On The Cover Art – The Men Are Marching

There is a path that leads me here to this post. A path that was an unexpected but wonderful stroll. The stroll continues, still. I’m not sure how much of this I can explain. Best to keep it a bit cryptic and vague. We love ambiguity – ain’t that right, Jim?

Suffice it to say one thing led to another.

There is a Sons And Fascination link here. Or should that be “Sons And Fascist Nations”? An explanation of that in due course.

A couple of my most prized possessions in my Simple Minds collection are copies of albums produced for the overseas market. One album released for the U.S. market via Stiff Records was titled Themes For Great Cities and was a compilation of tracks from Real To Real Cacophony (Premonition) to several tracks from Sons And Fascination/Sister Feelings Call. The other is a version of the Sons And Fascination album released by Virgin Records for the Central American market.


There are patterns on the cover. The artwork by the one and only Mr Malcolm Garrett, with photography by Peter Anderson. You can see shapes and a figure. I could see a figure on these covers.

Then there is the reissue of I Travel by Virgin Records in 1983 which bares a photo of Jim, taken by graphic designer Garry Mouat, on stage in motion as if marching. “In central Europe men are marching” always springs to mind seeing that cover. What I never really took in is what appears in the overlay of the photo of Jim and I didn’t see it properly until Malcolm was kind enough to show me this…


I did see that something was overlaid on the photo of Jim but what I didn’t know was that it was a variation on the figure seen on the Stiff Records “Themes” release and Mexican version of SAF.

I also missed the very obvious figure on the Sweat In Bullet sleeve art. Mostly due to the fact the figure has the head of a photo of Elizabeth Taylor.

And so…why did I alter the title of the album to “Sons And Fascist Nations” earlier, I hear you ask? Well, here’s the thing. In talking to Malcolm about the album cover photoshoot with Sheila Rock and asking him about the cars, we got to talking about other art relevant to the Sons And Fascination period. He told me about certain things that inspired some of the cover art. This included him telling me about the image above and that it was inspired by similar figures like it that had appeared in a book he had seen. The book in question is called “Mostra Della Rivoluzione Fascista”. Issued in 1932 to be a compendium to an exhibition on Fascist propaganda – a “celebration” of the 10th anniversary of Mussolini’s march on Rome. Seemingly exhibited in a building erected specifically for this solitary purpose – also known as the “Mostra Della Rivoluzione Fascista”. The exhibition proved so popular that it extended beyond its initial intended six month run and ran for two years. It was seen by almost 4 million visitors by its close towards the end of 1934.

You can view selected pages of the book by clicking HERE


I will state here Malcolm’s initial reluctance to have me write and publish this post and he had approval of this before posting. And I do understand the reluctance. You wouldn’t want to be seen condoning Fascism! But it’s about art and the aesthetic and not the political. Well, that is how I see it. This post nor we as individuals are condoning Fascism! But when it came to the use of the “Marching Men” (as they have come to be called during our conversations) and the line in I Travel “in central Europe men are marching” (long since changed by Jim since he now always sings “all over men are marching”). It conjured up the exact imagery used on the Virgin released I Travel cover.

I missed the image of the Marching Man on the Sweat In Bullet cover, yes, and I don’t see the link quite as obviously as with I Travel but listening over some of the lyrics then… it could be “ambition in motion” or to “grow in size” or to “grow more / take more” that makes it fit?

An excuse to share my prized possession of my Sweat In Bullet double single signed by Brian McGee

Either way, all four covers featuring the Marching Men are striking and impressive. And they certainly make a statement.

Another short point – as I was researching to do other posts that were SAF/SFC themed, I shared an article from New Sounds New Styles printed in 1981. Ian Cranna interviewed Jim for the piece. Check out the magazine layout! Guess who was behind the layout of New Sounds New Styles? Yes! You got it!

By this point, the band had only appeared on the back cover of their albums. On Life In A Day they were on the back cover and also on the back of Empires And Dance. Inner sleeves too. But only the inner sleeve of Real To Real Cacophony. Not up to this point on the FRONT COVER of an album. Not until Sons And Fascination. They were reluctant and the images of them are somewhat obscured but the images reflect the movement and motion of the music contained within. The “travelogue” musical sensibility of the album. It was a masterstroke. Perfectly encapsulating the audiovisual.

I find the whole aspect of the cover art for the Sons And Fascination/Sister Feelings Call albums and singles…erm…fascinating. And if I do then I thought others would too.

Below are a couple of YouTube clips showing footage of the Mostra Della Rivoluzione Fascista, including a modern day (in Italian) look back at the exhibition as well as footage from the time of a visit to the exhibition from Mussolini himself!

A massive thank you to Malcolm Garrett for allowing me to tell the story of the Marching Men images and what inspired them into being.

I’m On The Rooftop! – The Kensington Roof Gardens

As promised in a previous post about Boys From Brazil, here is information about the Kensington Roof Gardens. The tenancy was held by Virgin Limited Edition since (despite some erroneous information saying it was 1982) 1981.

I think Simple Minds must have been one of the first bands on the label to make use of the space, having promotional photos for Sons And Fascination/Sister Feelings Call done there with Jill Furmanovsky. As well as shooting the video for Sweat In Bullet in the Spanish part of the gardens.

Along with that, Love Song was shot inside the Babylon nightclub. I have always wondered where the Love Song video was filmed and only as I was researching for the post on Boys From Brazil did I see information on the wonderful Dream Giver Redux about the Kensington Roof Gardens. As I said previously I was aware of a Branson/Virgin connection with the location of the SAF/SFC promo photos and the Sweat In Bullet video but thought it was Branson’s private garden or gardens at the Manor House. And I had no idea that the Love Song video was done at the same site as the promo photoshoot and the video for Sweat In Bullet. I had always just assumed it was some nightclub in Glasgow or Edinburgh.

Photo from Clubbable.com

You can read about the Babylon nightclub by clicking the photo above.

Back to the gardens themselves. The gardens were designed in the 1930s so now it is entirely understandable to me why it feels to have this certain…air of sophistication around it. And the way the Minds boys are clothed and photographed for the promo photos ties right in with that aesthetic. They look so bloody glamorous! I love those photos, and Jim looks as hot AF. I mean, they look like they’ve swanned in off the set of The Great Gatsby or something. They look amazing!

I’ve added a couple of videos about the gardens sourced from a really insightful article about the gardens that you can look at by clicking on the photo of the Spanish part of the garden below. There are a couple of older Pathé News clips you can watch of the gardens in 1938 and 1949, just check along the right hand side when you click on the article. All their resource information is down that side in columns.

And for good measure, I added the videos for Love Song and Sweat In Bullet here in the post for you guys to enjoy and maybe see things in a slightly different perspective now.

It’s a shame it’s currently closed. But there seems to be plans afoot to have it open back up again. I think a new tenant has been found. Stay tuned!

Photo by Vikram Manoharan

Virginia Turbett Interview With Artefact Magazine

I am very proud to know this lady and call her my friend and to do the tiny bits of work I do for her. It’s a privilege. And I don’t know how she puts up with my endless sycophantic, forlorn “I love Jim” crap but she does and it means the world.

So here I am, on this blog, waxing lyrical about the lady whose photos of Simple Minds and of Jim have always been and always will be my favourites. But not just those, so many others of hers too. And not just of pop stars and punk bands, either.

You can read Virginia’s interview with Artefact magazine by clicking the photo below…

You can always check out Virginia’s social media pages on Facebook and Instagram – just search for “Virginia Turbett Photography” on FB and IG to find her. Prints are always available to buy via her website at www.virginiaturbett.com

Today we commemorate the achievement of Simple Minds being at No. 1 in the US chart in 1985 with the ubiquitous Don’t You (Forget About Me) with some archival camera trickery. Or is it? Did she take a tumble? Did Jim trip her up? Or…as I suggested to her…did she finally fall under his spell? Lol. No! This is the lady who told Iggy Pop she was too busy working in her dark room (she was working when he called to be fair) to go and “hang out” with him!!! (I know!!!) I doubt Jim had much of a chance.

Sunshine On A Rainy Day

It started last night with another piece of “art”…

And then there was joy in the post this morning. This man and the music he helps to make is the biggest bit of sunshine Glasgow has.

I held off buying the 40 Silver vinyl edition and then when it was being sold at a reduced price, I was never quick enough to grab a copy before it sold out. I had been watching several on eBay…biding my time. Some were being sold with some cosmetic flaws to the packaging but the price wasn’t in any way reduced so I just kept waiting…

In the end I got it for £24 with free postage and it seemed a pretty pristine copy. No cosmetic damage and still new and sealed.

As for the photos of Jim – these are ones I have been coveting for some time. Taken in April, 1982, Virginia seemed to have the most wonderful photo session with Jim in Kensington Gardens that day. I never really ask her anything about the photoshoots. One) I know she’ll never really remember much, and two) I don’t want to drive the poor woman crazy going on and on and on AND ON about Jim. 😂😂😂😂😂

She already endures so much from me as is.

Anyway, I actually better wind this post up now! There’s a Minds Music Monday post to come. Worry not!

Glasgow is ALWAYS sunny with a bit of Jim Kerr around ❤️😊

Photo Whøre – Memorabilia Collector

Final couple of acquisitions for now. I had been waiting to have the funds to get this final two as I couldn’t just grab them all at once. I thought at one point I lost out on getting the band photo but it was just the listing had ended and it took a while for the seller to relist it.

I’ve gotten all the ones I want for now. Unless something new crops up, I’m happy with all my recent finds.

Just one last thing with the band one – if you look at the inside of Charlie’s jaiket, down by his left hip, you’ll see he has one of these passes (pictured below) clipped to it. I’d love one of those. I love how it is pretty much a silhouette of Jim’s head. It’s all in the hair and ears. Lol

Image curtesy of simpleminds.org

There are no details with either of the photos but I am guessing with them being German photographers that these were both taken in Germany? The band photo from 1981 during the Sons And Fascination tour – that backstage tour pass was certainly for that tour (and used into 1982 as well) – and well, Kenny’s with them, so it would see to confirm a 1981 date for that photo. But looking at the gig dates on the Dream Giver site, Kenny never goes to Germany with them. Hmmm – confusing! The only European dates he seems to do is a couple of Spanish dates at the tail end of the tour to Canada/USA/Oz/NZ in 1981.

Answers on a postcard for that. A band photo like that one is pretty rare anyway. I’m glad I got hold of it in the end.

As for the one of Jim on his own, I speculated it being taken at a gig in Berlin in March, 1983. Again, just a theory as there are no details with the photo other than the photographer’s name on the back.

Rare Kerr Photos Are Like Buses

Yesterday four arrived and then today, another four! The first one is another from the photoshoot at the Olympic Stadium in Stockholm, and the next is one from the day before the gig, taken on June 8th, 1989. So I kind of now have a complete set of photos of the Street Fighting Years gig for Stockholm.

The next is by a photographer called Ronald Siemoneit. There’s no date on the back, but I would guess by Jim’s hair and what he’s wearing, esp. the belt he has on, that it was taken in 1983. The photographer was based in Berlin, so I would also assume it to have been taken at a German gig, most likely in Berlin. They played Berlin on March 24th, 1983 and Jim is wearing that same white t-shirt with the rolled-up sleeves and that big belt.

Lastly, another Michael Hohmann one from the same gig as the previous two of his that I got. Again, no date or venue but I would say they are from 1980. And most likely either of the support slots they had for Peter Gabriel in Berlin – one on September 4th at the Deutschelandhalle, the other on September 19th at Stadion. Looks more likely to be the former as it’s a smaller venue and indoors.

There’s a possibility it could be Kant Kino but Jim looks more like how he appeared in the latter part of 1980 in the photos. The photos (in the Michael Hohmann set) are definitely no later than 1980 anyway.

Beyond the immediate enjoyment of ogling Jim, I love the history that’s attached to them. I absolutely treasure these things. I love this aspect of collecting memorabilia.

I also did get a copy of Next Big Thing, which I will discuss in a separate and relevant post.