As Dorothy Said To Aunty Em…

“There’s no place like home.” A much used quote lifted from The Wizard Of Oz. But it rings true. And it certainly seemed to have rung true on the nights of November 18th and 19th, 1982.

Simple Minds had just returned to Glasgow after another whirlwind stint of touring to the far reaches of the globe (yes, GLOBE – no “flat earth” conspiracy theorists here! Have ANY of these flat-earthers NEVER been on a plane? How do they explain the curvature of the earth and the horizon? I digress!) – heading back to Australia, New Zealand and Canada directly after the release of New Gold Dream.

I was looking into fanzines on eBay last night, after having seen an enquiring post on my FB feed about a certain Scottish produced fanzine. I thought I’d have a hunt around the interwebs and see what I could find. I decided on eBay first and got caught up looking at fanzines on there. One in particular caught my eye. One called Deadbeat. I looked at the listing of every issue and viewed the images, trying to scan and find more info on the fanzine production itself more than anything.

No one was then more surprised than me to find within the shared images of one listing of the magazine – THIS! A review of Simple Minds playing Tiffany’s in November, 1982. It’s unclear as to whether the reviewer is at the first gig or the second, but regardless of that it’s a glowing review.

The only error in the review is that they say Mike Ogletree is on drums. And it wasn’t until I was listening over the bootleg last night did I think to myself “Naw, pal. That ain’t Mike, that’s Mel.” Mike’s last gig was in Toronto about 10 nights prior to this gig. So in actual fact, it was Mel’s first or second night at the kit – depending on which night the reviewer was there.

They wax lyrical about Jim. Such praise! Excited at my discovery of this review last night I did a very rare thing (these days) and posted it to SMOG first with a link to Art & Talk’s upload of the November 18th gig to YouTube. In my post on SMOG, in reference to the lashings of praise heaped on Jim, I said “anyone would think I wrote the review! Lol.”

It is true though – anyone WOULD think I had time travelled and gone and reviewed it for the fanzine. It is wonderful to see such praise given to His Kerrness though. And it’s certainly nothing I wouldn’t have done myself.

A companion piece for me are the photos I have from Virginia of them playing the second night at Tiffany’s. My favourite photo of the set? One of Jim on the stage – looking pretty fucking sensational, I have to say in signature white collared shirt, shiny tailored trousers and black wee “ballet” shoes. And in the bottom left corner of the frame you can see his brother, Mark, looking as though he would rather be anywhere else than watching his big bro up on stage. Lol. Poor Mark! It’s not in the ones I have posted above, but you can view the particular photo I am referring to on Virginia’s site HERE

Lastly, here is the link to the first of the two Tiffany’s gigs that A&T uploaded. Oh, for a night at Tiffany’s! This is the next best thing…

P.S. Artwork used for the YT ident, eh? *wink* Thanks A&T!

Minds Music Monday – Floating World Duo

Art & Talk has been busy leading up to Easter and gave us TWO gigs from the Floating World Tour of 2002 to enjoy over the weekend period.

One is a 10 track FM Broadcast from Amsterdam. The other, from 10 days later, is a full setlist gig at a winery in California.

I haven’t listened to either of them yet, but will do in the days to come. I’ve had another task at hand, which has had me going over gigs from my favourite period – forever stuck in 1982. Lol

I guess there’s trepidation for me, as I start to hear conflicting things from the fanbase for gigs around this era. Early SM gigs are pretty much universally lauded, as much as they are now (with only a small contingent of sour puss’s brandishing all the same old tired-out drivel “the band ain’t the band any more. They’re like a tribute act these days” ya da fucking ya da), but during this kinda of middling period, they seem a bit more hit and miss. But I won’t know unless I listen to them myself! One man’s meat is another man’s poison…as the saying goes.

Not much new content from the band performed with this tour – we only hear Spaceface from the first gig, and One Step Closer is added for the second. It smacks of not being TOO assured of your new output to only have a couple of newbies in your setlist.

Anyways, enough waffling – get your lugholes round them!

Minds Music Monday – Good News: Live – RCH, 1995

It is with some level of trepidation that I explore live output from Simple Minds in 1995. Mostly just to do with my silly hang up about Jim’s style of singing during that period.

But with yet ANOTHER new upload from Art&Talk (YouTuber of eternal mystery…), I felt almost duty bound to take the plunge and listen to the gig uploaded. That namely – a gig from the Good News From The Next World tour of them at the Royal Concert Hall on September 10th, 1995.

We start things off with a pretty stellar version of She’s A River. Full version, and so new still (although already several months old) that Jim ACTUALLY REMEMBERS the words! 😱😱😱😘😜

Then into a bit of a curveball for the period and into Up On The Catwalk. Quite enjoyed that too.

From early on you get a real feel for the atmosphere of the gig. You can also sense how much live production techniques have refined and changed over the past 15 years (up to 1995) as everything sounds pretty crystal clear – from Jim’s breathlessness to the crowd going apeshit when he asks of them “everything okay?” – the only thing that gets lost in the mix at times is the crowd singing along, which isn’t an entirely bad thing IMHO.

See The Lights was also great. But then, for me, the highlight. The jaw-drop moment. The one that almost had me throwing myself out of bed and doing cartwheels on the bedroom floor – The American. But not just ANY OLD VERSION of the song but one in which Jim actually SANG THE BV LINES! The “across a curved earth, Nassau club days, in collective fame, the eventful work-outs” – I nearly wet myself with excitement! I mean…he NEVER sang those lines live that I have ever been aware of – before or since! In the early days he’d do the “here comes the flag, I’m walking in the black” lines and also do “hand shake, this world, here comes the flag” lines – but never those BV lines!

I wanted to be able to up jump back in time, crawl through some kind of wormhole and just kiss him all over and shag his brains out! Lol – fuck! Goddamn!!!

I’d sell my fucking eyeballs off if he sang those lines again. I’d even be happy with the “hand shake, this world, here comes the flag” lines these days!

I think this will now – singularly – be my favourite live version of The American … EVER! And if you told me that THAT was going to happen from listening to this gig, I’d have never believed you!

I grinned like a Cheshire cat through the whole song. In actual fact, I was mostly like THIS through it (and grinning like a loon when I allowed myself to close my mouth a little. Lol)

But after the joy of The American came the mixed bag of Big Sleep. Great that Jim (again!) was great with the lyrics (he was on a roll at this gig) – but he was veering into the singing style that grates on me a little too much with this version. But! Having said that it wasn’t the complete turn off from some versions of it I have heard. Also…it was short. Literally half the length the song usually is – particularly live. I suppose that was probably a good thing.

Back on the up again with a cracking version of Great Leap Forward. A decent enough version of SSIS (not sure Mark Schulman quite had the feel of the drumming on that right, but perhaps I am being pernickety?) sandwiched between a pretty cracking Hypnotised.

Let There Be Love from that period had us ‘coming’ “like an ocean” twice! Lol (Don’t mind if I do, Jim. Fucking Tsunami, I reckon, if you ever … erm … “came” near me like that! Lol – Noah would need the ark! And then some …😂😂😂😂)

Belfast Child? Did it work at that point, played like that? Hmmm, jury’s out. I liked the line change “peace is raging through the Emerald Isle” of the time. It still took a few more years to get there from that point – but it did get there in the end.

Back to Jim being the “blues crooner” during the medley of Roadhouse Blues and into Waterfront. I can’t be too dismissive of him for that. Given the choice between Jims Morrison and Kerr and which one has the more sex appeal for me – THERE IS ABSOLUTELY NO FUCKING CONTEST – sorry Mr Morrison. I appreciate the sex appeal you exuded, I do…but, you are not the Jim for me (though I am pretty sure I’d have had a hard time saying no to you had I ever found myself in your presence).

The crowd interaction, Jim talking to the punters…still extolling lovingly of Glasgow.

We then go into Love Song and as much as I am enjoying this gig, sleep is starting to take hold of me. I start to fall into a dwam and Love Song and it’s slight medley into Glory begin to elude me as I fall deeper in. I barely hear the beginnings of Alive And Kicking and am almost fully asleep by the time the song ends. The rapturous applause by the crowd is what rouses me back from my ever deepening dwam.

I am fully awake once more for the encore which begins with And The Band Played On. Everything performed from the Good News album gets a solid thumbs up from me.

And…knowing that we were into the encore and with it yet to make an appearance, I was dreading the inevitable appearance of Don’t You (Forget About Me). And…there she blows! Penultimate song of the night! Never as bad a thing to endure when you’re in amongst the crowd and you let yourself get caught up in the sing-a-long, nostalgia-trip-fest – but other than that, I derive very little enjoyment from it these days. God, I’d have LOVED the 5×5 Live Tour (and I bet they bloody LOVED having a tour that the song didn’t have to be part of since 1985!) – a whole tour in which you NEVER had to endure DYFAM – what a dream! I know! It sounds like I hate the song. I don’t! What I hate is how overplayed it is! What I hate is knowing I’ll have to hear it at every single Simple Minds gig I ever attend for all the rest of my days. What I hate is…pretending that I really enjoy hearing it at every damned gig and feeling implored to sing “la la las” for five fucking minutes while Jim takes a few minutes break from singing.

Final song is…the final song I ever heard being performed live… Sanctify Yourself. Again…upon reflection – I’d have LOVED 5×5 Live because with no DYFAM also comes no Alive And Kicking and no Sanctify Yourself. I’d have to double check it, but I am pretty sure these three songs have either been the final three songs or within the final five songs (in a slightly altered and reversed order) of the set at EVERY SM gig I’ve been to – and that’s 22 of them (23 if you count that I actually attended both shows at Copenhagen).

I’m sorry to say it, but I stopped listening. Tiredness was taking over and my patience was wearing thin so…I switched off.

BUT! I really enjoyed the gig, and apart from most likely skipping the final two tracks (if I had been there, I might have pissed off home a bit early, at least I could catch the 75 back home before everyone else needing it piled on 👍🏻👍🏻👍🏻), I’d definitely listen to it again. And…THE AMERICAN! THE AMERICAN was fab!

So….

For MMM this week, enjoy the Good News from 1995!

Minds Music Monday – Vitriolic Jim in Vrendenburg, 1982

As I said yesterday in my Sunday Waffle Vlog post, I went looking through the Art & Talk YouTube channel for something else to listen to, having been enjoying his more recent offerings.

I gazed upon the one below and thought “well, it’s only a few weeks prior to one of my most favoured gigs – one that helped to cement my uber SM fandom – Rockpalast in Cologne” so to me it had the strong potential of being a goodun’.

I was NOT disappointed! Right from the get go! Changeling – Jim just spits venom and vitriol. God I bloody LOVE IT when he performs like this. I find it absolutely as sexy as fuck! It’s just so…visceral and guttural and just….I just want to lick him from head to toe!

Then Thirty Frames and the switching of the lines – Jack comes back earlier than normal. Lol. But then, almost in a way angry at himself mabbies for fluffing up and putting the lines in the wrong place, he follows it with a “fuck you, Jack!” Lol

Premonition next and a fab version. Sweat In Bullet also. Then early outings for Promised You A Miracle – already been out as a single and FINALLY, Simple Minds score strong chart positions with a single. King Is White And In The Crowd follows, and Jim continues to spit venom with the “Wire them up! Fire them up!” lines.

The wonderful pairing (still being paired together to this day) of I Travel and Celebrate. I’m not sure I’ve ever heard a crap version of Celebrate. JIM – I WANT TO BE YOUR RAG DOLL!!! Jesus fucking christ this man is so fucking sexy! Ermaaaaageeeerd! Had I actually been around for these gigs in 1982 – I think I’d have melted in a puddle most nights.

Then what is always my favourite at gigs – The American. Then finally, a fabulous version of Room – a shame it fades out towards the end….but we probably got 80-85% of the song.

Let’s move away from me concentrating on Jim’s performance and my…stirrings and talk about the quality of the recording and the rest of the band performance. The band – all tight AF. A really good turn from Mike O on the drums. The more I get exposed to Mike’s performances, the more I am coming round to appreciate him. Derek and Charlie both solid as ever. Mick was probably great too – but some of the keyboards got lost in the mix. Other than that, the sound quality is pretty ace. I mean, I proper recording as I guess it was recorded for a radio station as this version of the gig was recorded off Dutch radio by a fan. Jim sounds very strong and clear – hence all the visceral sounding stuff coming to the fore soundwise.

I really loved this gig. I found adrenaline pumping – if for no other reason than Jim’s vocal performance and his absolute SEX GOD appeal! Be still my beating ovaries! GODDAMN!!

Enjoy! Happy MMM…

Follows In Love – Simple Minds, Toronto, 1982 – New Art & Talk YouTube Upload

Yesterday morning when I opened up Facebook to catch up with what had been posted, etc, during the night while I had been sleeping, I looked at my notifications to see I’d been tagged in a post on one of the SM groups.

The tag linked to what is below. A new upload from Art & Talk of a Simple Minds gig. I immediately recognised the ident for the video. I then looked at the details of the gig. The date: November 7th, 1982 – the New Gold Dream tour. The city, Toronto. It made perfect sense why A&T chose it. Jim was standing side profile in front of a Canadian flag in the image I chose as the silhouette for my piece.

Then I looked at the rest of the detail, and Art & Talk, bless him, had a little blurb about me and my blog. Totally unexpected and incredibly humbling.

I may have had visits to my blog yesterday as a result. If you’re reading this right now as a new visitor due to Art & Talk’s kind words, thank you for visiting and checking it out. My blog can frequently have a personal ring to it, esp. over the past 10 months of this pandemic. It’s been harder to keep the site fresh and relevant in the past 12 months, but I am working on it. And hopefully new material being released by the band will help with that.

In the meantime, things like A&T’s uploads of gigs, be they audience bootlegs, audio from the soundboard, or radio recordings, the work is appreciated. Esp. by us Johnny-come-lately types who weren’t there to experience the gigs the first time around.

I hope those of you who are new here find something you like with the blog and that you may visit again, or even subscribe to the feed.

And of the gig itself? Well, it feels a bit special in that it’s Mike Ogletree’s last gig on the drums. I do understand why the guys ended up going with Mel in the end, but Mike brought a different deftness with him. All the drummers Simple Minds have worked with have their left their own stamp and indelible marks to the sound of Simple Minds. I was guilty of underestimating and undervaluing Mike for some time, but actually, he has been behind the kit at some of my favourite ever gigs and I have grown to appreciate his contribution so much.

Last night I was extremely tired and only lasted until about halfway through Hunter And The Hunted (there’s some irony! Lol) before Mr Sandman finally took hold of me. I came around some time later to silence. The gig had ended and I had heard none of the rest of it.

The difference in performance of 70 Cities was very noticeable. From how it was in March of that year compared to this one in November was marked. It was a fab version at this gig. Jim’s vocal especially. It really isn’t an easy one to do. There is so much overlapping of vocals on the album version. It’s not easy to reproduce that live, but he nailed it here. Fabulous!

Despite falling asleep so quickly last night, I know I’ll enjoy this gig immensely. I hope you guys do too.

I’d have loved to have seen them in Canada in 2018 but things just weren’t meant to be. And it’s not as if I hadn’t had plenty of opportunity to see them here in the UK and elsewhere in Europe during 2018.

Thanks Art & Talk for the big plug and for all the Simple Minds content on your YT channel. The hard work has never gone unappreciated.

UPDATE (written Thursday):

I listened to the rest of it on Wednesday night. The sound quality of the recording does waver a bit. You can hear the crowd and so e raised voices here and there but it isn’t too disruptive. Canadian audiences seem very respectful, unlike UK crowds who always seem to be waffling over the top.

I really enjoyed the rest of the show. The standout for me was King Is White which was almost as vitriolic as the performance in Sydney but Jim managed to keep some control in.

I don’t whether there was some kind of disturbance going on in the crowd when the song begins begins because Jim seems to say “What’s your problem? There is no problem.” I don’t know whether he is actually addressing someone in the crowd or WTH? If there was something going on in the crowd, it didn’t seem to turn into anything.

I also loved the versions of Sweat In Bullet and Room. The crowd reaction to Sweat In Bullet is awesome. And I am still loving that version of 70 Cities.

Surprisingly on the opening leg of the tour, New Gold Dream wasn’t in the set which seems a really glaring omission in retrospect.

Overall though, a fabulous gig from the opening leg of the NGD tour. One to treasure as Mike O’s final one.

Weekend WhirliGIG – Tiffany’s, Glasgow, July 14th, 1982

It’s a proper old style bootleg – but a good quality one – from in the crowd rather than the soundboard.

And you get to hear said crowd go mental when Jim intros certain songs, or hear how raucous the applause is when certain songs end. Most of the setlist sparks rapturous applause and reactions, to be fair.

It’s great to hear a recording of 70 Cities As Love Brings The Fall from that time. It was on the setlist through the latter part of 1982 – from the summer onwards, but I don’t recall hearing too many recordings of it.

I started listening to it last night but did my usual and started to drift off during King Is White And In The Crowd and came round during Celebrate (the mention of “she rag doll” brought me round, I’m assuming – me obviously thinking “Hey, I’m not with Jim, being his rag doll. Oh, bugger!” Lol).

Also lovely to hear an early appearance of Someone Somewhere (In Summertime), introed by Jim under its WIP title of “Summer Song”. The song was all but complete. Not sure if the repeating of the first verse for the second verse was because at that point Jim hadn’t written the second verse, or that he just made the faux pas he sometimes did (even once fully written and previously performing both different verses) of just mistakenly repeating the first verse.

The gig was just a few days after Jim’s 23rd birthday, and his voice was just sounding sooo amazing. I absolutely ADORE the way he was sounding at that point in time. There was a real richness to his tone at that point. It’s probably why I fell asleep in all honesty – just his gorgeous voice serenading me to sleep.

I will pick it up from King Is White this evening and listen to the rest of the gig.

And I just noticed the rest of the setlist. An encore of Promised You A Miracle – no surprise there, but also one for 70 Cities?! Wow! I mean, it’s a real vocal challenge for Jim at the START of the gig, let alone at the END of it! Bloody hell!

I honestly can’t imagine what I would have been like being able to see them (him!) then. I think anyone around me would have run the risk of slipping on my drool. Lol – I think I need to find an appropriate gif…

Anyway! Before I end up drowning in a pool of my own drool thinking about Jim at this gig, I better go!

Enjoy!