Minds Music Monday – Warm Digits Christmas Takeover!

Seeing as it is the MMM before Christmas and there is not a SINGLE Simple Minds Christmas song – AND the boys performed this on Thursday night for me – I thought it appropriate that this year’s Minds Music Monday before Christmas should actually have a Christmas song….so it’s being hijacked by Warm Digits and their fab Good Enough For You This Christmas.

Merry Christmas to all that have visited the blog this year. It was a special one for celebrating the 40th Anniversary of Sons And Fascination/Sister Feelings Call. We’ll get to do it all again for the 40th Anniversary of the hallowed and lauded New Gold Dream in 2022.

Thank you also for all the feedback and kind words. Here’s hoping there will be much more to report in 2022. The year will start with more info of the book to be released later in January titled Theme For Great Cities. And I have something very exciting happening with that, so make sure you stay tuned.

Until then, Merry Christmas! Love, Priptona xx

Review: Warm Digits – The Cluny, Newcastle – 16/12/2021

What can one say about the year 2021? Not a lot. It started out quite abysmally and it took quite a few months before things slowly started to feel like they were getting better. We deluded ourselves we were getting on top of Covid. The vaccine roll out happened and the FM (First Minister of Scotland, Nicola Sturgeon) seemed pretty driven to get the Scottish population fully vaccinated as quickly as possible. Even now, statistically, compared to the rest of the UK, Scotland has the highest rate of vaccinated residents in the UK (I believe). As good as those stats are – a new variant has come along and now there is a new “evil” word joining Covid – Omicron! Covid cases are on the rise once more and there is a drive for booster vaccines to be given to as much of the population as possible in the quickest time.

This year I have been to as many gigs as I got to go to in 2020 before the Covid shit hit the fan – ie: not many at all. A couple of gigs I had chosen not to go to due to my own concerns still. Two gigs at Barrowland Ballroom I didn’t attend were John Grant and Manic Street Preachers. My list of gigs I went to is: Scritti Politti, Field Music (they were also one of my 2020 gigs), and Warm Digits (also on my 2020 list). I should have been going to one final gig this evening – to see Memes at McChuills. I had already decided I wasn’t going to attend it. I had taken enough risk seeing Thursday night’s Warm Digits gig. The good news is that in light of the Omicron variant and new restrictions coming into place, Memes have rescheduled their gig to April 1st next year.

The Warm Digits gig I have been concerned about for weeks. After the previous gig of going to the Stag and Dagger in Edinburgh to see them, and the disappointment of them having to cancel their Glasgow gig – and not being able to go to their gig in Manchester, it was all hinging on Newcastle. It had been a long while since I saw them play a full set and I really, really NEEDED to see a full set!

But with everything that hit with Omicron, I had my doubts about if I should go? Everything else I had put in place, determined to get there. I had purchased return train tickets straight after the Edinburgh Stag and Dagger and booked a room at a hotel nearest the venue. 

Other things were also playing on my mind. I actually thought the Covid things would be the thing of lesser concern. Vaccines were happening. Precautions were in place. I was worried weather would be a factor and had there been snowfall then that could stuff up the running of train services, etc, etc. Then about a week or so before the gig, this Omicron variant was spreading like nobody’s business around the world and I started to freak out. Esp. once Boris started talking about potentially going into lockdown again! I started to have my doubts that I would even be allowed to travel. And what happens if I end up going to England – will they let me back into Scotland on Friday? 

On Thursday morning I received a letter from SAAS about my application of my part-time fee grant. I was awarded the grant! Yay! But because this was my first time applying for the grant, I wasn’t sure how to interpret the letter other than I had been granted partial funding because the award was only for so much of the fee. So that left me believing I would somehow have to stump up the rest. I wanted clarity on this though and contacted the OU. They said I needed to specifically speak to the Scotland region of the OU, as they directly handle the fees and grant awards for Scottish OU students. During busy times though when you call the OU in Scotland number and the lines are busy, the calls are filtered through to the main OU phone lines in England. My call got filtered through to England twice. The second time, the adviser on the line said he’d put in a callback request for me so someone from OU in Scotland would call me back. Great. That was all good. But equally I am leaving for Newcastle with this worry that I am going to have to find 40% of the fee for the course! It was casting serious doubt on whether I could go ahead with my study. 

I packed a bag. Had a shower and got ready to head off to Newcastle. 

All the travel was running smoothly. Train into the city from Ashfield was on time. Arrived at Queen Street in good time for the connecting Edinburgh express train. Arrived at Edinburgh just after 2pm and the connecting train that was heading to London was already there on the platform. Found my carriage and seat and got comfy. About 40 minutes later we stop at Berwick-upon-Tweed, which looks like an absolutely STUNNING place, and is somewhere I’d definitely like to go and check out in the future.

Just after we pull out of Berwick, I get my callback from Ou in Scotland. I explained that I received the award letter in the post earlier that morning and had said I had been awarded so much – a partial award and wanted to check what I needed to do to pay the rest of the fee. The person on the phone asked me to clarify the award amount I was given, which I told them. “That is the maximum award they have given you. The university pays the rest. You have nothing to pay.” I don’t think I have ever been so relieved or felt so thankful for a phone call in a long while. I was like “Oh, my God! That’s incredible! I am so, so relieved. This is fantastic! Thank you so, so much!” I was on a cloud! So buoyed by that news. And just…so relieved and able to relax. 

It was pretty dark by the time I arrived in Newcastle. The sun had set and there was minimal twilight left. I decided to get a taxi to the Premier Inn I was staying at. Taxis were straight outside the exit from the station so I grabbed one and arrived at the Premier Inn several minutes later. 

Had a quick drink and a snack and after about an hour, I decided to head to The Cluny. I could see on Google Maps it was a really short walk to there from the Premier Inn. Less than half a mile. But it isn’t a busy part of the city and I was a little worried about the walk. But I knew that it would hardly be a taxi driver’s worth to come and collect me from the Premier Inn to drive me, quite literally, down the road and around the corner. So I walked it. But OMG, I was freaking out doing it! But I made it there safely (obviously!) but there was NO WAY I was going to take that walk back to the hotel after the gig. One, I knew by then my legs will have given out on me, and two, by 11.15pm, those streets will be even MORE terrifying. 

When I get to The Cluny, I familiarise myself with the place again and go to the back of the pub and upstairs to the quiet “lounging” area. I take a seat on the sofa and have been there all of a few minutes when I hear music start up and realise it’s Andy and Steve going through their soundcheck. Not only that, I can hear that they are rehearsing their Christmas song – Good Enough For You This Christmas. From the time of Edinburgh I had been saying “The Cluny is a Christmas gig. You HAVE to do the Christmas song! You just have to!” 

I got up off the sofa and snuck in through the doors of the auditorium in front of me. I stood towards the back, enjoying my little exclusive preview. Andy looked up at one point and I waved like a loon at him, grinning away that they were rehearsing the song. 

Steve was to the side of the stage and couldn’t quite see me from where I was standing, so when the song ended I shouted “YaaaaaaY!!!!” and that was Steve alerted to my presence and, bless him, he smiled and said “you made it! Excellent!”

Not only are Warm Digits bloody amazing musically – but Steve and Andy are just such lovely, lovely guys. They always make me feel welcome and they never make me feel a pest for wanting to hang out with them. They are just so, so fab. Speaking of FAB! We had a bite to eat together before the gig. Andy and I are very much “team Get Back”, the both of us waxing lyrical about what we thought of it and how great it was and how we’re both well up for completely ODing on the notion that Peter Jackson says he will eventually release all 60 HOURS of the footage! 

To the crux of the matter – the gig itself. There were two support acts. But with first support had to pull out of the gig unfortunately. That left Dextro as the sole support act. I really enjoyed his set. There’s quite a kind of “trance” vibe going on with his music. I find it hard to get into music with a lot of space like that and not much of a “groove” as such – more loops and repetition at a standing venue. I feel like it is more a style of music that needs to be enjoyed sitting down. As much as I was enjoying his set, after a while it started to play havoc with me and I feared I was about to have a vasovagal attack so I left the auditorium and went and sat on one of the sofas back out through the far doors. Just to give myself 5-10 minutes to compose myself and get my breathing under control. I was doing deep breathing inside to try and ward off the feeling but I was starting to feel like I better go and sit down for a few minutes while I was able to.

I went back and was able to enjoy the final 10 minutes of his set without the fear of keeling over.

Again, I will say that I enjoyed his set, but I would need to be at a seated venue to enjoy his set fully. I would see him again. I had checked out his music on Spotify before the gig and I liked what I was hearing and was interested in seeing him.

Hear more from Dextro by checking out his bandcamp page – https://dextro.bandcamp.com

As for Warm Digits? FANTASTIC! They sounded great from the off. The Cluny’s acoustics are fabulous and they get great sound guys in, I think. The levels were perfect. Nothing was too loud or distorted – so very different to how Edinburgh was. Crowd wise, despite Steve and Andy’s concerns there might only be a very small crowd, there was about (conservatively) 50 people in, which obviously doesn’t sound much – but given all other factors, it was pretty darn good. And everyone there was really into it and having a great time. It was great to see people enjoying themselves. And it was great for Andy and Steve too because of course they get to bounce off the reaction and appreciation from the crowd and it circles round. It was a lovefest in that room!

And it was just so great to hear a full set! To have things like Frames And Cages, Fools Tomorrow and False Positive (which now seems a wonderfully prescient title for that track!) on the setlist, as well as Flight Of Ideas stalwarts Feel The Panic and The View From Nowhere playing. Replication had been played a few times as well over the past 18 months but Thursday night allowed a great showcase of tracks from Flight Of Ideas. But there was a great mix of older tracks in the set too, End Times was sounding the best I’d ever heard it and Rumble And The Tremor was bloody fab too. Then quite the oldie, playing Connected Coast from their Interchange album. 

After the world’s shortest “end” of the gig was the encore with the much enjoyed (by me especially) Good Enough For You This Christmas and then a finish with the fabulous title track from Wireless World. 

The best. Just the best! Everything I was anticipating this gig to be. Nothing disappointed. The guys played great, the sound was fab. Everything was on the mark. And I was buzzing. And I wasn’t the only one. 

It’s still not been the easiest of years this 2021, but at least live…musically, for me it has ended on a real high. 

Thanks once again to Andy and to Steve for not only being my favourite band in the entire universe (along with Simple Minds) but for also being such wonderful men and being ever so great to your number one fan – in Glasgow, at least. I really hope to see you guys out there on the road again next year.

Pictorial Passion – Musical Years In Review – 2021 and 1982

Last night Spotify revealed my yearly listening stats to me. There was no real surprise to find Simple Minds at the top of the tree yet again! And that Boys From Brazil was my top track for seventh year running. All the SM tracks in my Top 5 played tracks of 2021 all came from Sons And Fascination and given it was the 40th anniversary of the album, that would be of no surprise to anyone.

My latter love for Jonathan Richman shows itself in him being at number five of my Top 5 played artists.

My top podcast showed how much I have been enjoying Frank Gallagher’s Soundman Confidential this year. I love the bit about that yes, it’s okay for you to consider the host a member of your family now. Lol. Never in a million hears did I ever think I’d be having little online exchanges with Frank! I felt that Jim always made him sound intimidating as fuck, but he’s brilliant and is always wonderful. And even comments on my FB posts sometimes…which I find amazing that he’s sitting there in Flagstaff, AZ, reading my complete pap! Just last week he responded to one of my posts about enrolling in the OU for my Higher Ed. English diploma and my endless self-doubt. His response was “drive til they take the keys away”. I responded by asking him to “spread some gallus my way”. He replied back, “you don’t need anyone’s permission to be yourself”. He’s lovely. Just lovely.

Of course there is much more music I listen to outside of Spotify so it isn’t 100% everything I listen to. I have been listening to SM live bootlegs and gigs much more this year and that won’t be reflected on Spotify stats, just as one example.

Here’s the breakdown of it in full visual splendour.

Lastly, today sees the release of Classic Pop magazine’s retro look back to all things 1982 in a dedicated special issue. In amongst the artists and bands discussed is a piece on the art side of music which features Malcolm Garrett. And of course the main feature to do with Simple Minds is a look through New Gold Dream. There’s a part of it that covers the official videos released. They mention the Promised You A Miracle and Glittering Prize videos. Someone Somewhere In Summertime was the third single from the album and therefore should have had a video released but one was never made. Instead the magazine talked about this one (below). I love what is said about Jim’s moves. Lol. You’ll not be surprised to learn that I adore this video and quite a bit of art from me has come from it. I will leave my favourite example of that at the end of the post.

Click to play Someone Somewhere In Summertime video.

T-Shirt Day 2021

Today is the debut of this fine bit of merch! Wasn’t expecting this on Sunday night. Very lovely of Steve to offer me one of these fab shirts. Had their gig been going ahead, I’d be seeing them tonight in Glasgow. I’d have loved nothing better! Alas, it was not to be.

Roll on December 16th and my trip to Newcastle and a Warm Digits Christmas.

Happy T-Shirt Day, everyone!

A Tale Of Woe (But Joy Too!) – Warm Digits – Edinburgh, 14/11/2021

I had shelved going to this Stag & Dagger event for quite a while. Once Warm Digits had announced a gig in Glasgow, I felt there was little need for me to see them a few days before in Edinburgh. They weren’t headlining the show which made me aware their set would be short, so I had settled on just seeing them in Glasgow and then seeing them in their home city of Newcastle. To have them play in Glasgow would be the ideal. 

Sadly the gig had to be cancelled a couple of weeks back so that meant putting the Stag & Dagger back on the gig list. I had planned to go alone. I had booked a place to stay overnight, then decided that seemed an unnecessary expence – Edinburgh isn’t THAT far from Glasgow, FFS! So I cancelled the night away.

Late last week I got a promotional email from ScotRail detailing a ‘BOGOF’ travel deal. Between Sunday and Thursday for the next two weeks, one adult could travel for free across the whole ScotRail network with one full ticket paying companion. With that I asked the OH if she wanted to accompany me to Edinburgh seeing as her travel would be free (you know these Cancerians – they never say no to a bargain, or a freebie. Lol).

When it came to the Stag & Dagger, my only intent was to see Warm Digits. I’d have perhaps liked to have seen Billy Nomates, but there weren’t any other acts playing I was that familiar with. To see Steve and Andy was all that I was worried about. 

The day started well. The train travel was smooth. No worries getting the train at Queen Street. We arrived from Ashfield on platform 3, and the Edinburgh express was there ready to depart a few minutes later on platform 4. 

We did a bit of wandering, not too much sightseeing. With Covid and lockdowns, our exploration of the rest of Scotland has been quite limited. The only time we’ve been to Edinburgh together so far was to spend a couple of hours at Portobello Beach. We just went straight to the beach and didn’t go into the city itself. So it was a bit of mindfuck,when the OH reminded me that it was her first visit to Edinburgh – the city itself – the Royal Mile – in 20 years.

After a bit of a wander about aimlessly, we went and had a bite to eat. I coaxed her into the Cafe Andaluz we had passed by. 

We were back out by 4pm and the light had faded to deep dusk. It’s Sunday, 4pm, the light is fading, I’m not wanting to walk too far and the boys aren’t on until 7.30pm – what are we gonna do?! 

Wander some more! We went down to Cowgate so I could see where the venue was, and exchange my ticket for my wristband. We went down to Grassmarket and wandered about there for a while. I didn’t want to abandon my OH to wander the streets of Edinburgh alone for three hours, but I didn’t want to move far from Cowgate. She’s not a drinker and at this point in time she’s still not wanting to be indoors in more confined spaces for longer than is necessary so just whiling away some time having a drink in a bar wasn’t on the cards. I was feeling bad for even suggesting she accompany me at this point in the afternoon. 

By 6pm my feet are feeling weary and I want to sit down a while so my legs aren’t aching TF by the time Warm Digits’ set starts. Me and the OH depart company. 

I catch up with first Steve and then Andy in the venue around 6.30pm. Both of them welcoming me like they’re seeing an old friend. These guys are far too lovely to me! There wasn’t too much of a chance to chat as the act performing before them got under way. Bit hard to have a convo in the middle of a gig. Perhaps a chance to chat later?

The act before them, Pet Shimmers, finished their set at 7.15, giving Steve and Andy just about 10 minutes (once Pet Shimmers had removed their kit) to set up. I was getting flustered just watching them! Such a tight schedule to set up, perform your set, then get all your equipment back off the stage ready for the next band to do it all.

Technical issues started. Gremlins had been let loose. The bass feed wasn’t coming through the channel it needed, so they had to do a rework, and then Steve’s laptop – where the graphics are, so well as that bass feed was kept dying. Trying to get that all sorted meant their set started late, and there was no time to run over so their set was cut short. 

They played Feel The Panic, End Times, One Track Groove (Living Stereo) and Growth Of Raindrops.

It was LOUD. I stood to the right of the stage, so I was right in front of the amp stack on the right side of the stage. I ended up with tinnitus in my right ear. For a while there I was worried lasting damage had been done. I’m still not sure whether lasting damage hasn’t been done. Since then things have not sounded quite right…

Yeah, incredibly loud and very distorted. But Pet Shimmers were sounding distorted too and that was at the very back of the venue. A shame. And not down to them that they were sounding like that. 

A good catch up afterwards. A bit more of a chance to talk and blether on. Both parties were apologetic for varying reasons. I felt for them so much. Esp. Steve – his frustration and disappointment with the technical issues growing ever visible on his face. But they could at least play something and didn’t have to leave the stage not being able to play anything.

Steve very kindly offered me one of their newly added lines of merchandise – a Warm Digits t-shirt, which I will wear with absolute pride as, if not just Glasgow’s biggest Warm Digits fan, then perhaps even Scotland’s…maybe even the UK’s?! Lol. I don’t know. But I know I love these guys and I can’t wait to see them again next month at The Cluny in Newcastle. It’s all set to go! I have my ticket. And I have my travel and accommodation already sorted. I am really, really looking forward to it!

An arduous journey home followed. A depressed OH (not very happy with hours of hanging about Edinburgh in the dark with nowt to do), a wrong route back to Waverley station, a slow “all stops” train back to Glasgow. No trains running on the Anniesland line at that time on Sunday evening. A bus to Milton that didn’t arrive when it was scheduled to, then a cab home from the city and in the door at 11.30pm.

And knackered after my version of a dance at a gig and nearly 15km of walking. But to see them for just that short space of time made it all worthwhile. 

ROLL ON NEWCASTLE!

I just took a few quick snaps on the night. No other footage. But here is a live version of One Track Groove they recorded many a year ago for you to enjoy.

ProSynth Mick

There was a live YouTube stream last night by the ProSynth Network. Mick MacNeil was on for a big three hour marathon.

Sadly I missed it as I was having an evening out in Edinburgh seeing Beauty And The Beast for my birthday.

Thankfully it is available to view back which I will do in a few days.

I also thought I’d link to it here as a matter of interest. He talks a lot Simple Minds, apparently.

Minds Music Monday – Halloween Special – Today I Died Again

It’s Halloween on Sunday, and I’ll be 51 – YAY! Pfft! Lol

What am I doing to celebrate? Not much – but more than I got to do last year. A milestone birthday, “celebrated” in the middle of a pandemic was ssoooo joyous! Lol

Anyway, this year I get a night out in Edinburgh, seeing my favourite musical, I get a free meal out, and I get to sleep in as the clocks go back the morning of my birthday. Pretty sweet, huh?

I may even drink myself stupid. Who knows? I decided against it last year as I couldn’t face being hungover. This year, the idea of being hungover and worst for wear feels rather appealing. We’ll see.

On to Simple Minds and it being Minds Music Monday. They’ve given us a number of dark themed tracks to associate with Halloween over the years. Be it deliberate or inadvertent.

I was listening to one of my plethora of Simple Minds playlists on Spotify last night and this track played. Only a day or two earlier, I had been admiring my artwork I had made for it. I really do like this artwork. And I love that line “the clothes he wears date back to the war”. It does remind me of Monty Python’s Flying (Prospecthill) Circus. (See what I did there? Lol)

It’s a great track. Nice and dark. Intelligent. Made by two boys of barely 21 (all the other members being that bit older – Brian not that much older than Jim and Charlie, but older nonetheless). Filled with that European dystopian imagery that Jim liked to subject us to at that point in time. I always think of Bowie on Dinah Shore’s show when he’s on with Iggy, and he talks of how he got to know ‘Jim’ (Osterberg) and his music and said “I just loooooove nihilism!”, in a fay and foolish manner – being comedically sarcastic. Lol

So…enjoy Today I Died Again. Happy MMM Halloween!

UPDATE: For good measure (and fun) – Bowie, Iggy and “nihilism”.

Review – The Velvet Underground (Documentary by Todd Haynes)

I think this documentary ended up posing more questions than it answered. 

Firstly, it doesn’t sugarcoat the notion of Lou Reed being….well…actually perhaps they DO sugarcoat it. Because what became obvious was that to label Reed “troubled” is somewhat of an understatement. I actually started to wonder how anyone managed to work with him. Certainly John Cale was finding it difficult towards the end of his part in the Velvet Underground story “if you were nice to him, he only treated you worse”.

The one thing I’d say to Jim after seeing this film is when you say you’re not worthy of tying Lou Reed’s bootlaces – you do yourself a MASSIVE disservice, Jim Kerr. You really do! 

The film starts with a quote from Baudelaire – “Music fathoms the sky.” That immediately had me thinking of Jim for in the New Gold Dream tour program, he’s given the name “Kid Baudelaire” in brackets. Attributed from Adam Sweeting? A nickname the rest of the guys give him? Who knows?

A Warhol film image of Lou Reed appears fairly early on. Just that straight-at-the-lens, nowhere-to-hide portrait shot, the camera rolling for several minutes. A childhood that didn’t sound overly loving, but they talk to his sister Merrill and she makes the counter argument of it being easy to pin all of Lou’s troubles on his childhood and upbringing. 

Several minutes later we move on to a similar half of the screen moving image portrait of John Cale. This is how little I admit to knowing about The Velvet Underground and its individual members – I hear John Cale speak and….he sounds like he usually sounds….with a New York twang. And then, he speaks again and sounds WELSH! Like, a proper Valley boy-o! 

I know! I should know better than this. I should be more knowledgeable. A lot of the time I do feel incredibly ignorant about a lot of things. 

A lot of the film centred towards PRE-VU. Lou and John and how they got into music the way they did, their influences, and how they met and formed The Primitives. 

All of that I found good. Sterling Morrison remains a mystery. Moe Tucker seems a very lovely woman. Doug Yule seemed a very fitting replacement for John Cale. 

It flowed well up to the point we got to when Warhol became involved and Nico joined the group. Then, for me, the documentary became a bit…rushed. It spent a lot of time on the preamble but then not much time on the Velvet Underground itself, once a modicum of success came.

Also, whenever they played Venus In Furs, it was DEAFENING! Venus In Furs was ssooo much louder than anything else within the audio, other Velvet songs, people speaking, etc, etc. It was a real wallop to the ears.

I kind of came away a bit…unfulfilled by the experience. I wanted more and something different. I probably wanted to learn more about Lou Reed than I did. I certainly wanted to learn more about the band than I felt I did. 

What I did learn though (or had confirmed to me) is:

  • The Velvet Underground are definitely punk. They are the TRUE pioneers of punk. Forget the “avant garde” schtick, although that does apply too. They’re punk.
  • John Cale is Welsh (I know! Lol).
  • Lou Reed was a douche canoe (at least at that time) and I honestly don’t know how anyone worked with him.
  • Delmore Schwartz was a massive influence on Reed.
  • Jonathan Richman is a sweetheart, and just about the only person to say something nice about Lou. And it explained why The Modern Lovers’ Roadrunner is ssooo much like Rock ‘n’ Roll to me. (Though it is meant to be a homage to Sister Ray – shows you how familiar I am with Sister Ray!)
  • Nico was a drifter. Lost, trying to find purpose in her life.
  • Warhol gave us “celebrity” and fame for fame’s sake. He’d love Love Island and Big Brother, and probably Gogglebox too.
  • Without Warhol no one outside of NYC would have heard of VU.

So, last night, in bed. Wanting to listen to some music to help me drift off to sleep, did I choose the “Banana Album”? Or White Light/White Heat? Or The Velvet Underground (aka album three)? Or Loaded? 

Nope!

I chose to listen to The Modern Lovers – the original set of recordings from 1972 that were finally released in 1976. 

And to paraphrase words from Roadrunner “I’m in love with Jonathan Richman”. We could all do with keeping that childlike wonder. Oh, man. Even in the documentary – you just want to reach in through the screen and hug him!

In summary of the Velvet Underground documentary. Did I enjoy it? To a degree. Did I find it insightful? Again, to a degree. Did I enjoy it as much as the previous music documentary I saw (The Sparks Brothers)? Naw.

If I was to give it a mark out of 10 – where the Sparks Brothers doc gets a firm 10/10. The Velvet Underground documentary gets a 7/10. The best bits were the interviews with John Cale, Moe Tucker, Jonathan Richman and Mary Woronov. 

It wasn’t quite what I had hoped for or anticipated. For one I didn’t expect to come out of a Velvet Underground documentary thinking “Aawww, Jonathan Richman – he’s sssooo sweet!” Lol

Can I recommend it? I guess. If you’re a REAL diehard Velvets fan, it probably isn’t going to give you much more of an insight in all honesty. Novices interested in the band and the period and wanting to know more…you might learn some stuff, but for me personally, it didn’t completely fill the remit.

And so, I shall leave you with this, influence of an influence that leads to an influence. And I love a fade-in!

Review: Field Music – St Luke’s – Glasgow – 8/10/2021

Last night’s gig for me was as highly anticipated as the Scritti Politti gig was just a couple of weeks back. It has been somewhat of a slow burn in relative terms, my love for Field Music. Meandering through other channels. Initially coming via getting into Warm Digits – whom I first got to be aware of by listening to Paul Smith from Maximo Park presenting a show on BBC 6 Music about bands and music from the North East of England (Newcastle, Sunderland, and the general vicinity). He played a track from Warm Digits on the show and I immediately sought them out and have been a solid fan ever since. I don’t remember him playing any Field Music on that same show, but I’m sure he must have done. Anyway, as a consequence of my love for Warm Digits, my love has also grown for Field Music, solidified further by seeing them perform the whole of the Making A New World album at Kelvingrove Art Gallery and Museum in January 2020. (Ah, pre-Covid days! Remember those?)

I have been suffering from a gammy knee for about the past week or so. I honestly don’t know what’s brought it on but my right knee feels in a constant state of dislocation. Like it just wants to crack back into place all the time. And if I try and walk at any kind of pace when it feels like this, my leg feels like it is going to buckle from under me from the knee down. It righted itself a couple of days ago, only for me to stretch my leg out in bed on Wednesday night for it to go out of alignment again. Friday’s forecast had been looking iffy for most of the week, but by midday yesterday it seemed as though from around 5pm onwards the skies would be relatively clear and dry so I decided to get the train in and walk to St Luke’s from Queen Street. BAD IDEA! Just as we (the OH accompanied me into the city) got into Gallowgate, my knee gave an almighty crack and went from under me. Determined not to miss the gig, I hobbled past the Morrisons, precariously crossed the road and made it around the corner to Bain Street where I sat my butt down on one of the stone blocks outside St Luke’s.

Despite my pain and worry that I’d round the corner and already see a queue as long as your arm outside, I was about the first person to be queuing up. Only one other couple were outside, seated on one of the other stone blocks. Doors were opening at 7pm and it was already 6.35pm. Something made me double check with one of the security personnel at the door what the time the gig was due to finish. I took just a cursory glance at the relevant info for the gig posted by the promoters earlier in the afternoon and something had me recalling that it said “Finish: 10pm” – I had booked a cab to collect me at 11pm – thinking the gig would end between 10.30-10.45 as most gigs do. The security guy confirmed that the gig was ending at 10pm so I called the cab firm and altered my collection time to 10.15.

I got myself positioned front and centre once the doors were open, thankful to be at the barrier so I could at least stand on my dodgy leg without too much discomfort. Sadly the support act had to pull out of the gig earlier in the day. I was really looking forward to seeing Galaxians who I have also had exposure to from them being label mates of both Warm Digits and Field Music. I recommend you check out the talent Memphis Industries have on their excellent label. Galaxians had suffered a broken down van the night before in Aberdeen and then yesterday their drummer was experiencing Covid symptoms so they had to pull out of the Glasgow gig. 

UPDATE: Drummer Matt has tested positive for Covid, so the rest of their tour is postponed. Sad news. I hope Matt has only a mild case and will be fully recovered soon. 

At short notice local act, Raveloe, stepped in. Kim Grant played a solo set last night. Usually accompanied by a drummer and bassist, I’m guessing that at such short notice she had to play solo. I enjoyed her set. She has a lovely voice. She finished the set with the band’s latest single New House.

Some dismantling and resetting of mics, some tuning of guitars, etc and it was all set for Field Music by 8.30pm. Then it was 8.35. Then 8.40 and I am starting to think “Should I have altered my taxi pick up to 10.30?”, but just before 8.45pm the band arrived on stage. The Glasgow crowd at St Luke’s always incredibly welcoming. 

The set started with a track from their latest album Flat White Moon called Do Me A Favour. Next up was Disappointed, which I just love the ending of. 

At this point in proceedings, I am starting to feel rather fraudulent and a horrible “fair weather” fan for although I could make out some of the tracks from Flat White Moon and I recognised Disappointed and knew Money Is A Memory from Making A New World, other tracks performed were fairly alien to me. I wasn’t alone – and Peter Brewis could feel it from the crowd too. That the crowd were largely unfamiliar with most of the material on offer. It has given me the extra impetus to continue to listen to them regularly and stop being so fair weathered! 

Continuing on with the bad fan fair weathered nature, I recorded a song to share for my review and had to search through tracks to get the name of it. The song is called I’m Glad and is from their 2016 album, Commontime, the same album Disappointed appears on.

David and Peter Brewis take turns in the drum and guitar parts, alternating in lead vocal parts also as a result. They had foam muffs on their mics as a way of adding a layer of protection for when they were swapping around. David’s muff was red, Peter’s was blue. Every time they swapped over, they had to make sure they took their muffs with them. 

All the swapping and retuning instruments meant that banter ensued – especially between the brothers. David initially goading Peter, having snide little digs at him, but Peter gave back as good as he got. Brotherly love, eh? I hope it was all tongue-in-cheek banter and things are all fine between the Brewis brothers. They are both such lovely guys, with a fantastic sense of humour and always wonderfully engaging with the crowd.

I have to give a special mention to Liz Corney who is absolutely fantastic with them. A great keyboardist and always so happy and in her element on the stage. She’s absolutely fab. She was like sunshine last night. 

The drumming – I honestly don’t know who I love more with the drumming parts – David or Peter. David whacks the shit out of the drums, but Peter has a bit more finesse. I honestly can’t decide. They’re both so good! From what I remember of talking to them both after the Kelvingrove gig, I’m sure David told me that Peter taught him the drums. So I guess on that basis, Peter should win the battle of Brewis brothers drummers.

As much as I was saying before that I am unfamiliar with a lot of Field Music’s…music, I could tell that they performed several other tracks from Flat White Moon, including No Pressure, Meant To Be and Not When You’re In Love. 

I found myself keeping an eye on the time, worried that I had booked my cab home too early. But as we got to around 9.45, Peter declares that they have just two songs in the set to go. Lots of sighs from the crowd who have been loving every tune. And rightly so! Just because the majority of us weren’t overly familiar with the material, it didn’t mean we were any less appreciative of it.

The set ended with the lead single of the Flat White Moon album – Orion From The Street, reproduced perfectly live, and where Liz truly came out to shine. Beautiful! 

All the music was top class and this band is stellar live. The reason I kept on clock watching was because I didn’t want the gig to end at 10pm! I really didn’t! I’d have happily stayed on until 11pm to watch them. 

But after a single song encore, the gig was over at 10pm sharp! A few minutes to try and get my now totally screwed legs working, put my mask back on and slowly shuffle on out the front doors. A short wait for 10.15pm to tick over and right on cue my taxi arrived and I was home at 10.30pm – which just blows my mind! I had only ever experienced that joy just the once in Luton when Ruts DC came to play the Hat Factory in March, 2018. It was bliss! Usually great gigs by big names meant trips to Cambridge, or London, or perhaps if you were lucky, Milton Keynes or Bedford, or St Albans, Watford or Hemel Hempstead. 

Glasgow is just…such a gem! It really is. And what gigs this city gets! I love it! The only thing that would have made this night better was that there had been nothing wrong with my leg. Other than that, it was a perfect evening. I thoroughly enjoyed every single moment of it. Field Music are top notch!