Themes For Great Cities – Competition Winners!

Good morning, everyone. Thanks to everyone who has visited the blog in recent weeks, read my review of the fantastic Themes For Great Cities: A New History of Simple Minds by Graeme Thomson, and entered the competition for the books.

Before I announce the winners I just want to say thanks for all the wonderful feedback I got from everyone for the review, it was really something. Especially when Graeme himself expressed words of gratitude for my review. So thanks to all. The feedback was humbly received.

And so without further ado the winners of a copy of Themes For Great Cities are….

KEV DOWEY and STUART GREAVES!

Congratulations to you both! 👏🏻👏🏻👏🏻👏🏻

I’ll be in touch with both of you shortly. And thanks once again to everyone who took the time to visit and enter the competition.

Don’t forget that the book is released this come Thursday, January 27th and is available to pre-order now. Currently priced at £14.49 on online bookseller hive.co.uk you can order and choose to collect it from your local independent bookseller free of charge. Home deliveries within the UK are also free. Click HERE for more info.

An “Act Of Love” in The Mail…

To say I am NOT a fan of The Daily Mail (otherwise known as either the Daily Fail, or Daily Flail in this household) would be SOMEWHAT of an understatement! But…the rag (in its truest definition of the word) has declared Act Of Love as its “track of the week”. It seems the publication CAN indeed print something positive…from time to time. A shame some of the details are slightly inaccurate. NOT “unrecorded” – recorded as a demo. There’s a difference. The devil is in the detail. I would have assumed the “devils” at the Daily Fail would be masters at that by now. Then again, who needs details, right?

Themes For Great Cities – Other Reviews

There have been some other great reviews coming in for Graeme Thomson’s Themes For Great Cities book.

Firstly, Classic Pop magazine gave a glowing review. And recently, both Uncut and Electronic Sound magazines have reviewed it. The Electronic Sound review is succinct yet wonderfully positive. The Uncut review gives the book an 8/10 and its opinion of Graeme Thomson as a writer is wholly positive, but the rest of the review is rather backhanded and quite dismissive and scathing of the band. Almost as if the reviewer wondered why Thomson had bothered to waste his talent and energy in telling the Simple Minds story? Well, that’s how the review read to me anyway.

See what you think…

I still think my own review is the best of the lot of them so far. And I don’t usually plug myself with this much bravado! You can read my review HERE – and don’t forget that I am running a competition to win one of two copies of the book. Check the review post for details! The comp closes on Sunday, January 23rd.

Graeme himself was pretty awed by my review, as you can see below… I admit to being quite stunned by his reaction to it. And very humbled. A few tears were shed.

Review: Themes For Great Cities – A New History of Simple Minds by Graeme Thomson

“This is a fast story”, author Graeme Thomson says at the beginning of the book and keeps reminding us a few more times further in. 

It’s a story of the formative years of two pals from Toryglen, their school chum down the road, the keyboard player from the Chinese restaurant and the bass player that was meant to be a guitarist. 

The focus is as one would hope – primarily on the music and the band itself. The meeting of five incredibly creative and gifted men and how those quite different young men come together to produce the alchemy that results in the early music of Simple Minds. We learn most about their creative and working lives. There is little about their individual backgrounds, only vaugaries that are relevant to the telling of the overall story. 

Although the story is heavily focused on Jim Kerr, Charlie Burchill, Mick MacNeil, Derek Forbes and Brian McGee, we also hear from others deeply involved in the story (if not necessarily within the band itself or the creation of the music). Jaine and David Henderson, Bruce Findlay, John Leckie, Simon Draper, Steve Hillage and Pete Walsh get mentioned and/or spoken to at length. 

Graeme Thomson has been meticulous without dragging out the pace of the story. As he continues to reiterate through the book it is a fast story. Like the five men that feature most strongly within the story, there is not an ounce of fat on it. Nothing lags. Nothing is protracted. Succinct, yet never lacking in detail. If I had got around to writing a book about the band I love, then this is EXACTLY the book I hope I’d have written. 

Along with content from interviews conducted with the primary band members, there is also input in the form of small “bridge” chapters from Bobby Gillespie, James Dean Bradfield and Ian Cook. There is also a dedicated “Q and A” interview chapter with art designer Malcolm Garrett. 

Some never-before-seen (even by me!!) photos are contained within the two sections of photographic content within the book. A number of wonderful photos by Virginia Turbett are within. Rare gems from John Leckie and Carole Moss can also be found within. 

There are things that I have questioned or pondered within my time as a Simple Minds fan that are discussed in the book. For instance, was the Life In A Day album already too “old” by the time it was released? Was Jim Kerr’s pudding bowl haircut a work of genius? Is Real To Real Cacophony one of the best albums they ever made? Is there anything that you cannot like about Empires And Dance? Why didn’t Grace Jones ever record a Simple Minds song? (Love Song gets singled out as the prime pondering here.) Can I ever stop my mind from wandering off to the object of my sexual desire when discussing Jim Kerr’s “Archimedes moment”? I may be the only person who grapples with that notion to be honest, but I am happy to keep on pondering it. “Eureka!”

If you want the WHOLE story of Simple Minds then this isn’t the book you want. But actually it IS the book you want. It is exactly the book you want! Because without this beginning, then there would be no “whole story”. This book is about the building blocks. That sandpit on the Toryglen building site where Jim Kerr and Charlie Burchill met as eight year old boys is such a fantastic serendipitous metaphor for the whole story of Simple Minds. Getting a gang of workers together. Gathering the materials required. Assembling the parts. Laying the foundations and by album number six, having a cathedral to wow yourself (and others) with. 

For the ardent Simple Minds fan, the book actually contains few new revelations. I don’t want that to be a disappointment to the ardent fan because Thomson tells the story so well you will find it utterly enthralling all the same. The retelling is compelling. 

For anyone who is newer to the Simple Minds fold, or came to Simple Minds from the point of Once Upon A Time and hasn’t really explored their back catalogue extensively, I implore you to read this book. 

For the diehards – YOU NEED THIS BOOK! It is a fast and exhilarating ride. The book jumps off around the time of the recording of Once Upon A Time. That’s a different tale to tell then. 

I honestly have not enjoyed a book like this since I read The Complete David Bowie by Nicholas Pegg. With Pegg’s book it was the telling of the Hunky Dory/Ziggy Stardust/Aladdin Sane years of the Bowie story that struck a chord most. The telling of Bowie’s meeting with Tony Defries and the MainMan years in particular. It made me “want in”. I wanted to be part of it. It fed the hunger of the dream to be in “the thick of it”. To be right in the cogs of that working machine. 

I am feeling the same with how Graeme Thomson tells the Simple Minds story here. He takes you right in. I can feel myself in the recording studio. At Rockfield, walking about those barns and inside the studio, at the mixing desk. Watching John Leckie orchestrate these young guys as they get to grips with how to write songs and produce music that confounds and mesmerises, enthrals and bewilders. 

To experience the “coming of age” of these young men, from the evolution of Jim Kerr as songwriter and stage performer, to Mick MacNeil finding his feet as a musical architect and composer, working alongside Charlie Burchill, it makes you appreciate more than ever what actual musical juggernauts both Burchill and MacNeil are. Also just what a bedrock the rhythm section of McGee and Forbes were together. 

A tale told with utter distinction. I genuinely have not wanted to put this book down for a single moment since it arrived. Hide yourself away. Devour it at will. Gorge upon it! You won’t be disappointed. It is a feast. Then play those first six albums again with new ears and a newfound appreciation of the astonishing band Simple Minds are. 

I have two copies of the book to give away. If you would like to win yourself a copy of “Themes For Great Cities: A New History of Simple Minds” by Graeme Thomson, simply answer the following question: In the book Jim Kerr tells of his “Archimedes moment” when writing the lyrics for which song? (Hint – search this website to find the answer.) Leave your answer in the comments section of this blog post. You’ll find the comments section at the bottom of the post titled “leave a comment” (you may have to scroll past the existing comments to leave your own unique comment. Fresh comments will provide me with details to contact the winners). If you have trouble with the comments section, you can also enter via the “contact me” form found HERE. All successful entries will go into the draw to win one of two copies of the book. The competition closes on Sunday, January 23rd, 2022 at 23.59 GMT. Winners will be notified shortly after. The competition is open worldwide. Good luck!

Merry Christmas From Little Brown Books!

This arrived in the post this morning. I am literally like a kid at Christmas!!! So very excited to be reviewing the book for the blog. The review will be up on the blog VERY soon. As will be details of a giveaway of copies of the book!

Exciting times. Keep an eye out for the review and more details on the giveaway shortly.

Merry Christmas!

Review: Warm Digits – The Cluny, Newcastle – 16/12/2021

What can one say about the year 2021? Not a lot. It started out quite abysmally and it took quite a few months before things slowly started to feel like they were getting better. We deluded ourselves we were getting on top of Covid. The vaccine roll out happened and the FM (First Minister of Scotland, Nicola Sturgeon) seemed pretty driven to get the Scottish population fully vaccinated as quickly as possible. Even now, statistically, compared to the rest of the UK, Scotland has the highest rate of vaccinated residents in the UK (I believe). As good as those stats are – a new variant has come along and now there is a new “evil” word joining Covid – Omicron! Covid cases are on the rise once more and there is a drive for booster vaccines to be given to as much of the population as possible in the quickest time.

This year I have been to as many gigs as I got to go to in 2020 before the Covid shit hit the fan – ie: not many at all. A couple of gigs I had chosen not to go to due to my own concerns still. Two gigs at Barrowland Ballroom I didn’t attend were John Grant and Manic Street Preachers. My list of gigs I went to is: Scritti Politti, Field Music (they were also one of my 2020 gigs), and Warm Digits (also on my 2020 list). I should have been going to one final gig this evening – to see Memes at McChuills. I had already decided I wasn’t going to attend it. I had taken enough risk seeing Thursday night’s Warm Digits gig. The good news is that in light of the Omicron variant and new restrictions coming into place, Memes have rescheduled their gig to April 1st next year.

The Warm Digits gig I have been concerned about for weeks. After the previous gig of going to the Stag and Dagger in Edinburgh to see them, and the disappointment of them having to cancel their Glasgow gig – and not being able to go to their gig in Manchester, it was all hinging on Newcastle. It had been a long while since I saw them play a full set and I really, really NEEDED to see a full set!

But with everything that hit with Omicron, I had my doubts about if I should go? Everything else I had put in place, determined to get there. I had purchased return train tickets straight after the Edinburgh Stag and Dagger and booked a room at a hotel nearest the venue. 

Other things were also playing on my mind. I actually thought the Covid things would be the thing of lesser concern. Vaccines were happening. Precautions were in place. I was worried weather would be a factor and had there been snowfall then that could stuff up the running of train services, etc, etc. Then about a week or so before the gig, this Omicron variant was spreading like nobody’s business around the world and I started to freak out. Esp. once Boris started talking about potentially going into lockdown again! I started to have my doubts that I would even be allowed to travel. And what happens if I end up going to England – will they let me back into Scotland on Friday? 

On Thursday morning I received a letter from SAAS about my application of my part-time fee grant. I was awarded the grant! Yay! But because this was my first time applying for the grant, I wasn’t sure how to interpret the letter other than I had been granted partial funding because the award was only for so much of the fee. So that left me believing I would somehow have to stump up the rest. I wanted clarity on this though and contacted the OU. They said I needed to specifically speak to the Scotland region of the OU, as they directly handle the fees and grant awards for Scottish OU students. During busy times though when you call the OU in Scotland number and the lines are busy, the calls are filtered through to the main OU phone lines in England. My call got filtered through to England twice. The second time, the adviser on the line said he’d put in a callback request for me so someone from OU in Scotland would call me back. Great. That was all good. But equally I am leaving for Newcastle with this worry that I am going to have to find 40% of the fee for the course! It was casting serious doubt on whether I could go ahead with my study. 

I packed a bag. Had a shower and got ready to head off to Newcastle. 

All the travel was running smoothly. Train into the city from Ashfield was on time. Arrived at Queen Street in good time for the connecting Edinburgh express train. Arrived at Edinburgh just after 2pm and the connecting train that was heading to London was already there on the platform. Found my carriage and seat and got comfy. About 40 minutes later we stop at Berwick-upon-Tweed, which looks like an absolutely STUNNING place, and is somewhere I’d definitely like to go and check out in the future.

Just after we pull out of Berwick, I get my callback from Ou in Scotland. I explained that I received the award letter in the post earlier that morning and had said I had been awarded so much – a partial award and wanted to check what I needed to do to pay the rest of the fee. The person on the phone asked me to clarify the award amount I was given, which I told them. “That is the maximum award they have given you. The university pays the rest. You have nothing to pay.” I don’t think I have ever been so relieved or felt so thankful for a phone call in a long while. I was like “Oh, my God! That’s incredible! I am so, so relieved. This is fantastic! Thank you so, so much!” I was on a cloud! So buoyed by that news. And just…so relieved and able to relax. 

It was pretty dark by the time I arrived in Newcastle. The sun had set and there was minimal twilight left. I decided to get a taxi to the Premier Inn I was staying at. Taxis were straight outside the exit from the station so I grabbed one and arrived at the Premier Inn several minutes later. 

Had a quick drink and a snack and after about an hour, I decided to head to The Cluny. I could see on Google Maps it was a really short walk to there from the Premier Inn. Less than half a mile. But it isn’t a busy part of the city and I was a little worried about the walk. But I knew that it would hardly be a taxi driver’s worth to come and collect me from the Premier Inn to drive me, quite literally, down the road and around the corner. So I walked it. But OMG, I was freaking out doing it! But I made it there safely (obviously!) but there was NO WAY I was going to take that walk back to the hotel after the gig. One, I knew by then my legs will have given out on me, and two, by 11.15pm, those streets will be even MORE terrifying. 

When I get to The Cluny, I familiarise myself with the place again and go to the back of the pub and upstairs to the quiet “lounging” area. I take a seat on the sofa and have been there all of a few minutes when I hear music start up and realise it’s Andy and Steve going through their soundcheck. Not only that, I can hear that they are rehearsing their Christmas song – Good Enough For You This Christmas. From the time of Edinburgh I had been saying “The Cluny is a Christmas gig. You HAVE to do the Christmas song! You just have to!” 

I got up off the sofa and snuck in through the doors of the auditorium in front of me. I stood towards the back, enjoying my little exclusive preview. Andy looked up at one point and I waved like a loon at him, grinning away that they were rehearsing the song. 

Steve was to the side of the stage and couldn’t quite see me from where I was standing, so when the song ended I shouted “YaaaaaaY!!!!” and that was Steve alerted to my presence and, bless him, he smiled and said “you made it! Excellent!”

Not only are Warm Digits bloody amazing musically – but Steve and Andy are just such lovely, lovely guys. They always make me feel welcome and they never make me feel a pest for wanting to hang out with them. They are just so, so fab. Speaking of FAB! We had a bite to eat together before the gig. Andy and I are very much “team Get Back”, the both of us waxing lyrical about what we thought of it and how great it was and how we’re both well up for completely ODing on the notion that Peter Jackson says he will eventually release all 60 HOURS of the footage! 

To the crux of the matter – the gig itself. There were two support acts. But with first support had to pull out of the gig unfortunately. That left Dextro as the sole support act. I really enjoyed his set. There’s quite a kind of “trance” vibe going on with his music. I find it hard to get into music with a lot of space like that and not much of a “groove” as such – more loops and repetition at a standing venue. I feel like it is more a style of music that needs to be enjoyed sitting down. As much as I was enjoying his set, after a while it started to play havoc with me and I feared I was about to have a vasovagal attack so I left the auditorium and went and sat on one of the sofas back out through the far doors. Just to give myself 5-10 minutes to compose myself and get my breathing under control. I was doing deep breathing inside to try and ward off the feeling but I was starting to feel like I better go and sit down for a few minutes while I was able to.

I went back and was able to enjoy the final 10 minutes of his set without the fear of keeling over.

Again, I will say that I enjoyed his set, but I would need to be at a seated venue to enjoy his set fully. I would see him again. I had checked out his music on Spotify before the gig and I liked what I was hearing and was interested in seeing him.

Hear more from Dextro by checking out his bandcamp page – https://dextro.bandcamp.com

As for Warm Digits? FANTASTIC! They sounded great from the off. The Cluny’s acoustics are fabulous and they get great sound guys in, I think. The levels were perfect. Nothing was too loud or distorted – so very different to how Edinburgh was. Crowd wise, despite Steve and Andy’s concerns there might only be a very small crowd, there was about (conservatively) 50 people in, which obviously doesn’t sound much – but given all other factors, it was pretty darn good. And everyone there was really into it and having a great time. It was great to see people enjoying themselves. And it was great for Andy and Steve too because of course they get to bounce off the reaction and appreciation from the crowd and it circles round. It was a lovefest in that room!

And it was just so great to hear a full set! To have things like Frames And Cages, Fools Tomorrow and False Positive (which now seems a wonderfully prescient title for that track!) on the setlist, as well as Flight Of Ideas stalwarts Feel The Panic and The View From Nowhere playing. Replication had been played a few times as well over the past 18 months but Thursday night allowed a great showcase of tracks from Flight Of Ideas. But there was a great mix of older tracks in the set too, End Times was sounding the best I’d ever heard it and Rumble And The Tremor was bloody fab too. Then quite the oldie, playing Connected Coast from their Interchange album. 

After the world’s shortest “end” of the gig was the encore with the much enjoyed (by me especially) Good Enough For You This Christmas and then a finish with the fabulous title track from Wireless World. 

The best. Just the best! Everything I was anticipating this gig to be. Nothing disappointed. The guys played great, the sound was fab. Everything was on the mark. And I was buzzing. And I wasn’t the only one. 

It’s still not been the easiest of years this 2021, but at least live…musically, for me it has ended on a real high. 

Thanks once again to Andy and to Steve for not only being my favourite band in the entire universe (along with Simple Minds) but for also being such wonderful men and being ever so great to your number one fan – in Glasgow, at least. I really hope to see you guys out there on the road again next year.

The ‘Off Topic’ Uni Student

I’m sitting at my PC today wanting to continue with the exercise of writing. And I have things swirling around in my head. Bits and pieces of this, that and the other and just wanting to try and blurt all of these things out and try and do that in a quick manner before I lose all train of thought. But my mind is such a jumble of so many things I don’t know where to begin! And I would love to write to someone directly…but…you know, it’s a pure fantasy to think he would ever come to this blog to read what I would write. 

Today I can officially deem myself a university student. I am now fully enrolled in my Higher Ed. English diploma at the Open University. Never in a million years did I think I would end up studying Higher Ed. ENGLISH! Science, Maths…all the biological, chemical, astrophysical – all the sciences were where my interests lay when I was growing up. Never felt good at art. Never felt good at English. The humanities, I felt, was where my weaknesses were. Not that I by ANY means felt capable in the sciences either. I just had more desire to want to be good in them. 

History was the bridge. 

It’s taken so long for me to realise there is so much more to English than just storytelling. That it does open up things I am interested in – like history, research, working in a library, being a museum curator, and so on and so forth. 

I am ssooo eager to get started. Literally champing at the bit! And I don’t want to quelle my eagerness. I want to capture it. Bottle it! Give it an outlet in the meantime. So if for the next eight weeks or so this blog drifts wildly “off topic”, please forgive me! It’s a great creative outlet for me – but it can’t be 100% Simple Minds based. I mean – Jesus – some NEWS to actually write about would be grand right now!

So, I am currently an OU student. I am enrolled in my first module – A111: Discovering the Arts and Humanities. I have already invested in purchasing the books that we’ll be studying during the module: The Faber Book of Beasts, Sophocles – Antigone, and A Christmas Carol and Other Christmas Books. I have applied to have access to the University of Glasgow’s library as an OU student. And I have also applied for a part-time student fee grant – something I believe is only available to students resident in Scotland.

It is now a waiting game. And this is the part that is playing havoc with me. Deadline for applications of enrolment on the course is January 13th. And although I am enrolled, it is still pending on my fee grant application being approved. It can take 28 days for the fee grant to be approved. Allowing for staff to be off over Christmas and New Year, it will take me right up to the application deadline. No problem if I get the grant. But if I don’t get the grant? One, I’ll be devastated! Two, I’ll be de-registered from the course and if I still want to do the course and somehow pay the fee, I’ll have to reapply to the course! So it really does all hinge on me being given the grant.

I have to “sit tight”. I’ve never been good at sitting tight. And I really don’t want my enthusiasm to wane! So everything that will go on at this blog in the interim that isn’t Simple Minds related will be me just wanting to keep at my creativity and writing and brain activity and…all of that. 

I have been wanting to discuss The Beatles documentary, Get Back – but I feel that every man and his dog has reviewed it now, or passed judgement on it. What else do I have to add or offer? Short of being brief and saying it’s a LONG documentary but well worth the effort, there isn’t much else I can add. Perhaps when I am a little more focused I can discuss it in more detail. After the initial dust has settled and there’s a bit of time elapsed from half of the world having just devoured it over the past week or two. 

I didn’t even think Jim was going to brush upon it at all. But lo, there he was this morning talking about it, mentioning his mum, his brother and a “mongrel dog” called Ringo. I love when he shares memories. I know not everyone in the fanbase wants that. Some just want…I don’t know what they want! For Jim not to talk from a personal angle, basically. Which I find perplexing, I have to say. Why don’t you want Jim to talk/write that way? It would be so…analytical and perfunctory on their social media if he didn’t. Jim may as well not be involved in the FB page at all in that case! 

I absolutely LOVE the way he writes and interacts (when he actually did do so) with us! It is the most special thing there is about Simple Minds having a presence on Facebook. Every other official band and artist FB page I have seen is, by and large (there are a few other exceptions – Gary Numan, for example), devoid of any real connection with their fans. 

I want band news, of course I do! To hear about new music on the way would be extremely welcome right now. 

Jim’s writing inspires me. And I don’t mean his songwriting, but of course that does too, in a more fragmented way. 

There is something else I’d love to say here but conversely, I don’t want to discuss it. Suffice it to say I had an epiphany recently about my writing and its cathartic benefit to me. That is as forward as I can be about that. 

I have been writing A LOT since July and not all of it has been posted here. I guess not all of it needs to be posted here. But an element of my writing is not just the feeling of expression that comes from it but wanting it to be read! The want of having people read what I am saying and feeling. And that is why now it is feeling like art. People in the visual arts – painters, graphic designers, sculptors, photographers, dancers – whether they realise it or not desire an audience. Desire their work to be seen and appreciated. I have felt that with my digital art. Always made it for my own enjoyment in the first instance, as an outlet of expression but then beyond that wanting it to be shared. Then, with any luck, liked and appreciated by others. 

So this is why I will be writing – off topic – here on this blog. I went to type “my blog” out just then. But I find myself reluctant at times to call it “my blog” because I still see it as a Simple Minds blog. And as a Simple Minds blog, I feel it shouldn’t be personal. But it always manages to seep in somehow. I actually don’t know what this beast of a blog is! It’s like liquorice allsorts. 

I just hope you enjoy liquorice allsorts.

As Dorothy Said To Aunty Em…

“There’s no place like home.” A much used quote lifted from The Wizard Of Oz. But it rings true. And it certainly seemed to have rung true on the nights of November 18th and 19th, 1982.

Simple Minds had just returned to Glasgow after another whirlwind stint of touring to the far reaches of the globe (yes, GLOBE – no “flat earth” conspiracy theorists here! Have ANY of these flat-earthers NEVER been on a plane? How do they explain the curvature of the earth and the horizon? I digress!) – heading back to Australia, New Zealand and Canada directly after the release of New Gold Dream.

I was looking into fanzines on eBay last night, after having seen an enquiring post on my FB feed about a certain Scottish produced fanzine. I thought I’d have a hunt around the interwebs and see what I could find. I decided on eBay first and got caught up looking at fanzines on there. One in particular caught my eye. One called Deadbeat. I looked at the listing of every issue and viewed the images, trying to scan and find more info on the fanzine production itself more than anything.

No one was then more surprised than me to find within the shared images of one listing of the magazine – THIS! A review of Simple Minds playing Tiffany’s in November, 1982. It’s unclear as to whether the reviewer is at the first gig or the second, but regardless of that it’s a glowing review.

The only error in the review is that they say Mike Ogletree is on drums. And it wasn’t until I was listening over the bootleg last night did I think to myself “Naw, pal. That ain’t Mike, that’s Mel.” Mike’s last gig was in Toronto about 10 nights prior to this gig. So in actual fact, it was Mel’s first or second night at the kit – depending on which night the reviewer was there.

They wax lyrical about Jim. Such praise! Excited at my discovery of this review last night I did a very rare thing (these days) and posted it to SMOG first with a link to Art & Talk’s upload of the November 18th gig to YouTube. In my post on SMOG, in reference to the lashings of praise heaped on Jim, I said “anyone would think I wrote the review! Lol.”

It is true though – anyone WOULD think I had time travelled and gone and reviewed it for the fanzine. It is wonderful to see such praise given to His Kerrness though. And it’s certainly nothing I wouldn’t have done myself.

A companion piece for me are the photos I have from Virginia of them playing the second night at Tiffany’s. My favourite photo of the set? One of Jim on the stage – looking pretty fucking sensational, I have to say in signature white collared shirt, shiny tailored trousers and black wee “ballet” shoes. And in the bottom left corner of the frame you can see his brother, Mark, looking as though he would rather be anywhere else than watching his big bro up on stage. Lol. Poor Mark! It’s not in the ones I have posted above, but you can view the particular photo I am referring to on Virginia’s site HERE

Lastly, here is the link to the first of the two Tiffany’s gigs that A&T uploaded. Oh, for a night at Tiffany’s! This is the next best thing…

P.S. Artwork used for the YT ident, eh? *wink* Thanks A&T!