Street Fighting Years – Reissues/Box Set – Released 06/03/2020

It’s the one a lot of fans have been waiting for and well…it’s fairly disappointing, insomuch as there’s nothing to surprise. No previously unreleased material. Well the Verona audio is deemed “previously unissued” – whatever the fuck THAT’S meant to mean. Not previously in audio only format, I’m assuming?

This new push for “edits” continues with a disc that contains both edits and full versions of songs and some remixes. Why edits? Especially within a product that appeals most to the ardent fan rather than the casual fair weather fan? I just about understood it with “40: The Best of 1979-2019”. It was to appeal to the casual fan, not the ardent one.

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If you want true fans … “real” fans to continue to invest in this output, you’re going to have to up your game. Sorry, but it’s the truth. You can’t just keep on relying on us being pulled in by the aesthetics of the packaging. It’ll start to have a tone of “nice legs, shame about the face” with it. “Nice packaging, shame about the content.”

It’s a big investment for some pretty imagery.

The only thing that genuinely appeals about it now is the booklet and Trevor Horn interview.

But don’t let me put you off! Available to pre-order – the best price I’ve seen for it is via the Townsend Music store, currently listed as £43 for the 4CD Boxset. You can view more details on the contents of the boxset HERE (which also contains info on the 2CD and 2LP versions of the album).

I’ll wait to invest. I’m guessing that by the time this year’s Verona gig swings by, the price will have dropped and I’ll grab a copy then. I did similar with Sparkle In The Rain and Once Upon A Time. I bought them both several months down the line at discounted cost.

Now…had this been a Sons And Fascination/Sister Feelings Call boxset….

Seeing Through The Eyes Of Love

It’s now 4 years since this happened and I know Jim will be utterly bloody bored with it, so I’ll just keep the memory here on the blog.

This anniversary I find myself back in Oz, so this year feels just a little more special, yet painfully sad.

Kyoto might well still be in snow, but most of the Eastern seaboard of Australia, as well as parts of Adelaide and Perth, have been aflame this summer.

Again for most of the outer suburbs of Sydney, up to Newcastle, and down to the south coast, past Wollongong (where regional coastal towns are on high alert as fires threaten to ravage the area again, having only just gone through the devastation just 72 hours ago) and into country areas of New South Wales, temps are set to be a minimum of 40 degrees Celsius – with the average being 44 tomorrrow.

After Saturday’s extremes, the temp. drops away and falls by 20+ degrees for a high of 25 in Sydney on Sunday and 22 on Monday.

Four years ago, the weather was unusually cool for the time of year – 21 degrees and drizzle. A rare overcast and rainy day.

Well the days I’ve had here I’ve hardly seen the sun but for vastly different reasons.

Also this time four years ago, I was spending – what I feared would turn out to be – my final months with mum.

And so I say it time and again, my Hunter And The Hunted piece will forever be the most special thing to me. I don’t know how much I can express all that is wrapped up in it.

The significance of the song… it really is just about the finest thing Simple Minds ever produced – and as a consequence how enamoured I am with Jim. He is just beautiful… the lyrics to the song and just him… body and mind. Intelligence. Beauty.

And I still feel that my piece on it compliments the beauty of the song.

And there’s mum and those precious final months with her. I never wanted those months to be the final ones😔💔

I knew time was running out.

This silly mind is still waiting for us to travel to Busby to go and see her… wondering why we haven’t been yet. Pulling into Liverpool Station on the train and not getting off the train there feels really wrong.

The anniversary will be more special every year.

Jim, thank you. I will love you always for this. 💕😚

Still Just A Small Taster

My collection of Virginia Turbett prints of Simple Minds grows slowly yet strongly. A new batch arrived last week and I wanted to show what is in it without comprising the copyright of Virginia’s images. This is still just a small taster, and probably now the last you will see.

The prints are of stunning quality. Trust me, if you decide to buy, you will NOT be disappointed. This video doesn’t do them full justice (I have to be careful not to show them at optimum resolution as they’ll just end up being taken and used) but I hope you can get some sense of how wonderful they are. Some are just truly iconic. The ones taken at Tavistock Square in 1980…the whole photo session is gorgeous.

If you are interested in prints, contact Virginia via her website at: www.virginiaturbett.com

Priptona Art Used For Video Ident!

Well, this is pretty cool. Any way in which my art is appreciated and used these days makes me happy. So, to be alerted to the Colours Fly And Catherine Wheel piece being used as a FB video ident was a nice surprise – even if the FB page itself blocked me some time ago.

And this one always feels so special because it was at a time where I felt I was bombarding Jim with stuff…and he very kindly…and probably most likely to his eternal regret, was so, so wonderful and encouraging to me and gave me such positive feedback!

It was probably the day I fell in love with him! Lol.
Oh, god. I’ll make him regret it even MORE now!

ANYWAY…

The ident is fleeting but …

It’s Kinda Quiet…

Again. I mean…we’ve got the tour coming next year. LITCoA recently came out. The “40” compilation is released on Friday – the day after I turn 49 (HELP! Lol)

They’re at the Scottish Music Awards at the end of November.

And of course there are other extenuating circumstances why things have been quiet.

And on a personal level – the blog is taking a back seat while house-hunting take precedence. I’ve been up and down the country like a yoyo these past two weeks. Up to Glasgow, back to Luton for a day, then down to Bristol and further south west to Devon, back to Luton for a few days and just back last night from another fleeting visit to Glasgow.

I wanted to review seeing Toyah in Bristol last Sunday but I just feel like it’s non stop right now. Exciting, don’t get me wrong, but draining also.

We lost out on one property and we’ll be going for another this week. I think the Scottish market is really healthy right now. It feels it. There is pretty of stiff competition with other buyers out there right now. It’s a seller’s market for sure.

So currently my head just swims with decisions on making offers, how much for, etc, etc. “Offers over…market value…look at the home report…Google Maps Street View reccy…is it worth travelling 400 miles to view it with my own eyes?” Etc, etc…

“Where are the good parts of Glasgow?” Just…endless factors to consider.

Barely had time to do any professional ogling of late. Lol. Though the visit to Devon was to see Virginia and get some “professional” ogling in. Lol. But nothing is happening for me artistically. Don’t know the last time it was when I worked on any art.

I would love it if my next visit to Glasgow was an actual move but who knows?

Yesterday I was in the Flying Duck having an early tea before setting off for Luton (I keep going to say “home” when referring to Luton and then stop myself because I want Glasgow to be home). I walked in and they were playing Talking Heads…and then this came on and it felt SSOOOO apt!

And then tonight discussing all the whys and wherefores with the OH, this came on the radio…

We’ll see later in the week, I guess. And perhaps there might be a bit more SM news too? Or Jim will come back. It’s silly to say how much I miss him…but I just do. The interactivity on SMO is just not the same without him being around.

Lucky I have house-hunting to take my mind off things, I suppose…