the world!” We chatted briefly and then I asked him if he would be so kind as to sign my Life In A Day 7” picture sleeve and an original vintage print I have of Mick taken in Brussels in 1983 by Stefan De Batselier. He signed them both for me. We hugged and then he was on his way.
Oh no! I didn’t even get a photo with him! Mercifully one of the other people waiting had stopped him and asked if they could have their photo with him so that gave me the opportunity to ask. I tried to be Miss Appalling Selfie Taker (and was succeeding!) when the man with Mick said “I can take it if you like?” YES PLEASE! Lol. Save me from my selfie doom. Lol. And he really couldn’t have taken a more wonderful photo. It is just so, so lovely.
It was a wonderful night.
I will discuss Sunday’s day of exploration tomorrow.
On Saturday I had the absolute privilege to view the entire photographic archive of Virginia Turbett’s work with Simple Minds. It really was wonderful. I spent approximately three hours, on and off, perusing endless contact sheets of wonderful images of the band, and individual members. Many photos of Jim Kerr. A whole sheet of images of Mick MacNeil. And some fabulous pictures of Charlie Burchill playing the saxophone. These were just the tip of the iceberg.
Some of Virginia’s photos you would have seen. Many have been used in official releases. They appear in the New Gold Dream box set (released back in 2016), just as one example, as well as books…they can be viewed on Getty Images, etc. But…Virginia is NOT ALWAYS given credit for her work, and certainly not always paid.
Many of her images you will NOT have seen.
I would love to have my own personal archive of Virginia’s work. There are so many wonderful photos she has taken of Simple Minds. Iconic photos! And so, over the next, maybe….year to 18 months, I would like to build up my own collection of her wonderful body of work.
Virginia’s main body of work capturing Simple Minds took place between 1980 to 1984. A mixture of promotional photoshoots, pictorial documentation of record deals, sound checks, gigs. So many wonderful things to see.
And if you are anywhere near as big a fan as I am of SM *and* Virginia, you will definitely want to own some of her wonderful images yourself.
With Virginia’s kind permission, here are just three examples of prints available to buy. The first is a new favourite. I always assumed the guys did their own makeup…but as we can see by the image, Jim has been “worked on” by an actual makeup artist. That was one revelation for me on Saturday!
The second print was also a revelation insomuch as I never knew the person next to Jim is Ronnie Gurr!
The third is another photo in the set (the day Simple Minds sign to Virgin Records) that I really love that I had never seen before, of Jim and Ronnie again. It’s absolute horseplay…and will also be one of the next prints I get.
If you are interested in enquiring about purchasing prints from Virginia, please click on the image of Jim to be taken to her website (viewable at: virginiaturbett.com). You really will NOT be disappointed!