A Chemical Reaction

Ever heard of Galaxians? Nope, me neither until Field Music’s David Brewis mentioned them on the Field Music Instagram account on Friday.

A new album of theirs (Galaxians) had been released and he was recommending it for your weekend listening pleasure. He said “our Leeds compadres Galaxians (he actually tagged their Insta a/c) have a new album out! Features the finest synthesizing this side of Bernie Worrell’s most-holy ghost.”

A person leaving a comment quoted that last part with a “SOLD!” at the end of their comment.

And I was really taken by the cover art. With me still in the middle of reading Lanark, there was something of the Alasdair Gray to the album cover art. So I thought “I need to give this a listen.

And for the past two nights I have done. Wow! Not just synths. Drums! E-drums. Linn drums maybe? I’m no expert. The vocals! Wow! And the style/genre – harking back to real PROPER funk, soul and r&b. I’m not sure about the Bernie Worrell reference. I am yet to see exactly what that pertains to. All I know is – THIS is a summer album! AND IT COMES FROM LEEDS?! It’s like that constant mindfuck of knowing that Average White Band hail from Dundee. Lol. You never expect these kind of sounds to spring forth from the UK.

Anyways, I am with David Brewis firmly on this one. You could do worse things on a rainy Sunday in Glasgow (or wherever else in the world you find yourself in currently) than listening to Galaxians new Chemical Reaction album.

Spotify link below…

You can buy their music from Bandcamp also. I’ve just gone and bought the album in vinyl. Bandcamp wording is a clickable link directly to their page.

Curious About Kenny

I have just been perusing the latest issue of Electronic Sound magazine and was taking a cursory glance through the reviews section. King Creosote has a new release out called KY-10 (I’m going to assume it has something to do with his postcode and not anything to do with lubricant – as I think he is a Michelle – aka a Fifer…see what I did there?).

The review given has me rather intrigued. I think I may have to give King Kenny’s latest a listen this evening…

Happy Release Day – Flight Of Ideas!

The day has arrived! Sadly, my copies are in lockdown as currently Monorail are only open as an online store and I ordered my Dinked LP and CD to collect from in the store itself. I’ll be waiting some time to collect, methinks! In the meantime, there is Spotify and the digital download copy to buy.

Check Warm Digits’ social media channels and website for details.

As a consequence, today’s music aperitif is Fools Tomorrow. Strangely timely for the perplexing time we find ourselves in.

Rare, Rarer, Rarest – Punk 45s

From the latest edition of Long Live Vinyl. A timely nod to Pripton. I guess he’s the reason this blog exists after all…

Personally, I still think Dead Vandals was the better song, but was obviously less ‘punk’ in the strictest musical notation terms. Thank god it was the B Side at least.

Record Store Day 2020

This year’s RSD takes place on Saturday April 18th. There are some things that have piqued my interest, pictured below.

There is also a Steven Wilson mixes edition of Roxy Music’s eponymous debut album. For me, Field Music and kd Lang’s All You Can Eat and Drag would be lovely on vinyl. I used to play those and the Ingenue album SSSOO much. I absolutely ADORE her voice.

There is also the tenuous Simple Minds connected offering of Corporation Of One’s The Real Life – which as I understand it, oddly enough samples the title track from SM’s 1991 album.

Something for the purist, I guess. I can’t say I am that enthusiastic about it, but now I’ve said that, I’ll probably by it. Lol

New Warm Digits Album – Flight Of Ideas -Released April 3rd!

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The best news today! Warm Digits have a new album coming our way on April 3rd. The new album is called Flight Of Ideas and an official video of a song from the album is up on YouTube.

The song is called The View From Nowhere and features guest vocalist, Emma Pollock. You can find a link to pre-order the album via the info on the YouTube clip. I’ve already ordered both the vinyl and CD. Can’t wait to hear the rest of it!

See you next week, boys!

Field Music – Kelvingrove Art Gallery and Museum – 01/02/2020

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Ticket stub from last night.

My first gig of 2020 may already be the gig of the year! I arrived in the West End around 4.30pm and had a bite to eat at Mario’s Cafe on the Byers Road. After the meal I took a meander down to the Kelvingrove thinking it might be open for the concert goers to go into and have a drink in the cafe or in a bar. I was there at 6pm but the doors didn’t open until 7pm.

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The band going through soundcheck.

At about 6.30 a couple showed up and we got chatting. We discussed gigs, my move from Sydney, to Luton, then on to Glasgow. It wiled away the time until doors opened. A friendly couple they were. Weegies are always up for a bit of a chinwag and some patter.

Once the doors opened to the museum hall space and to the seating, I got myself a seat about four rows back and fairly centre of stage. It was a good vantage point, with a clear view to the drum kit (always important for us would-be drummers).

The support act, Tenement and Temple, were on shortly after everyone was seated. The singer’s voice is very sweet and beautiful. They have quite a traditional folk/country sound to their music. Not usually the genre of music I would seek out, but I enjoyed their set. The natural reverb and echo the hall has really complimented the singer’s voice. It was lovely and soothing. I felt myself calmed by the music. Their set lasted about 35 minutes.

A quick set up by Field Music followed. Then just on 9pm, David Brewis walked onto the stage. He says “just to make you all aware. We are going to do something very scary this evening. We are going to play the new album in its entirety first – without a pause…and then we’ll play some of the back catalogue – the songs you’ll know. So bear with us, please. We’re really nervous.”

What followed was one of the most wonderful audio/visual experiences I have ever had at a live event. It was wonderful!

The album is a concept, based upon an audio recording done that captured the final minute of WWI and the first minute after the war ended. The band then put their own interpretation on aurally documenting the last 100 years since the end of WWI. They were asked to be involved with this concept by the Imperial War Museum. What they’ve done in producing this album is amazing. The way in which they have documented the past 100 years of human history, post WWI is concise and thought provoking. I sat there in a kind of audio/visual awe. Taking in the music and the visuals with a gleeful relish. Absolutely wonderfully staged. I cannot commend the band enough for the way they executed it.

Once the whole album had been performed, there was rest for the most deserved and stirring round of applause I’d heard any band ever receive. And you know the reputation of Glasgow crowds. Well, last night, they absolutely gave due respect for the audio/visual splendour that was just experienced. The applause went on for several minutes. Both Peter and David Brewis were almost embarrassed by how long it went on for, but so wonderfully humbled by it. It was so richly deserved.

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They both sighed. They swapped places (both the brothers took turns at drumming duties last night – David during the performance of Making A New World and then Peter through most of the back catalogue). Peter drew in a deep breath and smiled and said “Okay…you can take a few moments now. You can get up, grab a drink, go to the loo, stretch your legs.” A guy in the front row immediately got up and darted off. Peter watches him walk off… “Oh, okay. Erm, yeah, off you go…. He’s not coming back, is he?” Lol. “So, yes, anyway. Just take a few minutes, we’ll have a quick breather and perform the good stuff now. The songs you’ll know. So you can sing along, have a dance, do whatever you like.”

They played Count it Up which I was so happy about! I think they performed maybe 8 songs from the back catalogue. I wasn’t keeping count. And I admit my ignorance and declare I am not overly familiar with their back catalogue, but I will endeavour to change that after last night. They certainly gained a firm fan in me.

Afterwards I waited patiently for my time to just…engage with them both and thank them and congratulate them on such a wonderful gig. I spoke to Peter briefly first. Telling him that I got to know of them (Field Music) through Warm Digits and that I had seen him perform with them in 2018 on the Wireless World tour, as he’d done a guest vocal on their (Warm Digits) song End Times.

David was manning the merch stall and was taking card payments, but the WiFi inside the Kelvingrove was proving a bit temperamental. David split away from the main merch area to try and get a better connection, which he found standing in a different part of the foyer and set up a makeshift second merch stand to take the card payments. I bought the new album and asked if they would both sign it. I said to David “I really don’t know why you were so nervous. The show was absolutely amazing!” He went on to explain that he had to play the drum parts to a click track to keep to the tempo, and once the adrenalin starts pumping, you naturally just want to play faster and then the click track sounds really, REALLY slow and so the level of concentration just makes you anxious and it’s just an abundance of nervous energy and you get stressed with wanting to make sure you get it right.

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I’m so glad I stayed behind and got to chat with them. They are such lovely men. So talented, yet so down-to-earth and lovely.

I knew this gig was going to be something very special and it was exactly that. It actually went BEYOND my expectations. I don’t feel in anyway being premature in saying this could already be gig of the year. They really have set the bar high for whoever else I am seeing this year – Simple Minds included!

The Brewis brothers deserve every accolade that comes their way with this album. It’s wonderful. See them if you can! You won’t be disappointed. More dates are to come later in February.

Street Fighting Years – Reissues/Box Set – Released 06/03/2020

It’s the one a lot of fans have been waiting for and well…it’s fairly disappointing, insomuch as there’s nothing to surprise. No previously unreleased material. Well the Verona audio is deemed “previously unissued” – whatever the fuck THAT’S meant to mean. Not previously in audio only format, I’m assuming?

This new push for “edits” continues with a disc that contains both edits and full versions of songs and some remixes. Why edits? Especially within a product that appeals most to the ardent fan rather than the casual fair weather fan? I just about understood it with “40: The Best of 1979-2019”. It was to appeal to the casual fan, not the ardent one.

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If you want true fans … “real” fans to continue to invest in this output, you’re going to have to up your game. Sorry, but it’s the truth. You can’t just keep on relying on us being pulled in by the aesthetics of the packaging. It’ll start to have a tone of “nice legs, shame about the face” with it. “Nice packaging, shame about the content.”

It’s a big investment for some pretty imagery.

The only thing that genuinely appeals about it now is the booklet and Trevor Horn interview.

But don’t let me put you off! Available to pre-order – the best price I’ve seen for it is via the Townsend Music store, currently listed as £43 for the 4CD Boxset. You can view more details on the contents of the boxset HERE (which also contains info on the 2CD and 2LP versions of the album).

I’ll wait to invest. I’m guessing that by the time this year’s Verona gig swings by, the price will have dropped and I’ll grab a copy then. I did similar with Sparkle In The Rain and Once Upon A Time. I bought them both several months down the line at discounted cost.

Now…had this been a Sons And Fascination/Sister Feelings Call boxset….

Glasgow – Music Scene Central!

I read a piece from The Guardian yesterday as to why author Karl Whitney believed that Glasgow is the best city in Britain for the popular music-lover. He talked about the vibrancy of the scene, the number of venues the city has, a number of them more intimate music/pubs, some offering a fully vegan menu. I had been in two of them mentioned, The Flying Duck (making my mind up about Walnut Road and hearing Cities being played as some kind of omen) and Mono, in which I had that delicious kumquat margarita – and also checked out adjoining Monorail record bar.

I’ve walked past Nice N’ Sleazy’s numerous times but have never ventured in. And also for me personally, the notion that I am going to be living just 15 minutes away from the Royal Concert Hall fills me with SO MUCH EXCITEMENT…I can’t even!

And he also talked about the shops too, mostly around the West End on the Byers Road. In all my visits to Glasgow so far, one of the things that has eluded a visit is Byers Road. And only this last time did I get a sweeping glance of it as we passed by on the sightseeing tour bus (highly recommended, I must say – and if you love a bit of history and Neil Oliver’s dulcet tones float your boat, you’re in luck! He provides the audio commentary on the bus). But when the move happens…well, I’ll be on the lookout for bargains and by all accounts the Sally Army store up near Partick is the place to go – two birds, one stone!

Anyway, Karl extolls the virtues of my very, VERY soon adopted city much more than I can. Click the image of Barras to read the article.

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Mecca