Review: Field Music – St Luke’s – Glasgow – 8/10/2021

Last night’s gig for me was as highly anticipated as the Scritti Politti gig was just a couple of weeks back. It has been somewhat of a slow burn in relative terms, my love for Field Music. Meandering through other channels. Initially coming via getting into Warm Digits – whom I first got to be aware of by listening to Paul Smith from Maximo Park presenting a show on BBC 6 Music about bands and music from the North East of England (Newcastle, Sunderland, and the general vicinity). He played a track from Warm Digits on the show and I immediately sought them out and have been a solid fan ever since. I don’t remember him playing any Field Music on that same show, but I’m sure he must have done. Anyway, as a consequence of my love for Warm Digits, my love has also grown for Field Music, solidified further by seeing them perform the whole of the Making A New World album at Kelvingrove Art Gallery and Museum in January 2020. (Ah, pre-Covid days! Remember those?)

I have been suffering from a gammy knee for about the past week or so. I honestly don’t know what’s brought it on but my right knee feels in a constant state of dislocation. Like it just wants to crack back into place all the time. And if I try and walk at any kind of pace when it feels like this, my leg feels like it is going to buckle from under me from the knee down. It righted itself a couple of days ago, only for me to stretch my leg out in bed on Wednesday night for it to go out of alignment again. Friday’s forecast had been looking iffy for most of the week, but by midday yesterday it seemed as though from around 5pm onwards the skies would be relatively clear and dry so I decided to get the train in and walk to St Luke’s from Queen Street. BAD IDEA! Just as we (the OH accompanied me into the city) got into Gallowgate, my knee gave an almighty crack and went from under me. Determined not to miss the gig, I hobbled past the Morrisons, precariously crossed the road and made it around the corner to Bain Street where I sat my butt down on one of the stone blocks outside St Luke’s.

Despite my pain and worry that I’d round the corner and already see a queue as long as your arm outside, I was about the first person to be queuing up. Only one other couple were outside, seated on one of the other stone blocks. Doors were opening at 7pm and it was already 6.35pm. Something made me double check with one of the security personnel at the door what the time the gig was due to finish. I took just a cursory glance at the relevant info for the gig posted by the promoters earlier in the afternoon and something had me recalling that it said “Finish: 10pm” – I had booked a cab to collect me at 11pm – thinking the gig would end between 10.30-10.45 as most gigs do. The security guy confirmed that the gig was ending at 10pm so I called the cab firm and altered my collection time to 10.15.

I got myself positioned front and centre once the doors were open, thankful to be at the barrier so I could at least stand on my dodgy leg without too much discomfort. Sadly the support act had to pull out of the gig earlier in the day. I was really looking forward to seeing Galaxians who I have also had exposure to from them being label mates of both Warm Digits and Field Music. I recommend you check out the talent Memphis Industries have on their excellent label. Galaxians had suffered a broken down van the night before in Aberdeen and then yesterday their drummer was experiencing Covid symptoms so they had to pull out of the Glasgow gig. 

UPDATE: Drummer Matt has tested positive for Covid, so the rest of their tour is postponed. Sad news. I hope Matt has only a mild case and will be fully recovered soon. 

At short notice local act, Raveloe, stepped in. Kim Grant played a solo set last night. Usually accompanied by a drummer and bassist, I’m guessing that at such short notice she had to play solo. I enjoyed her set. She has a lovely voice. She finished the set with the band’s latest single New House.

Some dismantling and resetting of mics, some tuning of guitars, etc and it was all set for Field Music by 8.30pm. Then it was 8.35. Then 8.40 and I am starting to think “Should I have altered my taxi pick up to 10.30?”, but just before 8.45pm the band arrived on stage. The Glasgow crowd at St Luke’s always incredibly welcoming. 

The set started with a track from their latest album Flat White Moon called Do Me A Favour. Next up was Disappointed, which I just love the ending of. 

At this point in proceedings, I am starting to feel rather fraudulent and a horrible “fair weather” fan for although I could make out some of the tracks from Flat White Moon and I recognised Disappointed and knew Money Is A Memory from Making A New World, other tracks performed were fairly alien to me. I wasn’t alone – and Peter Brewis could feel it from the crowd too. That the crowd were largely unfamiliar with most of the material on offer. It has given me the extra impetus to continue to listen to them regularly and stop being so fair weathered! 

Continuing on with the bad fan fair weathered nature, I recorded a song to share for my review and had to search through tracks to get the name of it. The song is called I’m Glad and is from their 2016 album, Commontime, the same album Disappointed appears on.

David and Peter Brewis take turns in the drum and guitar parts, alternating in lead vocal parts also as a result. They had foam muffs on their mics as a way of adding a layer of protection for when they were swapping around. David’s muff was red, Peter’s was blue. Every time they swapped over, they had to make sure they took their muffs with them. 

All the swapping and retuning instruments meant that banter ensued – especially between the brothers. David initially goading Peter, having snide little digs at him, but Peter gave back as good as he got. Brotherly love, eh? I hope it was all tongue-in-cheek banter and things are all fine between the Brewis brothers. They are both such lovely guys, with a fantastic sense of humour and always wonderfully engaging with the crowd.

I have to give a special mention to Liz Corney who is absolutely fantastic with them. A great keyboardist and always so happy and in her element on the stage. She’s absolutely fab. She was like sunshine last night. 

The drumming – I honestly don’t know who I love more with the drumming parts – David or Peter. David whacks the shit out of the drums, but Peter has a bit more finesse. I honestly can’t decide. They’re both so good! From what I remember of talking to them both after the Kelvingrove gig, I’m sure David told me that Peter taught him the drums. So I guess on that basis, Peter should win the battle of Brewis brothers drummers.

As much as I was saying before that I am unfamiliar with a lot of Field Music’s…music, I could tell that they performed several other tracks from Flat White Moon, including No Pressure, Meant To Be and Not When You’re In Love. 

I found myself keeping an eye on the time, worried that I had booked my cab home too early. But as we got to around 9.45, Peter declares that they have just two songs in the set to go. Lots of sighs from the crowd who have been loving every tune. And rightly so! Just because the majority of us weren’t overly familiar with the material, it didn’t mean we were any less appreciative of it.

The set ended with the lead single of the Flat White Moon album – Orion From The Street, reproduced perfectly live, and where Liz truly came out to shine. Beautiful! 

All the music was top class and this band is stellar live. The reason I kept on clock watching was because I didn’t want the gig to end at 10pm! I really didn’t! I’d have happily stayed on until 11pm to watch them. 

But after a single song encore, the gig was over at 10pm sharp! A few minutes to try and get my now totally screwed legs working, put my mask back on and slowly shuffle on out the front doors. A short wait for 10.15pm to tick over and right on cue my taxi arrived and I was home at 10.30pm – which just blows my mind! I had only ever experienced that joy just the once in Luton when Ruts DC came to play the Hat Factory in March, 2018. It was bliss! Usually great gigs by big names meant trips to Cambridge, or London, or perhaps if you were lucky, Milton Keynes or Bedford, or St Albans, Watford or Hemel Hempstead. 

Glasgow is just…such a gem! It really is. And what gigs this city gets! I love it! The only thing that would have made this night better was that there had been nothing wrong with my leg. Other than that, it was a perfect evening. I thoroughly enjoyed every single moment of it. Field Music are top notch!

Field Music – Orion From The Street

In Jim’s post today he talked about The Beatles track Tomorrow Never Knows.

Now whenever it gets mentioned I think of this. When it was released, someone left a comment on the Field Music Facebook post saying “it has a Tomorrow Never Knows vibe to it”. When I listened to the track again, I could here it too.

It has a fab melody. That caught me straight away. But it took a few more listens to get fully into the song.

I have a disgusting piece of romanticism attached to the song as well. I tend to listen to music late at night whilst laying in bed. My bedroom windows face south west – and I keep my blinds open at night – so on a clear night, I can see Orion from my bed.

I’d love to talk more about Jim’s post but…meh. I’ll save it for another time. When it feels like there’s no “two-way street” any more, the passion starts to die.

It’s starting to feel a little hard to enthuse sometimes. The interactivity that used to happen gave you something to bounce off. “Mutual appreciation” and all that baloney…

A Chemical Reaction

Ever heard of Galaxians? Nope, me neither until Field Music’s David Brewis mentioned them on the Field Music Instagram account on Friday.

A new album of theirs (Galaxians) had been released and he was recommending it for your weekend listening pleasure. He said “our Leeds compadres Galaxians (he actually tagged their Insta a/c) have a new album out! Features the finest synthesizing this side of Bernie Worrell’s most-holy ghost.”

A person leaving a comment quoted that last part with a “SOLD!” at the end of their comment.

And I was really taken by the cover art. With me still in the middle of reading Lanark, there was something of the Alasdair Gray to the album cover art. So I thought “I need to give this a listen.

And for the past two nights I have done. Wow! Not just synths. Drums! E-drums. Linn drums maybe? I’m no expert. The vocals! Wow! And the style/genre – harking back to real PROPER funk, soul and r&b. I’m not sure about the Bernie Worrell reference. I am yet to see exactly what that pertains to. All I know is – THIS is a summer album! AND IT COMES FROM LEEDS?! It’s like that constant mindfuck of knowing that Average White Band hail from Dundee. Lol. You never expect these kind of sounds to spring forth from the UK.

Anyways, I am with David Brewis firmly on this one. You could do worse things on a rainy Sunday in Glasgow (or wherever else in the world you find yourself in currently) than listening to Galaxians new Chemical Reaction album.

Spotify link below…

You can buy their music from Bandcamp also. I’ve just gone and bought the album in vinyl. Bandcamp wording is a clickable link directly to their page.

Record Store Day 2020

This year’s RSD takes place on Saturday April 18th. There are some things that have piqued my interest, pictured below.

There is also a Steven Wilson mixes edition of Roxy Music’s eponymous debut album. For me, Field Music and kd Lang’s All You Can Eat and Drag would be lovely on vinyl. I used to play those and the Ingenue album SSSOO much. I absolutely ADORE her voice.

There is also the tenuous Simple Minds connected offering of Corporation Of One’s The Real Life – which as I understand it, oddly enough samples the title track from SM’s 1991 album.

Something for the purist, I guess. I can’t say I am that enthusiastic about it, but now I’ve said that, I’ll probably by it. Lol

Field Music – Kelvingrove Art Gallery and Museum – 01/02/2020

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Ticket stub from last night.

My first gig of 2020 may already be the gig of the year! I arrived in the West End around 4.30pm and had a bite to eat at Mario’s Cafe on the Byers Road. After the meal I took a meander down to the Kelvingrove thinking it might be open for the concert goers to go into and have a drink in the cafe or in a bar. I was there at 6pm but the doors didn’t open until 7pm.

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The band going through soundcheck.

At about 6.30 a couple showed up and we got chatting. We discussed gigs, my move from Sydney, to Luton, then on to Glasgow. It wiled away the time until doors opened. A friendly couple they were. Weegies are always up for a bit of a chinwag and some patter.

Once the doors opened to the museum hall space and to the seating, I got myself a seat about four rows back and fairly centre of stage. It was a good vantage point, with a clear view to the drum kit (always important for us would-be drummers).

The support act, Tenement and Temple, were on shortly after everyone was seated. The singer’s voice is very sweet and beautiful. They have quite a traditional folk/country sound to their music. Not usually the genre of music I would seek out, but I enjoyed their set. The natural reverb and echo the hall has really complimented the singer’s voice. It was lovely and soothing. I felt myself calmed by the music. Their set lasted about 35 minutes.

A quick set up by Field Music followed. Then just on 9pm, David Brewis walked onto the stage. He says “just to make you all aware. We are going to do something very scary this evening. We are going to play the new album in its entirety first – without a pause…and then we’ll play some of the back catalogue – the songs you’ll know. So bear with us, please. We’re really nervous.”

What followed was one of the most wonderful audio/visual experiences I have ever had at a live event. It was wonderful!

The album is a concept, based upon an audio recording done that captured the final minute of WWI and the first minute after the war ended. The band then put their own interpretation on aurally documenting the last 100 years since the end of WWI. They were asked to be involved with this concept by the Imperial War Museum. What they’ve done in producing this album is amazing. The way in which they have documented the past 100 years of human history, post WWI is concise and thought provoking. I sat there in a kind of audio/visual awe. Taking in the music and the visuals with a gleeful relish. Absolutely wonderfully staged. I cannot commend the band enough for the way they executed it.

Once the whole album had been performed, there was rest for the most deserved and stirring round of applause I’d heard any band ever receive. And you know the reputation of Glasgow crowds. Well, last night, they absolutely gave due respect for the audio/visual splendour that was just experienced. The applause went on for several minutes. Both Peter and David Brewis were almost embarrassed by how long it went on for, but so wonderfully humbled by it. It was so richly deserved.

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They both sighed. They swapped places (both the brothers took turns at drumming duties last night – David during the performance of Making A New World and then Peter through most of the back catalogue). Peter drew in a deep breath and smiled and said “Okay…you can take a few moments now. You can get up, grab a drink, go to the loo, stretch your legs.” A guy in the front row immediately got up and darted off. Peter watches him walk off… “Oh, okay. Erm, yeah, off you go…. He’s not coming back, is he?” Lol. “So, yes, anyway. Just take a few minutes, we’ll have a quick breather and perform the good stuff now. The songs you’ll know. So you can sing along, have a dance, do whatever you like.”

They played Count it Up which I was so happy about! I think they performed maybe 8 songs from the back catalogue. I wasn’t keeping count. And I admit my ignorance and declare I am not overly familiar with their back catalogue, but I will endeavour to change that after last night. They certainly gained a firm fan in me.

Afterwards I waited patiently for my time to just…engage with them both and thank them and congratulate them on such a wonderful gig. I spoke to Peter briefly first. Telling him that I got to know of them (Field Music) through Warm Digits and that I had seen him perform with them in 2018 on the Wireless World tour, as he’d done a guest vocal on their (Warm Digits) song End Times.

David was manning the merch stall and was taking card payments, but the WiFi inside the Kelvingrove was proving a bit temperamental. David split away from the main merch area to try and get a better connection, which he found standing in a different part of the foyer and set up a makeshift second merch stand to take the card payments. I bought the new album and asked if they would both sign it. I said to David “I really don’t know why you were so nervous. The show was absolutely amazing!” He went on to explain that he had to play the drum parts to a click track to keep to the tempo, and once the adrenalin starts pumping, you naturally just want to play faster and then the click track sounds really, REALLY slow and so the level of concentration just makes you anxious and it’s just an abundance of nervous energy and you get stressed with wanting to make sure you get it right.

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I’m so glad I stayed behind and got to chat with them. They are such lovely men. So talented, yet so down-to-earth and lovely.

I knew this gig was going to be something very special and it was exactly that. It actually went BEYOND my expectations. I don’t feel in anyway being premature in saying this could already be gig of the year. They really have set the bar high for whoever else I am seeing this year – Simple Minds included!

The Brewis brothers deserve every accolade that comes their way with this album. It’s wonderful. See them if you can! You won’t be disappointed. More dates are to come later in February.

The Gig List (As of 26/01/20)

Here’s my list of gigs to look forward to.

Something to keep me happy.

UPDATE: 27/01/2020 – NEW ADDITION*

Feb 1st – Field Music, Kelvingrove Art Gallery

Feb 10th – Polica (Warm Digits are support – and the reason I’m going), St Lukes and Winged Ox

March 3rd – Bryan Ferry, SEC Armadillo

March 10th – Simple Minds, Vega Copenhagen

March 12th – King Creosote, Royal Concert Hall

April 4th – Simple Minds, La Seine Musicale Paris

April 6th – Simple Minds, Arkea Arena Bordeaux

April 18th – Simple Minds, First Direct Arena Leeds

April 22nd – Simple Minds, 3Arena Dublin

April 25th – Simple Minds, SSE Hydro

May 14th, John Grant, Festival Theatre Edinburgh

June 17th – Crowded House, SSE Hydro

July 18th – Simple Minds, Teatro Greco Taormina

August 11th – Primal Scream*, Kelvingrove Bandstand

August 13th – Simple Minds, P&J Live Aberdeen

Dec 1st – Simple Minds & OMD, Margaret Court Arena Melbourne

Dec 3rd – Simple Minds & OMD, First State Super Arena Sydney

Dec 5th – Simple Minds, OMD and Eurogliders, A Day On The Green – Bimbadgen Winery Hunter Valley