On The Cover Art – The Men Are Marching

There is a path that leads me here to this post. A path that was an unexpected but wonderful stroll. The stroll continues, still. I’m not sure how much of this I can explain. Best to keep it a bit cryptic and vague. We love ambiguity – ain’t that right, Jim?

Suffice it to say one thing led to another.

There is a Sons And Fascination link here. Or should that be “Sons And Fascist Nations”? An explanation of that in due course.

A couple of my most prized possessions in my Simple Minds collection are copies of albums produced for the overseas market. One album released for the U.S. market via Stiff Records was titled Themes For Great Cities and was a compilation of tracks from Real To Real Cacophony (Premonition) to several tracks from Sons And Fascination/Sister Feelings Call. The other is a version of the Sons And Fascination album released by Virgin Records for the Central American market.


There are patterns on the cover. The artwork by the one and only Mr Malcolm Garrett, with photography by Peter Anderson. You can see shapes and a figure. I could see a figure on these covers.

Then there is the reissue of I Travel by Virgin Records in 1983 which bares a photo of Jim, taken by graphic designer Garry Mouat, on stage in motion as if marching. “In central Europe men are marching” always springs to mind seeing that cover. What I never really took in is what appears in the overlay of the photo of Jim and I didn’t see it properly until Malcolm was kind enough to show me this…


I did see that something was overlaid on the photo of Jim but what I didn’t know was that it was a variation on the figure seen on the Stiff Records “Themes” release and Mexican version of SAF.

I also missed the very obvious figure on the Sweat In Bullet sleeve art. Mostly due to the fact the figure has the head of a photo of Elizabeth Taylor.

And so…why did I alter the title of the album to “Sons And Fascist Nations” earlier, I hear you ask? Well, here’s the thing. In talking to Malcolm about the album cover photoshoot with Sheila Rock and asking him about the cars, we got to talking about other art relevant to the Sons And Fascination period. He told me about certain things that inspired some of the cover art. This included him telling me about the image above and that it was inspired by similar figures like it that had appeared in a book he had seen. The book in question is called “Mostra Della Rivoluzione Fascista”. Issued in 1932 to be a compendium to an exhibition on Fascist propaganda – a “celebration” of the 10th anniversary of Mussolini’s march on Rome. Seemingly exhibited in a building erected specifically for this solitary purpose – also known as the “Mostra Della Rivoluzione Fascista”. The exhibition proved so popular that it extended beyond its initial intended six month run and ran for two years. It was seen by almost 4 million visitors by its close towards the end of 1934.

You can view selected pages of the book by clicking HERE


I will state here Malcolm’s initial reluctance to have me write and publish this post and he had approval of this before posting. And I do understand the reluctance. You wouldn’t want to be seen condoning Fascism! But it’s about art and the aesthetic and not the political. Well, that is how I see it. This post nor we as individuals are condoning Fascism! But when it came to the use of the “Marching Men” (as they have come to be called during our conversations) and the line in I Travel “in central Europe men are marching” (long since changed by Jim since he now always sings “all over men are marching”). It conjured up the exact imagery used on the Virgin released I Travel cover.

I missed the image of the Marching Man on the Sweat In Bullet cover, yes, and I don’t see the link quite as obviously as with I Travel but listening over some of the lyrics then… it could be “ambition in motion” or to “grow in size” or to “grow more / take more” that makes it fit?

An excuse to share my prized possession of my Sweat In Bullet double single signed by Brian McGee

Either way, all four covers featuring the Marching Men are striking and impressive. And they certainly make a statement.

Another short point – as I was researching to do other posts that were SAF/SFC themed, I shared an article from New Sounds New Styles printed in 1981. Ian Cranna interviewed Jim for the piece. Check out the magazine layout! Guess who was behind the layout of New Sounds New Styles? Yes! You got it!

By this point, the band had only appeared on the back cover of their albums. On Life In A Day they were on the back cover and also on the back of Empires And Dance. Inner sleeves too. But only the inner sleeve of Real To Real Cacophony. Not up to this point on the FRONT COVER of an album. Not until Sons And Fascination. They were reluctant and the images of them are somewhat obscured but the images reflect the movement and motion of the music contained within. The “travelogue” musical sensibility of the album. It was a masterstroke. Perfectly encapsulating the audiovisual.

I find the whole aspect of the cover art for the Sons And Fascination/Sister Feelings Call albums and singles…erm…fascinating. And if I do then I thought others would too.

Below are a couple of YouTube clips showing footage of the Mostra Della Rivoluzione Fascista, including a modern day (in Italian) look back at the exhibition as well as footage from the time of a visit to the exhibition from Mussolini himself!

A massive thank you to Malcolm Garrett for allowing me to tell the story of the Marching Men images and what inspired them into being.

Birdsong, Fascination and Friendships

The post I did about “The Walking Experiment”. The one that FINALLY led me to finding the quote about the line from In Trance As Mission? The Alice In Wonderland “rabbit hole” of a post that took me what felt like FOREVER to sort out?

Well it led me down yet another rabbit hole today. Because one of the reasons for that post was prompted by a “conversation” with Jim. Submersing myself in the sounds of Sons And Fascination like I have these past weeks, and especially the past few days, I’ve come to the conclusion that…he was absolutely right.

Despite my response to him at the time (see above), I really didn’t feel that way as such. I was using some diplomacy at the time because really I was thinking “Oh, come on, Jim! The music’s great but…how can you say it’s BETTER than birdsong?!” (Which is basically what his reply amounted to.)

That conversation was on my mimd this morning, as was the MMM post on In Trance As Mission. I awoke early this morning. Around 6am. Too restless to go back to sleep, but still a bit too bleary to get out of bed (and the alarm not set to go off until 7.10am), I decided to listen to some Minds music. Namely, live versions of the title track of Sons And Fascination. Having satisfied that desire and with some time still before the alarm was due to go off, I decided to listen to the instrumental version of Seeing Out The Angel. At the end I’m lain there thinking “he is absolutely right. No birdsong DOES compete!” I miss those conversations with him! I really do.

Original “Midnight Walking” FB post (Click to view.)

When I finally got up and out of bed and got all the little things I do each morning all sorted, I sat at my iPad and wanted to find the post itself. The post from Jim that started the conversation about listening to music while walking and of birdsong. You’ll find the link to it posted above. Things he says, the things he’d say to me would always resonate so much. A case in point that my “walking experiment” post in response to that conversation was almost one whole year later! And I’m STILL writing about it nearly five years on!

Finding it led on to me seeing another post that Jim made just a couple of days prior to the “Midnight Walking” post. It’s a post about the Sons And Fascination Tour in the U.S. – the post actually labelled “In Trance As Mission”. (Click title to view original post.) *P.S. In the comments, Otto is right, the gig advertised was in 1984 not 1982.

And I read the words attached and … I am wishing all over again. Wishing hard. And crying my eyes out, dreaming of a friendship with him like this! Like the time of being at that age and living as a young adult in that place and time would allow. To be deemed his friend. To mean even a SMIDGEN to him as to what he means to me!

Before my eyes go too blurry….

The artwork on the poster. Malcolm Garrett has been telling me about the figure in the artwork. He described the figure as a “marching man”. I did always wonder about the figure. He was very gracious in telling me about it and where the inspiration came from. It’s all very fascinating. And it is wonderful to be in contact with “MX”, but I fear he is much more of an inspiration to me than I ever could be to him. (I mean, as if I EVER would be!) As I say, he has been gracious enough to converse with me and it has been highly appreciated. I feel ridiculously unworthy of any such rapport. And I hardly know what to say to him most of the time because I fear tiring him out with endless Simple Minds talk.

My post about “The Cars Are The Stars – Auto iMaGes”? Again whilst looking for the “Midnight Walking” post and the birdsong talk, I saw this…

Original “Sons and Fascination” photo session FB post. (Click to view.)

Jim saying he loved that photoshoot. MX said the same thing to me. I wonder what Sheila Rock’s memories of it are? One day I might pluck up the courage to ask her. The imagery certainly encapsulates everything the album conveys musically. The “musical landscape” of the album. Such collective creativity astounds me and leaves me in awe. And to feel I have what are even…passing friendships with these people…

That Jim ever even took any remote interest in the things I made or the words I’d leave in the comments – that I get to email Malcolm Garrett and talk to him – that any of them even pretend to give a hoot about me or even take a minute to respond to me just…

That I can genuinely state that Virginia Turbett is my friend…

That they don’t flick me away like a pesky little ant…

I genuinely can’t see the screen for the tears…

The Magical Wonders Of The Southside

The southside of Glasgow has a kind of mysticism for me. I’ve lived here in Glasgow not quite 18 months now and I can count on one hand the number of times I’ve been to the southside of the city.

Prior to that? Only a couple of times still. I never discounted living just about anywhere in the city’s suburbs. If the house was nice and the area had a certain “vibe”, nothing was overlooked. House-hunting took us out as far south-west as Barrhead, and also to Pollok and over to Mansewood. But those visits were purely for the house-hunting and I didn’t end up taking in too much of the city on that side of the Clyde.

And thanks to Covid, it is how it has stayed. I’ve had no real chance to explore the city over the other side of the river. The 90 bus was as near as it got! And it was a fun albeit long-winded journey.

When I moved here, I was looking forward to getting out and venturing to all kinds of areas of the city but it just hasn’t been able to happen.

All around Shawlands, Langside, Pollokshaws, Cathcart all look lovely. The parks on the southside look AMAZING! A case in point is this. Snuff Mill Bridge which crosses White Cart Water near Cathcart Cemetery and the top end of Linn Park.

📸 by Arthur A

I’m sure Jim used to walk around this area when he was visiting his dad every day. This place looks magical. I would love to ask him if he knows of it and ever walked over the bridge. But he’s just never really around any more. Here, but not here.

I miss him. So much.

I still had so many questions for him. Just wishing for the endless perception of being close to him. Friendship. Kinship. Something that went beyond mere fan and band. I guess it will never be. Certain others most likely paid rest to that.

Never mind.

The southside will still be there for me to explore one day. It can have its own folklore for me. I’ll make it my own magical place, where all this amazing music sprang forth, and this beautiful, mythical creature with the most superb elfin ears you’ve ever seen came from.

There’s an article that Glasgow Live posted about Snuff Mill Bridge – you can read it by clicking HERE