We Jumped The Gun – Again – Still Not LIAD Anniversary, YET!

Yesterday I was out-anoraked.

Jim had posted about it being the anniversary of Life In A Day and smuggins here felt a little bit pleased with herself that he was acknowledging the correct date of release. Well, so I had deluded myself. (And obviously he had thought so too…)

The holy bible that is Dream Giver Redux had a Zoom press release from the time showing that the album had been set for release for April 13th. Well, obviously Bruce and Brian had done what I did months back investing in my Mott The Hoople ticket, and neglected to take in that it was Easter weekend.

And as my anorak friend had pointed out on SMO FB, it was indeed Easter weekend on April 13th, 1979. He had said in his comment that in the New Gold Dream tour program it showed the release date to be 20/4/1979. I admit to looking at my scanned copy of my signed version of the program, and there it was! He also said he had seen a subsequent Zoom press release showing the revised date.

I am happy to declare I have been well and truly outdone in the anorak stakes. Lol

Happy 40th Anniversary – Life In A Day!

Someone:
It’s quite manic the way it starts then sounds traditional rock. Almost pub rock. Post punk. But “poppy”. I love that little “doo wop” bit too. The magic of a song that sounds catchy and upbeat, but if you take note of the lyrics…there’s a slightly different story going on. But we’re looking for life beyond those potentially boring “teen angst” years. Adulthood has dawned. “You’re running home before the morning light. There is a new age that has just begun.” Leave the angst behind, Ruby.

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Life In A Day:
Synth washed opening but still steeped in post punk. It does wear its influences boldly this song. Already those more industrial sounds are there. It’s in the atmosphere conjured up by Jim’s lyrics. I always say that Factory is like a lyrical LS Lowry painting – Life In A Day is its predecessor. Some days I really enjoy listening to Life In A Day…other times it leaves me feeling a little despondent, and I am unsure as to why that is.

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Sad Affair:
This has always been the weakest track on the album, for me. I’ve never really taken to it. This to me is the track that sounds most “Boomtown Rats”. The one I think of first when I am reminded of Jim’s feelings when he first heard the album being played back once they got their hands on the final cut. That feeling of “Oh, we’ve fucked up with this. This isn’t us! This is the Boomtown Rats!”

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All For You:
In 2014, when I started my exploration of the Simple Minds back catalogue, this song really made me sit up and take notice. The first one on the album that I truly went “ooh, now…THIS is interesting!” over. I know Jim has a soft spot for Someone, but I do for All For You. Had this track not piqued my interest when exploring the SM back catalogue a second time over, then…well, I would probably NOT be doing this post, or even running this blog!

Pleasantly Disturbed:
The title could not be more aptly applied to a song. I mean, that title sells it perfectly. Starting with a quiet yet low rumbling slow drum beat and cracked jagged guitar riff…it’s wonderfully atmospheric and moody. It conjures up a similar feeling in mood to one gets from Riders On The Storm. A dark, oppressive and gloomy rain-washed street. The genius of adding violin to it…I mean, who came up with that? Charlie? Well, if he did, he cursed it subsequently through the years from having to continue to play it when performing the song, while never feeling he had the true virtuosity for it. From the moment it starts, it just feels on a different level to any of the other songs on the album. And unlike most other tracks on the album in which they didn’t quite capture their live sound right, or John Leckie didn’t quite capture their essence – it worked for Pleasantly Disturbed. If anyone you meet ever dismisses early Simple Minds as a serious musical force of nature, play them Pleasantly Disturbed. And if they’re still not convinced, then they are beyond salvation. Pity them.

No Cure:
I suffered such a love/hate thing with this song. I used to abhor it! For a long time I would skip it entirely. Then when out in Oz and getting into the habit of listening to SM on shuffle mode each night, it played a few times and I was roused to semi-consciousness to listen to it. Too tired to grab the iPod and find the skip button, but awake enough for the song to filter through, a change of heart started to happen. Things actually ended up turning on its head and I went from utter intolerance of the track to absolutely falling head over heels for it! I couldn’t get enough of it! It became a constant earworm. It was stuck in my head for WEEKS. And I played it over and over! Lol. The title of it, once again, became so apt. Jim is a master at this stuff, he really is. For of course, the song had been previously known by the title Cocteau Twins, until Jim decided to tweak the lyrics and retitle it. Having read up about Cocteau Twins and its beginnings…Les Enfant Terribles… oh how it makes some weird sense of why I had this love/hate grapple. Knowing its history, I find the song strangely alluring and ever so sexy. It may have been “tidied up” but the words pertaining to “the game” are still there.

Chelsea Girl:
What a riff. So simple but so full of intent. Speaking of songs that are sexy. I do find this sexy too. Seriously, if I had been of their age, I’d have fancied Jim from day one. I’m still not quite sure exactly what I am meant to make of the “Chelsea Girl”. Is she a prick tease? Or a floozy? Answers on a postcard…

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Wasteland:
I find Wasteland a wonderfully obscure Kerr lyric. A song I am not really sure I know much of what it’s actually about. Looking at the lyrics I have no real clue. God I love you, Jim Kerr. You are a puzzle! The songs may feel like puzzles to solve to you…sometimes I think you pass them directly on to us! “Solve that one, peeps! Try and work out what I’m telling you here.”

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Destiny:
Also a curious one. Seems as if it was a much meatier thing when it was called Sweet Things. I am going to assume by how the lyrics read, it is a look at the life one has laid out for them and a defiant rejection of it. “Can you hear me, can you see. I don’t want this destiny.”

Murder Story:
After All For You and Pleasantly Disturbed, this is a song I really fell in love with quite quickly. I love the drama of it and despite the title and the tone of this song, there’s an element of fun to it. And I just love the way it ends. All the layers of Jim’s vocals clashing and sounding cacophonous and him singing alternates of “it wasn’t me/it was me”…then with that final trio of shouts of “IT WAS ME” and then it just comes to a halt.

 

 

A LITTLE NOD TO THE B SIDES

Over all as an album, it’s a good debut. It’s solid. And yes, I somewhat played Devil’s advocate asking Bruce Findlay if he felt that some songs were “too old”. It doesn’t quite hit the mark in some elements. And they probably weren’t captured quite at their full potential the first time round with John Leckie, but they and he quickly made up for it. And Real To Real Cacophony is by no means faultless either, but it improves upon a good stepping stone.

The album certainly has a maturity to it. I mean, heck, the average age of the band at this point is 20. TWENTY! They’re babies! Jim and Charlie are actually still only 19 upon its release. If I do that “compare them to U2” baloney and compare Life In A Day to Boy – the maturity of Jim’s songwriting over Bono’s is just chalk and cheese for me. While on Boy (even just the album titles reveal all you need to know!), Bono is writing about The Electric Co and Stories For Boys, Jim’s writing about the daily grind of city life, murder, drug use, mind games between young adults, conquests (or lack thereof). It’s young men, not boys.

Don’t get me wrong! I’m not dissing Boy. I love Boy. You can’t knock I Will Follow, and I love An Cat Dubh and Into The Heart, A Day Without Me and Shadows And Tall Trees contains my favourite line in the entire album “Mrs Brown’s washing is always the same”. Boy will always have a soft spot in my heart, because I grew up with it. My brother had a copy from 1980, so it has been with me since I was 10 years old.

Life In A Day never bowled me over completely, but there are gems contained within it. It probably didn’t feel that way at the time, and thank god Simple Minds came into being at a time that they did and with Bruce as their mentor and ultimately manager because he was never going to abandon them. They were given the time to evolve artistically and become truly great. They held such promise and it was there for all to see. Life In A Day, though not perfect, showcases, with a bit of “hit and miss” what Simple Minds were capable of. Their tender and tenuous beginnings. It’s an album strong enough to enjoy from start to finish. The only track I used to skip was No Cure, and I ended up falling in love with it.

Give it a listen today. Have a bit of a nostalgia trip and say “Happy Anniversary Life In A Day!”

Murderous Murder Story

About 8 hours of work, spread over the past two days. I’m sure it’s shit. I’ll probably end up hating it because I overcooked it. Anyways.

I love Murder Story. Stay tuned tomorrow for my silly little LIAD anniversary post. Wish I could tell you I’m posting an interview with Jim on here…but alas, no. Never gonna happen 😦

Celebrate Life In A Day – But Not Yet

People be jumping the gun re: Life In A Day 40th anniversary. Lots of celebrating today…but there is an official Zoom press release from the time on the Dream Giver Redux site showing the release date to be April 13th…so I will be holding my horses until then.

BUT…in preparation for it, you can read (and hear parts of) my interviews with Jaine Henderson and Bruce Findlay and also see my review of Life In A Day as a single right here on the blog!

In the meantime, here’s the link to Dream Giver showing the press release and its transcript. See you back here on April 13th, Life In A Day fans 👍🏻😁

Life In A Day – 40th Anniversary Single Review

We are nearing the release date of Simple Minds’ debut album, Life In A Day. From what I can deduce, Life In A Day – the track itself – was released as a single inline with their first appearance on television when appearing on the Old Grey Whistle Test on March 27th. As that day is a Tuesday, I am going to assume that the single would have been released a few days prior, on the Friday (March 24th).

So, happy 40th anniversary Life In A Day single! For some fun, I will review the single and the B Side, Special View.

I’ll try as much as I can to remember my feelings of listening to it for the very first time some 13 years ago…and again, almost entirely fresh almost 5 years ago now. Five years ago would have been my first ever listen to Special View. There was no 5×5 box out in 2006, so back then I heard the album as it originally was, with no B-side bonuses present.

Here goes!

LIfe In A Day: It reminds me of a song I loved as a kid. Part of the synth melody is similar. The song was called Computer Games by a New Zealand group called Mi-Sex. The Minds single pre-dates Computer Games by several months so any similarities would apply the other way round (that perhaps Simple Minds influenced the sound of Mi-Sex). And I never knew this until looking up info on them for this post, they named themselves Mi-Sex after an Ulatravox song!

It’s catchy. I like the guitar echo ending. Lots of synths. Like the “knock knock” sound. Lyrics are good. The song is quite moody. Best lines? “The premonition came true / look all around and you’ll see. Some say it takes two to know / or could it all just be me?” Not too keen on those word endings…ay ay aaaay. It’s got a good post-punk sound. The song makes you think. I don’t want something that’s purely visceral. It’s good to have something working the old grey matter.

It’ll grow on me, definitely.

Special View: I looooove that the song begins from a fade in. I really like the pace of it. I like the keys and guitar. It’s a basic riff but so catchy. That singer’s voice is really sultry. I bet he’s well sexy! (Jim…I’d have happily played with your basin cut, baby! 🤓🤗🤗😘😛😎)
I do love the song’s bridge. The jangly keys and and edgy guitar. Really changes the pace of it before settling back into that sultry meander.
I’ll probably get caned for saying it (Whip me, Jim. WHIP ME! Lol) – but I like the B side more.

It’s not to say I dislike Life In A Day, it’s definitely a grower – I just like Special View more. I am knocking my whole thing about preferring thought-provoking songs to something more visceral right on its head now, because my preference for Special View is because I find it ssoooo bloody sexy! Grrrr!

I’ve also mentioned in a previous post about the song specifically (and for lyric art I have done for the song) how I see stark, lucid imagery when listening to the song. A walled seafront. Waves crashing upon the walled promenade. A young woman waiting for her boyfriend to show up. The both of them walking along this walled seafront. The sky along the horizon looking both bright yet clouding over ominously. “The summer’s gone” says Jim, so it’s probably early autumn. Late September, so the sun is fading by 5pm and the air is brisk.

I have always loved the imagery that Simple Minds songs conjure up. And they mostly derive from Jim and his words, but obviously the musicality of the songs play a part too. King Is White And In The Crowd is a prime example of that.

Anyway…as for the overall rating of Life In A Day as a single? It’s a solid start as a debut single…I’d give it a 7/10