The Glasgow Magic

Well, this is just a little bit awesome! Crowded House are gonna have to do a bloody good job next week to get near SM for best gig I’ve experienced (so far!) at the Hydro.

Buzzing to see When You Come live though.

About Last Weekend….

Hold that note!

Because today….I am knucking fackered – so a proper review post will have to wait until tomorrow. But for now, I wanted to share what I think is the best photo I took last night. There a few other decent ones but I like this one most.

January – Go! Don’t go!

What does one do when the creative writing well seems dry? Find a topic? Pick something?

It’s nearing the end of the first week of January. I could talk to you about howJanuary feels to me? It feels like a month of 62 days! Most of the time…

But this time may just be different. We are almost one week in to this (usually) most arduous of months. At this rate it will sail by! But that is the trap January usually sets. It starts out fleeting and then seems to grind to a laborious halt around midway through. 

It’s definitely a northern hemisphere affliction, the long, arduous January. I have no recollection of Januarys lagging while I was growing up. In fact it was very much the opposite. Januarys were all too fleeting. It’s the height of summer in the southern hemisphere and for kids on the east coast of Australia, it’s summer holidays. Schools break up a few days before Christmas, and when I was growing up we had a six week break from school. We didn’t return to school until the second week of February. Yay!! It’s a little different down there now as there is an extended break over Easter that didn’t happen when I was going to school. At Easter back then it was just Good Friday and Easter Monday off school. Now there is a full week off school which means summer holidays are now generally five weeks long and the school year starts at the end of January in New South Wales, at least. 

So, as you can appreciate, the Januarys of my childhood felt like they were only maybe a week or two weeks long. And the end of January was dreaded! It meant the return to school was imminent. Now – the end of January is to be celebrated! The days are getting incrementally longer and, at long last, the month is done with! There is light at the end of the bleak, mid-winter tunnel. Hurrah!

This January is different. There are things to look forward to! My university study begins in just over two weeks time. And a few days after that, the new book on Simple Minds – Themes For Great Cities gets released. I’m looking forward to hearing everyone else’s thoughts on that. Also, Sarah Brown is releasing the debut single off her new solo album. That will be fantastic to hear.

What other news to come of Simple Minds? I pray there are some! March quite literally marches on and we are still quite deep into this Covid thing. Is the fear of it now vastly exceeding its threat to our lives? I feel we have turned that corner due to the vaccine rollout. It is very obvious the vaccines have done an incredible job by and large by reducing the severity of symptoms and effects, of not necessarily severity and rate of contagion. 

I am as doubtful of the prospect of seeing Simple Minds in Paris in March as I was by mid March of 2020. But then I had the gratitude of having just seen them in Copenhagen and the blind optimism that the Covid pandemic would be over in a few months at worst. 

April is a more promising prospect. And all within the UK, so perhaps even if on a personal level Paris proves a no-no, I am…mildly confident I will see the band come April.

But what else is there on the horizon to look forward to? Jim’s posts of late have been more on the personal, or of band history, not much of what’s to come – which is incredibly odd for a forward thinker like Jim. I guess he’s just as flummoxed as the rest of us about what the imminent future holds? There was talk of new music last year, but little of that has been discussed since. No news (from the next world) is good news? We’ll see in due course, I guess.

Perhaps I am better at this “writing from scratch” with a blank page in front of me than I give myself credit for?!

It bodes well for the study. Over the weekend I looked at the breakdown of my course. I could see what the whole academic year looked like. The topics we’ll be covering every week and what is required for each assessment during the year. I am excited. The Arts and Humanities is so broad. We’ll be looking at many things, from Cleopatra, to Elizabeth I, Gothic Architecture, painting and Greek and Roman sculpture, Mozart, The Blues, Philosophy, poetry, art from central and southern Africa. I am champing at the bit to dive in.

Today, January is flying by and I am welcoming its end for vastly different reasons than I normally would be. 

Let the year begin!

In the meantime…a nod to January…

Minds Music Monday – Ritchie’s Club – New Orleans – 27/04/1983

Ghost Dancer (aka Stuart Greaves) has shared another gem of a bootleg, this time of SM some seven months into the New Gold Dream tour of ‘82/‘83 – midway through the North American leg of the tour in April/May of 1983.

Playing the Ritchie’s Club in New Orleans, Louisiana. Recorded by a member of the crowd – hearing audible bits like the guy telling the girl next to him to stop talking to him as he’s recording the show. Lol (You tell her, pal!) The recording is a good one coming from the crowd as it does. Some people obviously managed to sneak in some great recording equipment to these gigs. Mates who were working as road crew on the night or some such? No idea how they did it, but kudos for doing so.

As for the band themselves and the gig? Well, as you’d expect by now, we hear all of the New Gold Dream album (Somebody Up There Likes You as their walk-on intro music), plus stonking versions of I travel, Celebrate, The American and Love Song. There’s a little of the set lost (changing the tape over in the recorder, I’m guessing?) where the ending of Hunter And The Hunted cuts off and we return about a third of the way through Promised You A Miracle.

It feels as though Jim is going through the motions a little bit at times. He wavers a little, especially towards to tail end of the set. There’s a bit of banter that happens. I’m guessing fans are asking for certain songs to be played. At one point Jim says “Naw. It’s too old.” But usually it is just “Thank you.” And an intro of the next song. I guess I am odd to miss that Jim, right? The one who never seemed overly engaging with the crowd? I guess I miss …. the intensity. Can one miss what they never truly experienced? I do love the ease of engaging “older statesman” Jim now though. He knows how to get the fans in a frenzy still, just with less “whirling dervish” manoeuvres and brooding frontman intensity and more “banter” and acknowledgement of the crowd.

Having said all that…if that was young Jim on an “off night”…imagine him when he was fully up for it?! ERMAGERRRRRD! I’d say he was 70/30 that night. 70 on, 30 off. Or there abouts.

Anyway, it is definitely a gig I’d listen to again.

Enjoy!

Minds Music Monday – Sons And Fascination/Sister Feelings Call – Recording Begins

In a small village called Little Chalfont, in the Buckinghamshire countryside near the town of Amersham…. five band members and a producer that they (the band) admit to having slight reservations about (they wanted Todd Rundgren but he only worked out of Sigma Sound in New York and Virgin deemed the idea too expensive to hire him, then it was proposed they use Martin Rushent but he was unavailable, or Steve Lillywhite but he was deemed too expensive also at that point in time) enter a recording studio and started to record what would be, for me, quite possibly their most remarkable album(s). There may have been trepidation to start with. And it may have continued to be fraught with indecision, but what sprang forth from it, in hindsight, is…wondrous!

Steve Hillage sounded the least authoritarian producer you could wish for, which one could argue wasn’t what a still fledgeling Simple Minds needed at that point – their three album recording history with John Leckie meant that it was an entirely unknown dynamic for the boys when they entered Farmyard Studios with “old Cabbage Head” to record their 4th and 5th albums. They sounded as if they needed the discipline that Hillage lacked giving them – at the time – but it also released something profound too. Perhaps a modicum of freedom that they needed? Yes, it meant they were indecisive about which songs to work on, but wow! I mean, talk about spoilt for choice when you feel your hands are tied and say “we’ll take them all in!”

📸 Rupert Hine with Andy Scarth at Farmyard Studios
– curtesy of ruperthine.com

Perhaps this is why we’ll never see a Sons And Fascination/Sister Feelings Call boxset? Do we have it all already? Well…I can’t imagine that is true! Just last night on the Dream Giver site I read about demos that were recorded at CaVa Studios in Glasgow. And when I interviewed Jaine Henderson a couple of years back she had told me that initially Love Song was offered to her by Jim to perform and record. Imagine it! What would be their biggest hit of the time – until Promised You A Miracle is released 12 months later – might not have even been a Simple Minds hit! Jaine wasn’t persuaded. She wasn’t a singer or performer.

I’m guessing those CaVa demos are what ended up on the Silver Box set that Virgin brought out in 2004? There are demo versions of Love Song, The American, Careful In Career and Sweat In Bullet on there – as well as (dare I mention it?) the forgotten Life In Oils – which fell somewhere between the tracks of Empires And Dance and Sons/Sister. Already too much new stuff they were working on as the Sons/Sister sessions started, it got ditched, much to mine and John Leckie’s consternation.

They nearly called him (Leckie) back into the studio, they ended up so directionless with Hillage – but would we have ended up with what now feels like such a rich tapestry? The album needed to formulate and end up shaped in the way it was. A bulging overspill of creative energy. A band oozing with an abundance that sees them on the cusp of something grand. You can feel it. You can almost taste it! With long hindsight, and even with its (SUBTLE) imperfections both Jim and Charlie value it for the creative tour de force it was.

For your listening pleasure – a fantastic recording of them made in San Fransisco while they were on tour. Recorded by Frank Gallagher, no less, and aired exclusively on Billy Sloan’s radio show for Clyde Radio back in July, 1982. I’m assuming the recording was made the previous November as they played San Fransisco on November 7th, 1981. They didn’t tour the U.S. again until 1983 and SAF was no longer on the the setlist by then.

Enjoy!

Source material from simpleminds.org and ruperthine.com

Happy Release Day – Flight Of Ideas!

The day has arrived! Sadly, my copies are in lockdown as currently Monorail are only open as an online store and I ordered my Dinked LP and CD to collect from in the store itself. I’ll be waiting some time to collect, methinks! In the meantime, there is Spotify and the digital download copy to buy.

Check Warm Digits’ social media channels and website for details.

As a consequence, today’s music aperitif is Fools Tomorrow. Strangely timely for the perplexing time we find ourselves in.

Record Store Day 2020

This year’s RSD takes place on Saturday April 18th. There are some things that have piqued my interest, pictured below.

There is also a Steven Wilson mixes edition of Roxy Music’s eponymous debut album. For me, Field Music and kd Lang’s All You Can Eat and Drag would be lovely on vinyl. I used to play those and the Ingenue album SSSOO much. I absolutely ADORE her voice.

There is also the tenuous Simple Minds connected offering of Corporation Of One’s The Real Life – which as I understand it, oddly enough samples the title track from SM’s 1991 album.

Something for the purist, I guess. I can’t say I am that enthusiastic about it, but now I’ve said that, I’ll probably by it. Lol

Warm Digits Tour Dates

5A020C5A-3109-4C55-AAC1-4154957F13E5

The boys hit the road at the end of April and into early May to headline a tour showcasing the forthcoming album, Flight Of Ideas. I had already mentioned the album launch and signing happening at Rough Trade East in London on April 4th – beyond that are dates as listed below.

I would DEARLY LOVE to go to the Purcell Room in London but now I’m here living in Glasgow, I can’t really justify it. I looked into going, seeing how much it would be logistically but couldn’t really do it.

But I have already planned my logistics to see them in Newcastle and Manchester. Tickets for Newcastle went on sale this morning and Manchester tickets will be on sale tomorrow. And…Steve did say to me there will be an Edinburgh date too, so I will definitely be going to that one as well.

This band is ssooo stellar live (well, not just live). And they will be sure to have some special guests playing with them. If you can, go see them! Only Simple Minds and The Stranglers do I hold in as much esteem as these guys.

If you love your motorik beat “kraut rock” with a blend of electronica, you’ll LOVE Warm Digits! Check them out and go see them!

WARM DIGITS TOUR:
Sat April 4th 2020 – London, Rough Trade East
Thu April 30th 2020 – Newcastle, The Cluny
Fri May 1st – Manchester, Soup Kitchen
Sat May 9th 2020 – London, Purcell Room (South Bank)
Tickets/Info: https://www.songkick.com/artists/3015481-warm-digits

New Warm Digits Album – Flight Of Ideas -Released April 3rd!

134BE862-964A-4886-8CD4-0B7FFB7278B3

The best news today! Warm Digits have a new album coming our way on April 3rd. The new album is called Flight Of Ideas and an official video of a song from the album is up on YouTube.

The song is called The View From Nowhere and features guest vocalist, Emma Pollock. You can find a link to pre-order the album via the info on the YouTube clip. I’ve already ordered both the vinyl and CD. Can’t wait to hear the rest of it!

See you next week, boys!

Argos Advert Parody Competition – Win Tickets To See Simple Minds In London!

Full details at Argos on Twitter. Closing time for entries is 17:00, Friday, November 29th. (I might be a little bit pre-occupied right at that point in time!)

Good luck!