One Week In

I had a bit of a breakthrough shortly after doing this video and cracked even more of it again after a coffee and some stollen.

The photo below shows how it looks at day’s end today.

The David Bowie Top 5

I have a few David Bowie pages I follow on Facebook and one linked to an article in which Noel Gallagher had chosen his Top 5 David Bowie songs (link below). I was rather surprised to see In The Heat Of The Morning as the first track on the list. I was thinking, “really, Noel? Above a LOOOAD of other tracks that I would have expected to see in its place, you chose THAT?”

In my head, as much as I could think of early Bowie tracks I really enjoyed, none before 1969 would EVER make the Top 5 for me.

So then I pondered. What WOULD make my Top 5? There were two certainties for a start! But I had to think about the rest. And I needed my memory jogged a bit. I had made a list of my Top 50 a few years back and turned it into a similar piece of typography than I had done for my SM Top 50.

With memory jogged, this was my list. The first two were there before needing the memory jog.

Teenage Wildlife:

It has been an absolute favourite and my “go to” track when I really want something very all-encompassing emotive and passionate to sing along to. I have all these little hand movements and gestures I do with it. I sing along FULL karaoke style “blue skies above, sun on your arms, strength in your stride and hope in those squeaky clean eyes”, “so you train by shadow boxing”, “same old thing in brand new drag comes sweeping into view”, “‘David! What shall I do? They wait for me in the hallway!’ I say, ‘Don’t ask me! I don’t know any hallways’. ‘But they move in numbers and they’ve got me in a corner. I feel like a group of one. No, no, they can’t do this to me! I’m not some piece of teenage wildlife!”
And then there is one of the best lines he’s ever written “those midwives to history put on their bloody robes”. It’s just…impassioned. I just love it. And Fripp’s guitar wailing all over it just sounding like its screaming in pain. It’s just epic. And as I say, it really is the most recent love I have gained for it. Obviously always really liked it as a track on Scary Monsters but it has gained a real depth of meaning and appreciation for me in recent years.

A New Career In A New Town:

The very first instrumental piece of music I felt truly affected by. Like…just crying tears and having goosebumps…the whole shebang. It was just like nothing I had heard before and affected me in a way that I wasn’t quite prepared for.

Sons Of The Silent Age:

I just love the way he uses words and rhyming couplets in this. It’s just so clever. And I get really stark imagery from it. It feels very…dystopian…but in a kind of Russian author dystopia. Its rather Chekov or Dostoyevsky in its visualisation for me. “Sons of the silent age stand on platforms, blank looks and notebooks”….”pace their rooms like a cell’s dimension, rise for a year or two then make war, search through their one inch thoughts then decide it couldn’t be done”….”make love only once but dream and dream / don’t walk, they just glide in and out of life / they never die they just go to sleep one day”. The chorus. THE CHORUS! And the way he sings it and delivers it. Just…awesome.

I Would Be Your Slave:

The most amazing song about obsession and obsession for one person and how they take over every thought you have and just…that endless pondering you have about someone when they are the absolute object of your desire. When they are your everything, and you want more than anything to be theirs. “I bet you laugh out loud at me, a chance to strike me down / give me peace of mind at last, show me all you are / open up your heart to me and I would be your slave” – the thing is…the heart remains closed, and yet you still find yourself a slave. You were a slave from the get go. From that first stumble and fall.

The Bewlay Brothers:

The most wondrous example of David Bowie at his mind-bending, Burroughs-borrowing, Crowley-plundering, warped majesty. “Oh I was stone and he was wax so he could scream and still relax, unbelievable / and we frightened the small children away”….”and now the dress is hung, the ticket pawned, the factor Max that proved the fact is melted down, woven on the edging of my pillow / and my brother lays upon the rocks, he could be dead, he could be not, he could be you / he’s chameleon, comedian, corinthian and caricature” – WHO WRITES LIKE THIS?! It’s just fucking mental! And it’s…mastery. And masterful. And…awesome – in the true sense of the word.

So…that’s it. That’s my David Bowie Top 5 – for today anyway…and maybe the rest of this week, or winter…or until the until the end of 2021. The songs I love the most can sometimes be in flux, but my love for David Bowie as the most awe-inspiring of songwriters remains constant and undying.

Noel Gallagher’s Top 5 Bowie article HERE

Minds Music Monday – Someone Somewhere (In Summertime) – Live

Today is the Winter Solstice. The shortest day in the northern hemisphere. Also Jupiter and Saturn align tonight to make what is deemed the “Christmas Star” – a once in 400 year alignment. And there promises to be clear skies over Glasgow this evening. Fingers crossed.

Meanwhile, as we see in the Winter Solstice today, it means the days north of the equator incrementally get longer. Moving forward to brighter days – not just geographically and meteorologically, but with the metaphorical sense too that better days are coming!

With that in mind, today’s MMM couldn’t be anything else but, Someone Somewhere (In Summertime).

I couldn’t decide which performance I wanted to link to – so like our own Christmas Star alignment of Jupiter and Saturn, I’ve linked to both. Jim is divine in both of them!

Minds Music Monday – 20th Century (2020) Promised Land

As we approach the end of this rather strange and turbulent year, there is still so much relevance I hear in a song like 20th Century Promised Land – so much so, I thought it could actually be renamed “2020 Promised Land”.

“Great times in commotion. Here comes every day, it only lasts an hour.” Oh, how we’d have wished for every day of 2020 from about April onwards to have only lasted an hour! “Count out evenings and stars, how fast can these things move on?” Not fast enough, Mr Kerr, you adorable wordsmith, you!

So let’s hope the “reason for fear *is* moving on” and the “speed of life *is* moving on” to take us into better times for 2021.

Because 2020 certainly has been “Some time.” The most “troubled time.”

“Unhappy the land that has no heroes. No, unhappy the land that needs heroes.” – AMERICA, ANYONE? America in 2020, more so! (Of course, these lines aren’t actually Jim’s.)

Anyway, I shall stop quoting lines from the song and let you go read them, and listen to that amazing voice be just…incredibly expressive and convey the story. I absolutely ADORE the way Jim sings on Sons And Fascination/Sister Feelings Call. He says in latter years he’s most happy with his voice but … there is a way in which he sings back then – I think it’s all in the enunciations of words and the (largely) fragmented and ambiguous style of his writing. I can feel it when he talks in the past about trying to use his voice as another “instrument”. I know it sounds as pretentious AF, but I honestly don’t think he meant it to sound like that. Because he talked about using some words just based on how they sounded. Like..that he just liked the sound of them and how they would sound and blend in with the music. Yeah…it does sound pretentious AF! Lol

I spoke to Bruce Findlay recently and he made me giggle talking about how he’d read the band reviews and get all downcast about anything negative written. “More so than Jim would”, he said to me. “I remember reading one review and the guy had said Jim’s lyrics were pretentious. I told Jim what had been written and he said ‘Of course my lyrics are fucking pretentious! I’m a pop star, for fuck’s sake!’” 😂😂😂😂

Anyway, just….enjoy the wonderful splendour of 20th Century Promised Land.