Ever wondered about those two blurred beauties photographed in action on the covers of Love Song and Sons And Fascination (and no, I don’t mean Jim and Charlie. Lol)?
Well, I can tell you they are two 1960s American classic cars. One is a red 1969 Plymouth Sport Fury and the other is a black 1964 Cadillac Fleetwood. I think we can agree that these beauties are as much the stars of the cover art of these releases as much as Simple Minds are themselves, no?
You can read more about the Love Song/Sons And Fascination cover art by visiting the Dream Giver info page HERE
The YouTube clips below show the cars in their glory. Obviously not the EXACT ones on the covers, but the same makes and models. The cars aren’t the same colour but it’s such a fab/naff advert for the Plymouth and PETULA CLARK sings the blooming jingle! And just being able to hear the sound of the Cadillac engine – OMG…pure car p0rn!
Thanks to MX for the additional information on the cars.
In a small village called Little Chalfont, in the Buckinghamshire countryside near the town of Amersham…. five band members and a producer that they (the band) admit to having slight reservations about (they wanted Todd Rundgren but he only worked out of Sigma Sound in New York and Virgin deemed the idea too expensive to hire him, then it was proposed they use Martin Rushent but he was unavailable, or Steve Lillywhite but he was deemed too expensive also at that point in time) enter a recording studio and started to record what would be, for me, quite possibly their most remarkable album(s). There may have been trepidation to start with. And it may have continued to be fraught with indecision, but what sprang forth from it, in hindsight, is…wondrous!
Steve Hillage sounded the least authoritarian producer you could wish for, which one could argue wasn’t what a still fledgeling Simple Minds needed at that point – their three album recording history with John Leckie meant that it was an entirely unknown dynamic for the boys when they entered Farmyard Studios with “old Cabbage Head” to record their 4th and 5th albums. They sounded as if they needed the discipline that Hillage lacked giving them – at the time – but it also released something profound too. Perhaps a modicum of freedom that they needed? Yes, it meant they were indecisive about which songs to work on, but wow! I mean, talk about spoilt for choice when you feel your hands are tied and say “we’ll take them all in!”
Perhaps this is why we’ll never see a Sons And Fascination/Sister Feelings Call boxset? Do we have it all already? Well…I can’t imagine that is true! Just last night on the Dream Giver site I read about demos that were recorded at CaVa Studios in Glasgow. And when I interviewed Jaine Henderson a couple of years back she had told me that initially Love Song was offered to her by Jim to perform and record. Imagine it! What would be their biggest hit of the time – until Promised You A Miracle is released 12 months later – might not have even been a Simple Minds hit! Jaine wasn’t persuaded. She wasn’t a singer or performer.
I’m guessing those CaVa demos are what ended up on the Silver Box set that Virgin brought out in 2004? There are demo versions of Love Song, The American, Careful In Career and Sweat In Bullet on there – as well as (dare I mention it?) the forgotten Life In Oils – which fell somewhere between the tracks of Empires And Dance and Sons/Sister. Already too much new stuff they were working on as the Sons/Sister sessions started, it got ditched, much to mine and John Leckie’s consternation.
They nearly called him (Leckie) back into the studio, they ended up so directionless with Hillage – but would we have ended up with what now feels like such a rich tapestry? The album needed to formulate and end up shaped in the way it was. A bulging overspill of creative energy. A band oozing with an abundance that sees them on the cusp of something grand. You can feel it. You can almost taste it! With long hindsight, and even with its (SUBTLE) imperfections both Jim and Charlie value it for the creative tour de force it was.
For your listening pleasure – a fantastic recording of them made in San Fransisco while they were on tour. Recorded by Frank Gallagher, no less, and aired exclusively on Billy Sloan’s radio show for Clyde Radio back in July, 1982. I’m assuming the recording was made the previous November as they played San Fransisco on November 7th, 1981. They didn’t tour the U.S. again until 1983 and SAF was no longer on the the setlist by then.
Not sure it’s any good at all. Dunno…
Art imitates life – some days are fab, some are not. Sometimes you have to swim against the tide to get to where you want to go…
And all that shit.
The southside of Glasgow has a kind of mysticism for me. I’ve lived here in Glasgow not quite 18 months now and I can count on one hand the number of times I’ve been to the southside of the city.
Prior to that? Only a couple of times still. I never discounted living just about anywhere in the city’s suburbs. If the house was nice and the area had a certain “vibe”, nothing was overlooked. House-hunting took us out as far south-west as Barrhead, and also to Pollok and over to Mansewood. But those visits were purely for the house-hunting and I didn’t end up taking in too much of the city on that side of the Clyde.
And thanks to Covid, it is how it has stayed. I’ve had no real chance to explore the city over the other side of the river. The 90 bus was as near as it got! And it was a fun albeit long-winded journey.
When I moved here, I was looking forward to getting out and venturing to all kinds of areas of the city but it just hasn’t been able to happen.
All around Shawlands, Langside, Pollokshaws, Cathcart all look lovely. The parks on the southside look AMAZING! A case in point is this. Snuff Mill Bridge which crosses White Cart Water near Cathcart Cemetery and the top end of Linn Park.
I’m sure Jim used to walk around this area when he was visiting his dad every day. This place looks magical. I would love to ask him if he knows of it and ever walked over the bridge. But he’s just never really around any more. Here, but not here.
I miss him. So much.
I still had so many questions for him. Just wishing for the endless perception of being close to him. Friendship. Kinship. Something that went beyond mere fan and band. I guess it will never be. Certain others most likely paid rest to that.
The southside will still be there for me to explore one day. It can have its own folklore for me. I’ll make it my own magical place, where all this amazing music sprang forth, and this beautiful, mythical creature with the most superb elfin ears you’ve ever seen came from.
There’s an article that Glasgow Live posted about Snuff Mill Bridge – you can read it by clicking HERE
Something wonderful and unexpected happened over the Easter weekend. It was quite lovely and I was pretty overwhelmed by it to be honest. But, as with the usual kind of thing that happens in my life…the enthusiasm bubbles over and I go a bit… “anorak” on people…
Despite the “anorak” in me though, I asked a really stupid question and probably ruined what was an otherwise potentially wonderful thing.
It just seemed like a really lovely thing. And there was an email exchange with it and now I seem to have lost those emails this morning. Like I accidentally deleted them or something – because they have just DISAPPEARED.
What will be will be, I guess.
No one else would be bothered much – but for me, it was a BIG thing and it made me so happy. Another thing that seemed ssooo intangible but for a fleeting bit of time it appeared tangible, only to disappear.
A ghost. An apparition. A figment of my imagination. Blossom petals in the wind…
When I wanna call out what would I say?
I don’t wanna be here anyway.
Still searching tonight.
I am just a sad and lonely pervert…
It started last night with another piece of “art”…
And then there was joy in the post this morning. This man and the music he helps to make is the biggest bit of sunshine Glasgow has.
I held off buying the 40 Silver vinyl edition and then when it was being sold at a reduced price, I was never quick enough to grab a copy before it sold out. I had been watching several on eBay…biding my time. Some were being sold with some cosmetic flaws to the packaging but the price wasn’t in any way reduced so I just kept waiting…
In the end I got it for £24 with free postage and it seemed a pretty pristine copy. No cosmetic damage and still new and sealed.
As for the photos of Jim – these are ones I have been coveting for some time. Taken in April, 1982, Virginia seemed to have the most wonderful photo session with Jim in Kensington Gardens that day. I never really ask her anything about the photoshoots. One) I know she’ll never really remember much, and two) I don’t want to drive the poor woman crazy going on and on and on AND ON about Jim. 😂😂😂😂😂
She already endures so much from me as is.
Anyway, I actually better wind this post up now! There’s a Minds Music Monday post to come. Worry not!
Glasgow is ALWAYS sunny with a bit of Jim Kerr around ❤️😊