As highlighted on Cherisse’s social media accounts as well as the Simple Minds social media accounts, Cherisse took part in Drumathon Live last night.
The Drumathon is a 264 hour non-stop drumming session, featuring drummers from all different bands from all around the globe. It’s all for charity, raising funds for the NHS and mental health charities, including the Anna Freud National Centre for Children and Families, UK Trauma Council, Mind, NHS Charities Together, and Child Bereavement UK.
Yesterday morning, Cherisse was interviewed for BBC Radio 5 Live about the Drumathon. She also performed a little snippet of Alive And Kicking during the interview.
Mel Gaynor will also be taking part with his drumming slot taking place between 10am and 10pm on Thursday, May 20th.
You can tune into the live stream and donate by visiting drumathon.live
There’s been a recent newcomer on YouTube, uploading SM bootlegs. Some I really enjoyed as they were of a fairly decent quality – others …. not so great.
The most recent upload I was really excited to see was another from the tail end of 1982 – my all time favourite period for listening to them live.
I started to tune in last night but I quickly stopped, disappointed that the quality of the audio just WASN’T there.
They had shared the upload on one of the SM fan group pages with a cheeky “Art & Talk who???” comment. Lol
Well, if you’re going to be full of bravado about it, then honestly, A&T has nothing to fear because A&T uploads QUALITY!
I’ll even delve into periods of the band I am not so enamoured with because I know the sound quality of the bootleg will be “to a standard”. It is why I listened to the Glastonbury set a few nights ago. As much as I love the Good News From The Next World album, and as great as the band was live at the time, there is an element of Jim’s singing voice at that period that grates on me. I don’t really know what it is – I just don’t like the way he sounds at that point. It’s mostly to do with word annunciations and nuances in pronunciations of words – kind of “American mid-west crooner” kind of style. Or more … over-emphasised “blues man”. It just sounds false and kind of protracted and laboured. It wasn’t so pronounced at the Glastonbury gig so I did enjoy it but other gigs from the time, his voice just gets on my tits and I have to stop listening (sorry, Jim!).
So, yes, the quality of A&T’s uploads means I *will* listen to things I normally wouldn’t. Not always. Some I still haven’t dabbled in – but I’ll get around to it.
Of course there are some points in the history of the band’s bootlegs in which it will be nigh on impossible to have quality recordings. Unless they actually had made recordings for radio, etc, and they were professionally recorded, there is going to be little quality around.
And still, for my own level of interest in wanting to listen to bootlegs – quality is key. It is why I shied away from dabbling into bootlegs for so long. One) the general poor quality of recordings, and two) I wasn’t overly into live music when I first got into the band. That has changed massively since being a SM fan and now I really enjoy the live music experience. And I actually find the bootleg experience to be a much better (and truer) representation of what it is like being at a gig than a more professionally recorded thing with full production techniques and “in studio ‘enhancements’” and overdubs made to them.
I want to hear the crowd! Yes, I hate having some bloke being a pub singer right next to me and wailing over the top so I end up hearing much more of them than I do of Jim! But I’d prefer that than to no crowd noise at all and Jim’s voice sounding perfectly audible … almost as if he had gone and recorded his voice in a studio 🤨🤔🤔
If you’re going to give me a live album – make it LIVE. Don’t fiddle with it! Give me the imperfections and the crowd noise.
Still, one wonders exactly HOW MUCH is *live* at the gigs these days. Well, not much at the moment in good old Covid World.
But I digress.
Bootlegs – they need to be of a certain standard. They can still have the crowd and the punters talking and singing and you can hear the cheers and the screams and that makes you feel a part of it. And the band still sounds full and strong, and you can hear Jim’s patter between songs and he always sounds amazing and emotive, sometimes even breathless, and on the VERY ODD occasion, off key – but it all adds to the magic.
So, you provide the quality and I’ll keep on listening – capiche?!
UPDATE: There is just two days to go to make a donation and enter the prizedraw for your chance to win Charlie Burchill’s guitar. You need to enter by 6pm GMT, Wednesday, March 17th.
This is AWESOME! Charlie has donated one of his Stratocaster guitars as part of a prize draw for the #iLoveLive Crowdfunder and Stagehand to help support the live music scene and all the staff and roadcrew who work behind the scenes in the live music industry.
You can find out more details via Simple Minds’ social media (Twitter link is below). For each £5 donation, you are entered in a draw to win Charlie’s 1983 Fender Stratocaster. A genuine and incredible piece of Simple Minds history and an amazing one-off piece of memorabilia.
And all in a cause so close to all our hearts. The live music scene is taking one of the hardest hits from what has happened to the world in this pandemic.
You can also go directly to the #iLoveLive Crowdfunder page by clicking HERE
Please think of donating! And look what you can bag yourself by doing so! If all you can afford is £5 then…it’s a donation and one entry. A hundred of them….a thousand of all those little £5 entries would help massively!
FURTHER UPDATE – MARCH 4th: The crowdfunder campaign has been extended for two weeks – which I think also extends the time of the prize draw. The announcement of the winners won’t happen until April, so one can assume the prize draw is still active right now. If you’d like to make a donation and be in the prize draw, check with Carlton for certainty.
UPDATE – MARCH 2nd: Prize draw donations will be closing in a couple of days from now, so if you want to be in with a chance, be sure to make a donation ASAP!
Carlton Studios in Glasgow is a rehearsal space and professional recording hub for local bands within the city. As far as I am aware, Kenny Hyslop was involved in the set up of the studio.
Due to the lockdown restrictions that have gone on over this past year, the studio is in real danger of permanent closure. It needs funds to stay afloat. It needs our help.
Virginia Turbett has donated eight A3 sized prints to Carlton Studios to help raise funds. The prints are being auctioned off. The prints centre around the Scottish music scene of the late 1970s and early 1980s and include images of Simple Minds, Bruce’s Records, The Skids, Alex Harvey and The Rezillos.
Please take a look at Dennis Ramone’s video in the Facebook link below….
You can donate by clicking HERE – please consider donating anything you can to this. Rehearsal and recording space such as these are vital for cities like Glasgow, where music is one of the major driving forces of the community.
Well, Saturday’s Trevor Horn gig is almost upon us – and I have amazing news…which I assume I am allowed to share publicly, seeing as he did tell me publicly on my Facebook timeline – Mick MacNeil will be at the show!!! Performing! Only for Brothers In Arms…but, still. For me this is monumental! I have never seen Mick perform in any capacity before. And even if it is only for one song, I cannot tell you how much I am bubbling with excitement about this!
After this gig, August is still quiet. There’ll be things to sort out on the home front in August.
In September things get going. On the 12th, a bit of home music with You Am I at The Garage in London. A newly added gig now – Kelly Jones in Oxford on the 18th. I missed the first lot of dates, so when Cherisse revealed through her social media that there was a smattering of new dates I went and had a look to see what was nearest (geographically) and Oxford was it. And just a few days before the drum show in Manchester. Cherisse will be sick of the sight of me! Lol
A few weeks break again…and then a little spell of gigs in October. Alice Cooper (with The Stranglers!) at the O2 London on the 10th. Then a trip down to Bristol for a new gig on the list – Toyah at The Fleece on the 20th. A gig with Birdy. Our time at The Stranglers gig in March was…erm…something and there hasn’t been much of a chance for us to have been out gigging together since. I dragged her along to John Grant (not TOTALLY unwillingly, mind…but she’s not as much of a fan of Love Is Magic – which he was showcasing on the tour – than previous material), so it is only fair I make amends. I’ve never seen Toyah. Can’t say I am a big fan…not because I don’t like her…just, she hasn’t been much on my music radar, that’s all. But I am looking forward to it.
We complete October by me going to see Belgian band Whispering Sons at The Moth Club in Hackney on the 25th.
The final extra gig is yet ANOTHER Stranglers gig. Ruth and I are making a little German holiday of it. First port of call is Hamburg on Dec 6th, then on we go to BERLIN!! (A many, MANY years “bucket list” destination for me…some reasons will be rather obvious…and we may just try and take in a tour of Hansa Studios, if we can…there’s a major clue as to why Berlin has been on the bucket list for so long) for the next gig on the 8th. Speaking of people getting sick of the sight of me. Lol. I think JJ and Baz may end up like that too!
This will make the number of times I have seen The Stranglers only surpassed by the number I’ve seen Simple Minds. I’m trying to get a quick tally in my head…I think by Berlin it’ll be 8 times.
So, that’s it, for now.
July 27th Trevor Horn – Glasgow
Sept. 12th You Am I – London
Sept. 18th Kelly Jones – Oxford
Sept. 21st UK Drum Show – Manchester
Oct. 10th Alice Cooper – London
Oct. 20th Toyah – Bristol
Oct. 25th Whispering Sons – London
Dec. 6th The Stranglers – Hamburg
Dec. 8th The Stranglers – Berlin