You Woke Me With A Solstice Kiss

I’ve been able to make out a few of the words of one of the song lyrics printed in the booklet for the new album. OMG, they’re beautiful!

“Did I dream or/oh (not sure which) did I dream you spoke to me
You woke me with a solstice kiss
Did I dream or/oh did I dream that my whole world it turned to bliss
Solstice kiss”

He’s determined to make me cry!

There’s a line that seems to say “You woke me up in the worst place”…that’s just….bloody hell! I need to hear this song!! I can’t wait until October! GODDAMNIT!

Album News! Direction Of The Heart – Released October 21st, 2022

Early birthday present! Thank you, Simple Minds!

OMG…I don’t even know where else to begin or what else to say here other than …. SQUEEEEE!!!

Russell Mael guesting on a track! Fucking hell! That is so fucking awesome! I’m betting Jim would have been like a kid in a candy store with that one. Jeez-o!

And, they are performing in Leeds on Sept. 17th for this BBC Radio 2 weekender thingy going on there!

I want to pre-order EVERYTHING! But I need to keep money for Saturday’s gig at Blenheim Palace, so it’ll have to wait. I missed out on a test pressing for Walk Between Worlds. The same will happen again. Never mind. Doesn’t matter.

Anyway…all the info is on their social media. I will never get to be armed with any exclusives. I’m ‘just another fan’ – but hey ho. That’s okay. I love this band to the moon and back no matter what.

Vision Thing has now had an official release. Here’s the video. Enjoy! And happy pre-ordering. (I’ve yet to get a cassette for ANYONE that has bought out a cassette – Pathfinders excepted – it was the only option in that case. I am SOOOOO getting a cassette copy of this!)



Link to pre-order: https://SimpleMinds.lnk.to/DirectionOfTheHeartFA

Cannoli Get Better?

Good news from His Nibs today in his latest post. A number of good news pieces, for him – Villa Angela has once again opened its doors (just in case that whole “being the frontman for the best live band in the world” suddenly starts to go all pear-shaped after 40+ years, like). Whilst it remained closed to the public during lockdown(s), the space didn’t lay dormant, as he went on to explain. The fruits of it in summary – new SM music making its way to the general public imminently. 

If the things I have been seeing bandied about in the fandom are to be believed, somewhere around October is the projected ETA. (Or should that be ETR – estimated time [of] release?) Just in time for my birthday…the final Friday of the month falling on October 28th. That’ll do me just fine, thank you very much! 

With that I am assuming there will be a plan for a tour next year to properly unleash it to the world in a similar vein to how Walk Between Worlds was thrust upon the world? Usually with new music comes a new tour, so I am very much hoping this will be the case. I already have targets in sight for where I’d like to see them play – somewhat dependent upon the venues chosen and my state of health and availability next year. As well as the old financial impact with such things! 

I’m already bringing my mindset back to being of the feeling of ‘less is more’ and ‘quality over quantity’ – so, all being good I’d like to do Amsterdam (must be the Paradiso venue though, otherwise…meh) and Berlin. At the moment I am seeing that, from Paris, the tour’s schedule takes them on to Berlin and it’s killing me! Berlin has been my ‘bucket list’ destination for more years than I care to remember now. So, Amsterdam would be nice, but Berlin is a must! And I’m not even fussed by the venue.

Pre-Covid, I could have just thrown caution to the wind and at this late stage had tagged on going to Berlin straight after Paris, but I can’t do that now. After Paris all I have left is Blenheim Palace and the two Edinburgh Summer Sessions shows and they’ll have to suffice this year. I’ve gone to fewer gigs this year than on previous tours, but only by ONE GIG – it just feels so much less this time. In real terms, and if I factor in that I had at least gone to Copenhagen before the tour halted in 2020, I haven’t gone to any less shows on this tour. Actually, with Copenhagen being my own personal SAF/SFC accumulative tally dilemma (ie: do I count it as two gigs or one? Two distinct and separately billed gigs, just on the one night – and a largely separate audience at both gigs, etc, etc – I count it as two) it could be argued that I will have been to TEN gigs on this tour and therefore it will have been my biggest tour yet!

I’ll have to be more concise and restrained next time. A few shows here in the UK, Berlin as my main overseas jaunt – possibly Amsterdam if it’s at the Paradiso…if not then maybe somewhere else in Germany…Hamburg or Cologne? We’ll see. I’m getting ahead of myself. Before moving away from the topic though, I need to factor in where I will be study wise as well and try and work around that also. I’ll have another module of my course to complete next year before I actually DO get my DipHE in English. Then I will be thinking about moving forward to getting an actual undergraduate degree. 

Briefly on that note – I had a ‘school day’ yesterday. Online tutorials taken as one long block like this, instead of the broken up evening options are referred to as a ‘school day’ as it is a day long set of tutorials starting at 10am and finishing at 3.15pm. I have really enjoyed the previous two school days I had attended and was highly anticipating this one but it left me a little … deflated and unmotivated, sadly. The first tutorial was good. The tutor is very engaging and likes to be very interactive with the students and that’s great. I personally found the topic of this block of four the least ‘interesting’ for me. I don’t know why? Perhaps because I studied the week prior to the block of SM gigs I had coming up, maybe? I should have found it quite interesting as I do love the visual arts, but of the visual arts, sculpture is something that I love most in its modern form and we were looking at Greek and Roman sculpture – from the Archaic Greek (used in its purely academic context), through to the Classical Greek, to the Roman style and only just coming into the time of CE (after the birth of Christ) – to the first and second centuries CE. So…very much NOT modern sculpture. It was enjoyable enough though. 

The next was ‘The Blues’ and this was where my interest lies the most especially for working on my next assessment. I am still weighing up whether to work on my assignment topic as being this, or whether I take a flying leap of faith in myself and take the ‘Writing Stories’ topic and hope for the best? The tutor was engaging but … I didn’t feel like I was getting good guidance or being instructed with much clarity and there were some technical issues that were hindering the tutorial so I came away from it feeling somewhat disappointed. 

We took a break for lunch. The creative writing (ie: Writing Stories) tutorial was next. It was a really tough study week for me, this topic. I didn’t feel any more confident about it being the next tutorial as I took my lunch break. I was dreading it in actual fact. The reality was ssooo different! The tutor scared the crap out of me at the beginning of the tutorial by saying “I am going to give you all time to write something out today”. I had flashbacks of the rare days I’d be in school and we would be given writing tasks and there’s me, staring at a blank page as the minutes tick by and I am paralysed with indecision and inability to put pen to paper on command. 

I embraced it when it came time. We were at least given a starting point. I ran with my starting point and wrote out nearly 200 words in the 10 minutes we were allotted to continue on with one of the story arc options we could choose from. When the tutor returned, we were given another 5 minutes to develop the story from a different perspective. I then wrote out another 80 odd words in the 5 minute allotted block. Both pieces were fluent, linear pieces of imagery and dialogue. Proper scenes. I was really pleased with that. Whether I do anything with it? Whether it becomes part of what I produce for my assignment? At this stage I am unsure. The next assignment is just over three weeks away and although I have done some minor planning (producing a plan is part of the mark for the next assignment), I am still weighing up on deciding my topic.

I seem to have to keep reminding myself who I am. A psychiatrist would have a field day with me, I’m sure! Also…nothing REMOTELY embarrassing revealed in some of the scribble, eh?

Finally, the last tutorial was on reading poetry. I have not studied the unit yet. I will be doing that this week (before Paris!). The tutor was not very engaging and got bogged down on the details of what was required and expected of students if they choose to take the reading poetry unit as their assignment topic. About halfway through I was losing the will to live! I was not engaged with this tutorial at all and I started doodling on this large brown cardboard backed envelope I have on my desk. (See the photo above for all the gory details.) We finished a little early – just after 3pm. I was ssoooo grateful!

Anyway, this was meant to be BRIEF! I’ve taken up half the post with my uni crap! Sorry! It’s the current grapple I have with this blog! I keep wanting to keep this current and fresh with Simple Minds news – but my own personal stuff is occupying my time.

In summary – THERE IS A NEW SIMPLE MINDS ALBUM(s?) TO LOOK FORWARD TO! And…with a new album comes a new tour (one would pretty much guarantee to assume).

YAY!!!

Minds Music Monday – Hunter And The Hunted – Australia, 1982

There’s a recording I have from Sydney but there is one on YT from Melbourne – same tour, around 10 days apart. To me, when I listen to both these recordings, Jim sounds thoroughly exhausted – especially on both recordings of Hunter And The Hunted – and they both are placed early in the set.

The thing I love most about these versions of HATH is that towards the end as Jim is singing those “only with you life moves so fast” lines, he sings one of them with emphasis (for Oz audiences only, it seems, as I am pretty certain he doesn’t emphasise the words like this at any other time – same as he does with King Is White And In The Crowd – again, for Oz only, more accurately Sydney…he knows us Aussie c*nts too well. Lol) and sings “with you life moves so FUCKING fast”. That always gives me an extra buzz, and extra ripple of delight. Call me shallow!

These days he doesn’t even sing the line at all, but that doesn’t mean HATH is any less appealing and wow – the visual display it had at the gigs this year with those wild horses cantering through the Badlands? MAGIC!

If the auto skip embed hasn’t worked – Hunter And The Hunted starts at 11:35

HOLY SWEET YASOOSE!!!

Get a load of this!!!

Bryan Ferry, Andy MacKay, Phil Manzanera and Paul Thompson all on the one stage again for a Roxy 50th tour – playing the Hydro on Oct 10th (happy early birthday present to me!)! *SCREAMS girly squeal*

IT IS OAN!!! I AM TOO FRIGGING EXCITED!

Never thought I’d ever get to see them play together in my life. Thought that ship had sailed. Soooo fucking excited. Oh, man!

You know where to get your info, social media, ya da ya da….

UPDATE: I’m in!!!

Looking Back By Moving Forwards – A Precursor To Next Week’s Book Release

I had a hoard of memorabilia come in this week and in amongst it was this article, written by Graeme Thomson, none other! Featuring in The Guardian on February 24th, 2012, just as the 5×5 Live tour is getting under way.

We know how I feel about that. Goddamn! I was out by just over two years. I will forever rue it!

Some of the discussion that takes place between Graeme, Jim and Charlie during the interview for this article features in the Themes For Great Cities book.

I thought I’d scan the article and post it here. Just as a little taster of what’s to come next week.

A footnote (and a chance for me to be a pedantic pr*ck); the inset photo of Jim is from 1980. October, in fact. It’s one from the Tavistock Square session. The same session the photo on the book’s cover comes from.

The Quiet Side Of Midnight – Priptona Art

The “art” very much comes and goes in waves these days. I must be needing some visual therapy as I have found myself working on the visual side of things again these past few days.

I don’t feel anywhere near as depressed and “affected” as I did this time last year leading up to my birthday (thank God!). Last year I was in a VERY bad place – but the “art” has me on the lookout.

All the talk of “it’s okay not to be okay” – that is NEVER how I feel. It is how I feel for everybody else….not for myself. Never have done. I am NEVER okay with not being okay.

But! For today, at least, I am okay.

He helps. He always helps. (Shhh! Don’t tell him. Lol)

Review: Field Music – St Luke’s – Glasgow – 8/10/2021

Last night’s gig for me was as highly anticipated as the Scritti Politti gig was just a couple of weeks back. It has been somewhat of a slow burn in relative terms, my love for Field Music. Meandering through other channels. Initially coming via getting into Warm Digits – whom I first got to be aware of by listening to Paul Smith from Maximo Park presenting a show on BBC 6 Music about bands and music from the North East of England (Newcastle, Sunderland, and the general vicinity). He played a track from Warm Digits on the show and I immediately sought them out and have been a solid fan ever since. I don’t remember him playing any Field Music on that same show, but I’m sure he must have done. Anyway, as a consequence of my love for Warm Digits, my love has also grown for Field Music, solidified further by seeing them perform the whole of the Making A New World album at Kelvingrove Art Gallery and Museum in January 2020. (Ah, pre-Covid days! Remember those?)

I have been suffering from a gammy knee for about the past week or so. I honestly don’t know what’s brought it on but my right knee feels in a constant state of dislocation. Like it just wants to crack back into place all the time. And if I try and walk at any kind of pace when it feels like this, my leg feels like it is going to buckle from under me from the knee down. It righted itself a couple of days ago, only for me to stretch my leg out in bed on Wednesday night for it to go out of alignment again. Friday’s forecast had been looking iffy for most of the week, but by midday yesterday it seemed as though from around 5pm onwards the skies would be relatively clear and dry so I decided to get the train in and walk to St Luke’s from Queen Street. BAD IDEA! Just as we (the OH accompanied me into the city) got into Gallowgate, my knee gave an almighty crack and went from under me. Determined not to miss the gig, I hobbled past the Morrisons, precariously crossed the road and made it around the corner to Bain Street where I sat my butt down on one of the stone blocks outside St Luke’s.

Despite my pain and worry that I’d round the corner and already see a queue as long as your arm outside, I was about the first person to be queuing up. Only one other couple were outside, seated on one of the other stone blocks. Doors were opening at 7pm and it was already 6.35pm. Something made me double check with one of the security personnel at the door what the time the gig was due to finish. I took just a cursory glance at the relevant info for the gig posted by the promoters earlier in the afternoon and something had me recalling that it said “Finish: 10pm” – I had booked a cab to collect me at 11pm – thinking the gig would end between 10.30-10.45 as most gigs do. The security guy confirmed that the gig was ending at 10pm so I called the cab firm and altered my collection time to 10.15.

I got myself positioned front and centre once the doors were open, thankful to be at the barrier so I could at least stand on my dodgy leg without too much discomfort. Sadly the support act had to pull out of the gig earlier in the day. I was really looking forward to seeing Galaxians who I have also had exposure to from them being label mates of both Warm Digits and Field Music. I recommend you check out the talent Memphis Industries have on their excellent label. Galaxians had suffered a broken down van the night before in Aberdeen and then yesterday their drummer was experiencing Covid symptoms so they had to pull out of the Glasgow gig. 

UPDATE: Drummer Matt has tested positive for Covid, so the rest of their tour is postponed. Sad news. I hope Matt has only a mild case and will be fully recovered soon. 

At short notice local act, Raveloe, stepped in. Kim Grant played a solo set last night. Usually accompanied by a drummer and bassist, I’m guessing that at such short notice she had to play solo. I enjoyed her set. She has a lovely voice. She finished the set with the band’s latest single New House.

Some dismantling and resetting of mics, some tuning of guitars, etc and it was all set for Field Music by 8.30pm. Then it was 8.35. Then 8.40 and I am starting to think “Should I have altered my taxi pick up to 10.30?”, but just before 8.45pm the band arrived on stage. The Glasgow crowd at St Luke’s always incredibly welcoming. 

The set started with a track from their latest album Flat White Moon called Do Me A Favour. Next up was Disappointed, which I just love the ending of. 

At this point in proceedings, I am starting to feel rather fraudulent and a horrible “fair weather” fan for although I could make out some of the tracks from Flat White Moon and I recognised Disappointed and knew Money Is A Memory from Making A New World, other tracks performed were fairly alien to me. I wasn’t alone – and Peter Brewis could feel it from the crowd too. That the crowd were largely unfamiliar with most of the material on offer. It has given me the extra impetus to continue to listen to them regularly and stop being so fair weathered! 

Continuing on with the bad fan fair weathered nature, I recorded a song to share for my review and had to search through tracks to get the name of it. The song is called I’m Glad and is from their 2016 album, Commontime, the same album Disappointed appears on.

David and Peter Brewis take turns in the drum and guitar parts, alternating in lead vocal parts also as a result. They had foam muffs on their mics as a way of adding a layer of protection for when they were swapping around. David’s muff was red, Peter’s was blue. Every time they swapped over, they had to make sure they took their muffs with them. 

All the swapping and retuning instruments meant that banter ensued – especially between the brothers. David initially goading Peter, having snide little digs at him, but Peter gave back as good as he got. Brotherly love, eh? I hope it was all tongue-in-cheek banter and things are all fine between the Brewis brothers. They are both such lovely guys, with a fantastic sense of humour and always wonderfully engaging with the crowd.

I have to give a special mention to Liz Corney who is absolutely fantastic with them. A great keyboardist and always so happy and in her element on the stage. She’s absolutely fab. She was like sunshine last night. 

The drumming – I honestly don’t know who I love more with the drumming parts – David or Peter. David whacks the shit out of the drums, but Peter has a bit more finesse. I honestly can’t decide. They’re both so good! From what I remember of talking to them both after the Kelvingrove gig, I’m sure David told me that Peter taught him the drums. So I guess on that basis, Peter should win the battle of Brewis brothers drummers.

As much as I was saying before that I am unfamiliar with a lot of Field Music’s…music, I could tell that they performed several other tracks from Flat White Moon, including No Pressure, Meant To Be and Not When You’re In Love. 

I found myself keeping an eye on the time, worried that I had booked my cab home too early. But as we got to around 9.45, Peter declares that they have just two songs in the set to go. Lots of sighs from the crowd who have been loving every tune. And rightly so! Just because the majority of us weren’t overly familiar with the material, it didn’t mean we were any less appreciative of it.

The set ended with the lead single of the Flat White Moon album – Orion From The Street, reproduced perfectly live, and where Liz truly came out to shine. Beautiful! 

All the music was top class and this band is stellar live. The reason I kept on clock watching was because I didn’t want the gig to end at 10pm! I really didn’t! I’d have happily stayed on until 11pm to watch them. 

But after a single song encore, the gig was over at 10pm sharp! A few minutes to try and get my now totally screwed legs working, put my mask back on and slowly shuffle on out the front doors. A short wait for 10.15pm to tick over and right on cue my taxi arrived and I was home at 10.30pm – which just blows my mind! I had only ever experienced that joy just the once in Luton when Ruts DC came to play the Hat Factory in March, 2018. It was bliss! Usually great gigs by big names meant trips to Cambridge, or London, or perhaps if you were lucky, Milton Keynes or Bedford, or St Albans, Watford or Hemel Hempstead. 

Glasgow is just…such a gem! It really is. And what gigs this city gets! I love it! The only thing that would have made this night better was that there had been nothing wrong with my leg. Other than that, it was a perfect evening. I thoroughly enjoyed every single moment of it. Field Music are top notch!

White Hot Day – Simple Minds Fan Convention – RESCHEDULED (New Date, New Venue)

Thanks to this bloody pandemic and frigging Covid-19, White Hot Day, the Simple Minds fan convention, set to take place in the band’s ‘hame toon’ of Glasgow (Glesga) has been rescheduled.

The convention will now take place on Saturday, October 15th, 2022, at a new venue, Classic Grand on Jamaica Street, Just a short (less than 5 minutes) walk from Central station (for those making their way into Glasgow for the event).

Tickets available through Tickets Scotland – all previously purchased tickets remain valid for the new date/venue.

See you there!

Review: In Memory Of My Feelings – Catherine Anne Davies and Bernard Butler

It has been a little over 10 years since Catherine Anne Davies and Bernard Butler first decided to team up with each other and work on producing music together. They quickly felt they had the makings of an album together. Little by little things came together, building on their work together when time allowed. A few years down the track with Catherine working on her on solo career as The Anchoress, and then being part of the touring band with Simple Minds and in between those things juggling with continuing work with Butler on what would become In Memory Of My Feelings. Talk about multi-tasking!

The album was all but completed for a number of years. Davies and Butler suffered knock backs. Record companies would show an interest and then inexplicably go cold on the idea. But both Catherine and Bernard knew they had a diamond here! They just needed someone else to see, feel and hear it! Enter Pete Paphides and his newly established record label, Needle Mythology. He knew the gem that was before him. And so, with one last little hiccup along the way (the test pressing of the album causing a problem which meant a one month delay from the initial release date of September 18th), Friday – at last – saw the release of In Memory Of My Feelings, on vinyl, CD and in digital format and through streaming services.

Was it worth the wait? My opinion – a resounding YES!

The Breakdown: It’s beautiful melancholia. Catherine has a knack for that. Its sparse chords and mirrored vocal harmonies exude fear and regret but…there is light. The best melancholic songs always bring a hope with them. There is hope. It ends in hope. There is love. Strength. And the offering of courage.

Ten Good Reasons: It has been my earwarm all day! There is sass and sensuality and sultriness. Relationships when they hit the rocks and flatline. Do we push on? Is there any sense in doing so? That’s what I hear in this song. Again, impeccable harmonies and fabulous guitar work from Butler. The final 30 seconds of the song is just…perfection. That repetition of “what a mess we’re in” and then the ending piano chords. Geez…I know that is something. Or is a nod to something familiar but I can’t put my finger on it! (Catherine might tell me if she sees this?)

Sabotage (Looks So Easy): Rocking. Just – pow – straight in! Intelligent lyrics. Just punchy and ballsy. Again full of sass and attitude. We’re not gonna take deceit lying down.

In Memory Of My Feelings: It’s like three songs in one! What a break up song! Just, the musical weaving and blending, ducking and diving. The harmonies! My god, the harmonies on this album are flawless! Delivery on the lyrics “because you can’t take it back / you’ve done it now / and that is that” during the bridge breaks (right term?) are just beautiful. This could be my favourite track on the album. It just has such layers to it. And the dark and light of it. It interplays with mood and colour. Light and shade. It’s fabulous!

I Know: Or is THIS my favourite track? THE HARMONIES! I want to die! And with Butler’s guitar riding it all underneath…geez! It really is a beauty this one. Tenderness. Such tenderness to it! A love that is blossoming yet already faltering? Everything is all tentative. It’s beautiful, this. Just really beautiful.

Judas: LET’S ROCK! Just to dry up those tears shed from the beauty of the previous track. It’s a rollercoaster, this album! A rollercoaster of gems! Just absorb the sensuality and sultriness of this one. And just eat up that jangling guitar. Sell it to me, brother! (I don’t know what I’m saying anymore. Lol)

No More Tears To Cry: It’s almost a gospel tune. What fabulous lines “here in my mouth / here in my heart / is the place where the hunger starts”. And fabulous guitar work for BB. Esp. on this track. His guitar work is strongest on this. Great middle solo. Oh, it’s SSOOO good!

The Waiting Game: I don’t usually hear much of Manic Street Preachers influence on Catherine, but I hear it really strongly on this track. Abandonment? It’s the worst! It’s the daisy petal game, this song. “He loves me. He loves me not.” We’ve all done it, even if just metaphorically most times…picking them petals off the daisy. Life is a waiting game…for buses, trains, planes, people to tell you they love you and want to be with you. This song is catchy AF.

The Patron Saint Of The Last Cause: When you don’t feel you are worthy of anyone’s attention or interest or kindness. Melancholic again, but delivered to sound lighthearted. “Hey, I’m a fuck up. Don’t be bothering yourself with me” to an upbeat tune.

F.O.H.: Again, those bloody harmonies. Hell! And then…
To be honest…this is the only track I am kinda grappling with. I don’t know what to make of it still. I am not saying I don’t like it. I just don’t find it so easy to express how I feel about it/what I’m getting from it. The jury’s out a little…but that’s okay. If we say this is one only song I am really not gelling with that well with then, that gives this album a massive 9/10!

The Bonus tracks:
Live To Tell is a stellar version of the Madonna original. Much more emotional to me. Catherine’s vocal performance utterly perfect. Lovely space left on the track too. Excellently executed. Better than the original.
The Patron Saint Of The Lost Cause (Harmonium Version) the air of lightheartedness on the album version is diminished somewhat by the barebones harmonium sound. It isn’t a bad thing. I really like both versions.

Why this album was such a long push to get to be released is truly perplexing having listened to it several times now. The rejecting record company’s loss and Needle Mythology’s gain. Congratulations to Catherine and Bernard. And well done to the both of you for having the courage of your convictions to know that what you had produced here deserved to have an audience because you were both SSOO right!

In Memory Of My Feelings is a very strong album. Great lyrics, fabulous harmonies, musically “on point”. Everything just fits.

I can’t recommend this album enough!
It’s near faultless.
It has to be a 9/10!