Due for release on February 22nd on the Cherry Red Records label is a 5 CD box set of the best of Scottish music released on independent record labels from for first stages of punk in 1977, through to the modern mainstream in 1989.
It’s an impressive and extensive list of acts to come out of such a small country, and a number of them go on to find major commercial success – none more successful than “our” Simple Minds – then not quite fully formed and under the original moniker of Johnny And The Self Abusers. The song that features is Dead Vandals (of the two songs that JATSA commercially produced, this is the one I prefer – even though Saints And Sinners by its pace adheres more to the punk ethos).
Below is a review in the most recent issue of Record Collector magazine. The review is very good. At the end of the post, you find a “taster” playlist on Spotify as to what’s to come on the box set.
You’ll also find a documentary, well, more a multi-interview piece about the music scene in Scotland during this thriving and almost creatively saturated period – with contributions from industury insiders, DJs and presenters and musicians.
The results of the Classic Pop Readers Poll is in and printed in the latest edition of the magazine. And, well, in the eyes of all Simple Minds fans they are top of the tree…not just in 2018, but eternally.
In the “Group of the Year” category, Simple Minds came in at 3rd place. Nothing to be sneezed at, of course, but us fans know better! Congrats, guys!
(I’ll share better scans ASAP)
An article in Mojo magazine about David Bowie’s brief musical evolutionary period with The Lower Third via interview and book extracts with the band’s drummer, Phil Lancaster.
The book sounds like it could be an interesting read, actually. I still find the story of David endlessly fascinating. I no doubt forever will.
“It’s too late now ’cause you’re out there boy,
You’ve got it made with the rest of the toys.”
A great and rather open interview with Michael Rother in Uncut magazine, exploring his music career, focusing on his time working with Klaus Dinger on Neu! – a rather fractious and strained musical partnership by Rother’s own account, moving on to Harmonia and finally working solo.
It has given me more musical off shoots to explore…
Can’t say I can’t agree with how it has been written. We sing from the same hymn sheet you and I, Mr Gittins.
The latest edition of Rhythm magazine is out, and within its pages, confirmation of Cherisse Osei winning the Best Live Session Drummer category for 2018.
I’ve done two previous posts I have labelled “icon”. One highlighting a piece of art I did incorporating Sir, and the other, once trying to capture this moment.
I love the way the sunlight filters through the break in the curtains and shines upon the pic. And to think I told this man he isn’t a messiah! (Sorry, Jim! I was an evil cow for saying that 😦 Love you ❤️)
Anyway…I couldn’t title the post “icon” AGAIN…hence the new title.
The first time I made an “icon” titled post, I was trying to capture the point that the sunlight through the break in the curtains reached the centre of the NME cover of Jim and lit up his face “icon style”. You can see from the previous post, I didn’t do that well. It never worked that well. But this morning, the sun was shining and I had my new phone to hand…and well…I took a few snaps and I like the contrast I caught between the first one (which failed in its objective) and the subsequent ones – playing with light levels on the phone’s camera settings. I’m sharing three of these as I like all three and couldn’t decide which one to post. (I posted one version on my FB timeline, another on the SMO visitor wall.)
I just find it a beautiful thing. Gonna have to hope I get a south-east facing bedroom in the new house to have any chance to replicate this. We’ll see…